erstklassige mix-cd des britischen djs darius syrossian, resident im space ibiza, gewinner des dj mag -best of british award-, mit releases auf labels wie area remote, off recordings, viva music und hot creations. mit 3 cdj-mixdecks, 2 technics-plattenspielern und einem mixer schŸttelt syrossian zwei grandiose sets aus dem €rmel, einmal live im club aufgenommen, einmal im studio gemixt. beide mit top-tracklistings feat. tim deluxe, laurent garnier, francesco tristano, dj t., deetron, larry heard, jimpster, burnski, ian pooley, u.v.a.

die us-amerikanische electronica-kŸnstlerin olga bell (gleichzeitg auch ein mitglied von dirty projectors) veršffentlicht nach -diamonite- (2011) und -krai- (2014) nun ihr drittes solo-album. -tempo- beinhaltet gastauftritte der sŠngerin sara lucas (callers) sowie der langjŠhrigen kŸnstlerkollegen jason nazary und gunnar olsen. -dieses album ist erst fŸr den kšrper, dann fŸr den geist-, erklŠrt bell, die -tempo- angefangen hat zu schreiben, direkt nachdem sie den film paris is burning gesehen hatte. jeder song steht in einer beziehung zum spezifischen rhythmus und kšrper, beinflusst durch das tempo des tages, durch das wetter und das licht. die zehn songs sind durch old-school club-musik, west-coast hip hop und portishead beeinflusst. experimentelle sounds treffen auf geschmeidige, catchy melodien. das ganze album ist absolut originell, vibrierend und sinnlich. ein tipp fŸr alle fans von bjšrk, st. vincent, feist, sharon van etten, chairlift!

one of the original chicago labels which pioneered the international house music scene! feat. marshall jefferson, adonis, phuture, virgo, frankie knuckles, master c&j, mr.fingers, pleasure zone, hercules, ron hardy..

stacey pullen gehšrt zur zweiten detroit-generation, die mitte der 1990 er aufkam, und seine mixkŸnste wurden schon frŸh fŸr kultserien wie fabric oder -dj-kicks- angefragt. jetzt legt pullen erstmals seit sechs jahren wieder zwei sets fŸr balance auf, die die stilistische vielfalt des modernen techno symbolisieren: bassig, tribalistisch, wonky, minimalistisch, deep, melodisch, funky, atmosphŠrisch, disco esque um nur einige attribute zu nennen. doppel-cd inkl. dl code mit allen ungekŸrzten versionen in mp3 und wav qualitŠt.

total is babas debut album under his own name and his finest work to date. from the opening machine funk arpeggio of missing to the sanguine melancholia of closing hiphop beat discovery Ð new dawn, babas masterpiece rides through psychedelic screw-pop, minimalistic emo-acid and opiate-drenched coming-of-age ambient. as lucid and strong as it is obscure and beautiful, this is an album us folks at studio barnhus are immensely proud of presenting it to the world

metal dance vol. 1 was resident advisor no. 1 compilation of 2012! ny times pick of 2012 this collection underscores the real romance of machines. mojo: thrilling foray into forward thinking post-punk electronica! trevor jackson (playgroup / underdog / output recordings) returns with the eagerly awaited second instalment of his metal dance compilation series this august, following widespread critical acclaim in the wake of volume 1. drawing from jacksons deep collection of original industrial, post-punk, ebm and new wave, the album is an inspired mix of sounds and styles, mining classics, dub versions, oddities and secret weapons inspired by his formative clubbing years at many of londons seminal nightlife haunts.

maneuvering the perilous depths of heartbreak and ecstasy, skin towns bewitching r&b pop stunner the room approaches the elusive mysteries of desire and longing with directness and urgency.

house club selection 62 mit tracks von kros feat. kalex, hardwell feat. amba shepherd, vincenzo callea, dj antoine vs. mad mark und vielen mehr

ben ufo betreibt mit david kennedy (pearson sound) und kevin mcauley (pangaea) das bassmusik-label hessle audio und liefert mit seinem fabric-set eine eklektische mixtur aus allen subgenres aktueller bassmusik & dubstep und klassischem house und techno, in der so unterschiedliche artists wie tim love lee, shackleton, k-hand, pearson sound, herbert und mr. fingers aufeinander folgen.

100 tophits aus den charts der letzten 5 jahrzehnte als 5cd zum unschlagbaren preis! top-hitcompilation! genre- und zeituebergreifend! von flower-power-balladen (scott mckenzie -san francisco-) aus den 60er jahren bis zu radiohits des neuen jahrtausends (agnes -release me-). von rock (ram jam), pop (rednex) und disco (anita ward) bis zu dance (wamdue project), r&b (the chimes) und reggae (ub40). one- hit-wonder aus deutschland (bruce & bongo), frankreich (lio), grossbritannien (t pau), den niederlanden (spagna), italien (double one), schweden (agnes) bis moldawien (o-zone) und den usa (weather girls). hit auf hit!

hammering dubstep compilation.tip!

the yearly summit of keiji haino, jim o rourke and oren ambarchi continues with imikuzushi, which finds the group extending the power-trio strategies of last years highly praised in a flash everything comes together as one there is no need for a subject (bt05) and bringing to them a newly sustained intensity. for this performance, haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums. the tendency towards driving free-rock which surfaced on moments of the trios last release is cemented here, with o rourkes fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with ambarchis drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time. like all of hainos best work, the trio transcends any rock genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. presented as four unedited excerpts salvaged from an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. francis plagne, melbourne, nov, 2011 released as a 6 panel digipak cd and as a limited edition double lp in a lavish gatefold with printed inner sleeves. design by stephen o malley with high quality live shots by ujin matsuo and stunning images by tokyo based photographer and sound artist shunichiro okad

2011 three cd collection that contains the very best northern soul masters from the vaults of atlantic, atco, loma, reprise and warner bros records from 1965-74. this ultimate best of spans the legendary after hours series, picking the best, most funky, soulful and rare tracks to give the listener a truly authentic northern soul experience.

nagelneue mix-compilation des hollaendischen trance/progressive-acts first state mit einem vorzueglichen tracklisting von fedde le grand ueber funkagenda und arty bis robbie rivera, edx und marco v, plus exklusiven tracks des kuenstlereigenen labels first state music, darunter die eigene neue single -maze- feat. tyler sherrit.

with a scraggle of noise and feedback zone beginning 26000, ilpo vaeisaenen and dirk dresselhaus continue their angel duo with a work that inhabits its own zone of cryptic anger and contemplation. if anything, a sense of structure destroyed has been the hallmark of both vaeisaenen and mika vainios work away from pan sonic, but 26000 in particular - with angel added and abetted by performers such as oren ambarchi and b.j. nilsen - introduces a sense of unspoken story to the proceedings, a soundtrack to a sci-fi film that emphasizes cosmic horror by implication. the slow roil that -before the rush- settles into, a combination throb and mechanistic growl, both parallels and contrasts the concluding -paradigm shift,- the subtlest of bass rhythms anchoring overlaid drone murk and screeches of noise shaped and controlled like an event horizon reached and held. central piece -dark matter leak- sounds it, deep echoes and distant footsteps and other outer space haunted house noises interspersed with up-front bursts of percussion rattlings and glitches, a robot companion in space rapidly going on the fritz. the overlaid clatter of -in- and similarly frenetic mess of -out- frame said dead center equally excellently.

the biggest belgian dj of all times presents his vision on retro-house music in a new edition of retro arena mastermix. yves deruyter mixes 23 of the biggest anthems of all time in one splendid mix!

amiable new york city-based alt-rockers spin doctors hit it big in 1993 with the jam band hits -two princes- and -little miss cant be wrong,- both of which fueled many countless collegiate afternoons spent hacky sacking and devil stick juggling amidst a sea of red plastic cups. released in 2011, the best of spin doctors, which doesnt differ too much from 2000s just go ahead now: a retrospective or 2009s playlist: the very best of spin doctors, features 18 tracks culled from the groups three albums for epic. front-loaded with the groups two biggest, aforementioned hits, the collection loses steam as it progresses (though there are some tight, 70s-inspired nuggets to be found like -mary jane- and -cleopatras cat-), due in no small part to the groups penchant for always staying in its comfort zone.

100 dutch hits on 2 cds! incl. electro boogie, dany kay, armin van buuren, dual tec, marco v and many more

this is a mix cd with a rather interesting twist - none of the tunes are actually mixed at all, instaed carl craig focuses on studio magic to give one long constant stream of supurb house and techno form across europe and america, with a particular emphasis on the unmistakable dutch house sound

hot compilation incl. >technoboy - catfight< !

kings of jump is thò label of the hard generation in jump & tek. originally from the north of france but very popular in benelux as well. the labels tracks are played by all djs from the jump scene at all major events like bassleader, reverze, tomorrowland, decibel... the artists of the label are invited to play in big clubs (complex, la bush, lagoa, the oh, metroplis) & festivals (defqon, qbase, love parade...). 2 years after the foundation, the label represents all artists with a main influence in the jump scene, like a.o. chicago zone, ronald-v, gave, wordenz, e-max.