deepa & biris black crow records further expands its horizons with its seventh release, welcoming another new artist to the family following appearances by 2030, aril brihka, hakimonu, luke hess, rod, inland and markus suckut. the analog roland orchestras label debut follows the widely acclaimed 2030 ep and shares with it a widening of the labels sonic scope to once again showcase deepa & biris desire to reach beyond techno and explore ambient and cinematic musical textures. michal matlaks analog roland orchestra finds the poland born & berlin based producer in the conductor role among an array of classic electronic hardware, taking on the role of shaping & directing a free flowing sound that moves across genres, whether in a studio or live setting. his previous releases for labels including ornaments, rotary cocktail recordings and pastamusik have seen the project indulge in an array of sounds across the techno spectrum. aftermath ii is no different, moving from the classic roots techno sounds of plant and father detroit, through the dub excursion of urei dub, to the cinematic, boards of canada & tangerine dream-recalling pair her and aftermath. for those with a taste for electronic musics widescreen possibilities, taros arrival on the tel aviv imprint will be a long term favourite.

ubers latest offering is a sublime 5 track ep from french producer shelter. sailing on a black sea is a drifting piece of ambient electronica. late night stargazing on the deck with the waves gently lapping on the shore. sad beach continues with the layered textures with a little more of a percussive feel. through the desert land is shimmering mesmerising journey through the dunes with loose congas soft guitars and a hypnotic jews harp. seaport theme continues the coastal vibrations but with a touch of bounce and uplifting choral vocal stabs and louche pads. finally water plain closes the journey with kalimbas and xylophonic melodies and the contining theme of phosphoescent seas and soothing synth sounds. a very accopmlished slice of beach bar balearica destined for sunsets around the med for years to come.

desdemona from herck consists of 3 original tracks, all of which are breathtakingly beautiful musical masterpieces. organic textures, amazing percussion, piano cuts, subtle fx hits and groovy drums. big on any dancefloor.

dj shadow, widely acknowledged as a crucial figure in the development of experimental, instrumental hip-hop, will return with the mountain will fall worldwide on june 24 via mass appeal records, his first full length release since 2011. the 12-track album finds dj shadow exploring new realms in addition to the deep samples and kinetic soundscapes that helped to launch his career 20 years ago. on the mountain will fall hes shifted further toward original composition, a vast experimentation of beats and textures, synthesizers and live instruments including horns and woodwinds. the album features run the jewels, nils frahm, matthew halsall, ernie fresh and more.
the double vinyl release comes in a gatefold sleeve with download code included.

roe deers is a lithuanian-based audio-visual project led by liudas and oskaras, two besties, often mistaken for brot-hers. we welcome roe deers to the omnidisc family. with their rush ep. its an impressive debut, built around metallic percussion hits, chugging post-punk attitude, tipsy textures and the sound of broken cuckoo clocks. ‘rush’ is a throbbing dance-floor excursion blessed with an otherworldly atmosphere. it s the musical equivalent of fin-ding a wormhole round the back of a sprawling industrial estate, and then stepping inside to have a look around. easing out the ep’s post-punk and industrial elements whilst adding a heady air of horror-influenced late night mysticism. breathe in the rarefied air, and then run for your life.

born and raised on the southside of chicago and known as king les, lester represents chitown with a passion for music producing tracks for over 25 years with records pressed, and crowds rocked from the usa to the united kingdom. from relief records to ukr, he is currently producing and dropping lps in 2016 and beyond. lesters been on labels spanning the globe from relief records, ukr, mad house records, state of mind records, synewave, missile, minimalistix, music man, dust trax, ihr, modular records, brooklyn music, audio textures, home recordings, we call it hard records, dark house music, morpheus, impact mechanics, kick & clap records, chiwax and many more. his greatest influences have been farley jack master funk, larry heard, mike dunn, joey beltram, adam beyer, robert armani, jamie principle, derrick may, green velvet, drew sky, paul johnson, cari lekebusch, steve stoll, mike dearborn and speedy j. lester fitzpatrick’s sound can be described as a combination of techno and house with distinct elements of jacking, sci-fi, disco, acid infused grooves that keep the dancefloor locked in and bangin.

robert witschakowski takes a break from rewiring the rules of electro with his prolific the exaltics project to deliver the eerie soundtrack album, acanthosaura. working with nico jagiella, with whom he co-runs the solar one label, the pair have created the soundtrack for a world of flickering shadows, dark ambient textures and ominous bass tones.

junes delivers another trio of distinctive, whacked-out shufflers to galdoors. first up its trails, stomping through glimmering, trippy textures with an emphatic groove. shift state brings dubby delays and heavyweight bells that bounce back and forth over another potent rhythm to heady effect. precipice makes use of a more menacing combo: clipped congas and swinging highs gang up with a bullish sub bass, before the icy pads grab hold

nyz (aka dave noyze, david burraston, noyzelab, bryen telko) a musical foray deep inside the noyzelab mainframe. emotive, sample-heavy textures reflecting todays society with pertinent commentary on first world problems. sometimes brutal, always captivating, david has built an album which evokes memories of honest labour, b&w films and heavy-duty woollen suits.

recorded in st. petersburg over the course of 2015, this first release on glasgow based imprint 12th isleis a collaborative effort between dices & À,Ý,Ì, Ð,è,ò,ì,-Ê,à,ñ,ê,à,ä, (aka flaty/dada ques), affiliates of the udacha and gost zvuk record labels. titled Ì,û,ñ,ë,å,ï,î,ò,î,ê, (thoughtstream), the lp eschews trend in favour of meaningful sonic discovery, and in doing so offers as much to the adventurous dj as it does the attentive home listener. side a encompasses ambient synth textures reminiscent of 70s-era library music, established upon rhythms that evoke turn of the century detroit house. at once melancholic and playfully optimistic, the six tracks range from rhythmic experiments to sketch-like beatless vignettes. the flip side sets off in a slightly darker tone that is succeeded with pace and persistence in the drum patterns and winding arpeggiated bassline of caleidoscope. alongside the heavily swung hologram, these tracks are very club considerate a function that in no way offsets the records assured narrative purpose. across both a and b the music maintains this singular intent, channelling aspects of early sequence-based electronics and vintage space rock around a diverse and playful compendium of rhythms. comes with screen-printed sleeve, labels and insert.

outstanding, astonishing, rhythm textures centred & derived sound scapes from andrea belfi.

alex suarez is part of a new breed of producers based out of brooklyn carving out their own unique sound experimenting in the world of raw primordial electronics. under the name cienfuegos, he has prior releases on brooklyn s primitive languages imprint as well as the france s unknown precept label-with his new -lost in god s country- ep we see him debut on the new york centered bank records. through the four tracks cienfuegos harkens back to the time of early industrial music, not far off from the early transmissions of spk or even hinting at sounds akin to e.g. oblique graph. suarez has a knack for developing textures and tension in his music sewing it all together with plodding rhythms and the occasional creeper vocal. heavyweight stuff coming most highly recommended.

mbalax derived rhythm textures in visionary, purist version style - killer stuff!

classy ambient textures / drone-techno ep

fresh from live performances at bonobo’s outlier festival, the quietus stage at the great escape, and supporting max cooper, london-based production virtuoso guy andrews revisits his acclaimed debut album ‘our spaces’. informed by audience reactions at these shows, he takes two of the lp’s standout tracks and reconfigures them for the dancefloor, with devastating results. meanwhile two like-minded artists tackle the album’s lead single ‘in autumn arms’. max cooper crafts a formidable collage of idm textures, with staccato beats punctuating the lilting guitar riff, whilst dj mag’s former ‘best breakthrough producer’ ben pearce takes the track into the main room, turning in an elemental 4/4 floor-burner.

lux rec shifts again its attention to greece. prosopo is junes newest alias, and means face disturbed microcosm where to experiment with different machines, unconventional textures and rhythms. the result is as uncomfortable as it gets, arid desires, despair concealed with cold resonating motives. we do not celebrate joy.a fast descent into a deserted heart. a feverish feeling, much like when it is warm and one still shivers. annoyed greek gods playing tricks on human

limited edition of 300 copies worldwide w/ special colour print gold & black, 140 gram 12inch vinyl. tre, the third release from italys backwords, is an intimate, muscle-and-sinew-deep exploration of the mysterious meeting point of man and machine, here, pardo and vintage synths, drum machines and miscellany from the second half of the last century. twitchy beats, crackling textures and layers of tape distortion conjure a hallucinogenic universe that owes as much to heavy dub as it does to the techno-futurist optimism of the early modular synth pioneers.

makam with a taste of things to come as he flips the sound pallete for his latest 12- on dekmantel. housed in a plastic outer sleeve with postcard insert. tip! dekmantel say- we re rubbing our hands together gleefully for this one: longtime family member makam will return to dkmntl records with a full-length album later this year. guy blanken s ongoing search for new sounds, textures and rhythms has lead him to than sadet, a stunning piece of work that’s like nothing you ve heard from the the hague based producer before. we have known this ultra-talented chap for years, but it’s fair to say than sadet is his most impressive and distinctive work to date. this sampler is a sneak peek into what is about to be an absolute label highlight, a prelude to the new makam sound. riding high is a lush, isolee-esque lengthy house jam, and the blissful ambient ride backed up by tropical birds than sadet gives more insight into the new territories blanken has been digging into. you ain t heard nothin yet. -

dubgestion is finally kicking off the second vinyl release of the year! metaxa aka s.g. (siliccon groovees) is a german born producer influenced by multiple musical movements. his productions are a genial mixture of jazzy drums and funky athmos strenghtened by vocal glimpses and background filling microhouse textures. metaxa, previously released by labels like tzinah records, yoruba grooves, my first love records, is now joining the family with an exclusive ep titled -drum motu-. a four tracker which includes a stunning rework by george g, part of the legendary romanian trio premiesku. lose yourself in the gorgeous deepness of its athmospheres. 300 limited copies, vinyl only

middleburough lads aaron turner and tom brown make their return to 1080p as perfume advert, following up what i must say was one of the breakthrough early cassette releases of the label (tulpa, from back in 2013) with a vivid and kinetic wash of tech-house and and deeply-layered house—extremely heavy night-drive vibes and more abstracted mesmeric feelings lit with pulsating textures and their distinctly murky cosmics.

delsin s dance floor focussed inertia series taps up berlin based producer bnjmn for his droid ep. it s a whirring fusion of wild synths and thumping drums. it s tough and direct and, as ever, is filled with unusual sounds and textures. remixes on the flipside come from cassegrain and inland.

space arts third single nous savons tout was released in 1978 on if records. their sound was similar to jarres early analog albums, but with the addition of real drums. dominique plays an arp odyssey, clavinet, eminent, and minimoog, maximizing their warm textures. roger plays the drums in an intricate fashion, influenced subtly by jazz fusion.

vinyl only release
after his recent remix for two diggers, nick beringer comes back with a full on ep on organic.
a1: nick kicks of with h20, a pure and effective analogue house driven jam.
a2: sidewalk will pump you with incredible chords and a powerful subterranean bass line
b1: in my head is a solid slice of deepness.
b2: about that closes the ep nicely with superb grooving and athmospheric textures.

nacho marcos warm trax vol. 1 was an ovum highlight in 2015 and a much welcomed return to the label for the spanish producer. vol. 1 with its rich analogue textures and acidic flair, picked up a wealth of support. today nacho returns with vol. 2 and a new trio of trax for our trip.

the computer is my instrument and the mobile phone recorder my accomplice. sample-based composition, improv and recordings - random moments, deconstructing context, fragmenting intonations, social interactions, textures, human behavior, surfaces, surroundings, other realities and possibilities. i settle in the realms of subjectivity.”
hidhawk is the musical alter ego of haydeé jiménez. the mexican-based artist and cultural entrepreneur is running a busy life organizing events and cultural projects alongside the border of mexico and the us. during the night, bedtime stories like alpagain evolve from the field recordings she is collecting on her various journeys. alpagain consists of recordings from istanbul, tijuana, berlin and salzburg, featuring sounds of alpine instruments such as the alphorn, ocarina and hammered dulcimer (hackbrett). the 15 minutes track is brought to the club context on the b-side of the record with a driving remix by gerald peklar and a dub retreatment by analog solutions mastermind eduardo de la calle.

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release…to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

answer code request picks up where he left off with his album (code, ostgut ton, 2014) and 12“ (calm down, mdr, 2015): with the neume ep the berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness. the eponymous track “neume” starts off on a with shuffling rhythms atop a heavy kick, soon caught up by first surging then predominant drone motifs, flashing bleeps and piercing strobe sounds. “meta” on b1 clocks in instantly without any build-up: its rhythm section sets the tone with broken beats while acr slowly carves out more musical detail and textures: subtle command vocals from the machine room, swelling synth pads and other chilling, athmospheric means are subsequently being added until the track’s break where the emphasis shifts towards the kick, pads and synth melodies until the track’s sustained, smooth outro. “vis” on b2 is the ep’s most protruding track: classic uk garage shuffle rhythms and amen breaks are contrasted by a funky kick and dreamful pads, intertwined with additional sparse percusion, layered with what in the first instance sounds like chirping birds but then like sparking wires. answer code request continues what he does best: combining the warm human touch with chilled alienated aesthetics.

electro kicks, raw textures, ominous choirs: l immaginario, previstos opening track, ties a bound between martellis two releases on antinote, giving us one last glimpse at the uninhabited post-apocalyptic landscapes drawn in menti singole. however, this time leonardo martelli explores a more urban universe, as the use of rap samples on negli abissi and lo schema suggests. martelli exploits their aggressiveness in a way that somehow reminds us of minimalist rap tapes from memphis. the third tracks title makes it even clearer: called leggende metropolitane, the song is a trip into the darkest blind alleys of the city, an invitation to wander among human wastes, driven by its light kick.

late&cie is guillaume val and paul cuts collaborative project. the first finished results of this project are four hypnotic house ballads tinted with pauls keyboard improvisations. the rhythmic energy going on from the first beat, textures,, loops, form the essence of oems atmosphere...
special remarks: 12 inch with printed sleeve, 300 copies

energydream ep is entirely based on vocal house samples, deprived of their frenzy soul and arranged into a new melancholic mood. the frosty vibrations generated from the textures produced and the ambient arrangements bring the listener into a dimensionwhich lives within a purist vision of the dance floor and anastral journey. a typical approach which has been marking dave s productions for a long time.

‘circular dispute’ is an exploration that incorporates soft textures, mellow kicks and changes in bass pressure to convey mystical movement. the rigid half-time marker slowly fades in, turning circular pressure into a subtle roller that simply defies the rules of gravity. hysee applies an even more intricate formula to ‘isolator’, one that bends attentive low-end textures and minimalistic percussion through time and space. the way it travels, progresses and ends makes this production a groove on its own & an excellent add to ‘vv003’. hysee’s last succession on the record strikes slowly but steadily, waves of deepening frequencies, mesmerising synths and arrhythmic choirs form the pendulum of his signature sound. this closing production allows listeners to drift off to another dimension or subconscious vibration. visceral vibrations’ third acquisition holds the talent of the italian producer hysee, who takes part in our lineage of forward-thinking bass music. with a review hosted by the trusted fatkidonfire blog and airplay support by influential artists, we’re ready to present ‘vv003’ to the world.

for the first time vibraphone records is releasing a record by an artist other than the true underground sound of rome. for such an exclusive event there could have not been a better choice than italian dj/producer, nick anthony simoncino. for the production of this record, isole del tramonto (sunset islands) simoncino uses a selection of strictly old school analog synthesizers, and drum machines, which takes you on a charming magical journey through the mediterranean sea with pulsating minimal deep bass lines, oneiric harmonic textures, exotic tom tom patterns, hypnotic sexy and catchy grove beats. isole del tramonto is a record that connects and combines the essential elements and spirit of deep house music along with providing its visionary future.

third chapter of the project run by sciahri (opal tapes / ilian tape) and emanuele porcinai (on contort as wsr). unknot03 features explorations of dense and warped rhythmical textures (‘strain’, ‘vapor’), combined with fast-paced and propulsive pieces (‘lockt’, ‘corrosion’). the sound palette remains consistent with the previous releases, where raw synthetic sequences are deployed to shape grooves and melodic lines and to ultimately create alienating artificial soundscapes. ltd copies only

for the seventh output through stranger s self reflektion imprint the rotterdam based label welcomes fellow dutch artists moving thoughts to the label roster. “forward motion” ep proves to be a perfect showcase of moving thoughts household style which revolves around thight packed textures, thriving drum patterns and mindblowing taints of mechanic sounds and extravagant synthesis.

the second output of french producer sébastien bardy -floating birds- on numoment recordings. -floating birds- is a classic deep house track with a great arno e. mathieu remix. supported by : dvs1 (klockworks), karim sahraoui (transmat records), spencer parker (rekids), jane fitz, dj yellow, sébastien bromberger (modelisme), dj steef (retrofit)... « floating birds » long atmospheric intro with birds singing, deep and uplifting deep house cuts with classical tr 707, subtle acid bassline and a melodic pad that stays in your head. « floating birds (arno e. mathieu rn7 remix) » true to the arno e. mathieu’s productions, his remix is coming with a funk bass-line and additional cosmic melodies, bringing a soulful energy with organic textures, but keeping the electronic vibe from the main version.

architectural releases fresh ambient techno soundscapes on a 4 tracker on psyks non series. the spanish producer delivers a trip into deep spatial territories playing with liquid textures and exploring the elasticity of sound.

the forth release of olvavis records it s a magic journey with organic and synthetic textures, always with an inner feeling. this is made by moratu, in his well known style.

after rebolledo’s successful debut album super vato (cÓmeme cd lp 01) from two thousand eleven, his highly praised mix cd momento drive (kompakt cd 117) from two thousand fourteen, and all-around mayhem during his adventures as one half of the pachanga boys, xalapa s finest returns with his second solo album mondo alterado: a recollection of moments and experiences from recent years, colorful mnemonics encompassing the brightest and the darkest. the result is a kind of soundtrack for a movie that doesn t exist, a sonic journey designed like a mixtape that faithfully reflects rebolledo s background as dj and producer. nine tracks connect for one overarching narrative, sharing elements, motives, details, as they blend together. the artist s signature can be found all over the place, roaming between straight, rock-drenched drumming, sinister atmospheres, raw synth textures, exciting peaks and foggy bottoms - but always following the kinetic flow and relentless drive which are such a big part of rebolledo s compelling charme.

nice price deal !!! it’s been nearly two years since the last sanys record. in the meantime, techno has flirted with noise and industrial, often resulting in gloomy self-indulgence. thankfully, there is no such creative verbiage on this seventh instalment of downfall theory. “seizure” starts the release with a robust, stepping rhythm and relentless stabs playing out against atmospheric, eerie textures. it’s like shed’s wax project jamming with deepchord. next up is ‘natural high’. this is one of sanys’ darkest moments so far, inspired by the depth and length of the st petersburg winter, it sees the russian producer lay down a visceral, muddy rhythm, against which ghostly shrieks and waves of frosty chords, blown in from the baltic sea, meet.

tresor records proudly presents the second chapter in mønic’s musical journey on the label. head of osiris music, mønic is an accomplished producer whose style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his exquisite sound design. ‘four sides of truth’ opens a conversation between pristenely defined low frequencies and an infinity of fleeting, chirping synth layers. this discussion will continue throughout the record, taking additional drums into the exchange and swirling into ‘point to the sun’ in full panning effect. on the other side, lower frequencies undoubtedly take over and win the argument in ‘self doubt is worthless’. uk-based kamikaze space programme contributes with a revisited version of ‘morse’, initially released on the parsons hill ep. preserving the abrasive textures of the original, ksp dramatically raises the track’s thrilling factor.

using his 2014 opal tapes opus ‘holo earth’ as a jump-off point, jimmy billingham aka holovr lays down an expansive 5 track mini lp for edinburgh’s firecracker recordings. deeply atmospheric and functioning in multiple realms, trace realm is a collection of drawn out acid and ambient textures with nods to early uk rave and no wave electronics. essential celestial, new age dreaminess, battered acid and fried techno. • unique 5 track ep from holovr • strictly limited vinyl • silkscreened artwork by house of traps

... well, solo for the opening track. -a liquid state- is a mellow, melting piece of marshy machine music. warmth flows as clicks and clacks orbit a soft and soothing syntheline in a track that epitomises the term ambient techno. acronym, of northern electronics and semantica fame, takes over the controls for the flip. percussion is folded and refolded, layered into itself into a hypnotic haze. behind these blurred beats a burbling bass bulges as gentle key strokes scatter for a remix brimming with textures and intensity.

following the deep textures of dan curtins galaxies merging ep, epm music now heads into darker realms with drown by house of black lanterns, and featuring remixes by makaton and south london ordnance.

-dsitb- aka hidemasa sho is one of the most innovative and forward thinking young producer from japan. on resopal he debuts with stolen song ep. hovering between minimal techno based textures and dubbed out sonic bliss, dsitb aims for musical enchantment

after cutting his teeth supporting berlin s keinemusik crew, fabian braunbeck branches off with his own original ep. moody & beautiful, its lush textures clearly show an artist who has paid attention while working with some of the industry s best, yet has a voice all his own, not to mention he s picked up a few tricks on the way. the ep s title track needs absolutely no introduction, just press play. we welcomed back our good friend ruede hagelstein to remix the a side and as the partyers at panorama bar would agree now for weeks on end it works!. the b-side is a much more percussive and moody affair, getting a remix from fellow berliner filburt who puts his own mark on the originals cornerstones.

concepts and ideas come fast and furious to berlin trio brandt brauer frick. having turned heads from the groups inception with their classically-informed approach to creating techno compositions with acoustic instruments, bbfs output has been characterized by a restless creativity. the search for new sonic territory lead the group to record with a full 13-piece orchestra, and later to strip down their sound to sparse arrangements featuring more electronic textures, and to record an aggressively diverse dj-kicks mix on a legendary club sound system using only vinyl dubplates

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).

the debut album of deepbass going out on his informa imprint. consisting of 8 tracks all in his signature sound but in a more restrained and expressive nature. a sensory journey built of entrancing melodies, fluid motions and a transcending flow which creates a pure hypnotic effect. moments of electronic tribalism consistently layered with waves of delicate sonics and textures, taking you deep into the abyss creating strong imagery in a near cinematic style.

insula records delivers a solid follow-up to their first record, releasing a 4-track peak-time tripper by alderaan. after appearing on planet rhythm and weekend circuit the rising argentinian artist now brings his prolific atmospheric techno sound to the dutch imprint. the ‘continuous limit ep’ is an uncompromising journey through syncopating bass-lines, spacious textures driven by heavy kicks that will shake the floor.