dance / edm pop hymne

limited 180 gram double vinyl release with download code included.

mit -more to say versions- erscheint die dub-version von -nothing more to say-, dem debüt der reggae-band the frightnrs aus queens, das nach seinem erscheinen 2016 mit kritikerlob überschüttet wurde. jeder song wurde vom prodzuenten victor axelrod liebevoll auseinandergenommen und neu gedacht. das ergebnis ist ein muss für fans von the frightnrs und von soulvoller musik generell. es geschieht selten, dass ein debütalbum – vor allem in einem polarisierenden genre wie reggae – von allen seiten mit so viel applaus begrüßt wird wie 2016 -nothing more to say- von the frightnrs. vielleicht liegt es einfach daran, dass dieses album genre-grenzen konsequent ignoriert und in keine schublade passt. es ist im wahrsten sinne des wortes ein großartiges album.
-more to say versions- ist ein frischer blick auf einen modernen klassiker. victor axelrod hat jeden song in liebevoller kleinarbeit auseinandergeschraubt und wieder neu zusammengebaut. das fertige album ist ein eigenständiges kunstwerk, ein muss für jeden fan der frightnrs und überhaupt für jeden, der musik mit seele liebt. -more to say versions- ist auf 3000 stück limitiert und mit psychedelischem 3d-cover ausgestattet, inklusive einer speziellen frightnrs-3d-brille, ein downloadcode liegt bei.

the frightnrs escort daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade. crafted under the meticulous eye of black-belt reggae mastermind/producer victor axelrod (aka ticklah), nothing more to say is a rocksteady masterpiece the likes of which has not reared it s head since the golden era of studio one. however, you ll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. like all things daptone, this record is above all soulful and honest.

supported by: steve bug, chris duckenfield, roberto rodriquez, trickski, cottam, tazz, craig smith, christopher rau, baaz, ekkohaus, ethyl, james johnston, ...

nic tvg, aka producer nic taylor, has been lurking in the shadows since 2010, occasionally stepping forward to deliver decidedly dark, murky and unusual blends of drum and bass, abstract electronica and leftfield beats.

classic black double vinyl edition.

limited edition hotlanta orange marbled double vinyl.

limited edition opaque orange 2lp !

limited reissue on white double vinyl, housed in a gatefold sleeve.

verve acoustic sounds series reissue - remastered from the original analog tapes, pressed on 180 gram vinyl, housed in a gatefold sleeve.

following the huge success and subsequent instant sell out of sublove legacy volume 1, kniteforce shocks the world by bringing out sublove legacy volume 2. once again, a superb selection of remastered classics with a few tasty remixes from kniteforce head honcho luna-c and knitebreeds underground mayhem master t.n.o project thrown in for good measure

ella fitzgeralds 1957 album back on limited 180 gram vinyl housed in a gatefold sleeve with fotos by jean-pierre leloir.

incl gifted & blessed, suzanne kraft and benedek. tip! ranging sounds while exposing the roster of deejay collaborators.

the beat escape presents their new album in april 2018 via bella union. comes on heavyweight white vinyl with download code included.

for the second part of his -connection lost- series massimiliano pagliara teaches a lesson in how to translate disco music in a modern language of sound. without further ado -trying to hide but then i cried- comes across as pure dance floor material.

2016 re-issue , 180gr , superior audio quality

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

nina simone was one of the best blues singers of the 20th century. only someone the likes of billie holiday and bessie smith had the power to lay a soul bare like she could, as her stripped-down be my husband shows. naked like a field-holler, this song would later capture the imagination of jeff buckley and antony hegarty. nina simone never, ever disappoints.
re-released for the first time on vinyl since 1965, we hope we do >pastel blues< justice with this 180 grams audiophile vinyl pressing.

the first various artists project on car belongs to daniel gloomy and lexis. a and b side consist of one lexis and one gloomy track. lexis tracks offer more forward going hard drum line tool tracks with powerful subbass lines as gloomy tracks offer a different approach to hard tech tools with powerful synth themes. all the tracks are peak time material for any hard tech playing dj

house very oldschool sounding four track ep by jamie anderson with a housey touch and a big acid load brings us back to the beginning nice ep tip (sb)

in seiner fast 25-jŠhrigen karriere hat paul fast alles erreicht, was man in der internationalen dance-welt erreichen kann: mehrfach wurde er von den dj mag-lesern zum no.1 weltbesten dj gewŠhlt, 2014 sogar zur no.1 aller zeiten. sein klassiker -for an angel- (1994) zŠhlt fŸr das mixmag zu den 10 besten dance-tracks aller zeiten. weltstars wie madonna, u2, depeche mode, new order oder rammstein nehmen seine remixkŸnste in anspruch. paul spielt jŠhrlich Ÿber 150 shows, mit 1.5 millionen gŠsten gelang ihm silvester 2008 in rio de janeiro ein neuer publikumsrekord. und seine wšchentliche radioshow -vonyc sessions- feierte im mai 2016 ihre 500. folge und gehšrt mit einer durchschnittlichen downloadrate von 250.000 zu den 10 beliebtesten dance-formaten auf mixcloud. nun liegt pauls neue cd -from then on- mit 14 exzellenten tracks und zahlreichen kollabos vor. darauf befinden sich u.a. die 3 bisherigen single-auskopplungen -everyone needs love- (beatport trance #2), -touched by heaven- (beatport trance #3) und der jŸngste smash -stronger together- (beatport trance #1). damit wird die umfangreiche paul van dyk alben-diskografie, die mit album #7 -the politics of dancing 3- im frŸhjahr 2015 ihren bisherigen hšhepunkt erreichte, mit dem achten werk endlich fortgesetzt.

the fifteenth release on minimal wave, presented with original artwork on the cover, is stereos >somewhere in the night< cd. two of the tracks: somewhere in the night and no more first appeared on their 12inch releases in 1982 and 1983 respectively, and are now highly sought after. both tracks became cult dance floor hits, and received radio airplay in europe and the us throughout the 80s until now. the rest of the cd brings together the french bands best studio recordings from 1982-1985. the cd is presented in a digipak, includes a card insert with photos of the band, and all copies are hand-numbered. the cd includes 2 bonus tracks.