dense lp of fogged samples and who knows what. records like this don’t come along very often, it’s a weird ol ride. self released business from the man himself.

akkord return with their first original music since june 2014s hth020 ep. obelisk is a study in rhythm and frequencies, suspended in space. on the minimalistic monolith, a single element is moulded into a 3-dimensional sound sculpture, an aural illusion of a lead weight that floats away into the ether. in contrast, megalith has a pulsing gravity, drawing in laser-guided blasts of bass, broadsides of pitched-down jungle, and echoes of distant birdsong and telecommunications as it journeys through the static of space. presented on heavyweight 10inch vinyl. cut & mastered by matt colton at alchemy.

first release on joe smooths new label featuring the exquisite talents of the one & only faith evans

sutekh hat keine angst davor ein paar gehirnzellen zu aktivieren, während er den dancefloor antreibt. von lebhaften techno bis hi-tech beats sowie die ein- oder andere verneigung vor klassischem chicago ist alles zu finden

mano de fuego resurface on yaxteq

reissue of the 2011 gazelle twin debut album on silver grey coloured vinyl.

pressed on 180 g heavyweight vinyl

b-stock! cover with seam split. vinyl unaffected & mint. pressed on 180g heavyweight vinyl

reissue of arca’s 2013 mixtape. single sided vinyl with etching on the flip. comes with download code included.

8 metal bands pay their tribute to metallica.

the berlin based event series disconnekt goes vinyl.

a highly classified government file recently revealed that zak moon, a prodigious astronaut from nyc, has established contact with extraterrestrial life. the following are decoded messages he has beamed back to us via technology yet to be discovered

catz n dogz ready the next 12inch on their vinyl only pets raw and refined offshoot step. this comes in the follow up to records from a1 bassline, eduardo de la calle, andre kronert and the label owners themselves and marks the return das komplex who offers up his all for love lp. hailing from koszalin in poland, das komplex is undoubtedly an artist of many talents, a full time architect by trade, he has released material on father and son records and tapes label and also offered up the extolled and coveted 6th pressing on the step imprint back in august 2015 a record that sold out rapidly after hitting the shelves. now, his return marks the first foray into long-play format for step and allows das komplex to stretch his legs across 8 masterful disco grooves. diem kicks things off to a sunny start with sizzling guitar licks and softly pattering bongos before the slick italo-tinged obelisk and the richly atmospheric redukcja dysonansu poznawczego follow up. the project spreads out towards the jubilant and dreamy all for love which leads into brukiew, an introverted but ultimately feel-good conclusion that wraps up a beautifully balmy collection and another coup for step.

alight is a new project by ross tones (a.k.a. throwing snow, and one half of snow ghosts), released through local action.

the next release on luke eargoggles stilleben label comes from ola bergman. six cuts of finest electro on this strong limited release.

uk producer jason courtney aka simplicity is beauty makes his long awaited heavy reel debut in real style with this atomic bomb of an ep. from the low slung driving bass of title track >i am colossus< to the more stripped back sounds of >the obelisk<, its an ep that crosses genres & straddles the fine line between electro & techno. we are sure it will find a home at most parties.
the newly formed dynamic production duo of unsubscribe - techno baron dave clarke & mr jones complete the package with their own twisted & distorted take on the title track, evoking memories of some of daves classic electro mixes from back in the day.

the latest work from florian hecker a script for machine synthesis is an experimental auditory drama and a model of abstraction. a script for machine synthesis presents a complex simplicity that spirals in an unending manner as an audio image of the uncanny valley. it is the third chapter in the trilogy of text-sound pieces hecker has collaborated with the philosopher reza negarestani. a resynthesized voice outlines procedure as procedure itself unfolds. the suggestive encounter with a pink ice cube is a conceptual point of departure for a scene in which linguistic chimeras of descriptors are materialized through synthetic trophies, mental props and auditory objects. hecker presents a synthesis of the gap in the valley which we almost know. the motifs hecker has staged in the last decade, the text, the sound, the scent, the obelisk, the demon, the self, the other all appear throughout in a thorough, rigid and formal exploration. exeunt all human actors, a script for machine synthesis is an experiment in putting synthetic emptiness back into synthetic thought.