he followup to 2013’s “weird universe” (spectrum spools) and final unicorn hard-on record. it expands on the twisted, colorful world of previous releases from this long-running project with slowly unraveling acid tracks and psychedelic synth lines. ltd to 300 copies. artwork by cosmo knex.

luciano & tobias freund edit of n.s.i. s original track once again, cadenza comes on strong with a powerful and unconventional floor-filler, proving that >minimal< music neednt be a predictable affair of plug-ins, gratuitous reverb, and garish bit reduction. in its first limited-run, one-sided single, cadenza revisits last year s >max binski< ep from nsi (non standard institut)-the duo of tobias freund (pink elln, sieg Über die sonne) and max loderbauer (sun electric)-with a 13minute edit by freund and luciano. the edit takes >clara ghavami<, a sleeper cut off the b-side of the nsi ep, out of the isolation tank and into a crazy, heaving landscape of fluid shapes and odd angles. underpinning it all is an irresistible rhythm that s pure luciano-powered by a stuttering kick drum and some antennae-like, hypersyncopated squiggles, it pumps away like a legion of army ants, carrying exponentially more than its own weight

cadenza verläßt den dancefloor & nistet sich in der piano bar ein, nicht ohne sich gründlich daneben zu benehmen

ltd 2022 repress, compost black label 14 !! excellent raw move d sound
move d has been the man behind the legendary source records label. in the past three years he has released an incredible string of big tracks on labels like running back, smallville, liebe*detail, philpot, workshop, fax +49-69/450464 or modern love. with the -silk & shmoove ep-, the heidelberg based dj and producer contributed to compost s black label series in 2006. slightly reminiscent of his legendary -kunststoff- album and all his warm analogue techno, house and deep ambient works. pure class! there are so many things to say about move d… like his own successful labels source records and km20… his musical education as a classical drummer, jazz guitarist and piano player… his works for the german goethe institut and bauhaus university… his countless live appearances all over the world as dj or live act… but most of all his sheer endless output of high quality electronic music!

leipzig technoschmiede (institut für zukunfts subktutan & leshrac als articial paradise, tsorn, templeton, ics, zidane) im schulterschluss mit staub resident irakli. ravy trippy zeitreise durch die technogenres.

ascending techno wunderkind, non reversible, announces the arrival of new imprint non reversible structures with the release of his own explosive ‘destructive boundaries ep. having already gained the support of techno veterans marcel dettmann, slam, ben sims, and len faki, and having already performed in germanys most fabled techno institutions like tresor, griessmuehle, and institut für zukunft, destructive boundaries marks yet another breakthrough moment for the electrifying berlin-based producer. as the follow up to last years hypnotic and emotional initial mass function ep on bipolar disorder, and the atmospheric open cluster ep on eartoground, destructive boundaries finds the producer reaching relentless new heights with four powerful cuts of ferocious industrial techno.

three fantastic parisian collaborations - tipp

rauch, geschrieben und produziert im kollektiv von den berliner producern felix k., marcel dettmann, sa pa und simon hoffmann, zusammengestellt und abgemischt von marcel dettmann, ist als künstlerische annäherung und dialog zu den fotografien von friederike von rauch zu verstehen. in ihrer ausstellung insgeheim im goethe-institut paris, anlässlich der paris photo 2017, zeigt die künstlerin arbeiten, die in verschiedenen klo&#776,,,,stern der nachkriegsmoderne von la tourette von le corbusier entworfen u&#776,,,,ber roosenberg abbey nahe gent zur klosterkirche maria regina martyrum in berlin entstanden sind und klanglich untermalt werden durch die musik von rauch

following a live debut at berghain and standout shows at de school and institut fuer zukunft, daniel martin-mccormick returns as relaxer with the fourth installment in the projects eponymous ep series. jamie lee takes over the a-side harrowing screams are framed by strobing chords and a deadly groove. simultaneously euphoric, agonizing and cathartic, jamie lee was written as the climax of relaxers live set and is a prime example of the artists uniquely feral techno. drawing equally on punk confrontations and more haunting emotional explorations, jamie lee is a lacerating and visceral descent. on the b-side, unwind oozes from the speakers, a miasmic cut that builds on the white knuckle tension of jamie lee. a lone synth figure worms its way through pulsating 3d drones, shimmering dissonances and hiccuping drums, rocking out into a quasi catatonic infinity. finally regime change gently floats on the surface of a trash-filled sea, a fading, smog choked reverie.

am elften september 2015 erlebte das publikum der konzertserie die erste live show des duos john gürtler und phillip sollmann unter einer autobahnbrücke in offenbach. präsentiert von dem international music institute darmstadt in zusammenarbeit mit dem institut für klangforschung offenbach und der hfmdk frankfurt, wurde man zeuge einer einzigartigen auralen konversation innerhalb dieses überwältigenden settings. ein jahr später fand sich ein fragment der aufnahme des brückenkonzerts auf der sky walking label compilation 41.36 und nun erscheint das erste album der beiden musiker. phillip sollmann und john gürtler treffen sich 2011 im gerade fertiggestellten studio komplex the meadow, in berlin wedding. seitdem herrscht ein reger austausch an ideen und ihre zusammenarbeit beginnt ganz pragmatisch mit einem experimental remix, einer akustischen version von john gürtler für sollmanns techno projekt efdemin, veröffentlicht anlässlich einer reihe von remixen auf dial records.

der ausnahmeproduzent actress veröffentlicht eine gemeinsame 12 inch mit dem londoner contemporary orchestra auf ninja tune! produzent darren cunningham, besser bekannt als actress, hat vom london contemporary orchestra gesellschaft im studio bekommen. nun veröffentlichen sie das resultat dieser zusammenarbeit sowie erweiterte arrangements ihres dunklen und brodelnden elektronika-schaffens. erstmals im vergangenen jahr im barbican centre zu london sowie am strelka institut in moskau in zusammenarbeit mit boiler room aufgeführt, heißt die gemeinsame ep einfach -audio track 5-, die als einführung für ein album und performancekunst-stück verstanden werden möchte, das diesen herbst via ninja tune und boiler room tv erscheinen soll. die zusammenarbeit, beauftragt und kuratiert von boiler room und vom london contemporary orchestra mit unterstützung des arts council england, bringt dank des london contemporary orchestras eine neue dimension in die klangauswahl von actress. mit dem produzenten in seinem element, der das lco kurzerhand als neues instrument verwendet und ihre akustischen instrumente präzise manipuliert, um sie mit seinen elektronischen loops in einklang zu bringen, schaffen beide strömungen eine erhöhte variation der kammermusik.

following up the inaugural release by glos, escapism 002 is a mesmerizing two- tracker by one of leipzig s most talented producers, talski. he is part of the institut fuer zukunft crew, co-runs dur records and also performs rare live sets together with his friend perm as pandt. soothsayer shows why analogue production skills are still highly appreciated in contemporary dance music. by limiting himself to only a few machines, talski manages to create addictive and reduced tracks that focus only on the essentials. this comes especially apparent on soothsayer i which although stripped back, builds tension, has atmosphere and is driving. soothsayer ii is more evolved. straight enough to keep people on the dance floor, yet with a fragile and melancholic beauty to it, that sticks with you long after leaving the club.

deluxe lp w 180g, reverse board sleeve, mp3 download - jonathan fitoussi is a french composer and audio engineer working at the institut national de lãaudiovisuel ¹ ina - recorded with ems synthi aks, sequential circuits pro-one, and yc45d electric organ. - mastered by rahshad becker @ dubplates & mastering - seven aquatints (1973) artwork licensed from robert mangold

with code is law 003, label head moerbeck plays with this artistic device with great success >movies for the blind< takes direct aim at our imagination without allowing its intent to shine through to the surface. xvii from leipzigs institut für zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. delta x, moerbeck and eomac are telling the rest of this mysterious story with a four-to-the-floor-beat.

already 32nd release on recognition records is a very special one as two great individuals join forces for a pretty special cause. produced together with the goethe institut in warsaw, the records aims to celebrate 200th anniversary of the birth of richard wagner - the extraordinary composer, whose attitude towards any contemporary music medium was as much shocking, as inspiring

incl remixes by jimmy edgar & click click !! big with: mathias schaffhäuser, niko schwind, dirty doering, shir khan, m_ferri, noreuil, dj glen, sven jozwiak, sebastian wilck, microbodies, renato patriarca, jitzu, roberto perotti, berlin mite institut and many more…. this vinyl features a groovy 80s/ disco smasher from kassettes new discovery glocal from sao paulo (brazil). lennox and dani focus on a hooky bassline, with a whiff of acid and super catchy vocals. as a bonus detroits wunderkind jimmy edgar (warp/ items & things) and berlins click click (kassette) add two remixes to this mindblowing release. jimmy edgar delivers a really hypnotic deep house mix with a whiff of 90s flavour while label head click | click focuses on a funky minimal/ disco groove.

after the critically acclaimed album >where you go i go to<, and the >2< album with prins thomas, lindstrøm now returns again, this time with vocalist christabelle (also known to lindstrøm followers as solale). this 12 inch single is the second taster of the new 10 track album >real life is no cool< that will be released in january 2010. this 12inch contains 2 remixes of the album track baby can t stop by the much talked about prins thomas, and uk legends idjut boys. support: berlin mitte institut / fresh: nice disco sounds, will play. thanks for this !, sammy dee (perlon): like the perc edit!!!, tobi neumann (cocoon): wow, what a big tune!! this is a production, witch we are missing soo much in the current electronic stereotype ableton produced music. sounds fantastic and grooves like hell! will be for sure one of my big ney-tunes for tomorrow. full support! thanks for the music.. tobi

support by: andre galuzzi, paco osuna, jpls, jeremy p. caultfield, afrilounge, yapacc, channel x, lunatik, kaufmann & ferdinand, niko schwind, berlin mitte institut, skoozboot, the sixth release from berlins kassette records is ready to rock! this vinyl features two techno smashers from the label heads click click and m_ferri. both are known for their ecstatic and highly energetic dj-sets, which is reflected in these two powerful peak time tracks. nothing left to say, then play! play! play!

die rohe essenz globaler clubmusik: transkulturelle kollaborationen zwischen 90 und 130 bpm.
nach -they made us do it- von 2011 ist -lost on earth- das dritte studioalbum von andi und hannes teichmann. man kennt die beiden exilbayern nicht nur seit den spŠten neunzigern als nimmermŸde djs der berliner technolandschaft (berghain, panorama bar, wmf, watergate, bar 25), sondern auch durch workshops, konzerte und projekte in Ÿber 60 lŠndern - reine clubmusik zu produzieren war den zwei brŸdern nie genug. unter anderem initiierten sie mit dem goethe institut die vielbeachteten projekte blnrb (nairobi/berlin) sowie ten cities, das afrikanische und europŠische szenen verband. zuletzt machten die umtriebigen wanderer zwischen den welten durch ihr kollaborationsgro§projekt -karachi files- auf sich aufmerksam. -lost on earth- wurde in zimbabwe, mexiko, nigeria, kenia und berlin mit gŠsten wie abe duque (nyc), mc psychotek (bulawayo), wura samba (lagos), santiago rodrigues & signal deluxe (mexico city), sasha perera (berlin), max turner (noland) und dem kunstkollektiv masai mbili aufgenommen. es enthŠlt elektronische stŸcke, die zwischen 90 und 130 beats per minute angesiedelt sind und mit gerader vierviertel, hip-hop und spirituellen afrikanischen sounds die rohe essenz globaler clubmusik einfangen. -lost on earth- erscheint auf dem familieneigenen label noland.

peripheral minimal is proud to announce the forthcoming album, aus den anti-imperialistischen tagebu&#776,,,chern , by in namen des volkes. indv is the brainchild of hamburg resident matthias schuster (also of bal pare, das institut,geisterfahrer and others), and creates a more heavy-weight style of minimal synth in the spirit of d.a.f., or even early front 242. the tracks were taken directly off cassettes and reworked with added vocals, whilst maintaining the original 80s recording techniques of 4-track and purely analogue instrumentation, strictly no plug-ins or digitalism here! matthias has been actively producing complex synthetic sounds since the late 1970s, having released seminal albums and singles on respected labels such as, plastic frog, minimal wave and medical records. his passion for all things analogue seems to be irrepressible, devoting a considerable amount of time to myriad projects each with their own unique qualities and sonics. he musically switches from neue deutsche welle stylings, to minimal synth and proto-ebm with great dexterity and a rare continuing dedication. the album is presented in a luxurious digipak and limited to 300 copies. recorded between 1980 - 2015. artwork by kilgore trout.