3 years ago patrick & frederic started their marvelous career as kaiserdisco and made it to one of the most interesting acts in the global underground scene. they are not only a techno or minimal act, kaiserdisco is fascinating people all over the world cause they are producing music from lazy deep house to groovy techno, always with the right sense for the dancefloor. in the last years they remixed artists like booka shade, kosheen, extrawelt, sebastien leger, 2000 & one...., and had releases on legendary labels like drumcode, 100% pure, strictly rhythm, my best friend, global underground etc... and now it is time to start their own imprint. the first kd music release la famillia ep comes from kaiserdisco themselves. the a-side la benjamina is a typical kaiserdisco anthem. strong beats, groovy bass and a hypnotizing melody. you can feel it in every second of this track how much fun it was to produce this piece of music. especially the big break will make you go mad!! hija major on the b-side is a heavyweight techno layout. a massive rolling bassline catches you from the first second! the hole track reminds you of a fast rolling train packed full of wood. it rattles from first to last and when it falls into the breaks you can imagine it pushes the train even more and more and more...

new ultralimited vinyl release for etichetta nera with francesco bonora and mirko back to the techno sound of their previous release on en001 featuring two great remixers: samuli kemppi (ostgut ton, mote evolver, perc trax) and himan (connaisseur, galaktika) and a cool downtempo tool vinyl exclusive.
supported by : elon, greg gow, orde meikle, luca doobie, patrick bateman, billy nasty, someone else, butch, daniel sanchez, ekkohaus, uglh, paco osuna, luciano, mihai popoviciu, richie hawtin, angel molina, dave ellesmere, joel mull, ralf, nuno dos santos, guido nemola, fabrice, jacuzzi boys, danny tenaglia, gel abril, jorge savoretti, molisans brothers, andrew grant, phologresz and many others ...

beretta grey is proud to present the newest ep from toronto native arthur oskan. keeping with the same quality music crowds and djs have come to expect from beretta grey, arthur presents a strong and hypnotic release in which the true essence of his home town and love for detroit can be heard and felt in his music. arthur takes us on a dark and mysterious journey, channeling the emotions of deep dance floors across the globe and back. appropriately titled: >wants & needs<, this ep is a slice of classic techno constructed with a modern touch. rounding out this marvelous package on remix duty is the beretta fox himself, luke hess (deeplabs/fxhe/beretta). bringing that old school detroit warehouse vibe, luke hess serves up a deeper shade of arthurs original. perfect for a gig a in a dingy warehouse basement or your headphones, these sublime melodies are crying out for only the darkest dance floors.

lonesome hero is the anonymous, vinyl-only project spawned from a love of technos vinyl purism by a collective of artists growing tired of technos current cult of celebrity. visit lonesomehero.net to read up on the lh philosophy. lonesome heros 3rd iteration introduces an entirely new artist project: campaign of love. col is the brainchild of an artist collective comprised of individuals perhaps atypical in modern dance music: a guitar-playing tattooist, a pianist cop, one, legendary mid-90s house producer, and a handful of analogue-minded individuals… with the mission of ignoring hype, col has chosen instead to focus on the joys of experimenting with sound in a room full of friends and analog hardware.

with their new label rauh (german for raw), the duo session restore provides the evidence, that contemporary forms of techno and dubtechno link to harsh, dry and loopy patterns and thereby follow the tradition of techno. on closer listening though it reveals music of fine arts with melodic parts and hypnotically notes, which omit any form of gaudiness. rauh is tradition of electronic music with a new livery. there will only be exclusive tracks of the duo, rounded up by remixes of other emerging artists.

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

dies ist rollende, funky, sexy und wunderschöne sonnenuntergangs-musik! oldschool rap in einer schwül-modernen boogie art, bearbeitet und angereichert mit joashs himmlischen disco streichern. seine musik mischt dancefloor sounds und jazz-rhythmen mit orchestralen arrangements. das ergebnis ist eine tiefe und schöne klanglandschaft voller strings, komplexer drum-patterns und atmosphärischer elektronik.

mad limited edition of 200 copies only in coloured vinyl!incl. remixes by moullinex,jbag & social disco club!kamp!is a polish electronic pop trio - their sound is often described as melodic synth-pop influenced by 80s new wave, 70s krautrock and 90s french house genres! kamp! shared a stage with artists such as caribou, hurts, deadmau5, robyn, goldfrapp, m83, white lies, moderat, black lips, thieves like us, onra, egyptian hip hop or joakim & the disco. since autumn 2009 kamp! has also performed internationally in germany, us (culture collide in los angeles, sxsw in austin), uk (the great escape festival in brighton, liverpool music week, cargo in london), france (europavox), china (expo 2010) and czech republic.

this series is a vinyl only forum for those tracks that have have fallen victim to the dreaded digital only disease.... featuring cuts by san soda!

the outside agency and sei2ure had never collaborated until this release, and in retrospect they were most likely doing the world a favor. the simple reason for this is that the two monsters theyre letting loose upon the world on this release can only be described as extremely dangerous. the outside agencys signature hard-hitting kicks and drum & bass percussion combine with sei2ures hard-hitting everything to provide weaponry for the next two millennia. this is definitely one of the most hardcore releases on one seven five thusfar. guaranteed to work on any dancefloor it finds in its path as per usual. no negotiating. no hostages.

florence and the machine ist eine englische band um singer-songwriter florence mary leontine welch zusammenarbeit mit anderen musikern. das debütalbum lungs wurde am 6. juli 2009 veröffentlicht und erreichte platz eins im vereinigten königreich.

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style,non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >it goes on< features the vocal talents of damon c. scott and is the perfect follow up to storm queens debut of 2010, >look right through<. an underground hit featured in countless radio and club dj sets and charts, >look right through< was licensed by defected records and will be released in a remix package later this year. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. storm queen is a leap of faith.

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

o*rs 1600 is the second release of the fancier vinyl-only label. the young label is run by djs and producers filburt & good guy mikesh from leipzig. after the first ep in earlier 2011 plus a reissue in autumn featured with tracks from good guy mikesh & filburt they bring us now some new stuff. on side a we have some old hands, celebrating their comeback since 2004 named mr. hille & mr. hirsch and lake people one of the most talked about newcomer from leipzig. trompeten by mille & hirsch is an euphoric and twinkle-toed house tune for the dance-floor. llewellyn aka lake peoples it happened is deep, veeeery deep, warm and soulful. on the b-side there is a reissue: echoes of a long future by metasound & lucius14 which was released some weeks ago on the digital-only label break the surface. now this organic sounding gem comes on vinyl too. 1600 is limited to 300 copies and comes on hand numbered purple vinyl

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

crosstown rebels retain their untouchable high standard as they divulge into the blissfully advanced musical world of dinky. the > sealed ep< is a two-track treasure through driving deep house and effortlessly smooth techno, embodying that special touch only dinky can deliver.

ah yes, the carter bros. the mysterious duo from down under who put out a 12 inch on rush hour recently. wild cats ep holds four cuts that represent the carter bros sound, which can only be described as an eclectic brew of dancefloor detonators. it starts out with >i didnt need you<, a devastating grower that gets into your brain and burrows a special little place for itself. forever. then, the title track, which is strictly deep, pumping and emotional vibes for the discotheque. on the flipside, >run< is skank-tastic business. already charted by the likes of radio slave and others. the ep ends with >no caller i.d.<, a track that shows the depth of talent these two brothers(?) really have. limited to 300 copies. vinyl only release

he has been called the baron of the beats, a knight of life, the life of the night, or even occasionally plain mike gamwell, to you and i though, he is only knightlife.
he is cutters records secret weapon and he is back with the 3rd tome in his royal club catalogue, serves you right / otherway.
the new 12 inch follows on from knightlife i (2007) and knightlife ii (2009), funnily enough, both promising quests into the future of dance with a healthy respect of the past from the melbourne-based producer. with a string of distinguished remixes in between times, serves you right / otherway again sees gamwell forge onwards and upwards, adding yet more strings to his accomplished bow.

limited edition - only 250 copies! no repress!

limited edition 10 inch release !! <br< in the dead of winter, i visited nico in his apartment in providence, rhode island. he had just finished composing >dont break my love<, the a-side of his new ep and his first song since space is only noise. he seemed solemn, but i didnt ask why. the next night, i witnessed a rare occurrence: nico dj-ed a small party. we danced all night in a brick-walled loft as snow fell outside...

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

mad limited edition of 200 copies only in red vinyl ! original plus remixes by munk, moullinex, social disco club & severino (horse meats disco) ! 1st come, 1st served !

returning to flapjack records vinyl department after a 10 release difference are those lovely uk chaps jackin box. to celebrate their return, they present us with the time honored traditional fun filled experience of the >cow tippin ep<. i used to think this may have only been an american past time, but apparently this is an international phenomena. not only do we love to eat cows, but we like to fuck with them for fun, by pushing them over while helplessly asleep standing up in a field. what a total dick move, but is as equal in fun as it is in douche baggery. so flapjack commends these boys and the fine jams that have inspired such mindless fun.

over the last few years we have all seen an emergence of new methods of spreading and accessing music. some might say this is normal market evolution, we say we keep enjoying music as we always have, on vinyl that is!we love vinyl. we love its sound, we love its shape & we love the feel of it in our hands… our goal is to offer a medium, paying particular attention to the recording process, which will not only conserve the cherished ritual of music listening, but will also deliver a properly put-together abundance of well made, richly defined ear snacks, from genres of all sorts both old and new. vinyl kills mp3 is a vision, a message & a statement. our mission is to preserve all that is music on vinyl. ,label headquarters are in berlin, the leading capital for electronic music worldwide. weare currently ,accepting submissions for artists worldwide. distribution is organized together with syncrophone.! ,parisian youngster john jastszebskis new track la toureille is a deep techno wonder reminiscent of the vitriolic sounds of berlin techno. the trenchant beat and the syncopated percussion convey a heavy yet ,addictive atmosphere. sounding timeless already, this pure, icy tune is definitely dance floor-bound. b-side funky dreamer is a violent and sharp composition by french dj john jastszebski. as a young but experimented artist, jastszebski skillfully maintains tension and elation throughout the raw, hypnotic track. it is as straightforward as spontaneous, and leaves the listener wanting nothing but more!

the one and only dj sneak rocks the guesthouse with this jackin 4 tracker.

limited release - 500 copies only of this new project by phillipe zdar aka jitset aka 1/2 of cassius.

! its awesome, its fresh, its bold, its jazz. dont blame us for not releasing this into the digital world but on vinyl only. this is a music-lover release! it comes strictly limited to 300 numbered pieces and is calculated as a break-even affair. so just be glad if you were lucky to catch one, play and make the crowd smile! yours sincerely its-jazz-project.

audiojack return to 2020 after a year or so setting up their imprint gruuv. the new single >get serious< shows the duo not only mature as artists but also develop and hone their sound to new house themed productions. the title track is state of the art bounce in a box with a killer vocal hook, >let the rhythm take you<, meandering around sweet insistent stabs. its been smashing terraces, rooftops and discotheques all summer and now its finally available for our select dj friends to carry on the vibes through autumn. >polka dot dress< comes spotted with a sound originally created on the classic korg m1 synth and used by mk to devastating effect in the 90s. audiojack have then sprinkled their magic dust on it and added sweeping detroit techno strings, tight drums and healthy amounts of bottom end rumble. as we look forward it is important to know your roots and audiojack show they know their house history by covering the all time classic by the backroom - definition of a track. no samples at all were used and the guys worked out and replayed all the synth parts before adding new vocals from kevin knapp. by beefing up the original we hope a new generation of djs and clubbers bust out this amazing track. it deserves to be heard again and is produced and primed for todays dancefloors.

the eraly years of a decade are good times for exploration, just like in 1993 when we (alex & sasa) first started working together. we rented a huge loft space on ave b & 2nd st. in the east village in manhattan. the winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... the only way to stay warm was to wear hats, gloves and scarves the whole winter... but that was fine because nightlife was a lot of fun. there was a good club/party every night. right below where we lived was one of the best after hour clubs called >save the robots<. but one of my favourite parties was >sugar babes< which was at the cbgbs gallery space right next door to cbgbs, every monday night. the dj used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. it was really inspiring. so we wanted to go back to this idea of sound assembly and create a new series for us to work with called >skematics< its like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet

the legendary first lfo album, a techno classic from 1991, now first time available on double vinyl including 2 tracks only available on cd! a must for the berghain generation!
remastered version, including code for free download.

after his ace remix for nicolas jaar s >space is only noise< here on circus company, our man dave aju is back with an appropriate dose of in-between original music for the fall season. taken from his upcoming album project that uses vintage inherited recordings as sound sources, >all together now< is a beautifully unique track that is guaranteed to move people with its irresistible groove. indeed, the aptly titled jam brings together and bridges gaps of various kinds, from lo-fi and hi-fi to under water and outer space, with classic-flavored dynamic percussive elements, spiraling futuristic leads, and melodic synth work sprinkled with aju s distinctive voice, encouraging us to join in on the live collective claps that accent the cut. the building bass pulses and warm instrumentation stack up toward the ceiling, until a fresh breakdown spreads things out to release the pressure. amsterdam don san proper brings an equally unique and refreshing remix to the table, with a rugged take on the track complete with cool guitar licks, modular effects, and contrasting additional vocal stylings. similarly dynamic in the drum workout department but with an extra rawness, it is a fantastic complement to the original that rounds out the release perfectly.

welcome to the first love sick recordings release brought to you by the likes of riskotheque, marchmellow and screen age & mudie (aka southbound hangers). a side >all alone< provides an exhilarating journey through heartbreak, loss and isolation. in the intro, delayed piano chords hint at distant happy memories but soon make way for stark 808s and womb-like sub frequencies that bring the listener back to bitter reality. insistent vocal snippets serve only to galvanize the tracks emotional content. truly a song to cry to as much as dance. in contrast to this is aa >you dont understand<. positivity and hope pervade this little beauty, its glistening synth hooks and intricate drum programming conjuring thoughts of joy and new found affection. perhaps the perfect sound-track to a summer romance.

***vinyl only***. following last years debut tsuba limited release its a pleasure to welcome back our favourite italian rio padice with > the return of the luchador<. the luchador story continues with 4 more tracks of timeless, raw and melodic house music all made with machines.

kill the pain: epic is the only way to describe the extended intro of kill the pain, featuring acoustic guitar and an earnest male vocal. then, just before two minutes in, things quickly take a nasty turn as choppy breaks splinter into pieces and the bassline reboots the texas chainsaw massacre. an aggressive, genre bending, sure fire floor smasher.
letting go: teaming up with kryteria for the flip, a eurphoric, trancey intro leads into a chainsaw reece, setting the scene for the chaotic chiaroscuro to come: beyond the drop sweeping synths and ethereal vocal snippets somehow successfully coalesce with heavily edited breaks and sawing bass, creating a kind of beautiful violence. subsequently, side effects of letting go include spontaneous eruptions of feet on the floor and hands in the air.

lumisokea join eat concrete to release their debut album >automatons<. the belgian / italian duo formed by multi-instrumentalists and composers koenraad ecker and andrea taeggi bring forward an eight track album filled with refined microworlds of exciting electronica and acoustics. although the limited vinyl ep uses only four out of eight tracks it comes with a free download code to the full album.

brill new excursions from very well known tracks. jazzdrum & mamy blue 2011. vinyl only!

originally released in 1985 for chris carters >mondo beat< lp on conspiracy international, >moonlight< is getting a long-overdue single release of the original and reinterpretation from neurotic drum band. a long-time fave of jd twitchs, >moonlight< was a hit in the late 80s with a much-slowed down bootlegged version on the belgian new beat scene and amongst the italian cosmic djs. the ny duo of ulysses and john selway, aka neurotic drum band, recreate >moonlight< keeping the original feel, slowing it down just a touch and ultra cosmic-a-fying it for an ultra-headtrip psychedelic spaceflight! as a special bonus, there is a digital-only remix from oneohtrix point never. its the sort of drone, dark ambient sound that fans of opns daniel lopatin know and love. bliss out… for those who may not know, chris carter is one of the founding members of throbbing gristle, partner with cosey fanni tutti (knows as carter-tutti and formerly recording as chris & cosey) and has been working with sound for over 40 years. for an extensive biography and up-to-date info about his current projects.

third in the fabulous house sound series, curated by the one and only nicholas. featuring tracks by flavio vecchi, andy ash, deymare and fabio, with a nicholas bonus beats rework of andy ashs excellent house shore. very strong release - not to be missed!

the allmighty prspct arsenal gets expanded bigtime with the coming of prspct xtrm. the name says it all extreme.. over the top underground vibes!
the first release sees the dj producer going head to head with bong ra in a collaboration that is just too much. it starts off with >the abominable<, a track that is insane in every way. heavy hardcore kicks combined with destructive jungle breaks is something only this duo can combine! sitting firm on the edge of hardcore, breakcore and dnb like only these 2 can. >bloodclot techno< is something totally different.. this one focusses more on the jungle/break core side of things but combined with almost terminator esque vibes. definably an epic production if there ever was one!

for this first release, we give you the opportunity to grab 4 fantastic trax done by legendary detroit producer : jason grove. born in detroit, he started his career in the late 80s, dj-ing in underground parties when the techno house movement was just at the beginning. he was invited few times on detroit local stations such as wdrq & wjlb to play. some said he was at that time very close to the >wizard<, helping producing their first tracks with anthony srock as final cut. he had many opportunities during the 90s to release some of his work on various prestigious labels, however, as the guy is really hardcore & straight edge, he prefered to continue producing only with analog gears (dont ever speak to him about a computer or hell get mad !) & record his work on cassette only, selling it to indie stores & giving it to friends for some special events (birthday, graduation ect ... !). we heard this story long times ago & it was only when we were in l.a. last year at pooh-bah record shop that we finally managed to get our hands on one of those tapes (one from june 1991 & the other one done in october 1992) with some of the best & incredible music we ve heard in years, it sounded like kerri chandler before kerri chandler did even start to release any tracks ! those first tapes are finally available after a hiatus of more than 15 years on vynil only (!)

**from 4.11.2011 to 11.11.2011 exclusive only available via decks.de!! ***
killer prime time tune , incl youandme remix !!!

the 250 rec continues on his journey only vinyl productions. the series continues with this new artist showing two tracks. >sugga gal riddim< is a dub session with tropical sounds and atmospheres that recall moments are often forgotten. a beautiful atmosphere that can bring a smile and calm in a stressful life now. the version of stefano testa makes it closer to the classic dancefloor and parties ... perfect for those moments where the sun rises, the moments when you think about life and how everyday life is beautiful in itself, times you feel alive. >dirty< is the hit! a crescendo of rhythm and atmosphere that will blow every dancefloor. smile and no desire to stop for any reason. sounds dirty and syncopated. another powerful 250 recs vinyl!

part 2 of helixirs >undivided< album vinyl edition. limited pressing of 200 copies, no repress.
recognized for the quality and versatility of his productions, his style is impossible to label, or simply as the ‘helixir’ style. master of programming, sound mixing, bass science and eq, kevin always surprises and never do the same thing twice. just listen to his four 12 inches on 7even recordings and you will find different tempos, dub, breakbeat, dubstep, drum & bass, indus and techno flavours. mala, untold, mary anne hobbs, 2562, f, ramadanman or brendon moeller support his music. kevin is exploring, and it’s the only way of living music for helixir.

limited edition premium pack contains 2x12 vinyl and audio cd album / new killer album by oliver huntemann...

another well produced reeko ep on planet rhythm. this is dark angry techno music that should be played only at loud volume. the title track >bad connection< is a raw nervous track on a somewhat slower pace that will definitely get people dancing. especially for all those raves that last until 7 in the morning this is one for the peak hours. >look at me< is a jumpy non 4/4 techno rhythm with cool effects and chords, the rising synth at the end of each loop is a nice look. >in a different world< and >restart< are both tracks that fit perfectly in this new prruk record. good producers know how to build an ep in a way that it feels like chronological soundtrack. reeko knows exactly how to do this.

spanish edit maestro rayko wields the blade on two red hot pieces of disco action on this his debut release on autodiscotheque. definitely more ron than larry. rayko extends, blends, cuts and chops the eqs to produce two essential reworks for the dance floor. highly limited and in demo only vinyl format, these are strictly for use in discotheques.

after the success of their debut 12inch – the visions ep featuring james johnston, yse, tone control and basic soul unit – with support coming from the full house spectrum (including alex agore, brawther, danny tenaglia, deetron, ethyl, groove armada, red rackem and many more), its only natural city fly follow up their 1st release with a new ep to further showcase the deeper house sounds synonymous with their ethos. wanting to expand their vision yet stay true to their roots, for their 2nd release city fly are proud to present the ‘csa ep’ by creative swing alliance aka pablo valentino & steven wobblejay. not content in running faces records – featuring releases from simbad and danilo plessows motor city drum ensemble/inverse cinematics aliases – and releasing 12s under his creative swing alliance, kid swing and hipster wonkaz pseudonyms, pablo also co-runs the already iconic and buy-on-sight mcde imprint with danilo plessow and is an influential component in the label gaining notoriety and cult status with its raw cuts series – ubiquitous in many a djs set regardless of genre. steven has released records on compost records, soultronik & jazzmin under his moniker steppah huntah and played double bass for the japanese jazz band sleepwalker.

though classically trained, arthur russells major contributions to the music world is in the dance genre. despite the fact that his pioneering work in the late 70s and on through the 80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. his innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in new yorks downtown avant-garde music scene.