franco cinelli, one of the most gifted new producers coming out of argentina, presents here six uncompromisingly quirky club bombs. his previous releases on milnor modern and telegraph have just warmed you up to his sound. now dive in to >profundo amor< and get familiar with these intricately programmed club stompers. you can call it minimal, but when these tracks go ripping through a big pa, thats the last word that will be on your mind. with the opening track >flog<, you get a taste of the freaky after-hours grit that alphahouse records is becoming known for. >m26< is a robotic hair-raiser for the new generation. think minus on steroids. >twisted machine< features a stompy groove and some snare work to drive the dancefloor. >vertientes< is a great dj-tool with a low-slung bassline and dancing synths. >c3d< bounces along with a razor bassline and some tricky transitions. and >project 64< finishes off the lp with a synth line that falls out of the ceiling and straight onto the dancefloor. truly inspiring stuff here, from franco. no filler tracks. all of these are a-sides

pets debut single a good day for telling lies is a three minute masterpiece that merges the harmonies of the best british pop acts like the kinks, with the energy of early motown artists such as the isley brothers. all dressed up in unique fashion, through innovative use of melodica and banjo. jonte olssons clear but unpolished vocals provides grit to a perfect pop equation.

saulted is a big bad bruising wobbling b line mother of a tune, that absolutely rocks a dancefloor, we cant wait for you to hear this one. side b sees rob reng do his excellent work on remix duties, bringing it more to the mainstream clubber, really nice production but keeping the grit of the original.

missile boss tim tay lor continues his re-emergance in 2007 following the recent blistering remixes of 2 of his anthems planet of drums and the horn track. with this new bomb tim enlists the vocals of ny mc lord mike and the true grit of belgiums top knob twiddler ortin cam to form an irresistable force. inspired by the acclaimed tv series, the shield is like an 8 minute rollercoaster ride without the seatbelts and without a refund

nice price deal !!! raisani records very hot from the summer drops a hot four track sampler with peak time tunes to tunes on the deeper side of house. aston martinez whose 2004 track seduction on mighty defected label made some big noise and even bigger with his follow up twisted on roger sanchezs stealth label and now he is back with his latest single on raisani with my lost soul, a deeply thumping track topped with wicked synths and spaced out keys. dubais own raisani & guidera, who remixed roland clarks deep in house is here with their first single french orgasm, a heavily pumping track with catchy synths that will take the bigger rooms by storm. shake the black star by grantorino is a funky groovin house track enriched with cool rap vocals, definitely for the hip house heads. lastly, dj pap presents its the music that features a sensual vocal by cei bei over a melancholic synth and guitar, deep yet mellow groove that is enriched with warm melodic keys. great ep, something for everybody here.

after becoming a significant force in the western canadian music scene rennie >dubnut< foster expanded his artistic visions by moving to tokyo, japan. his deep roots in music and love for the detroit sound mfor the second artist featured for the subject detroit global series. all 4 tracks contain the essence of japanese inspired beauty while maintaining the grit and mentality of the detroit sound.

bugz in the attic release the second single from the inspired debut album back in the dog house,a live favourite and deftly handled cover of yarborough and peoples 1980 bassline heavy dont stop the music. bugz, pioneers of deep and dirty dance music, brought a brimming confidence along with the experimentation of their debut, which glistens with stone cold funk, boogie and disco but remains resolutely contemporary thanks to their immersion in club culture and the broad pool of guest vocal talents at their disposal. for dont stop the music former basement jaxx collaborator sharlene hector was given the task of re doing a bugz favourite, and the result is an out and out west london bruk up twist that takes the basslines from p funk, the soul of the original and a certain pirate radio grit and delivers the very essence of bugz.

get with you keeps the main room crowds moving with a driving house winner this time combining more gritty analog lines with unrelenting beats fuzzy analog bass and some great vocal drops then r n rs electro nutz mix gives the cut a great electro makeover with a retooled rolling bassline and more prominent electro flavored synths flip for a great carlo grieco rmx fed up is a stomping peaktime track packed with analog grit and soaring synths as the boys lay down a pumped up primetime house anthem

sean goes with some driving percussive peaktime house on let you know adding swelling synth riffs and a funky wandering bassline to some great drum patterns and a soulful female vocal hook on the flipside ty tek serves up a chunky tech house rework packed with analog grit while ejay goes for some deep tribal gear on his remix with great effects and dark tribal rhythms to the fore

after 2020s mixtape hybtwibt?, space afrika are back with their new longplayer honest labour.

el choop s debut on greyscale

el choop s debut on greyscale

body music lp produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but itÕs his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety. heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 11 track album.

Ôjoy is bbfs fourth album and the first one to be truly vocalist-focused and song-centric. with the help of canadian poet-singer beaver sheppard who played an prominent role the composition, bbf explore what the band-members describe as Ôpost-religious themes, such as struggling to find joy in times of uncertainty and instability. this makes it without any doubt bbfs Ônietzsche album. following on from their latest album Ômiami (2013) bbf keeps moving away from the dark mood of their early releases and the image of a Ôclassical new music ensemble to resemble more closely an Ôexperimental rock band. with much more grit and growl than before, they draw upon genres and styles that are not conventionally associated with joy: krautrock, punk, drumnbass, indie rock, new wave, and pretty much every other Ô-wave from the 80s. with each track offering a contrasting combination of styles and genres, bff succeed in devoting a whole album to a single feeling without making it either monotone or clichŽ. instead, they build on euphoria to expand and enrich electronic musics emotional range

cuts from dillinja, firefox, critycal dub and, naturally serum himself

kasper bjorke returns with an exquisite new album, after forever, the danish producers boldest and most elegant statement to date.

neue drum & bass mix-cd aus dem hause hospital mit stŸcken von netsky, metrik, danny byrd, high contrast, s.p.y, nu:logic, fred v & grafix, wilkinson, the upbeats, phace & noisia, fracture u.v.a.!

atlanta, ga. all-girl punk band the coathangers reckless energy from their half-serious roots is every bit as vibrant and rambunctious on their latest album, larceny & old lace. but this time around were hearing a band thats honed their trade and incorporated more stylistic variations. with this broadened artistic horizon, refinement of technique, and ed rawls production allowing every instrument to shine without detracting from the bands natural grit, the coathangers latest offering is easily their best record to date. join the party.

daddy kevs label is proud to announce the release of ctrl alt delete, the debut album from free the robots. a staggering work of mind-warping electronics, fuzzed-out psych and devastating hip-hop beats, the impending release of ctrl alt delete will catapult free the robots to the forefront of the world renowned l.a. beat scene. initially started as a side project by chris alfaro in 2003, free the robots has quickly garnered a worldwide audience. combining dusty swap-meet samples, futuristic synthesizers and live instrumentation, free the robots has created a unique harmony of past sounds and future ruminations. much like his l.a. contemporaries flying lotus and nosaj thing, free the robots knows no genre boundaries. ctrl alt delete, which also features ikey owens of the mars volta, has been a long time coming. originally signed to alpha pup over two years ago, free the robots has put his heart and soul into this album. meticulously constructed, the album is a culmination of countless late nights at low end theory club, combined with a spirit of fearless experimentation. the result rattles with grit and swagger - a firm proclamation of free the robots sonic arrival.