180 gram double vinyl with etching on side d. comes in gatefold sleeve with download code included.

the concept: just a drum machine and a synth – pure analogue dj-tools.
ltd 2016 repress - 180g vinyl

the concept: just a drum machine and a synth - pure analogue dj-tools!
ltd repress 2016 - 180gr vinyl

nice price deal !!! it s finally time for another various artists! -gods, myths and mortals- consists of two tracks for side: the first two by new talented guys, saverio celestri, cedric dekowski & felix reifenberg. 100hz and convergence club for the b side! music for all the dance floors… enjoy it :)

“i’m okay” is a twist of melancholic melodies and soothing beats. a dreamy, tranquilizing journey providing a soft soundtrack to a lazy late-night forest wander. euphoric horns drift over tight snares and undulating low end, taking you on an elevated trip to the spiritual side of the cosmos.

outstanding, superb dub tracks of ion ludwig and monoaware on the ever classic sushitech records! hand stamped, one press!

ital & halal return to lovers rock with * tower b*, an ep of enigmatic techno explorations. * shenzhen river* opens: an ominous, questing acid line stretches its tendrils around nocturnal atmospheres. * from the brink* counters with glints of warm melody. on side b, the title track unfurls with slithering percussion and a menacing drone. ambient closer * where exactly i am* picks up the pieces, lost voices traveling across the stereo field, searching for answers through an endless pale haze.

first appearing on watergate with a phenomenal remix of ruede hagelsteins soul dynamic last year, we are more than overzealous to announce fur coats reappearance with their debut ep interstellar. known for their deep and hypnotic yet fiercely engaging sound of dramatic melodies and formidable low end, the duo paint a vivid display of emotional dance floor scenarios in two exquisitely crafted tracks.interstellar takes off with heavy, pulsating drums and long blasts of sub bass as an enchanting exhibit of melodic wash over open spaces. the flip side sees the two join forces with the sultry voice of delhia de france on ‘desire of mine creating a deeply emotional tune that pulses with climactic fever. returning the favor for last years remix, ruede expertly twists the original desire of mine with his unique brushstroke of sweltering organic percussion and infectious atmospheres ideal for a multitude of events.

rivulet records are continuing their release just where the compilation at the beginning of the year left us. again bringing 4 artists together on one release shifting between dusty, mellow house and some how twisted techno. peonies from russia, who has been releasing tapes on his own label „summer night“ since 1 year, sets the mood for the record with his track „soft light“ which sounds almost like a dim, fading memory of a club night full of classy house records. the rework by ital, the head behind „lovers rock“ from new york, builds up the mood in a complete different, driving and technoid atmosphere. the b-side is the first cooperation between two very old friends, berni from trier and jonas palzer from berlin, both part of portray records. their tracks are playing with the same kind of hauntology as the a—side, building up a sound that is familiar and distant in the same way - referring to old records by boards of canada as well as to the contemporary sound of „house“ at its best meaning.

if you love contemporary minimal music, then you are certainly familiar with the greek artist stathis leontiadis. with his bands human puppets, exetix and plexiglas this musician became one of the stars of the genre. now he is back with doric. with this solo project he already released a single and an album on fabrika and a 10- on domestica. the new release is once again a 10-, this time on peripheral minimal. doric uses a special concept. the a-side is the so-called asleep side and is about loneliness: music that sounds paranoid. sleep of reason is almost unbearable, it s madness driven by minimal electronics. everything is very danceable, but this is the dance of madness. the minimal sound comes straight from the 80s. over my dreamssounds a bit like the early parade ground. simply great! head against the wall (a title that needs little explanation) is slow and compelling.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

back once again with the renegade masters, to rack & ruin romp on, bringing ill behaviour and dance floor damage wherever they go. this twelfth instalment of the heady edit series sees mancunian maverick neil diablo invite the rejected and que sakamoto to tackle a side each on this floor flaying four tracker.

released on limited edition made in detroit label with neat engraved single on the flip. the side that does play is a monster - detroit s -they could have been bigger than the temptations- mighty mighty the precisions and the iconic northern soul album -if this is love (i d rather be lonely . motor city magic.

one of house musics true originators, todd terry was first discovered by pioneering new york house imprint fourth floor records. now the label has collected four of his earliest and most essential productions on to one 12inch vinyl. the a-side houses a pair of tracks created under his black riot alias in 1988, both featuring his trademark raw, jacking drums. the unmistakable rave stabs on a day in the life were to reappear on countless hardcore records, testament to the tracks influence, whilst the cut-and-paste sample patchwork of warlock defines the house sound of that era. meanwhile, the b-side features two tracks as masters at work, a moniker that todd would later pass on to his friends little louie vega and kenny dope gonzalez. both alright alright and dum dum cry, originally released in 1987, exhibit terrys musical roots, combining hip-hop breakbeats, powerful electro-funk and playful freestyle melodies in his inimitable style.

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

dax j back in the game with a special remix pack to celebrate this sublime record. par grindivik delivers a total floor-filler, while echoplex take it to another level, b side duties to the soma owners, slam. we added also a revisited dub mix of the record, and a very helpful accappella. you judge.

made of concrete release number 11 sees a joint effort from danny kotz and avi caspi in the form of an incursion into the deep end of spacious techno. reject unfolds steadily, as spatial loops intertwine with piercing zippy synths. the laid back melodic outline is aptly layered with sombre french vocals by laurie eve jasmine de larohe which giving the track a mysterious yet groovy appeal. starting off with a subdued bassline, canopy follows a slowly ascending groove, as progressive synths and wavy hooks further the track into deep tech territory. for the b side, myles sergé swiftly jumps in on the reject remix, stripping down its embellishing elements and shifting focus towards the bassline. what ensues is a compact backdrop where the bass and percussion take the lead, resulting in an intensely danceable reinterpretation of the original. stepping away from the murky ambiance present in previous tracks, karat boosts a slightly more vivacious range of harmonics. energetic synths set a peppy, 70sreminiscing mood, while the melody keeps the cut anchored into present day electronica.

this 7th dailysession release is packed with party-banging grooves for various occasions. side a starts with monchan

another split is on the way of the suburban avenue team. this is the turn of two young and talented producers coming from the new school, both nostalgic of the techno of the origins: birth of frequency and mike storm a side is entrusted to the refined hands of the french producer, a1 no wonder” is a brilliant and direct techno track inspired by british school of the nineties. a2 the fugitive” is deeper and hypnotic. the precious b side is made by the dutch producer mike storm, both tracks b1 the one we know” and b2 into formation” are minimalistic and represent some old school spaced out techno trips retro-futuristic affairs continue..

supported & played by steve o’ sullivan, xdb, julietta, lamache, st. joseph…
reduced and methodical housey techno from this new anonymous project out of portugal. in the same lineage as early cabinet records or tobias freund under his tobias. moniker, the duo apply the detail-oriented approach of a sound designer to classic dancefloor forms, each cut matching techno sensibilities with a levity that can only come from a love for the giants of 90s us house. flat, impassive kicks get lifted by skippy hats and claps, dubby synth backdrops are punctured by dramatic stabs (note the chez n trent flashes on the b-side), and under it all roams an ever-restless (sub-)bass that reaches right into your guts. the name may be routine, the effect is anything but.

dubtil’s debut for amphia comes in line with the previous 10 releases’ tagline: tailoring new musical perspectives into the multidimensional universe of electronic music. the opener -indoiala- sticks into our brains with its slow decaying voices, pitched down to embrace the devilishly simple percussion. keeping the same eerie approach to his idea of dancefloor oriented loops, dubtil completes side a with -alta schema-, another typical kick-led experience enveloped into a more haunting bassline. bearing a deep house dna yet not losing contact with the dancefloor energy through its breaks pattern, side b’s -repet slap repet- opens the gates to the abstract structure of -contrar-, an apparently chaotic contiguity of weird samples, glued to each other by the minimalistic bassline. jumping from one genre to another, confronting dusty preconcieved ideas just to turn them into a fresh sound: dubtil’s imagination fountain is far from getting dry! we now have the tangible proof.

deep site vinylized return with a special 4 track v/a release for those late summer parties, marc cotterell opens thing up with the organ-powered garage infected sunset vibes. synthesizer solos dominate the view while subtle rhodes and b-3 phrases meander in the funky framework. next up welcoming an old deep house favourite from glasgow calum walker of fresh and low delivering the beautifully understated string theory which builds like a cinematic theme tailor made for dance floors. synths pulses and dramatic themes intermingle with subtle string lines laying boldly within driving rhythms. the flip side brings a return to deep site for addex who comes on smooth and strong with blazing, utilizing solid drums and bubbling percussive edges. the synth pads build slowly in juxtaposition with the cloud stabs and analogue melodic flourishes. closing with erotic soul from even furtuna featuring the writers poet is a chicago deep styled gem with its gorgeously stated poetry flowing through a bed of bass, organ, and builds. the main infectious riff plays well off of the verse breaks. enjoy!

nice price deal !!! third release of the label what.if. debut of the barcelona based producer carlo santi with an original track called “tambor” on the a side. on the b side the release includes a fresh remix from birdsmakingmachine.

materia ep is the second installment of ruhig s double ep, inaugurated with particles ep in january 2016. originally the records were supposed to be out in the same period, but due to problems with our ex-distribution, materia ep got postponed of few months. the release starts with the transcendent trento, respecting ruhig s tradition of broken beats idm deep techno leaning openers. consecutive cut the vector is a thumping mixtures of drones and heavyweight hihats designed with some attention for dancefloor. the slow-burner materia delivers some powerful mist-shrouded kicks on the b-side, that wraps up with sciame, a massive droning wave of electro wasps, which still keeps some classy chilled out elements somewhere in the background, behind the thunderous main drums. vinyl unfortunately left no space for the extra only digital track 1870, this last one is percussive retro-futuristic jam of psychedelic mouth arp and huge mallets drums. the track will be available for free download in the same period of the vinyl

4 techno tracks live recorded straight from the stereo bus of the mixer, full analog, fully effective and raw as fuck. much in the early 90’s jeff mills and downwards school plus a touch of psychedelia. korg ms20 for basses, some analog strings, arp odissey for evolving lead ton of overdrive, driving distorted beats and a touch of reverb, no special effects nothing superfluous, no kisses straight in!
format: 12- vinyl only limited 300 copies.
white label record with label stamp on one side. the record is packaged in both a generic inner sleeve and a generic outer sleeve. the generic outer sleeve has a different stamp on each side. one of these stamps also includes information about the record including artist, title, tracklist, mastering, distribution, label, year and catalog number.

the first release from argentinian label fundamental sounds, is a various artist 12-inch that navigates the depths of deeper club cuts. specter heads up the a side with diego perrisson and chicagodeep on the flip. proper end of the summer vibes.

aus music bring a summer of firsts to a close as they follow up records from the newly collared recloose, trevino and paul woolford with another new addition to the team: tom trago. the rush hour regular joins the ranks with being broke - a bright and groovy four-track aimed straight at the dance floor of this seasons closing festivals. the a side offers up an original and dub version of the title track - a bumping house groove built with playful vocal samples and nifty synth lines. on the flip are two version of good lies - the first rolling out over its elongated duration with sharp, galloping hats and free-flowing rhodes notes. tension begins to develop as the track steadily snowballs gathering vocal snips and a menacing bass line while the good christian edit offers up a lighter, more early-doors affair bringing a nicely rounded package to a close.

music is art presents topper. the fifth release is a superb demonstration of deep minimal techno. two fantastic tracks by topper on the front side and a great remix by nima gorji on the back side!

repress !! for the sixth release on tardis records, label owners eli verveine and oscar schubaq proudly present two tracks from the personal archives of peter kremeier a.k.a. losoul, a man who has been rocking dancefloors and enchanting listeners with his uniquely abstract and tripped-out take on minimal house for two decades and counting. on the a-side, * soda island* hangs cut-up vocal stabs over the last word in bone-dry, bass-heavy grooves. * sparkling please* on the flip starts out cheerfully but then subtly mutates into spooked insectoid psychedelia anchored by crisp percussion and bass. drop either of these cuts at the right moment and watch the dancers lose their minds! mastered and cut by stefan betke at scape mastering.

following releases on knotweed and philippe petit’s dmt, lpz records welcomes argentinian gonzalo md to the label for a joint release alongside lpz’s very own techno duo p. lopez & octavio.
the a side features blue vortex and neferu, two driving techno tracks from gonzalo md that showcase his trademark machine groove. on the b side, p. lopez & octavio lay down a deeper vibe than usual with lorn and immersion falling somewhere in between techno and house.

the activ-analog collective return under this name for the first time in 10 years with a blistering new ep on lisbon s assemble music. taken from group live jams which are mixed down and tweaked on the fly, these four tracks recall the explosive simplicity of daniel bell s output on accelerate, both a-side tracks all whacked-out acid and basslines cut through by razor sharp hats and claps. the b-side sees the addition of the same woozy pads that defined their venerated night shift eps from the late 90s, taking the mood far into the afterhours. hard but with a light touch, funky and clean - in one word, irresistible.

finish techno pioneer and dum records boss kimmo rapatti aka mono junk and melody boy 2000 is back with another fine ep of some of his greatest tracks. all three have been released before now, but never all together on the same ep. a1 sound stealer was released in 2007 under the melody boy 200 alias and since then has been hugely sought after, often fetching high prices on discogs. it is a high impact techno track with racing drums and chattery percussion that will take any floor by storm. a2 all alone, again as melody boy 2000, has only been released on cd before now, as part of a label compilation back in 2002. this one is deep and rubbery, spaced out and elastic and is full of moodiness and melody. both b-side tracks were written as mono junk and both were written in 1992. first up, apache acid came on vinyl own music man and is a face melting, hundred miler per hour banger with manic 303s buried within. finally, ‘beyond the darkness’ was a key early techno track to come from finland and has previously been released on dum010. says the artist of the track, “an ensoniq asr-10 arrived on the market and studio engineer perttu bought it right away, but i never liked to use sounds that someone else had made. we sampled the track’s bassline, strings and others from my jx-3p separately and mixed it all together.” the result is an atmospheric track with swirling pads, icy synths and form drums that will make people march, no doubt.

popping up for the first time on figure spc y, it was the remarkable synth-work of ubx127 that instantly struck a chord with the labels demand for substantial techno. now the stockholm artist proves himself loyal and hits back twofold with a pair of eps that further highlight his mastery of both vivid modulation and effective sequencing. leading into this batch of new tunes are the crafty and beautifully fleshed-out synth-arpeggios of opener han, which ubx127 complements gracefully by adding tender touches of melody. a2 cut create and destroy displays a new side to the producer that verges on the manic, building upon a swirling theme that soon flies into a lunatic frenzy. soothing then are the spacious sounds of barabrus, a crisp piece of floating breakbeats and shoving sub-bass. living up to its name, swells starts as a bold synth-led groove and slowly grows into a romping beast that rebels against glistening sonic whiplashes. even in its own right constant permutation part 1 stands as a cohesive and compelling record that will add to any collection. but with its equally strong successor already waiting in the wings, it is ubx127 himself who will make a lasting impression.

josh butler returns with the third installment of the kahu series kahu has become a concept that has allowed josh to explore areas of his taste outside what people may expect. the tracks draw influence from tribal rhythms but are manifested within a hard, yet stripped back, minimal style. this limited edition vinyl-only project showcases a darker side to the underground house josh butler has become synonymous with.

with his first ep on orbis, binny is ramping it up, once again. we’re very pleased & honoured to host him, his 11th appearance on a vinyl record so far. someone to watch out for! on the b-side, lee holman takes it to the raw side of analogue techno.

the cyovac machine is held together by a team of like minded artists that work to move production forward. cryovac functions to preserve the soundcraft of thees artists into the vinyl format. cryovac vinyl is pressed by a.garcia at archer record press in detroit. the cryovac operates to push music that represents the soul of its maker. sierra sam and pascal hetzel bring the smooth techno feel of berlin and an analog savvy to fist side of cryovac #14. they combine for two minimal machine soul bangers that zone your mind and move your body. spam burrito is the creation of a.garcia and kieth kemp. this combination rocks out choice wavs that have been tweeked to perfection under the rising and falling of effects. dave powers choses the low key emotional path of ever an evolving synth moving an intelligent knock. the 14th edition of cryovac is a must hear.

dotwav returns to their own konflkt imprint with insanity. both i/y and cadency aka hector oaks reshape the originals into individual sound concepts rounding off a complex four-track ep.
heading straight towards peak time insanity sets the pace. the raw yet punchy destination that follows on from a hypnotic synth exploration receives a deep tripped-out remix treatment from berlin-based duo i/y. distance ventures into an emotive dimension that channels melancholy and anticipation into a compelling techno ballad. charging the b-side with urgent heat, cadency transforms dotwav s composition into a sustained power house for the floor.

ltd 50 % deal, o.xander is back on nous for another jaunt into textured techno rhythms all sewn together with a cheeky side eye on diverting off the obvious path and sustaining a reticence for anything too formal.ep opener snowspeeder blues is a glacial skitter around pitch perfect retro-techno territories, while thru our veins harnesses the eternal power of acid and a perfect balance takes a wry slo-mo lens to the synth-core sound.over on side b we are back in the acid zone for full spectrum, if a more mournful and disquieting rendition of that genre, with the junipers dub version squirming through a gauzy terra firma of dim lit detroit design.

fortuna co-founder kalbata takes the controls for this new, middle eastern techno banger! al-shark is a banging arab farfisa excursion played frantically on an analog techno rhythm section. it s the first release from the fortuna camp which is not a reissue, but worry not, this could easily be an ancient lebanese proto-house experiment unearthed from a dusty reel.for the b-side kalbata takes things even further with a tribal relick of the original, placing us in a voodoo ceremony where ghosts of sinners come to dance. already on heavy rotation by gilles peterson and acid arab, this anthemic 12- is not to be missed! limited vinyl!

after a one year hiatus, berlin s michael melchner is finally back in a memorable way with a new release on colt music. three original cuts that do not need any futher explanation with ? came first as the main track, followed by a more personal version on the b side. closing things off, prague adds the spice with a funky minimal tool track.

there is a new label on the horizon and it s first release is all about warm heavy detroit influenced deep techno. another earth combines 2 acts together in a split ep series which compliment each other s sound. the a-side hosts the renowned u.s. based producer, myles serge (ms - re(form)) who, for these 2 tracks, let his machines run crazy beat patterns in a old school detroit techno vibe. the b-side features dutch based duo duijn and douglas (esther duijn and steady douglas). their stripped warm heavy padded deep techno influenced tracks are perfect for creating some heat on the dance floor and the b2, stray, is driven by berenice van leer s lush intense voice.

the ninth ep from the magic waves label comes courtesy of the enigmatic and mysterious voiceover woman. we are given four tracks of modern electro-psychedelic wizardry that will surely melt your mind, as well as any dancefloor it comes into contact with. opening the record is ‘input sensitive’, and we’re plunged into a world of swirling synthesiser emotions from the start, tripping hard into ‘mega gift’, a monster of a track that not only shifts the speed up a gear or three but funks it out in spaced-up futuristic ways too. side b brings us ‘total rotation plug-on’ and takes us deeper into lush aphexian dreamscape dimensions before the whirlwind climax of the record, the closing stormer ‘convolvo’, expanding any mind it’s aurally connected to at an exhilarating rate. it’s a record that leaves you mentally and physically breathless, and is not one to miss. comes in limited quantities, and vinyl is coloured!

introducing the debut release on the brand new glitterbox recordings label a label celebrating the incredible disco, nu disco, soul and classic house records that have made glitterbox parties the most popular and joyous additions to the clubbing scene over the last few years. sharing the glitterbox nights philosophy for supporting artists who really know how to produce uplifting music that stays in your mind for days, glitterboxs first release is the much-anticipated dr packer remixes of sure things the infectious nu disco classic holding you tight. both sure thing and dr packer embody the glitterbox ethos, making feel-good, joyful music that lights up the dancefloor. on the a side is the dr packer remix and instrumental while on the aa side is sure things original extended dj mix, alongside dr packers radio edit and accapella, completing an essential landmark record to kick off your glitterbox collection.

large music continues its historic return to vinyl with a new edition of the wax weapons series. four unique cuts here all curated from the label s current roster of up-front & youthful producers. austrian duo jakobin & domino get things started with the supremely groovy underground jam entitled suki, followed by the sublime disco tinged blast from chris stussy called heat. side b goes even deeper with the talented duo studioheist and bristol-based artist jordan o regan bringing forth two classic large-style cuts. essential!

seth troxlers play it say it label looks to sean miller for its next essential bit of dance floor dynamite. this 11th firing release on the label features two killer cuts from the canadian producer. miller has been turning out taste making tracks on a consistent basis for a decade now. releasing on mobilee, area remote and ovum he is no stranger to the best labels out there and this latest missive is another offering that will keep djs and dancers happy all summer long and beyond. the momentous a side ‘tiger spirit it’ is ten tantalising minutes of deep and seductive house music. clever drum fills, poised synth stabs and vocal coos all add oil to the groove as playful kicks punch out an infectious pattern below. this is proving to be one of key tracks in seth’s tracks this summer: ‘it’s driving the crowds wild’. ‘together’ is less physical but certainly more emotional offering. playing out perfectly effortlessly, it has swirling pads and trilling chords adding some sensuous summer sunshine to the vibe fuelled house drums below. troxler has once again unearthed a brilliant release from a talented producer right at the top of his game.

select remixes of tracks from the recent stowaway lp
perc trax s very own potter-loving boy wizard ansome returns with some of the choicest cuts from his debut album stowaway remixed by an array of uk talent. opening up the ep are james ruskin and regis working together as o/v/r. the blueprint and downwards bosses show their class with a precisely produced stepper of a remix, built on a wall of sub bass...opening the b-side perc provides the peak time moment of this 12- as he fires up the already energetic bad blood in his own confrontational style. closing things off, london s randomer makes his debut perc trax appearance with a radical take on ansome s original mix of back alley sally as swarming live percussion and synth stabs lead the charge… as with the original stowaway album elliot fox provides the main illustration, with perc trax design guru jonny costello creating the centre art

upon its sixth release, flyance records proudly features british producer miles sagnia. this new piece is a perfect embodiement of the labels vibe, with deep pads, dub keys, 909 beats and 303 acid on the a-side and with a resolutely deep techno track, with darker textures and hypnotic rhythms on the b-side.

ruolamies helps to launch north harbour grooves a proper cloak and dagger label, riding high atop of the baltic sea. this first release features four huge cuts that shift between house and the darker side of disco.

first release of rlz music starts with fractions. a deep, groovy roller, full of textures, pads and a dubby bassline throughout. a series of solid off-beat drum patterns at the start of the track are later calmed by a set of deep, dubby chords. a2. fractions (archie hamilton remix) placing his own stamp firmly on the original, archie hamilton serves up pure, summer vibes with this remix. a deep, warm bassline and complementing series of glitchy percs build to form this solid groove. b. bee side a chunky, relaxed roller, comprising of solid 909 drum patterns and a warm 101 baseline.