for the 10th release of the label we have a solid ep by the label owner, rhythm&soul. after few strong releases on other labels it s time to put some warm vibes and juicy beats on his own label. slow town x has an old school taste but sounds very fresh at the same time. serious grooves ahead! -lost grooves- is a hypnotic track that keeps you dancing and flying from the beginning till the end. -cookies- is a classic sampling house track with fat 909 beats. a tribute to a big hip hop producer that passed away (for those who know!). and finally when he goes deep is a long oneside track that drives you through a deep trip while a female voice reminds you what it sounds like when he goes deep. a release full of rhythm and soul of course. repress

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

ltd to 300 copies , vinyl only release...
after successfully establishing his own dub techno sound with numerous remixes on the late, house veteran alexkid drops the first release on his vinyl imprint. dry beats with lush echoes drive this ep, as expected from the artist.
early support from enzo siragusa, tini, martinez, bella sarris, molly…

die neue 4friendz ep verdeutlicht einmal mehr die stetig wachsende produktionsstärke des jetzt 21 jährigen produzenten scntst aus münchen. nach seinem zweiten album puffer ist die ep sein zweites oeuvre 2015. mit vibrierenden basskicks, die einen aufregenden rhythmus voller emotionen kreieren, geht 4friendz deutlich in richtung dancefloor beats. ein neuer sound für scntst, produziert mit erkennbarem blut, schweiß und traenen. macht euch bereit für einen wirbel aus einer anderen welt!

kaum jemand ist zurzeit so gefragt wie manik. kein wunder, hat der new yorker dj und produzent die house-szene mit seinem dynamisch versatilen style in den letzten jahren mächtig aufgemischt. sowohl als teil von josh winks ovum recordings, als auch seine maxis auf poker flat oder hot creations zeigen, dass maniks grooves nicht nur von catchy melodien leben nonchalant verbindet der amerikaner instrumental breaks seiner hip hop wurzeln mit jacking house und detroit beats. mit seiner ny2la ep debütiert er nun auf bpitch control.

with ‚the grain ep doctor dru has achieved an applaudable piece of work. putting contrasts into sounds, synthesizers into vibes and unique beats into sensibility. jeudi records co. founder is the right one when it comes to musical quality good on point.

special 4x12 inch vinyl pack from the klang gymnastik family, featuring these releases:
- kg005: fabian schuhmann - wir wollen tanzen
kg007: photon - phrase pt. 1/2
- popmuschi06: popmuschi - magic flight
- flashdance001: lattos & riema - punching beats

prime time action on resopal label. russian hottest export lord vakabular launches his new ogo ogo ep with four smokin tracks. grooves, structure and beats combine with a high club-factor. all tunes exalt the floor, so be careful with this 12

nein, kein witz, die dramadigs sind mittendrin in der arbeit an ihrem rapalbum. es hat sogar schon einen namen und wird. aber dazu später mehr. auf jeden fall haben sie dermaßen viele, unfassbar gute beats auf ihren floppys, dass die gar nicht alle aufs album passen. deshalb senden tsnd mrk und konfus rauchzeichen mit einem beattape, das locker als super schmooves intro album durchgeht. made in bremen, gemastert von roe beardy in der brewery und mit artwork von gizem winter. produziert von den dramadigs in ihrem keller in bremen. relaén singt auf washing machine, kuskelmater und hinter der hunte. auf charly weiss und kuskelmater spielt sie keys. flo mega singt, shaked und trommelt auf fehler kuti und trat als effektmeister bei hinter der hunte auf.

welcome to the tonal island! this debut release sees a collabrative effort from l. collins and casau, delivering some seriously deep, jackin vocal house cuts. washed up, booming machine beats stomp whilst warming pads heat up the shoreline. this slammin debut is leaving its mark in the sand.

japanese born hokuto satos 3rd release from his own aura music. 3 solid and minimal grooves built with analog beats and atmospheric samples of jazz, soul, movies etc.. fits both on deep / minimal sets. mastered by stefan betke (a.k.a. pole). vinyl only.

samaris release silkidrangar sessions ist ein nachfolger und begleiter des letztjährigfen albumdebüts silkidrangar und beinhaltet überarbeitete versionen des originals, welche nun exakt ein jahr später veröffentlicht werden. samaris vereinen sehr ungleiche elemente in ihrer musik, die von elektronischen sounds, über klarinette bis hin zu jófríður Ákadóttirs bezaubernder stimme reichen. samaris mischen kalte elektronik mit gewagten, perkussiven beats und eindringlichen vocals, welche isländischen gedichten des 19. jahrhunderts entnommen wurden. einen großteil des letzten jahres verbrachte die band auf tour und spielte festivals wie roskilde, green man, reeperbahn, longitude, etc. die silkidrangar sessions wurden über zwei tage in reykjavík aufgenommen, und es wurden diverse gastmusiker eingeladen, welche instrumente wie tabla drums, cello, saxophon oder modulare synthesizer einbrachten.

more abstract, forward thinking house music courtesy of transatlantyk. mondo hehe is the fifth ep in a growing catalogue of the label and is one of its most adventurous offerings yet. lutto lento (real name lubomir grzelak) is an experimental musician from warsaw, poland, who specialises in dark, spooky, uneasy music that s hard to categorise. apart from running two experimental cassette only labels (sangoplasmo and dunno recordings), lutto lento records music for contemporary theatre and forward thinking european labels like ftd and where to now? he is equally inspired by avant-garde and surreal sounds from the bygone eras as well as raw house and techno music of today. his music tends to absorb the listener into a parallel, imaginary world, where sounds of a lamenting cry of a trumpet (b2) and a voice counting numbers on top of the rolling exotica style bongos (a2) are as important as jacking chicago house drums (b1) and energetic basslines (a3). from the jumping beats of the title track, to the late night deep roller casino , the * mondo hehe ep* is a superb collection of non-generic house music that sounds as good at a club, as it does at home.

4 tracks of mysterious, spacey, freaked out beats & r&b tinged vocals. omar s works the magic on *alone*.

this is ponty mythons first appearance on the swedish brandy productions label. expect a wicked four tracker of dirty lo-fi sounding deep house grooves packed with samples and sturdy analogue bass lines. vilnius based dj and producer aleksandr pletnev aka ponty mython is known for his many outstanding releases on labels such as tusk wax, no more hits, dirt crew, quintessentials and many more. besides spittin out goodies on a regular basis ponty mython runs his own imprint beats delivery releasing the most interesting artists and producers from russia.
the title track * i wish* starts of the ep with its deep and fumy organ chords combined with filtered hats, clever vocal samples and harsh bass lines. next up on the a side you will find the pumping head nodder * holly fm*. swinging hats, guitar stabs, smooth pads with simple but very effective hook on top. the b side starts off with the slightly minimal track “keep on using me” (brother). this one with grim beats, organ pads, off beats punching in and out as the track steady builds with a rock solid perfectly tweaked bass. the last minutes on the b side is reserved for the dreamy yet hard hitting and raw gem * new toys*. pure basement love.

its been a long summer without the infectious draw of the triple-s voodoo guiding you towards the dance. when any sane individual should be nestling into furs and sheltering from the climatic downturn, we return with an urgent need for everyone to throw everything to the floor and make out with the music like the sun still beats down on your skull.

limited vinyl edition of 50 stamped copies from obscure young genevan producer providing 5 tracks of discerning raw beats for the dancefloor.

ultra limited, one copy per customer! in an absurd world, full of unwanted auditory sensations, sometimes we have to escape back to the basement - back to the beats. that feeling, that need, paved the way for blint to release his very first solo ep – blint001. the record is a two-tracker: on side a you’ll find „silent movements“, a bassline-driven broken beat with a dark twist in the end. on the flipside there is „road to ioannina“ which is based on an 808 drum pattern, accompanied by a smooth synth-odyssee. the record comes along with a fine art print of the cover, drawn by graffitiartist rookie the weird, handsigned and numbred on 300gr. paper. a special gadget, that is connecting blint s musical output to his roots in graffiti and hip-hop culture. a true underground-package from germanys ruhr-area!

long-serving brit in san diego james clements dons his familiar asc guise once more, for a typically atmospheric trip into deep, ambient-influenced abstract techno for canada s silent season imprint. as usual, there s much to admire, from the sparse percussion, glacial electronics and icy melodies of deep freeze, to the minimalist, modular sounding hum of closer raging seas. arguably best of all, though, is immersion, which sees clements expertly combine early 90s style dreamy ambient chords, textures and melodies think pete namlook or early irresistible force with scraped metal textures and impeccable idm beats

volupso 4 sees alboratory label boss dimitri monev enter the fray with two equally sublime tracks. both tracks envisage the style and sound of dimitri progressing through sounds and beats to a deliver a clinical freshness for volupso. both tracks are accompanied by remixes from the highly acclaimed dan farserelli of fuse and lorenzo chiabotti of desolat and moscow records, making voluspo 4 highly desirable.

launched last summer, the 124black series has been a fine addition to the more established 124recordings label that promotes a darker, harder sound whilst remaining firmly rooted in the underground. the fourth release sees the pairing of sebastien vorhaus and ponty mython for the analogue and reverb driven love level which has been heavily supported by dam swindle and dirt crew.label boss of the highly regarded plastik people-marc cotterell provides the filter funk of disconoize ,real house music that pulls no punches.the second side sees the return of demuja.after the success of his everytime track on 124black 003,he returns to his trademark darker stripped back sound with touch me while newcomer josephqui closes off the ep with the concrete beats of can i have this dance?

dub-ito is a new label born from the long time friendship of the southern italian duo claudio mate and francesco mazocco (defrag). the funny name of the label is a mix coming from playing with a few words from different languages while talking about music, giving a unique outcome. straight uncompromised beats meet proper dub-techno landscapes, with a special deeper remix version by fabrizio lapiana.

mikron are two english brothers, michael & ciaran corcoran, living in australia. following on from their impressive no correlation ep on the hacker & gesaffelstein s zone records in 2014, sleep paralysis brings a level of darkness to the cpu roster we ve not heard since the likes of source direct. harsh, hard hitting electro bass similar to that of black narcissus, overdriven, tape saturated 808 beats, with raw robotic funk leads seemingly conversing throughout.

blendits audio reflections vol. 1 brings together the labels best tracks released over a period of 2 years. since its inception during the autumn of 2013 blendits audio has been a steady force providing the underground drum & bass scene with deep but musical beats, aimed for the dancefloor. head honcho chris harmonics has proven to posses a keen ear for finding the right tracks by established and upcoming artists that blend the rough with the smooth. the vinyl package includes tracks by hydro, dabs, eastcolors, bredren and philth. the digital version of this release will feature tracks by soligen & type 2, mystic state, mtwn and impish as well. over the first 10 releases blendits have broadcast their sentiments with crisp clarity, we look forward to hearing more.

(180 gr) black spuma are fabrizio mammarella & phillip lauer. both have a history of quality releases on great labels: running back, beats in space, permanent vacation and our very own international feel. house music for house people.

the mighty machinegewehr returns with the unforgiven, a four track 12 inch on electronic emergencies. rotterdam s booming disco noir producer is famous for his clean but haunting electronic beats with synth-laden dreamy harmonies. on the unforgiven, this results in two kicking club tracks with clear electro pop pep, an introspective and mesmerizing masterpiece and a perfect bittersweet pop song featuring the breezy and hazy vocals of frosty euro vixen gees voorhees.

part two of the a made up sound 007/008 double drop. killer pan-around beats and morsecode-like pads build towards sonic mayhem on the a-side, while the b-side sees the highly anticipated half hour jam on a borrowed synth finally get its release.

mastered by daddy kev
full sleeve artwork, designed by the pressure
limited to 500 copies worldwide.

bleep are proud to release the debut ep of a mysterious producer named zap francis. these beats first aired on black milk’s boiler room set about a year ago but other than that, not much is known about zap francis.

mindcut presents the next solo ep by no less than kamikaze space programme who had his first label debut with rattle ralf on catalog number 4. ksp also released on the famous luke slater label mote evolver and now he returns with a full 4 tracker on mindcut. his style is well known for rhythmic beats and organic percussions sounds which are reflected in 3 true techno tracks and a stomping myler remix

vinyl only! there are 4 original tracks, 2 from each producer, split by side. another tasty, collaborative release brimming with deep, low slung and mid tempo goodness. dj support from jimpster, session victim, thatmanmonkz, the revenge, cottam, ben la desh, sleazy beats, razor n tape, mermaids, anna wall and many more. limited to 300 copies

resolutely electronic, ambient and experimental with a techno key, küjuu delivers an exploration jerked and pulled about, meeting distance universes behind melodic songs found in first titles. percussions and harmonic beats makes travelling alongside a tumultuous path and at the same time, melancholic and & deep. sincerity and compositional skill, this ep takes mystery under an overpowering and rough deep bass made listening and elastic, propelling an evocative and ethereal line.

after 5 years siena is back with a new dj sampler! this four-tracker contains some old and new house beats!

new artist daniel wainwright brings his psychedelic vibrations to is it balearic? doing it is a slow motion sleazy trip into the acid house. swirling vocals and psyched out guitars melt into chuggy acid beats and effects. coyote up the tempo a touch and strip back the whole track on their remix. dubby vocal samples and muted guitar groove along to an acidic finale. the second remix is a real thing of beauty from mushrooms project. keeping the same slow tempo and adding space and texture with mellow guitars and extra sitar. a subtlely developing tribal workout. groovy man.

the sleepy seaside town of sligo, based on ireland s atlantic coast, seems an unlikely location to base a deep house label. more remarkably, this debut 12- from sligo-based splendor & squalor comes from two residents of the town: longtime dj buddies and hip-hop/deep house fusionists brame and hamo. it s a strong first outing, with each of the three original cuts coming doused in smooth soul and hip-hop influences. that s means beats that swing, sensual strings, chunky bass and the kind of pads that seem to wrap themselves around your body. the duo s collaborative clockwork arguably the pick of the bunch - is also remixed by session victim (think ultra-deep goodness), while hamo s sample-heavy soul offers the perfect balance between smiling deep house and classic hip-ho

recommended! third side is the studio project of the analogue cops and panorama bar resident steffi. they are back on restoration records after the highly acclaimed album * unified fields* with the * pandora* e.p., a selection of 3 kicking dancefloor oriented tracks with an acid touch and a sci-fi landscape. solid 909 beats follow through apprehending bass lines and dense fm quirks riding catching male hooks.

for more than a thousand days and nights, nico stojan tapped away at what is now before us as ‘twisted manners’ - his debut album telling stories in sound that are both electronic in nature and human in touch. each organic sounding track on the release, including their neighbouring interludes, graze on the moments, people and cultures which have encompassed the albums journey and brought it forward to what it is today. these inspirations have merged from moody mornings in foreign lands (‘blue hour’) to his love affair with the elements of jazz (‘tortured paper’), to the breezy ways of the pacific island people he connects with so much (‘maori girl’). these diverse cultures and the passing musicians who have importantly contributed to the essence of the album have built strong yet invisible strings with a myriad of voices and instruments which weave throughout the music giving us a piece of work that is both textured in flavour and rich in motive. twisted manners is a clean example of this - house music whose soft open spaces and gentle beats sway easily through analog sounds coming from string quartets, saxophonists and double bass players to name a few. these collaborations and stojan’s guiding ear will walk you right into the dreamy spaces and faraway places of his travels without you breaking a sweat. seasoned with moments stolen under the fading light of day, long trips into the beautiful nothingness of his eclectic surroundings and respect for electronic music that is both timeless and sincere, ursl records is delighted to present stojan s debut album, ‘twisted manners’.

invisible inc s third release departs in yet another direction as they dig through the archives of 80s new wave/psych funksters the poncho brothers. apparently these three previously unreleased killer beats were recorded between 1987 and 1990 and then forgotten about, only for a cassette to find its way into label boss gk machine s hands during some drunken tequila-fueled nights on holiday in mexico in 2012. fully remastered from the original tapes these no wave, disco funk dubs are firmly rocketed into the 21st century with ny s zoovox duo s stripped down stellar remix of amantes latinos. getting plays from daniele cosmic baldelli, jan schulte, dj kaos, kirsty p. + more.

„obsidian“ lässt raum für melodie zwischen den kicks und snares und öffnet sich dem hörer in einem traumähnlichen gefilde. damage verzichtet dabei eher auf rohe beats, tracks wie „cosmonaut“, „parallax view“ und „transmission“ liefern aber mit sicherer schlagkraft einen adrenalinschub. es sind jedoch die sphärischen titel wie „pulse width“ und „poly“, das acid-angehauchte „tetrapod“ und das großartige „shimmer“, mit denen sich der künstler tiefer in das unbekannte wagt. man fühlt sich an die genialität von afx, skam und autechre erinnert. „obsidian“ zeichnet sich durch ein zusammenspiel von wärme, herz, seele und viel viel schweiß aus und zeichnet somit ein perfektes bild und ein grandioses finale für das label. benjamin damage selbst beschreibt das album als: -collection of fragmented memories from all the music i’ve ever liked, distorted and restructured into a full length techno record. a purely personal project and an end of an era with 50weapons.” man vergisst schnell, dass benjamin damage erst seit 2010 platten veröffentlicht. nur zwei jahre, nachdem sein erster track released wurde, erschien sein hochgelobtes debüt-album „they!live“ zusammen mit doc daneeka. damages erste solo-album folgte im folgenden jahr und zeigte eine entwicklung hin zum von plaid und jeff mills geprägten sonic sci-fi. kritiker lobten die wärme und rückkehr des souls in die von kälte geprägte welt des berlin-techno.

pump it 2 da beat with the new adult central release! power house beats, pimping grooves, and bangin warehouse stabs for all party animals. warehouse traxx pt. 4 is brought to you by the model. get into it at a club near you.

proper destroyer, is what somebody said and its probably the best description youll hear for this new syncom data release. syncom data teams up with finnish/dutch vocalist saara soini for rumpukone. inspired by me and my rhythm box from the 1982 film liquid sky, saara soini delivers a powerful vocal performance on razorsharp beats and acidic textures by syncom data.

cute heels screamed onto the scene with his debut album on dark entries. the colombian s blend of ebm and minimal synth with driving rhythms electrified interest with juan atkins describing him as -the new blood and spirit for the next step in techno music.- tough words to live up to, but this talented artist has done atkins proud with his excellent five tracker, nepotism ep. measured and thoughtful the ep is packed with eclipsed wave and bold beats. future classics shine from the drop. -nepotism structure-, with its blackened chords and stark chords, is brimming with a primal energy. -madame counsellor- ups the tempo, adding some extra squalor with wretched 303 writhe. cute heels refuses to sit in one genre, electro coming to a head in the shimmering mechanics of -cabaret literal.- -the pulse (sex drive)- closes in a seedy blur of neon lights and showing synthlines. bleak and bold brilliance from bogota.

klangkeller records presents a friendship production. nice groovy beats for your needle... limited edition, only 200 pieces available worldwide.

glenn underground reworks joi cardwells imperfect from 2007. a killer remix that should have been released on the 12inch but wasnt. backed with his remix of julie crochetiere s steady ground, the title track to her 2011 album. her soulful vocals match perfectly to his soulful beats.

2x12 inch standard vinyl in 5mm spine sleeve.
shogun audio is a brand synonymous with the very best in drum & bass music 10 years down the line it has become home to many of the world s most exciting electronic artists including friction, icicle, rockwell, technimatic, joe ford, spectrasoul, alix perez and more.
always with an eye on the future, shogun audio now present the first in an all-new series to showcase the rising stars of drum & bass from across the musical horizon. ‘point of origin vol.1’ features 13 tracks from some of the most exciting new producers plucked from the plethora of brand new music received at shogun hq every day, providing a springboard for the likes of posij, coleco, karma and voltage as well as more familiar artists ed:it, liz-e, need for mirrors and more. an album spanning from ferocious big room beats to sultry summertime rollers, ‘point of origin vol. 1’ may well contain some of the shogun audio stars of tomorrow.

two paris legends reunite for the latest outing on the always fresh adult only label. owner chris carrier links up with his old pal dan ghenacia for this three-track ep, which includes a remix from german talent, diego krause. chris and dan last got together for adult only back in 2007, with their ‘tumble blur’ ep and they recently hit the studio together again to roll out two super dope slices of heads-down dance floor funk. as you might expect from two highly experienced veterans, the tracks on offer are both crisp, epitomising that classic house flow with a sprinkling of contemporary flavour. the 2nd degree bounces, whirrs and chirps all over the place while the 4x4 beat keeps the energy levels high. just a sin is a more serious cut, with a solemn presence and stuttered beats together with a hushed vocals giving it a mysterious feel. unison wax bossman diego krause powers up just a sin with his remix, putting a firm emphasis on the bassline, which is strong, murky and unrelenting. a deep, dark slice of groovy house for the after-hours crew

as a preemptive strike before soma unleash their specially commissioned compilation, transmissions glasgow, we are proud to bring you one of the highlights from this as two of scotlands biggest techno exports, slam & gary beck, come together for pressure lights. a track celebrating slams long running club night pressure, that has been at the centre of scotlands techno scene for almost 17 years. big room beats and furious snares are the order of the day as the 2 techno titans deliver a monster track designed to destroy any dancefloor.

francisco returns to slow motion for the second in our of retro-dance-floor series, linea beat volume 2. drum beats are rolling and lazers are scanning for a double a-side of vintage yet futuristic discoid funk. relentless hand claps, ghostly italo voices and killer bass lines that comes on like the b-52 s of your alternative-universe wet dream. this is the sound of a sweaty cellar at 2am on a monday morning with a uniquely italian twist.

title track universe is covered by warm & drive-bass, percussion synths and a wavy mainlead that hijacks the mind to deeper places. still waters run deep as explorazione starts with strict but area-wide beats and turns into an interaction of arpeggiated synths and powerful bass. followed by the last track passage feat. afterwards-, whose sweet reverb-heavy vocals glide through the bassment , the ep constantly keeps up the danceable tech- house elements.definitely a flowing continuity of quality sounds.

as summer slowly fades, michael clifford recalls those calming, intense moments, that merge the good feeling of inner warmth with deep sound. today, deep often gets misused as a cheap tag for music, not deep at all. clifford really takes you on a journey towards your inner core. garnered in warm, low slung and minimalistically dubby beats, and sparse yet lofty snyths, his deepology ep needs no prayers for deepness. it simply is the mantra of depth. lost in the groove, based in the stealth of bass, coloured in shades of electronic yet organically warm tones.