kill factory is running things with there latest big releases by various artists both new and upcoming. the new one is here in the same succesfull concept, so you know what to expect! big beats killing sounds and just pure mayhem. lexis (cardiac arrest) presents his solid kicks, edits and driving style, dj hammond from hungary bring you even further with his hardcore banging track and ocram (contempt) rocks you all the way with his rolling beats and crazy samplework!

nice price deal !!! for the third release of the french deep house label cheers, the acclamed duo catalan fc and sven loeve comes up with a terrific new project the classic traxs vol.2, and this time they are going rougher and darker, with two tracks: vanishing point, with its strong beat and classic string progression, and the already big another man, that has been played by various djs, including tony humphries, right at the beginning of his set for the garage city turnmills. already big with tony humphries, dj spen, marlon d, lars behrenroth, sean mc cabe...

phonogenics >postcard< is slow burner, building and rising to a eventual climax of melancholic underwater deepness. this song will no doubt be played by those in the later time slots and anyone who wants to add a little journey to their mixes. our main man dex aka dave barker is back with another slice of some quality melodic quirky goodness. >yikes!< has a very chopped up funk/soul feel mixed with solid house beats. studio trickery and a hidden japanese opera helps the track evolve from its soulful beginning to another world entirely. finally, we are very pleased to bring you the first of many musical efforts from amantu wilde. not much is known about amantu as he is a bit of a recluse and does not offer up much information about himself. >g-g-got my eyes on you< is a very retro sounding track reminiscent of some classic new wave jams. pseudo industrial percussion and excellent filter work make this track something to remember. something strange for sure but we think people will like the break from the mod rn sounds

the mini anniversary 010 belongs to newcomers solar & poppcke and on the remix-side alex niggemann. daniel solar, marc poppcke and alex niggemann are part of a new generation of german electronic producers, who have been heavily influenced by the musical developments of recent years... after some solo works, collaborations on remixes and sporadic contributions for various labels like ostwind & ostwind limited, sportclub and meerestief of course, their debut ep >useless beauty on meerestief ltd, is the beginning of a flood of releases, that are already in the pipeline. no question, solar & poppcke are hot!!

sven weisemann who was recently very busy by providing remixes and tracks for the likes of house cafe music, styrax leaves, styrax, liebe*detail, rotary cocktail, freund der familie, progcity deep trax and meanwhile is now coming up with some fresh killer stuff for mojuba the musical place of origin. the a-side kiss of abana is a catchy dancefloor monster with banging percussive drums and trademark weisemann chords. the b-side amity seems to keep it cool in the beginning but thats only the prelude to a funky feast of deepness!

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

incl mark broom rmx!! shadowfax is known for presenting fresh talent, and this is a huge one! jelle kuipers from the netherlands is presented with his debut ep >block<. undoubtly the beginning of a great string of releases from this youngster

streetwise was one of the seminal dance labels of the eighties, responsible, with its subsidiary imprint partytime, for several important and influential examples of the dance genre. several of its releases were indicative of the directions that both dance and r&b would take over the next few years. the signing of vocal group new edition and their resulting hit candy girl is generally acknowledged as the beginning of the boy band phenomenon, and the labels last hit, music is the answer, was also a key element in the rise of house music. the label lasted for only a few years before falling victim to its own success and the related success of its owners, especially revered producer and remixer, arthur baker. here is a selection of streetwises greatest 12inch mixes, gathered from the archives during streetwise reign over the dance market presented on this vinyl.

butane with his long awaited album !! excellent darker minimal techno trax

reggie b has been working on music by himself since beginning of his career. but in 2007 he was suddenly gotten attention in the new school beat scene via myspace, had been airplayed from opinion leaders like benji b and gilles peterson, then just put out his solo debut album go. this is first of 2 ep series off from the album. we r here is produced by the instrument genius, motor citys best kept secret saadiq, the 1/2 of platinum pied pipers, who is also going to drop his first solo joint from circulations. reggie b delivers the next level mid west funkiness over the detroit manner head banging of this tight minimal beat. on this intergalactic p funk biz, japanese beat trio super smoky soul twisted with opposite direction of arrangement into dreamy hip hop psychedelia. for all the beat geeks they serve another track of doper spaced out beat cosmos as re edit. including a bonus song of the album title song go, the manifesto of his music with sick bass & beats by lenny d, the producer of innatesounds. from 4lux recordings, reggie b also released another project future music with slum village drummer daru recently

dance mania was a chicago label founded ray barney in 1985, and was distributed out of his legenday barneys onestop. from the very beginning it was known for raw, percussive tracks from the dirty side of disco and in the 90s laid down over 200 12inchs that were the blueprint for what is now known as >ghettohouse<, or >bootyhouse<. this sound became the foundation for many regional styles of dance music including detroits >ghettohouse<, baltimores >club<, and the current sound of chicagos neighborhoods known as >juke<. we are happy to announce volume 2 of the ghetto classics series with this 4 track ep from two of our favorite ghettohouse producers. features >wouldnt you like to be a hoe<, taken from the >taris is paris< 12inch on dance mania (dm131) and >groove mode<, taken from the >funk city< 12inch on dance mania

big support from dave clarke, mandy, the hacker, kiko, karotte and dibaba!! since the beginning of the 1990,s, frank kusserow has been amongst the djs of the frankfurt nightlife, with guest appearances in the omen or in the u-bar of u60311. >atomsplit< catapults the machines towards a furious, energy-laden and noise-oriented tour de force, which in its constant progression has more than a meaningful effect on the dance floor. in conclusion, the more hypnotic >the core< transports a psychoactive ‘,synthesizer fantasy’, with a brilliant lift-off break in the present time. two uncompromising kusserow tracks

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

sometimes, its still worth not to waste your youth with nonsense but to learn to play an instrument. like in the case of sebastian mullaert, who has learned to play violin, organ and piano, while his partner marcus henriksson rather came from kraftwerk and human league to electronic music. as son kite, the two swedes have already a well-known name in the psy-trance scene, and as minilogue, they now start to conquer the minimal and house world. with their rather unique sound, they manage the tightrope walk between minimal and trance and never allow us to put them into a drawer. especially with their debut on cocoon rec, minilogue present themselves in a different way, compared to their releases on traum or wagon repair. >jamaica< is a calm track at the first hearing and is perfect for building up a set. beginning with bird-like sounds, the track builds up slowly and quickly becomes very interesting and tricky, ramifies as organic as a climbing plant, and when the tribal sound emerges from the underground, this track has exactly what makes minilogue so special: organic matter and groovy sounds, worked into a minimal labyrinth with very much love for the details. all of that can also be found on the b side which seems to be more adequate for the morning hours, with its somehow spacey sound. with >jamaica<, mullaert and henriksson prove that they are floating on the very surface of the endless minimal ocean. and with their album >animals< being already in sight on cocoon recordings, one can be highly anxious of what is coming ahead, by minilogue and techno made in sweden

age aka thomas p. heckmann.. ltd backstock

rmxs by lee van dowski & agnès! big with the richie hawtin, magda, luciano, troy pierce,… big! leonel castillo is one of the most outstanding argentinian artists these days.last winter he released an amazing debut ep on our sister label hometown music and no we are proud to present the rmxes of that ep on ilian tape. lee van dowski and agnes were so exited about these cuts that they did 2 amazing remixes which promises us a wonderfull beginning of 2008. blast off. a. - con hilo de seda(lee van dowski rmx) emotional and deepest vibes are mr van dowskis special strong weapon to raise against rain. the sun will follow him as usual….!

hum along is one of the earliest productions of mr. mwambe. he started the track in the beginning of 2004 and for the last 4 years it has always been a very important and personal part of his life. only brontosaurus intelligence & ca$h were able to get this masterwork for this lickyboom- boom-down house 12. to complete the commotion full time nice guy, father and electronic innovator move d from the beautiful city of heidelberg sat down to deliver a spontaneous disco version of the track – reanimating the fresh and impro vibe of late 90ies german disco / house productions. the b-side >greatest love< continues where artos mudhutma 12 ends, celebrating the unholy passion of deep housemusic. voila.. a limited number of covers will be hand-printed with another nice torso. as always.

huge new 12inch from the master himself! >dont panic – its automatic< – a title that is in many ways descriptive for a track that fires the creative starting shot for anthony rother in 2008. recently having been not more than consistent, rother heralded a stylistic reorientation of his music, however, with last years programmatic >moderntronic< ep. on the a-side, >dont panic<, with the vocoder voices that have come back after a long time now, stays closely associated with the sound and the aesthetic of datapunk - a unique vision of a futuristic abstraction between techno, disco and electro. the dataclash mix on the b-side then formulates the stylistic new beginning with a consistency that leaves the listener speechless. rarely before on datapunk has homage been paid to the imperative of energy so rigorously. going against the grain with extremely surprising noise effects, the dataclash mix is tailor-made even for reductionist dj sets in its psychoactive darkness. a thrilling foretaste of the third rother album on datapunk, announced for the coming year

the west flanders connections, the label owned byfred hush is up for its 3rd release, presenting partner noseda. the first track is called >x-or track< and presents kind of a music storm coming up where old school housey techno impresses with percussion layers. a fat bass bounces towards a very uplifting peak-time break. better get ready for its massive sound! the track was already compiled for a >10 days off< promo cd sampler. after huge response they decided to press the track on vinyl. flipside has >click clack<, a very deep electronic music dj–tool track, beginning in silence but the further you go the more party you get.

the beginning of year three in the adjunct chronicles is marked by a 12inch by our own apendics.shuffle. kenneth james gibson has been bombarding the techno scene consistently for the past few years. u_derline, orac, friends of tomorrow, mos ferry, sunset diskos among other labels have served as the carrier for kens deadly weapons. remix duties are taken on by the one and only mathias schaffhäuser , a renowned techno superstar and the founder of ware records. there couldnt have been a better title than >no reduction< to literary describe this monster of a track - ken has unleashed the entire arsenal of his studio for the creation. stern synth patterns pizzicato their way through the track, deep sea signals ring in the background, distorted vocal snippets insist on taking >all the money<. energetic and magnetic dancefloor number dedicated to the real freaks. mathias approaches the rework with smooth drumming and a velvet bassline. the cheeky cabaret vibe however never settles: the diabolical pizzicato of the original returns and the voices continue their demands for (what all adds up to in the end) >no reduction<. oblivious filth brings yet another layer to this joint. beautifully crafted sounds mingle with electro-mechanical noises, layers of melting textures lure the listener into a late night wonderland

support comes from will saul, solomun, markus echnoson, leigh morgan, karotte, jimpster and mike gillespie !! after the big success of our last releases by alex santons, motorcitysoul and jimpster stir15 continues its journey into the deeper spheres of german housemusic. caller & ridge (aka dadableep) are following our ways and supporting us from the very beginning. the two released great music on labels like rz, traum, lofi stereo (just to name a few) so far. their latest work is an unbelievable statement of what german deephousemusic sounds like in the years 2007/2008. classic elements of the 4/4 universe, warm stabs and chords combined with deep hypnotic basslines to please the crowd and the djs at the same time.

he is a dj, producer and a sound architect with lots of alias like: mystic letter k, mr barth, fred, shape changer, vector, the mantic and of course braincell. with this name cari lekebusch released his first album 1995 on harthouse. raised up in stockholm, started the family lekebusch their musical career in the eighties as party promoter, which changed on the beginning of the nineties to a design company. cari met adam beyer, joel mull and jesper dahlbäck in stockholms biggest recordstore for electronic music. these are names which put sweden on the international map for the electronic scene. caris first musical effects came from sweden, usa and germany: james brown, ralph lundsten, herbie hancock, africa bambaata, egyptian lover, chris >the glove< taylor, kraftwerk and mantronix. his remixes and production were released on many labels worldwide like: drumcode, truesoul records, code red, railvard recordings, heroes, corb, harthouse, loop / plumphouse records, missile, jericho, tortured, electrix, primevil, telephatic.

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

fabio genito, hailing from benevento italy, debuts his first release undefined feeling with vega records. the fg mahogany mix hypnotically drives from beginning to end with stabs of synth chords and infecting crisp percussion that will have the dance floor in pure sudore (sweat in italian). while the fg mahogany drums mix is stripped down to bare thump.

his style is a fascinating mix of house, electro and techno including all sub genres. after his debut album alles wird gut on beatmodul records in early 2007, which was supported by djs like steve angello or sebastien leger this track has a lugging electro bassline with a stomping kick in the beginning. squired by a discreet tricky melody which works with several highs and depths the track is getting a brandnew style from the middle on which gives it a big kick. as remixers we could manage the swedish superstar jeff bennett (malmo) and kaiser souzai.

new label from king roc with great new deep and atmospheric detroit flavoured techhouse tracks by himself

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

already a secret weapon of ricardo villalobos, richie hawtin & paco osuna with the fourth release the still young and succesful label enters the race. this time co-labelowner federico molinari, who already delivered a remix (kreiskollaps) on the first oslo ep, showcases his skills. enerverende is dubby house tool, which slowly develops its effect and finally as a damian schwartz remix takes the hightime direction. the last one is takk brett, which is being carried by cleverly composed vocalbits and percussive elements. it breaks the ground, which oslo is following since the beginning. modern house music.

they love it: laurent garnier, tocadisco, sian, tom wax, felipe, dr. motte, monika kruse, leandro gamez, oliver huntemann… + big in groove mag ! voodooamt aka patrick lindsey is frisbee artist since the very beginning and now, mearly 10 years since his first release on the label (ft 002 – 1/98), delivers 2 highlights why we asked ourself for a while >what is the a-side?<. finally we decided to have the first double a-side on frisbee and german groove magazine is already hyping both tracks in their last issue: >primetime bomb< & >ecstasy<. all that right after his current hit >wanton mood< on funkwelle, which also got rave reviews

of course another robsoul limited for beginning the season. rob brown back with easy groove like hes ever done on robsoul. flip for cris simmonds with a very great house tune called newoldshit. you must not miss this one for sure!

this track has been the talk of the town since the beginning of the year. after months of speculation, rumours and various illicit bootlegs we present the one and only official release of ride the storm. andrew roachford has brought his unique vocal and keyboard style to this production, whilst m.y.n.c. project give it the ultimate update sure to set every club alight this summer!on this legato release you also find exclusive remixes by peter luts and frank ti aya.

third solo ep for vicknoise in factor city. this time, two tracks plus two remixes by undo and mouseup, his teammates. in the a-side we find the track that gives name to the 12 inch, which title (one thousand and one nights) makes us think vicknoise now wears beard and turban, and has converted to islam. this is one of many irrefutable truths that techno has suffered the influence of arabic music since its beginning. in the 80s we had psychic tv or chris&cosey. later on, cylob. and most recently guy gerber and mathew jonson, as number one exponent of modern arabic techno

big with c-rock, ben watt, agoria, tiefschwarz, mike monday, shinedoe, miss jools, 3 channels, fabrice lig,…! estroe and zoëxenia already teamed up for connaisseurs compilation grand cru 2007 with their wonderful track >dont forget<. this time the ladies share a split ep with one original track and one remix of both. estroes >driven< was already a big success on connaisseur supérieur at the beginning of this year and found its way on some important compilations and cd-mixes like ellen alliens fabric mix. beside her production activities, estroe is a remarkable and stylistically confident dj. famous in the netherlands, but also slowly recognized outside her home country. zoëxenia is a singer and songwriter since her teenage years. her impressing presence combined with her soulful voice made her succeed at the finals of diesel u-music benelux as well as at grote prijs van nederland in 2004. but not only singing is her passion. when she was infected by house music she began to develop her own electronic style as a producer, which ended in her first release on artminimal in spring 2007. more releases on remote area will follow soon

nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

welcome along to the first release on persistencebit records by kikko solaris & salvo dueb. the guys from catania (sicily) exchange their beats and join forces for a new sound which finds its roots in funky, minimal, deep and electro

jubilee! here comes the 25th release of your favourite house label from south germany. after their outstanding album in the beginning of the year mms granted us with these two diamonds for this special release. thx for your support over these years and we hope you stay tuned.

feat plavka (jam & spoon singer) whose trance infused pop sound dominated the international charts in the mid 90s. her voice takes this track into a higher dimension. euphoria for the beginning of an excellent party and a great teaser for the after party.vinyl especially for the benelux includes brilliant mixes from tom novy, cagedbaby, mock & toff and tolis q & ad mark

the spatulacity crew is proud to present some more fresh talent with real time hand motions prime time man lotion ep! these two have been making major waves with blistering originals and remixes over the last year or so, and break ya neck and who got it are probably two of the hottest examples of what these guys are capable of. unbelievable studio trickery in the vein of spatula city label bosses the sound republic, rthm deliver funky grooves, dancefloor firestarters, and were without question one of the most talked about artists at this years wmc. this is only the beginning of what will surely be a long career for this nashville duo. chicagos sexual chocolate (of junky trunk records fame) delivers a nasty dubsided esque wobbly bassline stomper of a remix for break ya neck while the original funks, shuffles, and grooved its way in to the boxes of all of the underground heavy hitters with massive support from dj mes, the sound republic, diz, raoul belmans, justin martin, the inland knights, and more.

incl. brilliant rmx by man of the moment 2000 and one !! a new face at moon harbour, simon flower comes from gorgeous new zealand and has been affecting theantipodean club scene hugely since the early nineties. as peak shift this pleasant fellow released principally on his own label, nurture recordings but now, after a short break, simon flower is kicking off under his real name. the auspicious twelve-inch >shinjuku skyline< on curl curl was just the beginning as here, he makes his debut on moon harbour before he delivers a12 to pokerflat in a few months time

with >manipulation< johnny d creates an atmosphere of a special kind. a slowly growing track that grooves endlessly from beginning to end. >gualia< is much straighter, a pushing tune with marching percussion und a rocking bassline. >since the last time< remixed by nekes follows the path of those morning hours filled with happiness, which completes the second olso release. deep, jazzy house tasting like summer.

dj support by karotte & laurent garnier !! on the >dog side< pecklar & brauns have created a 15 minute epic - a collision of post-minimal neo-trance - that rides a wave of emotion from beginning to end. the salvation is a piece of music that lifts you up

born in australia but moving to japan in 2000, luke le mans is the main organizer of the night >quop< in osaka which focused on bringing big international djs and contribute to create a scene in the roughest japanese city. after releasing his debut ep on trapez luke is back with this 2 tracker ontrenton. much more mature, his talent as a producer are undeniable and we hope that this will be the beginning of long series of old school but yet modern minimal material for trenton. >dark helmet< has dry beats and a funky bass line with a crazy chords pattern that has some sort of a b horror movie vibe… like a minimal techno version of a dario argentos soundtrack, dark helmet will bring you out-there! the second track called >lisa< is a bit more old school but still rules and the endless loopy bass ramp that just keeps on building up will make your legs feel a bit less heavy and your mouth a bit thirstier… slg is back on trenton, but for a remix this time. after is very first ep on our label we are proud to have him back. his version of >dark helmet< is just outstanding… pure slg style, it has it all: detroit, minimal, forward, groovy… if you are still sitting in a clubs corner after hearing that on the p.a…. means that you have serious issues with being able to feel the funk!!

this portuguese label has been delivering some massive pieces of tribal house from its beginning and soon received constant support from the main international djs such as danny tenaglia, victor calderone, dj vibe, deep dish, erick morillo etc.the original version returns back to the beginning of the 90s with that old school bass line and fat drums. percussive tune with hypnotic waves creating a trippy atmosphere. this is the kind of record that can be played by both tribal lovers and house aficionados.the hard mix on the other side gets it darker for a perfect peak time set hour. the sound for big rooms. tribal groove with strong rhythm and that pumping feeling driven with tech waves and male vocals let yourself flow

the dose coming straight at the bricks of your houseparty with their fourth release on fumakilla: >im your door<. impressions of street-life in berlin city, where what matters is the size of your free will. where nobody has to do anything and where everybody can do everything. a1:„>im your door< is a track to be played at prime-time. tight and compact. a combination of a flat humor and deep meaning which leads to a good mood. b1: >penny jenny<: a story about the risks of the city. a girl whos life was ruined by pony posters and polished fingernails. b2: >come cool<: a screenshot of a monday morning. around the street lights and a girl to catch. articulated in a form the english language hasnt heard before. its up to you. stay where you are or move out to test the borders of perception. knock upon a door. it can only be the beginning of something or the return for good

in the a side, undo & vicknoise, the masterminds of the label deliver their most tense and baroque track ever. to the simple kick-snare of the beginning they add progressively a distorted and powerful bassline, and omnipresent xylophone and some sub-aquatic melodies factor city school that will give you the creeps. sistema and his other self in full-moon nights, show in >te tazas< its best-known face: dark and epic tunes with a slight taste of 90s sound. hands up for mister coromina with >dancing and confused< he delivers what will be a sure hit forgetting the sound we were used to listen in his productions alongside undo. as you hear the track and its persistent jaw-dropping bassline, the best productions of carl craig and Âme will pop up to your mind showing clear influences of the new generation house music. youll dance more than c3po in a gargantuan spin-dry machine !! supported by: laurent garnier, funk d void, kiki, the youngsters, stefan goldmann, donato dozzy, mathias kaden, sian, glimpse, jesse somfay, karotte and angel molina

sven dohse is back to knock you off your feet with two more magnificent tracks. crusher means to break your bones not with violence, but force-wise. this dry bassline just pretends to be tame – like the whole ensemble does in the beginning. but initial conditions change persistently until you awake twirling in a gloomy moment of house. so compulsive it stinks. so offhand it hurts. so self-evident it makes you wanna scream. way after midnight weaver uplifts out of a sentiment of infinity. warm layers of sound come floating above an abyss hardly indicated. time barely scratches the surface of this pocket epic telling you on and on again: tomorrow never comes

the year 2007 is beginning with turbulences for ruede hagelstein. real life, clubbing and the life of his beloved twist and turn through out the night. spooky appears the >ghostdriver< and with the drive by the needle of the compass circulates. change of direction. clarity is extinguished by the searchlight at the horizon. pictures change to sketches and the dark reveals the >pig< biting itself in the tail and one cant look away while it´s mouth is wriggling like a funny muscle. a ruede roadmovie

chymera, originally from ireland and temporarily based in costa rica, has been making various forms of techno, electro and electronica since 2002. he has had several low key releases in ireland to local support. in june 2006 he remixed titaniums paloozah on austrian label titanium which marked his first international release. in september 2006 the descent ep was released on an affiliate label, supreme entertainment, which was subsequently charted by carl cox at number 1. xcela from that ep was also featured in funk d voids year end top 10. also in september, a side project under the alias i am an exit was released on esteemed uk house label urban torque. the numbling ep drew great acclaim and comparisons to mathew jonson, carl craig and new order. january 2007 saw the release of midnight at the aquarium on french label mezzotinto. this received major support from the likes of laurent garnier, chris udoh, james talk, spiritcatcher and many others. upcoming in early 2007 is an ep on barcelona label tishomingo and also one on josh winks label ovum. chymeras mix of deep and melodic techno is already beginning to cause a stir on dancefloors around the world and its only the start.

"on his first release for karmarouge daniel mehlhart seduces us with his emotional 12&#8243; vinyl ‘am anfang war es minimal’ to dream, dance and love. daniel mehlhart takes us with his impulsive groove on his trip into the darkness of the night, he introduces us to his personal labyrinth of sounds and styles and finally presents us a glance into the bright light of the beginning day"