incl jensen interceptor remix

lp, limited sea green vinyl

2018 repress - bicep make their way home to feel my bicep records for their first 12” on the imprint since their collaborative ‘dahlia’, recorded with hammer, back in september of 2015. fmb006 is a notable addition to the label - a reimagining of blaze’s seminal recording ‘lovelee dae’ - originally released on classic back in 1997, before a string of subsequent re-issues and remix packages on playhouse, true and urban tracks that included carl craig and 20:20 vision. the remix was originally designed to be included in their essential mix in 2014, but a lack of space has meant that its pressing on fmb is the first time it sees the light of day. using ralph lawson and carl finlow’s classic aforementioned acapella version as the basis of their work, the bicep lads ensnare an air of swooning euphoria in their remix that stays true to both their original productions and their dj sets. shortened vocals suffuse galloping 909s and a gleaming synth riff that certify it as a festival fail safe

2009 repress!!! ultraphat deep house monster, incl dj accapella & 20:20 vision remix!!!

amazing new 2007 electro house & deep house mixes by bioground & subsky. will be one of this year hottest summer house & ibiza tunes!!

limited edition triple gatefold vinyl including dj markos theme, miro, junior jack, blaze, pirupa, street corner symphony and more.

2024 repress - groovin recordings is proud to repress another masterpiece of the blaze duo, kevin hedge and josh milan, here under the black rascals alias. in 1993 they released only few singles that still represent a landmark in the early 90 s deep-house scene.

reissue

get physical presents: cocada is a brand new compilation put together in cooperation with the brazil music conference, and is compiled and mixed by local and long time star leo janeiro. all bar one of the 14 tracks is exclusive, and all come from exciting brazilian talents, making for a great window into the scene. Ôcocada is a word that evokes strong childhood memories for all brazilians. it is a delicious coconut sweet which, says the label, is a little surprise in the middle of an ordinary day that makes you appreciate all the good things of brazil. as such, it is a perfect name for this selection which features tracks from big and emerging names alike. under the name cocada well be launching music and organizing workshops and parties, in order to bring greater visibility to the electronic music being produced in brazil and throughout latin america, says get physicals managing director roland leesker. our desire is to create an international platform both for emerging underground producers and well-known artists, a&r manager matt plessis adds. cocada is very sweet and we want to give the world an opportunity to taste some of those powerful delights that have been produced in brazil,. among the albums more established producers is hnqo, who runs the playperview label and has released on hot creations. his track Ôsorrow is a moody cut with a shapeshifting lead synth that brings a zoned out feel.

black vinyl , synth pop

hip hop instumentals! huge tip!

esaggila on northern electronics

incl feat. by just blaze. tip!

blue vinyl repress

der solid blaze pack 80 wurde speziell für djs, producer und content creators entwickelt, die täglich mit laptop, tablet, kamera und sonstigem digitalen zubehör unterwegs sind. nachhaltig hergestellt aus 80 recycelten 0.5l plastikflaschen, punket der solid blaze pack 80 vor allem mit hochwertigen und wetterbeständigen materialkomponenten sowie einem cleanen und kompakten daypack design. neben einem separaten und gut gepolsterten fach für laptop, tablet und 12” vinyl, featured der solid blaze pack im hauptfach ein clever durchdachtes innenleben, für eine übersichtliche organisation von technischem zubehör. 3 große netzfächer bieten z.b. platz für kopfhörer, kamera, soundkarte und kabel, wobei weitere zip-fächer und ablagen speziell für die unterbringung von kleinzubehör, wie netzteil, usb-drives, adapter etc. ausgelegt sind. + außenmaße: 49 x 32 x 20 cm + innenmaße: 45 x 30 x 8 cm + gewicht: 1.3 kg

ein absolutes allround-talent unter den equipment-backpacks. der solid blaze pack 120 ist nachhaltig aus 120 recycelten 0.5l plastikflaschen hergestellt, und basiert auf den hochwertigsten materialkomponenten wie rpet 900d polyester und ykk® aquaguard® zippern. ein robuster, zuverlässiger reiserucksack mit praktischen features und höchster funktionalität, designt um die unterschiedlichsten bedürfnisse abzudecken. ganz gleich, ob für dj, producer, foto- und video equipment, im solid blaze pack 120 lassen sich technische geräte optimal geschützt und übersichtlich organisieren. das geräumige und erweiterbare hauptfach verfügt über variabel positionierbare hartschaum-polsterung und trennwände, mit denen das innenleben individuell, dem zu transportierenden setup angepasst werden kann. ein separates fach für laptop und tablet sowie zahlreiche innen- und außentaschen, bieten ein intuitives zubehörmanagement und schnellen zugriff auf jeglichen inhalt der tasche. der solid blaze pack 120 ist der ultimative reisebegleiter für professionelle djs, producer, liveacts, fotografen, filmemacher oder content-creators. außenmaße: (h/b/t): 52 x 35 x 23-26*cm (*erweitert) + innenmaße: 45 x 32 x 14 -17* (*erweitert) + gewicht: 2.3 kg

phreaky stuff...

2020 repress - the jungle cakes label just keeps getting bigger and better. firing party music from deekline & ed solo and rack n ruin. this 12 inch is yet another must buy release.

aka elliot thomas

can u dance to my beat ??? classic reissue

»heaven« ist nach »virile« und »territory«, die beide schon mit kunstvollen und emotionalen videos unterlegt waren, der dritte vorbote zum debüt von the blaze, das im juni 2018 erscheinen soll. vor allem »territory«, aufgemacht wie ein ansprechender kurzfilm, führte die pariser auf erste erfolgspfade. die süddeutsche zeitung sah darin ein »wunderbares beispiel für die neue arabische pop-Ästhetik«, the guardian schlicht »stunning work«. zudem räumte der clip zuletzt sogar bei den cannes lions awards (»grand prix«) und den berlin music video awards (»best directors) ab.

excellent classic blaze deep house ...

released in solidarity with tigas anti-tech house crusade, a silent campaign fought everyday on the streets of your hometown, blaze finds russian crypto-whiz dimitri veimar still dancing with the rawer-than-the-rawest-dog electro thats brought him to the dizzying heights of the mid-tier crags of mt. turbo mountain. throwing his weight behind what some in the media are probably already calling tigas war was absolutely necessary following the events of a recent gig in moscow. veimar opened the night by playing no fewer than three tiga tracks, which anyone whos read tigas taboos can tell you is definitely a tiga taboo. deeply immersed in the practice of pouring his own mineral water, tiga ignored the hootin and hollerin of the vips crowding the dj booth (including dennis miller and diego maradona), and proceeded to play a set entirely comprised of recordings of every embarrassing thing veimar had ever said in his life. four hours later, an emotionally-shot veimar collapsed into tigas arms, with the magnanimous label boss whispering, i forgive you, dimitri into his ear. the release also features a broken techno remix from mysterious european producer florian kupfer, who made us sign a non-disclosure-agreement dictating that we can only describe him as mysterious, enigmatic, and/or european, so well have to let the music do the talking.

british trip-hop pioneers morcheeba return with their first new album in over five years. the band have released 8 albums that have sold in excess of 10 million records in their career. “blaze away”, their positivity-packed ninth album, marks both a fresh start in its organic approach and a return to the joyous genre-mashing of their early days, with featured guests roots manuva and benjamin biolay. there was no template for its ten, extraordinary, future-facing songs, no self-imposed limits on style, no themes to be adhered to or rules in place to break.
black vinyl pressing.

6 track vinyl ep, cut at 45rpm, comes with download code included.

next up for church is berlin via manchester based james booth.

nice price deal !!! classic garage house gems unearthed again.

5 tracks from king street sounds vast catalogue from bonafide house legends: blaze! following on the series from mood ii swing, kerri chandler, mateo & matos we now turn to new jersey s deep house pioneers blaze aka josh milan and kevin hedge.

pacifica ist in zürichs vielfältiger elektronischer musikszene gross geworden und hat sich von balearic über deep house bis techno weitläufig inspirieren lassen. das duo, bestehend aus den produzenten und performern domenico ferrari und balint dobozi, nutzt die verbindung elektronischer rhythmen mit der ihm eigener klangästhetik, um ein fragiles gleichgewicht zu halten: jenes, immer von neuem weite klangräume fürs ohr zu schaffen, während der rhythmus, der den körper in bewegung hält, nie versiegt.

deep, wayward and utterly groove-notic. optimo trax is starting off 2015 the right way…

blaze colour burn ist die neuste arbeit des innovatoren und pioniers der elektronischen musik, jan st. werner von mouse on mars, lithops und microstoria. er eröffnet hiermit die fiepblatter-serie von thrill jockey, die elektro-akustische experimente, algorithmische elemente, notenblätter, digitale signalverarbeitung, feldaufnahmen, improvisation, öffentliche aufführung und grafische arbeiten umfasst. es wird bei den arbeiten nicht nur um klang, sondern auch um ort, zeit, struktur und Ästhetik gehen. st. werners technische fähigkeiten und avantgarde-strategien gehen hand in hand gehen mit einem natürlichen und unerschütterlichen sinn für lyrik und harmonie, komplexität kommt nicht auf kosten der schönheit. die lp erscheint mit mp3-download-coupon.

fine, atmospheric deep house from jus-ed, pressed on red, multi-colour marbled vinyl. the doe do dab mix is featured on the fabric 63 mix-cd by vincent.

limited edition , a classic club landmark, > moonwalk< is reissued here as the latest installment of slow to speaks core series, a fine testament to the expansive, totally-mesmerizing sound of authentic deep house music at its point of inception in the sweaty, blacked-out club-spaces of the ny metro-area and beyond.

excellent fresh 2011 edits, with modern house flavours

black rascals >blaze theme track< receives a reissuing from slow to speaks core series! one of the best moments from one of the best deep house production teams ever to grace this good earth, the impossible-to-find >blaze theme track< is the quintessential instrumental masterpiece from new jerseys kevin hedge & josh milan. moody, brooding chord stabs lay way for a breathtaking bass solo that drives the record forward from the first few measures on to its continuous and relentless ascension

jazzy instrumental deephouse tracks by blaze.

hammered by mihalis safras in all major festivals in 2009 ! excellent amir (great stuff) bootleg !!!! everyone asked what was it.. now u know!

ultraphat heavy weight breaks booty wax... flipside is still here... a fresh drum & bass banger

2002 blaze mixes!!!

fantastic deep late nite house , blaze remix

massive ian carey & freemasons mixes

get ready for a hot soulful stunner! japanese outfit studio apartment returns to king street this time teaming up with massive nj house producers blaze (josh milan & kevin hedge) to create another mid-tempo soon-to-be dancefloor classic

blaze s >breathe<, the classic track from the >spiritually speaking< album, has finally (on public demand) been remixed for a 2007 re-release to drop after miami, featuring brand new vocals from nyc s mr.v, who heads up the a-side, with a set of 2 mixes (with or without his additional vocals).· aready heavily supported by louie vega, phil asher, jamie lewis and alix alvarez.

ably assisted by vegas new percussion pal luisito quintero master at work louie and the blaze boys complete nine and a half minutes of sublime jazz invested offbeat house joshuas jam has the us house legends at their most esoteric literally jamming for their own pleasure yet still coming up with the goods like a late 90s claussell production the dub mix feels as if it has slightly more bottom end due to numerous occasions where the bass drops out only to return stronger for it