arthur baker and murk are two of the most iconic brands in electronic music. arthur baker’s career started in boston, and then hit its stride while he was living in new york city in the 80s and 90s, and he now spends much of his time in miami. oscar g and ralph falcon aka murk were born, raised, and lived their entire lives in miami. this new single is a culmination of the three artists spending time together in miami, and djing on the weekly murk monday events at renowned miami location coyo taco (delicious tacos up front, beats in a secret club in the back). coyo combines the tribal house percussion that murk is known for with the party-driven synths, vocals and instrumentation that is arthur baker’s trademark.

nice price deal !!! klasse bassheavy dark tribal by oscar g & ralph falcon…superchumbo & laidback luke mixes !!!

legendary miami duo oscar g and ralph falcons murk label has always been a sign of quality for house heads all over the world. their distinctive productions have re-shaped the sound of deep house since the very early 90s and they released some of the most sought after house 12inches throughout this period under numerous psuedonyms.

love or hate his infamous twitter beefs there is no denying the legendary status of this house music vanguard. with 20+ years of djing and producing under his belt, this is dj sneak s first release on exploited: a collaboration with murk (oscar g and ralph falcon). back in 2003 murk released dark beat - a track that topped the billboard dance charts and became the underground smash of the year. a few months ago we asked sneak for a remix by mail but we didn t get a reply. after 4 months he suddenly popped up in our mailbox, apologized and said that he finally had some studio time. in the end he sent through some tracks to see if we like them. the rest is history as you re probably listening to one of the tracks right now. this quirky and funky house track (a 10 minute journey) is only the tip of the ice berg though.

re mastered for 2014 from oscar gaetan & ralph falcons original murk dats for 2014. fantastic re issue of these legendary producers early catalogue from 1992. containing all the original versions and dubs. these will sound better than anything on discogs.

classic miami bass release vflm famous oscar g & ralph falcon... limited edition double vinyl

re mastered for 2014 from oscar gaetan & ralph falcons original murk dats for 2014. fantastic re issue of these legendary producers early catalogue from 1992. containing all the original versions and dubs. these will sound better than anything on discogs.

re mastered for 2014 from oscar gaetan & ralph falcons original murk dats for 2014. fantastic re issue of these legendary producers early catalogue from 1992. containing all the original versions and dubs. these will sound better than anything on discogs.

dark beat (addicted to drums). the new vinyl. featuring new remixes by oscar g & ralph falcon and danny daze. slaves to the dark beat.

murk production did it again... special backstock

first up to bat is ralph with his awesome club dub of dops oh yeah, a deep house bomb with killer b-line and lets groove vocal sample, followed by oscars equally brilliant dope dub mix of rupauls going back to my roots. the flip side sees the murk boys back together with a phat remix of deee-lites pussycat meow and finally the superb floor-filling habana dub of deborah harrys i can see clearly with its great funky scat vocals. essential collection for true deep house fans!

>die 4 u< is the murk follow-up to last years underground anthem >amame<, which was released by murk under the intruder moniker. murk consists of miami based producers oscar g and falcon. they are responsible for some of the biggest house records of all time, including >fired up< released under the funky green dogs moniker.

whats this tune? is a question djs are asked frequently, though very rarely by each other. >amame< has been floating around a very select dj circle on limited vinyl pressing for some four months, and the question has evolved to >how can i get hold of this tune?<. amame is a murk production from oscar g and ralph falcon under the guise of intruder. any murk production is a rare thing, and a record of this quality and breadth of appeal is perhaps even rarer. effortlessly straddling the often tricky to navigate border between house and techno, it features one of the most hypnotically memorable vocals of the year courtesy of jei. already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told… for part two radio slave gets both sides of the record to render his unmistakable style and production qualities to the original parts. these versions are super heavy and intoxicating even by his standards. hand stamped white label pressing

already being championed by the likes of kerri chandler, dennis ferrer, seth troxler and even ricardo villalobos has ensured that all those loitering around the booths of dc10s closing party and fabrics birthday were enquiring of its story. now the story can begin to be told

re-press of an 1992 house-classic by karen pollack, remixed by murk aka ralph falcon & oscar gaetan.

liberty city aka murk (ralph falcon & oscar g) regarded as one of the most successful dance djs and production teams in the world. for over twelve years, they have had the most #1s in one year in the us dance chart, as well as being the only artists to have had four us dance chart #1 singles taken from one album. the original 1992 release has been spruced back to life by electronic man of the moment steve mac who is equally responsible for producing some of house musics classics over his long career

classic revamped - paul woolford 2008 re-edit

2 massive 2007 paul woolford mixes of the funky green dogs classic

huge classic house track by murk aka ralph falcon and oscar gaetan. includes brand new tv rock & dirty south remix

huge classic house track by murk aka ralph falcon and oscar gaetan. includes brand new tv rock & dirty south remix

slamming remixes by murk and guy schreiner for this huge africanism bomb a must have

excellent funky break anthem (licensed from finger lickin), incl miami tribal workout by the legendary murk - guys

record store day 2024 colored vinyl edition

red coloured vinyl

excellent dj material, groovin , minimal , house...

brill bassheavy deep house with murk / miami bass flavours ... nyc style too

die norwegische chaotic metal band blodkvalt teilen mit algor mortis eine eindrucksvolle platte, die sich an den verschiedensten richtungen des genres von grindcore ³ber black metal bis hin zu hardcore punk bedient.

10x 180g vinyl - with poster and download card - remixes by goldfrapp, alter ego, michael mayer, tiefschwarz, tiga sasha a.m.m !

stunning deep house from montreals secret witness, tip for fans of ron trent, murk and larry heard limited copies

limitierte auflage von 500 exemplaren mit einleger und aufkleber.

incl murk remix

remastered and expanded 2lp reissue of the 1999 debut album from lighning bolt, also called “the yellow record”. incl. mp3 download code in screen-printed sleeve

cell out lurk in the murk of that solent estuarine backwash. tense breaks hold the lid on rave licks padded mists provide audile sanctuary. transcendence found in an oblong room the dragons tail of an apocalyptic blowout.

on an unassuming cassette, just labelled ‘robert rental’ in green dymo tape, these demos have lain unheard for years amongst his family’s treasured possessions, cared-for artefacts of a life cut short far too soon.
these songs, which robert recorded in his council flat in battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. on most occasions, robert worked with thomas leer, daniel miller or other collaborators. these are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds.

a chance encounter at university during the acid house summer of ’88 and subsequent bonding over baby ford’s “oochy koochy” established a life-long friendship between leicester lads, jimi o’callaghan and al green. inspired by the sounds of detroit, early ny house like murk and masters at work and the emerging uk sounds of lfo, orbital and aphex twin, the pair began djing and making music as the wild geese. their first ep, “the wild geese ep”, was released in 1994 on their own giddy goose recordings imprint. the guys pressed 500 copies and, with jimi’s connections made interning with pete tong’s ffrr, sold copies direct to london shops. the record sported packaging designed to look like an american 12” and an accompanying press release attributed the ep to a fictitious dj duo hailing from wisconsin. rave reviews followed and a distribution deal was struck with vital uk, who produced and sold another 500 copies worldwide. another ep followed a year later. sadly, plans for a third ep on the label never materialized, but the pair remain close to this day. 24 years later we are honored to reintroduce this genre-defying, uniquely forward-thinking ep to today’s dance floors.

chapter four in the line of vinyl releases on cue line records is also the beginning of something new. elements part 1 is the first piece in the various artists series on the label called elements. driven by an urge to explore how elements can form something greater together, and the other way around, how anything can be broken into its elements, every single track on the v/a is by multiple artists. 100% collaborative content. rdg x cessman, gaze ill x 3wa, binary x zygos, murk x shiva ft. rob. nine minds, four tracks, one piece.

• special deal
• 2xgatefold lp from les graciés
• silkscreened artwork by al white & house of traps
les graciés is a collaboration in the truest sense between paris-based sound artist gaël segalen and deepblak co-founder afrikan sciences. segalen’s experiments in electroacoustic sound met the wider world this year via a debut lp for erratum, an arresting work that showcases her ability to merge hypnotic murk ala angus maclise with the hard concréte of parmegiani & reibel. segalen’s ihearu imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. eric douglas porter aka african sciences has been deconstructing and re-building forms of contemporary black music since the mid-2000’s, through releases on deepblak (the label he co-runs with aybee) and pan. his musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like milford graves & art jenkins, the dissonant chords of motor city techno and stripped back essence of early chicago house matched with broken hard bop sentiments: all tied together with an aesthetic that sits somewhere between sun ra’s omniverse, jean giraud mœbius and dogon cosmology. together as le graciés, segalen and porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual s work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut lp ‘low doses’ for firecracker recordings.

new deeptrax release by g.w. hailing from london. this is the new fifth deeptrax ep from the mysterious ruffien. immensely diverse sounds from the caverns of south-east london. hypered house, dungeonesque taped techno, dirty filthy electro and lo-fi dubby idm, all combined with that delicate grimy touch.

a new my rules release from the always on-point justin van der volgen featuring two previously unreleased remixes that showcase his varied and unique style. the a-side sees him take both the original and spencer parker remixes found on the the 2016 shit robot single lose control and through editing, blending and layering of fx concocts one serious bomb of a mega mix. think classic dj bootleg remixes on legendary labels like razormaid, disconet and hot tracks. the b-side is an altogether different affair where justin dispenses with all of the original music and only keeps the vocal from felix dickinson s 2014 acid jam burning flame. what comes out the other end sounds like lee perry and murk made a tune once they got back from a sleazy ny after hours. early plays and support from gerd janson, john talabot, tim sweeney. vinyl only.

btaim resumes its line of raw techno templates with a pair of stripped-back but funked-up floor killers. promising berlin-upstart tecture draws inspiration both from his hometown as well as detroit, delivering two highly effective yet emotive club weapons. their bold basement vibe may seem grim on the surface, but they glimmer with hope underneath. it is this very interplay between murk and melancholy that embodies the record with dynamic textures and a narrative. in similar fashion trevino pairs imposing low end rumble and bright arps, reworking the title track into his own dnb-reminiscent signature style. with the addition of btaim006 to their catalogue, both artist and label have placed themselves on this year‘s watch lists for sure.

a year after his last outing on the label, metamethod is back with a second ep for nightime drama. the man born simon haynes is a veteran of the scene who has worked under many different aliases and is now back at the techno frontline, creating the same sort of powerful grooves that made him so essential back in the 90s. ‘exoshift’ opens things up with a lurching, low sung beat that rocks back and forth as frazzled synths and rusty frequencies skate about up top. it’s body music that really makes a mark while ‘autofac’ then slips into more of a forward moving groove with prickly percussion and woodpecker hits all driving along a bleak techno landscape. last of all, ‘superlifter’ marries bulky, broken sounding drums with celestial pads that glow white amongst the murk and greyness of the rest for he track. it is atmospheric, grainy techno for serious heads only.

bookworms and max ravitz aka patricia team up as pulpo and giving you some dusty brooklyn haze. while it may be challenging for most dancefloors, the guts and murk of these tracks are sure to get you in the proper headspace for a night sinking deep into the couch. heavy sludge for the true freaks. comes without warning.

nice price deal !!! after the blunted murk of their previous self-titled mini-album on idle hands, amos jabu childs and sam neek barrett return to the place where their most fragmented ideas manifest in fleeting glimpses of tracks. theirs is a teasing approach, where all the facets of a fully formed track are condensed down to one or two minutes of distilled excellence.

nice price deal !!! 2006 classic! includes murk remix!!!

the return of wasserfall to the workshop brings a bunch of well-informed, beautifully executed & idiosyncratic tunes that represent our man so well. charlie, the opener is kind of oddball, jazzed out, abstract house with a strange charlie parker homage. stoned mumbles murk around ideally tuned rimshots and double bass flecks that cheekily plod about sounding like a stumbling one man band.

ltd repress, * thats what friends are for* showcases adesses touch for building tension. think back to those twelves from the dons of dancefloor drama - ron trent, carl craig, dj duke and murk - music built for a world where the lights dont come back on.

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

nado16 saw stratus take us all the way from the gower peninsula to the adriatic, and now swedish newcomer gryningen beckons us into a sepia dream for aficionado s third 10- special. the latest example of moonboots & boardman s fine ear for talent, the mysterious gryningen appears out of the shadowy stockholmsnatt without a word or a website, on hand to lead us right through the looking glass. the opiated drones of tvu kvarter frun vintergatan set the tone from the off, shifting and shimmering while languid synths lazily embrace you amid the gentle roll of the groovesome rhythm section. as the opener drifts out into the crashing waves, jag flyter omkring i en ask rises from the baltic sea with a lilting sway and understated melody. cosmic sequences sparkle like water in the moonlight and the subtle textures of acoustic guitar and chimes send us deeper into slumber. the organ-led slia dagar i rymdlaboratoriet tumbles down through the ocean murk into a subaquatic terrain of dubby reverb and psychedelic echo, illuminated occasionally by the refracted shimmer of chiming keys. from that moment of nocturnal shade we soar into the light on the swooning, swaying beauty of frun andra hand till strnnderna i nice . born out of the hazy childhood memory of matinee performances and fine white sand, this exotica inspired beauty warms the soul with its cinematic sense of wonder, all told through orchestral intricacy and steady guitar. this is a dream you ll want to have again and again. officially aficionado.