nice price deal !!! new and exclusive reprise from black box ride on time. the original track was the biggest selling single in the uk in 1989 and still one of the top 1000 best selling singles ever in most of europe. inspired itself by loleatta holloways love sensation candy kept the main spirit of the original track and boosted it with actual electro house sounds. a must have

feiner bis überdrehter disco-indie-rock mit genialen andrew weatherall mix

next part of 2007 remixes from the fat crew on this 1989 classic a limited 10inch release here with remixes by autechre and zilla

brill deep minimal detroit techno (dub) a la hardwax / basic channel... b2 track >minus< is actually a re-release from the 1998 >ll001< single, long out of print. since there was a steady (nearly monthly) request to make this track available again, it has been remastered and included to match the other tracks on this single. the aim of this release is to prove that a certain approach to composing and sequencing with particular sound can end in a timeless production. at the end of this process it should be standing against the times, playable in 1989, 1997, 2007 or still in 2020. individual production methods or media stay behind, as the artistic vision of shaping and mastering the sound come thru. already playing on heavy rotation in berlins clubs by local djs who got whitelabels or cdrs, this 12inch will once more become a classic to people who dont look for hype or trendy fashion but lasting sound quality.

second part of 2007 remixes from the fat crew on this 1989 classic expect a heavy dom kane remix and the rythmatic reconstruction on the flip

1989 rave classic getting a 2007 breaks treatment from the fat crew the rogue element and merka on remix duties here

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

chilly t with classical chicago house and hip hop from 1989 !!

2 lost disco gems originally released in 1979 feat rufus and chaka khan who had their biggest hit in 1989 when they joined up again for their world wide hit aint nobody

for more then 10 years the french lady b. is known in the techno scene. he organiced the first acid-house and techno parties in south of france between 1989 and 93 and he also became a dj in several gay clubs in cannes. he had releases on f-com, gigolo rec., good life & many more. plus remixes for ascii disco or scratch massiv. now he is back with a powerful ep incl. 4 tracks. >stripper< is cut and go massiv banger which reminds me of sebastian(ed banger) productions. >the best will come pt.1 & 2< have a nice bassline + bleeping acid sounds and those tracks show you that the time for sampling in 2006 has just begun. >b-ware< is a pure peaktime track with a melodie that will stuck in everyones brain…

contains the original from 1989 plus ritons maximal house edit , hardrock strikers new single >massada< & bonus track denise motto >imnxtc< (jd twitchs optimo unrealeased acid mix)

the master of rough analog beats and rhythm, mark hawkins.. wicked and pure evil jacking tech coming straight from dusty and smoking machines.. still on the case since his first release on the djax label in 1989!!

coverversion of the basementboys produced 1989 ultra nate classic tune // excellent kenny hawkes rmx (classic / music for freaks )

original from 1989+jef k & chris carrier rx

"the track computer madness, the first experimental acid production with the hardest techno bassline that influenced to build innovative labels like >warp record<"". the original is now immortal and the refreshing mixes come courtesy of d'julz (france) and optimo (uk).....house, techy, ...acid !"

anders trentem¿llers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix Ôharbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentem¿ller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentem¿ller remix) and slowdive to more obscure finds, as well as trentem¿llers own tracks and remixes, most notably a brand new trentem¿ller cover of neil youngs classic Ôtransformer man. the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together Ôharbour boat trips - 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with Ôharbour boat trips - 02 arriving this november.

cd reissue of a legendary act, pioneer of the fusion of world and alternative music, celebrating the 30th anniversary of their first release mlah. original year of release: 1989. features the tracks zobi la mouche, cest pas la mer a boire, voila lete, etc. cd in jewel case with 8-page booklet.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.

the cd version includes a poster inspired by the aesthetic of the label, which sums up the journey of involve since it first started in 2012. after the resounding success of Ôtrave generationÕ ep, regal and involve are back with a brand new release, this time is all about a compilation cd featuring some of the strongest names in the worldwide techno scene. the label commemorates with this release its fifth anniversary. five years full of music, acid, experiences and learning. five years representing its own values and following a path that has led to making involve one if the greatest acid techno labels. family, rave, solidity, aestheticÉ the pillars in which the brand leans are the ones that pop up now stronger than ever. ideas that have shaped the becoming of something that is much more than a record label, a way of understanding electronic music and society in general. involve is not just a music platform, itÕs a spirit, a representation of the personalities of the artists that are part of it.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

one cd mixed by popof and the other from luca donzelli

paul oakenfold blickt und tanzt sich zurŸck bis in die spŠten 80er jahre, als die dance-explosion die massen begeisterte und den mainstream eroberte. aufgeteilt nach den drei beliebtesten genres house, trance & balearic, bekommen wir hier drei exzellente mixsets mit den prŠgenden und zeitlosen klassikern. cd1 besticht durch #1 hits und clubhymnen von m/a/r/r/s, inner city, black box, underworld und jaydee. auf cd2 sorgen faithless, da hool, jam & spoon, chicane und schiller fŸr die ultimative abfahrt. und mit frankie knuckles, the beloved, happy mondays, the cure und saint etienne schwelgen wir dank cd3 in traumhaften ibiza-sonnenuntergangs-erinnerungen.

der visuelle gas aspekt auf 60 seiten und 5 unveršffentlichte gas stŸcke von 1989 - 1998 auf cd

compiled by hunee, sounds from the far east features highly sought after material by legendary japanese house producer soichi terada and fellow producers shinichiro yokota, manabu nagayama! soichi terada is an adventurous multitalent and over all a good sport. he was born in the sixties, and as a child he loved to play on his fathers electric organ. terada majored in computer science and electric organ and after he graduated, he founded his far east recording in 1989, because he couldnt find a label for his compositions at that time.