who conjured up karatemusik? max freegrant, the man knows no obstacles. he jumps through different styles, makes freshproduction and is absolutely inspired to party. feeling freaks is my fav. great fun. 3 phat tracks!

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions.while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way.for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well!

the rising consciousness ep takes you on a tour of your own mind via two brilliant originals with remixes from techno veteran bryan zentz, and label head lets go outside. side a dives into the limbic system with the deep house masterpiece that is waving, surviving. its slick and sexy, creating a beautiful, wide space around its subtle textures, exhilarating swells, and tones which envelope you like a big hug. bryan zentz massive remix explores the frontal lobe further, managing to perfectly balance the plus 8 recording artists heavy dance floor genius with the warmth of the original. on the b side, rico tests your motor skills with skinless, a driving and playful tech house trip. this is raw fun dance music that slaps every neuron in your cerebral cortex with each step. sliding down and out the thalamus, slant label head lets go outside reworks >skinless< into an overwhelming, full blown body and brain workout.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman in new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peaktime territory with the sinister sounds of john boy, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. innit takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion. extremely limited edition with handpainted covers

classic!! 2009 remastered edition! incl big booklet

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

absolutely massive dop rework! will and tam went back to their roots and dusted off the sampler for >teddy s back<. strings and vocal cuts bring the soul and their trusty 101 delivers the bass line. as with many of their previous tracks together all the percussion is recorded in live - >because it sounds better and is fun to do<. they set out to achieve something that was heavy, rolling and organic yet with memorable moments that doesnt disappear into a never ending ableton conga loop... the original is already a firm favorite with the wolf + lamb crew and gilbr from chateau flight has also been supporting it for many months from an early version. our parisian friends dop deliver the goods on a major level with their remix. a truly filthy yet undeniably infectious song penned after a recent gig at the infamous berghain is backed by a surefire rhythm track and arrangement that is designed to move bodies. in wills words >not one i ll be playing to my mum<. just how we like it!

ltd 500 run! aided with mungolian jetset, ost & kjex take you straight down to the basement of camp ooh la la, with a good spirited, fun and rather raunchy take on princes teenlust classic dirty mind... say no more...ehh...ehh...

with a slew of slammin releases on all the happy fun times underground house labels, melbournes d-t3ch now comes correct with a crackin new release on the flapjack attack called the >scholars with dollars ep<. to kick things off, d-t3ch gives us a very tasty piano jam called >dusk til dawn< that pretty much rocks around the clock. also includes remixes from scrubfish & laurence alongside house phenom johnny fiasco. snls mix is a solid bassline bumper with plenty of cuts n bruises just like we do in this camp. johnnys remix is a shake n bake, plenty of bass krush groove to move ya to the egg beater bump….whatever that means. shak n bake baby! shake n bake!!!

played by richie hawtin, loco dice, lauhaus, pheek, tim green and many more!
lessizmore continues with a striking fresh release from its new darker serie noire imprint. kane roth is working towards a mix of psycho-reactive minimal techno while tim xavier redefines kama sutra with playful bass lines.
kane s kama sutra is focused on a melodic audion-like gimmick. the track is remarkable by the use of typically pitched down vocals and massive kicks, it viciously hooks the listener.
yearning begins with strange and dark sounds but after three minutes holds the line with simple yet magnificent synth layers. in this track, kane is close to robag wruhme s delicate vision of techno music.
the remix of kama sutra constantly thumbs our nose at. tim xavier arrangements are mapped out with calculated intent, he pushes the track into a brilliant fun and never-ending roller coaster.

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions. while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way. for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well

nice price deal !!! the songs on yachts debut album see mystery lights from the bouncy, burbling you cant take it with you screed the afterlife (which plays like a less spastic companion piece to the mae shis run to your grave) to the roller rink ready vocoder vocals of im in love with a ripper represent yacht at their most poppy. its a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. built on electronic foundations laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) these new songs are giddy with creative freedom while remaining tethered in service of their melodies. the vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics mantra like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

the schaffhaeuser & friends series was so much fun to make and so well received, it now enters round three with an additional bonus vinyl. all tracks on this ep have never been released, not even on the cd edition of >unequal equality<.

played by adam beyer, dave clarke, josh wink, dj hell, dubfire, renato cohen, paer grindvik ...
a true home for playful experimentation and a place for real fun to be had, figure spc proudly raises its hat to the latest dose of musical mindplay on offer. after the sensational trip that was his >vapors< 12 inch on len fakis figure label last year, the inimitable savas pascalidis returns with four unique club burners that are guaranteedhotter than the sun! >positive force< throws us right into the party, introducing the bold, gutsy vibe of the ep with this sinister synthethiser jam. using only a handful of elements to tell the tale, an addictive bassline and a psycho-disco groove throw energy all over the place in this recklessmonster.

elon returns to dumb-unit with 2 sublime summer works. treading lightly on current trends but with full individual strength he jacks the notion of what a modern techno djs should deliver in this day and age. fxck cuba is a layered and playful excursion into what the post minimal freestyle years have allowed us to achieve. freedom from constraints & styles. he then continues the mood on >right on babe< an ode to slinky summer sex, here elon pushes a dark and nasty feel that will grind hips this summer.next up is a man we have been eyeing for some time and his first foray onto dumb-unit is a stormer. ahmet sisman, the upstart from essen who has already made major waves (including being featured being on sven väths sound of the 9th season), takes the remix to another dimension (so pay close attention). not for the light hearted, this remix a a powerful calling to festival and main room dance floors of the summer, direct, unabashed and loads of fun ahmet is clearly a man with a lot to say and delivers a powerful modern take on dumb units renown sound.

northern songs in a southern style - fab guiro!
welcome to fab guiro! - the album title is a combination of both the popular british phrase fab gear referring to all cool music & lifestyle aspects and issues surrounding the band and also stresses the relation to the percussion instrument guiro that is an integral instrument, sound and necessity in latin, salsa and especially traditional cuban music. fab guiro! is beat music in a fascinating, exotic robe, a drum roll of liverpudlian song pearls the songs of the beatles on fab guiro! do actually sound like copacabana, cuba and kingston - but always like the english harbour town in the summer - northern song in a southern style are indeed warm songs, fab guiro! simply means lots of fun, entertainment and thus celebrates our heroes.

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.

as mnx recordings reach double figures they welcome the legendary alex cortex and longtime collaborator lopazz aka bad cop bad cop to the fold with a blistering 4 tracker of live, raw electronics aimed squarely at your frontal lobe aswell as the dancefloors! this work covers the finest elements of deep minimalism, industrial and acid, and keeps it fun with the feeling of a live performance, if anyone can try this approach and pull it off it s these guys! all the tracks are joined together by abstract field recordings from the london underground which add to the murky strangeness of this release! alex cortex has been putting out quality underground music for over a decade with notable and now highly sought after releases on source, klang, and pal sl, with more recent bombs being delivered on platzhirsch, pomelo and of course our very own wireblock! lopazz too has been busy releasing gems on labels such as trevor jacksons output and more recently get physical, were he has been getting a lot of attention, but it s when these two guys team up in the studio that the magic really starts to happen, so waste no time in getting this release because as always its gonna be highly limited!

james (greenskeepers) curds first record with dfa, featuring vocals by jdub, also from chicago. its a perfect blend of vocal disco and house, with a bit of that rollerskating feel. a purely fun track that is designed to get people moving. instrumental on the flip!

the second release on the newly formed barcelona label they are changing it comes from barcelona based american dj/producer fluen. on this ep fluen gives us a glimpse into his production range delivering an ep that has a clear chicago/ny house influence , but manages to avoid the conga fever that has swept the scene as of late, and at the same time sounds very current. on the a side, things take off with better days, fun and very dancefloor oriented. the second track on the b side, mary says stands out right away thanks to a catchy piano riff and female cut up vocals,reminiscent of old chicago records. on the b side, fluen mixes things up a bit with a song that catches you from the get go. music remains starts very basic, with a dreamy piano line and a kick that lay the foundations for a song that could easily be a hit, simple, beautiful and very dancefloor friendly. the vocals wisely remind us that >people come and go, times do change and allà. but the music remains<. limited edition of 500 units

sven tasnadi is a producer who, with every release, audibly and gracefully takes his style down the many different avenues of house and techno cityà his latest, brave work for poker flat then could perhaps be described as a midnight drive down main street, tempted by and lingering at some of the darker side streets, yet journeying on regardlessà.! its a fantastic ride from tasnadi, that sees two versions of the title cut plus a perfect b side track included for good measure. >habanero< is a tough, tracky concoction of thick bass led percussion, warbling, building sci-fi synths and classy hi-end hats. the unmistakable groove begins low and simply builds upwards, creating a 10 minute cabride through ultra-modern tech house, cuba style! we wont spoil the fun with the tingling breakdowns key momentà but theres also a (without trumpet) version on the b1à.! carrying on the chunky, dramatic vibes, >piri piri< dubs things out as a blissful and unique synth line carries this beautiful journey track along its honest and respectful path. a wonderfully resolute deeper moment from tasnadi, the phasing vocal stutters and pads play together with the central in delightful harmony, reminding us of the producers ear for touching and timeless arrangements

after excellent results with the first three releases, it is label manager dia who comes out with the next release on vinyl did it. roaches travel in groups is an ep complete with the right amount of house and techno elements, never leaning too close to one style yet retaining a familiarity and elements from each genre to make it appealing to just about any music lover. on the a side, left there kicks off the record with vintage-like house pads and piano. the second track on the a side, winds of tomorrow takes things into techno territory with classic 909 claps, prominent hi hats, and filtered synths, upbeat,fun, and more of a peak time track. on the b side, dia shows us a sound that she dominates and clearly has defined her previous eps, leaning towards the often called >afterhours techno<, with a strong, deep, hypnotic track, scrape. made up of small sounds and carefully placed percussive elements that carry the track nicely, all this topped by a contagious voice that seems to invite us into a parallel universe where the only thing that matters is the music. limited edition of 500 units!

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

limited coloured vinyl series on this label to watch from belgium. stripped down and fun house tracks to get people moving...

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviÞve gauckler, his new 12 is illustrated by french artist andre.

includes excerpts from the 80s classic happy station by fun fun!! bingo players/muzikjunki mixes!!

after six years exploring music production in an extended meaning, oscarfly decides to go into the professional field and starts a new project with his friend and colleague zippitcher.they ve been working in projects like www.colorsopenlabel.com a netlabel website designed to promote young promises in the music business. as well in the www.putocolectivo.com a group of musicians, sound designers and video artist who played for a couple of years in barcelona and around. soon after that, they decide to create their own record label >poco< (powered by colorsopenlabel.com) in order to release their best tracks, col s artist tracks and even well know artist tracks. first release of this new label born in barcelona emanate freshness, sexy grooves and these beautiful colors that people love so much at the dance floor. this first work includes a great remix of mihalis safras.

sunflower records delivers >la danza de ibiza< - a combination that just screams for fun in the sun!

here is handguns , the new single from alex gopher. it s a four tracks ep : the original from mr gopher kicks off the show. galactic electronica with shudders of white noise and gurgled bass. this has peak time plays all over it! beni follows up with an electro guitar driven through with subtle bass lines and snappy beats. more dancefloor fun from dada life with an influx of heavy hoover bass and nifty percussive elements. knuckles finishes up with an awesome mix - stomping electronic beats and buzz saw synth breakdowns!

incl remixes by marek hemmann and till von sein !! dirt crew, martin eyerer.. right at the point where everyone stopped believing that the label owners themselves would do a release on baalsaal,it comes flying right around the corner! finally at catalogue number 009 chopstick & johnjon decide to put their best horse into the race and team up with no other than fritz kalkbrenner - the voice behind the early summer anthem >sky and sand< with his brother paul kalkbrenner. the beat of the original mix bounces from the first minute on, supporting the chords and the bassline while they work their changes. at the point when fritz starts the first verse you get this feeling... this is gonna be special - and indeed it will be... the catchy chorus and the beauty of everything surrounding it makes you wanna sing along, dance and dream away the night... and we didn t get to the break and the strings yet ... yes, there will be strings. so get ready and breathe in 11 minutes of deep feelings and emotions! on b1 is a remix by marek hemmann, who had great impact with his productions and remixes on labels such as freude am tanzen, raum musik and resopal. you can see how much fun he had working with these vocals!..

some spicy latin salsa to heat up the dancefloor at your tropical dance party! there s nothing quite like listening or dancing to good strong latin music, and i m not talking about wishy washy bossa nova or boring rumbas that your mum and dad danced to on their honeymoon cruise in the caribbean. i m talking about tropical rhythms that make your hips grind and jiggle, complex, crazy beats that make your feet take on a life of their own, hypnotic piano and blasting horns that whirl around inside your head, intensifying an already exotic experience. it doesn t matter if you don t understand the lyrics, the fun is all there in the vibrant atmosphere and the knowledge that you re listening to pro musicians making seriously exciting music.
when it comes to proper latin, there are loads of bands to choose from. most of them don t get a peep outside of their local communities, it appears that the latinos are only too happy to enjoy their own music, and so what if the rest of the world can t hear it? not so orcestra esencia - this west coast usa outfit can give it some if they really have to. check out these two irresistible tracks. tropical dancefloor salsa at its finest. now that s what i call bangin latin!
we re not the macnamaras, and we re not leaders of men. we are an east bay salsa band, the finest in the land. we play at wakes and weddings, and every fancy ball. we cancel playing funerals, to play the carnival!

new dubstep from murderbot with elements of garage & detroit techno. sampling vocals of inner city s big fun on the flip.

good fun horror themed disco lp from germany. featuring members of the boney m family this rare lp first hit our shores in 1977, and has become synonymous with the horror disco lps from the likes of simonettis goblin. containing 7 tracks ranging from even vampires... and dracula goes dreamy which are slower instrumentals, to the more upbeat terror on the dance floor which features bizarre crowd noises and sleazy overtones. the major track on the record, soul dracula has every cliché one would expect from a dracula track: maniacal laughing drrrracu la, catchy background gimmicks that drill themselves into your head and sleazy overtones. this track recently found its way onto quiet villages fragments of fear mix cd!

the runners are a new project by our man lukas who has been with dirt crew and players paradise from the beginning and his buddy kevin cook. both young and very talented producers who teamed up to drop some delicious deep house on the next dirt crew release. kevin just made the move to ibiza while bristol based lukas is very succesful in running his buoyancy parties over there. with >hot fun< and >woman pleaser< coming in two different deep mixes this ep is one for the house lovers, taking dirt crew more and more towards the soulfull and groovy path of the new house movement. to top things off we asked another rising star in the scene and one of our favourite producers at this moment jay shepheard (compost, diynamic, drumpoet community) who recently made the move from london to berlin. he delivers a great remix with a deep sub bass and a lush chord filled groove… you will love it

the debut release from steve summers. three amazing raw and unpolished chicago tracks. shake the house is a magic track that has been recorded on an old analogue tape recorder (hence the noise). stereotype acid that sounds like a early 808 state jam or a guy called gerald. messages from the past and waves are genuine old chicago house tracks. two tracks that are essential for everyone enjoying old joe lewis and fingers inc releases. crazy low-fi tracks that are just a lot of fun! we couldnt stop playing this in the office... cant wait to play it from nice shiny black wax!

mufo has garnered attention a few years ago with his c.l.a.u.d.i.a. 12-inch for kompakts k2 imprint, and sounds set to do so again with colors. anything but monochromatic, >one color< opens with stripped-down, tech-house swing before adding shuffling pulses and melodic accents that are both jittery and robotic. working itself up to a skittish, metronomic broil, the track exudes an android relentlessness that?s offset by repeated change-ups. on the b-side, di francesco brings the funk on >two colors<, six minutes of swizzling electro-techno whose palette is anything but muted. the tune squawks and sputters like some incessantly sneezing synthesizer apparatus in what could pass for a fractured 23rd-century techno take on zydeco. with this release in hands, its again proven without a doubt, that persistencebit continues the global hunt for quality. supported by: robert leiner (www.leinermedia.net): >good use of the korg wavestation on both< andrew duke (andrew duke in the mix radio brodcast since 1987): >excellent my favourite track is one color< ryaz khan (ww.chry.fm / myspace.com/diversionsradioshow): >solid release i love both cuts<xpansul (minus,plus 8 records): >two colors is great. thanks.<

after being influenced by mix-tapes of artists such as richie hawtin, dustin began writing music purely for fun. shortly after, dustin met future-partner ian lehman, who was established in the mid-west rave scene. ian explained to him that music similar to his was played at parties called raves. ian invited him to one of his shows and dustin took his offer to see what he was talking about. after being exposed to just one party, dustin knew this was his future. dustin started doing a live pa at various local parties and quickly became a favorite. after a year, dustin stepped up to the decks and won just as much respect as he did with his productions. in early 2001, dustin and ian both agreed to take things to the next level. they put a halt on bookings and concentrated on the studio. a year later their work had emerged onto vinyl and all over the internet, creating a serious buzz. abiotic was born, and the duo formed the attack people. a few words can easily describe dustin zahnÆs style: moody, tribal, dark, and hypnotic. since dustin co-founded abiotic recordings with ian lehman in 2001, heÆs finished projects for labels such as livewire records (detroit), analytic trail (italy) and invasion (belgium). his tracks have been received support from techno producers such as redhead, adam beyer, danilo vigorito, tim xavier, ben sims, chris liebing, dave clarke, umek

lets have fun with a drum in the sun! that is the motto of this record and we are happy to spread the word!

this lovely duo hails straight from the pacific, where they have been busy working on some outer space cuts. well, actually they are taking us on a trip through the more adventurous side of 80s english indie music. something we at moxie like very much.

this release offers 3 more tracks of quality techno! this time on the original mix angelo pomposo and tad g. dish out a track inspired by the murena, a fish infamous for its lethal venom. la murena starts in a deceivingly quite fashion, when, a couple of minutes into the track, the subtle background sounds take over with a mighty sting. by now more percussions add to the relentless groove. at the end just when you think it is calming down, a dark pad appears from nowhere bringing you in to the closing beats. all in all a track for every dj in search of good quality and effective dance floor productions. flavio folco and stewart walker take in charge of remixes! flavio folco s one is a deeper excursion into the dark side of tech-house, able to satisfy demanding customers with a good blend of dance floor oriented music. stewart walker s remix completes in great style the proceedings. while leaving behind his softer side he retains his own unmistakeable imprint with an excellent job, very much in tune with freshfood style! have fun!

cesare is on most of our favorite labels and now he flaunts his dark, bouncy, fun mode of techno for this debut us release on thema. these tracks are for djs who play a variety of styles - something we encourage through all of our thema releases. so were ecstatic to put these out for those veteran djss who know how to change it up and keep it sexy, funky and bangin

munich man dario zenker is back again for his second vakant ep following 2008s >sam und er/womde!< (va019). still fresh faced and just as hungry, dario continues to bring the bavarian goods to our freaky masses. a side -would be nice- makes more twists and turns than a sausage factory while consistently pumping out the mystery meat thick and juicy. if you want freak, thump, space, expanse, its all here. b1 -blue champa- is perhaps more on the vegetarian tip: light, nutritious, guilt free and always leaving you a little hungry. fun and bouncy, -blue champa- easily proves that you dont need to eat meat to get phat. at b2 position you will find -while rain gets air-. we have no idea what dario means here but if you were asking yourself >wheres that track on this vakant record that wont let close my eyes at night cause i heard this track at 7am and im still a little freaked out,< this is it. listeners beware

basement freaks name is synonymous with good funky breaks and this new >gypsy breaks< single is no exception. the uniqueness of the track is in its creative use of gypsy scales to create a straight up funk groove thats fun to hear both on and off the dancefloor. the sort of record thats always useful to have within arms reach regardless of time and location. to make this interesting, we signed on the devious production team of goodgroove label-mates breakbeat junkie and djp who reached to piaui, brazil with their party break scratch-tastic sampledelic rub. next up, aniligital boss tal m. klein comes through with a hammondheavy groove on his remix. a fun, funky treatment with a deep upright bassline. our next remixer, umbo has been blowing up lately. with a recent msigning to goodgroove records, the man has proven his worth behind the production console and has given us an irresistible funk break remix that is loaded with ammo and ready to blow up any dancefloor. last but not least, spark arrester from blacksburg, virginia the purveyors of the boogieburg dance party that has the whole world talking come through with a huge floor filling remix. get this record in your bag!

seldom felt are injecting the fun back into techno with this epic remix of a dearly departed disco diva. numbers 3 and 4 in the series are long gone already... dont get caught napping again. limited edition and one sided!

hot natured represents a sunny and modern take on classic and future classic music. subtly changing, and adding a new edge to some of the many different genres that have influenced the east london wideboy and los angeles newcomer who are behind the label. along the way hot natured will serve up disco through techno re-edits, pop remixes even slices of hip hop injected with the kind of dancefloor knowledge only a seasoned dj can tap into. whether its the reimagining of seminal artists like radiohead to kanye west, or chic to notorious b.i.g, the main goal is to do this with a certain level of sophistication and class, that is often lacking in the >unofficial remix< world.these artists and their work have represented unique points of inspiration for hot natured and its aesthetic. some might argue, >why mess with perfection?< well that attitude isnt much fun, is it? so please sit back, or rather get up and enjoy the first serving of hot natured, two naughty groove riddled versions of possibly two of the best pop records of 2008, chopped spliced and funked up by a well known london techno youngster.

after releases on established labels like smallville, liebe*detail, cargo edition, freude am tanzen and more, daniel stefanik, sven tasnadi und stefan schultz (juno6) decided to provide their own basis in their hometown leipzig. oh!yeah! is supposed to be a platform for own productions that wont go with conventional and profit-oriented concepts. oh!yeah! wants to be different! somewhere between couch and dancefloor, if you like even a bit gaga. it shall reflect the freaky and humorous side of the three guys. one at a time, the releases of daniel, sven and stefan will appear in turns. we save our breath and cheesy speeches the music speaks for itself. have fun with oh!yeah!001,

french hardcore sampler featuring welkor, rgot and alextrem. yes, devastation can be fun!

slipping sliding bleeping chirping…the donk boys are well know for their innovative, freaky beats. the swedish duo have appeared on a multitude of great labels like frankie, floppy funk, trapez and kreatur. it was only a matter of time before they ran into the crew at dirtybird in san francisco. these three prime cuts are a little jazzy, a little odd, a little caveman, and a lot of fun. they fit in with jackin house and minimal techno just the same and will all be ass-wiggling party starters for sure.

played by villalobos & raresh !! what a way to start off 2009, a very strong ep delivered from catwash aka chris carrier & dj w!ld with remix from lemos & kreon. groovabilisme (original) hits with its’ crafty tech-house stomp, killer kick, and fun tribal groove. a very interesting concept on this production, as the deep grounding rhythm is super floor filling, yet the space between gives it the perfect air for the huge sub that just rolls this cut to the top of the charts. a sure shot for all players. kreon’s mix stylizes with more jack then jack himself. his vox arrangements give his cut a pop, lock, and rock it knack for the true school dancer. this remix takes any spot in a set, it’s got the capability to kick it big or be slow & deep, depending on how a player wishes to pitch it- a brilliant & effective production. lemos rocks the bells a for main lead rhythm, an excellent perspective to make for a clever & diversity ep. his mix creates a driving hypnotic bender with enough thump & smack to keep the bells intact and still lead the floor into a seductive sound scape of a moving utopia.