vincent vedat comes along with his first ep for s.g.o.l. he has tried to unite a sick-sound with classical house elements. on the a side worries & all the same come with deep vocals and extreme sleaziness. bashful and as soft as velvet are the oversoft husle on the b side.

we re really excited to release our first 7inch! we ve been sitting on this carisma 80 s synth boogie track for a few years, waiting for the right partner to come along and finally found one in the shape of breathe, an electro ripper featuring our old pal, alejandro paz on vocals. both tracks bookended our boiler room upfront mix last year and we ve been asked about them ever since. now you can enjoy them too.

we are happy to announce mother040, swipe the card ep by our dear friends mat.joe. the hot duo from berlin delivers again an incredible 2 tracker hit ep.swipe the card (original mix)swipe the card is just a party stomper. straight up bouncy, rumbling bassline, haunting, funky pads and a great use of vocal cuts in the breakdown. come on ya, just clap your hands and beat it!make a living (original mix)make a living features mat.joe s signature sounds, tight drums, clever sampling and heavy bassline! it s all about the vocal hook and the magical house ...

another solid va on the prruk imprint. usual suspect yan cook opens up with the sturdy techno-cut *canyon*. steve parker delivers some hypnotic acid business. boys of the moment twr72 come up with an intrusive bit of strongarm techno. alderaan closes down this ep with his arp anthem xem.

by now, we ve come accustomed to tabernacle records exploring the outer reaches of detroit-influenced techno, electro and ambient. even so, their latest outing from regular contributor jeremiah r is something special. beginning with the floatation tank-in-space ambience of chorus, calisto sees the producer laying down a whopping eight cuts that variously touch in drexciyan electro, artificial intelligence-era idm, and hard-to-define hybrids that confirm the intergalactic potential of electronic music. interestingly, the music is roughly equally split between horizontally inclined, beat-less explorations, surging dancefloor workouts, and the kind of mid 90s home listening fodder that sits somewhere in between.

after releasing a beautiful debut 12inch last year on antinote, the man behind the visual identity of the parisian imprint makes an impressive come-back on the labels catalogue with life goes on if you are lucky. while listening to it for the first time, we can already imagine the long nightly conversations held between nico motte and his machines that gave birth to this album – the man trying to learn from the machines their most secret sounds. tip!

stronger than pride is the third studio album by sade. originally released in 1988, the follow-up album of their first multi-million albums *diamond life* movlp602 and *promise* movlp797 was another international success. the album including the singles *paradise* and *love is stronger than pride* went multi-platinum in various countries.
pressing on 180 gram audiophile vinyl.

the first collaboration between sars & abdulla rashim sees a diverse long player of aggressive industrial, drone and live electronics. a melancholic story in the manner that has come signifiy the sound of northern europa.

cromby is an exciting addition to the london house music scene: originally hailing from belfast he has made camp in the british capital and brought his mpc 2000 xl with him. the young man who has grown up listening to chez damier and moodymann makes use of the japanese sampler from akai in a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. on his * planets and parks ep* cromby displays a very nice balance between a traditional deep house understanding and a forward thinking attitude and is thus just perfect for tenderparks’s idea of musicality. as far as the artwork of the record is concerned the beautiful black and white image is the last part of tenderparks current series concieved by art director till sperrle and photographer magdalena bichler. and as you ve come to expect from tenderpark all tracks have been mastered and cut by helmut erler at dubplates & mastering once more.

close to the days of the days, when the maya calendar will come to an end and somthing special is waiting for human beeing, two smart fellas from berlin are contrebuting this happening with the so called popocatepetl ep. popocatepetl is a yet sleeping massive vulcano in mexico, who just recently rumbled to life. it looks like this ep will come up with the same energy and power. four tracks with many statements and diversity and still homogeneous in their substance. to find an own style and esspecialy an own sound is what the two try to push to the fore. if we compare this release to their last successful released track on tonkind schmalwild, we hear this major line, where a transperent empathy is to find. kotelett & zadak, showing on this ep their ability to creat dance music with a certain flow and groove which makes you feel aloof and hot but still laid-back and relaxed. it just shows their own temper and shows us why, this two guys are one of the most beloved djs in berlins underground scene. its their personal spirit what comes up in the music, that makes this release sound so authentic. hopefully people will notice, yet even without any dramatic fireworks, popo has the power to wreak havoc.

gerry rooney (black cock) and joel martin (quiet village) return with two strong cuts on new label love shot records! opener -el dorado- is a curious affair, taking loops from a long-forgotten, disco-era spanish dance record and turning it into a rolling, late night chugger. arguably even better is -limitless & free-, which cuts up and rearranges a suitably obscure chunk of stoner funk-rock. wisely, they emphasize the low-slung groove, rising strings and swirling synthesizers, occasionally utilizing select sections of the original s sleazy, come-to-bed vocal.

joel martin and gerry rooney first surfaced as velvet season & the hearts of gold back in 2012 with the first of three salacious 12-s for lucky hole records that really got the refined disco lovers hot under the collar. following a smattering of remix commissions and a wonderful debut for resista, velvet season & the hearts of gold rear back into view with witch doctor love, a two track 12- of late night voodoo dancefloor material issued by love circle. the title track is a chunk of tough and moody house music, all sleazy whispered vocals and trippy electronics, the results are nothing less than intoxicating. complementing this, -fish powder dance- sees the pair s disco influences come to the fore on a superb fusion of classic strings, vocal harmonies, and joyous basslines over a bumping early 90s house groove

cuartero has only been producing since 2011, but in just a few short years he has established himself as a global player in the house world. his dj sets are compelling things full of dynamic grooves, and his bulky, robust productions are just as stand out. they come on labels like desolat, hot creations and knee deep in sound, and always make any floor a sweaty, intense place full of free-moving bodies.

velvet records proudly presents « v003 », a four-tracks long overview and celebration of the contemporary electronic music scene. together, the artists featured on the french label s first compilation present an audacious look at the depth and span of the scene while also moving the form forward into bold new shapes. touching on expansive deep techno and minimal house, this compilation is made up off exclusively produced and previously unreleased music from ekomine, yaroslav lenzyak, leopol and damien k. sahri, capturing the essence of the current chapter of these genres, hinting at the shape of those to come. french producer ekomine is the first to hit the road with « ramble », a solid sweet-sour blend of atmospheric sounds leading the listener to find himself gently trapped into an unpredictable deep-space diving journey. this is where ukrainian artist yaroslav lenzyak and acolyte rata come in with « cellar door ». no constellations here, but the substantive claustrophobic tale of a spectral entity slowly catching your doppelgänger in the twilight hours. an angel flies and we re suddenly entering the sensitive world of « joy misery » from parisian early analog machines enthusiast leopol, who invites wandering souls to a dance-oriented and delicate voodoo ritual before passing the torch to berlin-based producer damien k. sahri s « travel marvel » which confers the record a multi-ethnic dimension, kindly whiplashing bodies with a mixture of unavoidable pulsations.

those who preordered, do not have to do so again - we will contact you when we have stock! new zackey force funk on hit+run, including productions from egyptian lover, brian ellis and tom noble! the wax is all colored silver and housed in a silver metallic ink hand-screenprinted jacket by hit+run featuring artwork by uk graffiti legend sheone. check!!

alleviated records is proud to present the -expressions- ep by leepearsonjr. collective. chicago native lee pearson jr. has participated in musical offerings over many years in the capacities of dj, lyricist, vocalist and producer. chicago talents aki dawson and k ladawn provide soulful vocal stylings and longtime collaborator lyricist erwin -mac- mcewen are among the contributors to this creative effort along with masatoshi chiba of sendai, japan providing his interpretation of -love s a secret place- and larry heard composing music for the 2 included selections. lee and erwin are also the team that penned the lyrics to -on a corner called jazz- for the mr. fingers -introduction- album back in 1992. we hope that you enjoy the 2 versions and timeless feels of each selection for many years to come.

can t joke with dexy is the opener here and is a bumpy, edgy house cut with tense and nervy keys jangling above a roughshod drum line. it grows ever more dark and comic and things roll on before faith is a more breezy, airy house groove. the drums here dance a nimble dance, thin synths and emotive chords all come in rich layers and a lo-fi percussive line proves how frey can conjure up idiosyncratic sounds with ease. like its title suggest, ghosts is a hauntingly atmospheric track with icy hi hats, pixel thing and hugely melancholic chords and harmonic bells all adding a sense of calm and serenity to turbulent drums deep down below. lastly, scale is a sub 100bpm crawler with fat elastic synths strung up between lazy kicks. two filtered spoken word lines add plenty of weirdness to this soupy bit of cosmic seduction and round out an ep that is stuffed with fresh ideas and great sonic invention.

disco boogie classic s return for vol 7 in the series. expect the usual dbc style taking classic and some not so known tracks and re working them for the floors. pressed on limited 180g black vinyl.

dit & dub follow up the massive tee scott 12 inch focusing on another nyc icon in the form of larry levan unreleased volume 2. check these lost dubs of paradise garage classics i-levels * give me dub* and pockets * come dub with me* plus a bonus larry levan dj tool track. on a single sided 12 inch.

2015 remaster, 27 #1-singles by the beatles - a classic must-have collectors item. gatefold edition including poster.

pascal feos drops a a little weight to come with an elegantly rollin remix deriving magic from minmal workouts.

l.b produce come through with their fourth ep. this time we see phrased take a leap into uncharted, acidic territories. driving 303 rollers, laid back paddy electro and straight up, deep vocal burners. this is considered and meticulously crafted club material at its finest.

the machines are alive is an electronic music record label based in madrid, spain. started in 2015 owned by del valle. we make music only with machines and only make vinyl. our machines who will decipher the message we want to send. only analog. only on vinyl.
with our first release we want to show that machines are alive and return to send a message in the form of techno. acid & dub sounds by the hand of del valle & randoom. we know where we come and they show us the way.

neuer teil der good times dj-mix-serie von norman jay. die good times goes east partys in der st john church im londoner stadteil hackney sind eine institution der club-kultur der britischen hauptstadt. norman jay, lange teil der talkin loud-familie, ist seit den 80er jahren als dj tätig und dafür bekannt in seinen sets einen genre-übergreifenden mix zu realisieren. so ist *good times - skank & boogie* musikalisch entsprechend weit gefächert: von laurel aitken über deodato bis hin zu paul johnson reicht der bogen. ska, house und exotischer pop treffen schlüssig aufeinander. jay, der auch bei der bbc eine radiosendung unterhält, wurde inzwischen mit dem orden mbe (the most excellent order of the british empire) für seine besonderen verdienste um die musik-kultur ausgezeichnet und wird in seiner heimat liebevoll als godfather of club culture bezeichnet. das vinyl erscheint als 2lp (180g) + mp3 und beinhaltet einen bonus track (baby washington - think about the good times).

vintage house freaks and soul kids: rhode & brown from munich come back on toy tonics with a great, funk driven, instrumental ep. featuring a remix by upcoming producer hodini. rhode & brown come from the growing young, new house scene of munich. since 3 years the kids host their own night at munichs kong club and doing music. after a few remixes (check the one for brooklyn based label good company records) the boys release their first ep of 2015 on toy tonics. the sound? they proudly call it weißwursthouse produced on a stradivari-build mpc 1000 in their beautiful studio in the heart of munich. influenced by old soul records, detroit legends theo parrish and moodymann, as well as new experimental house from the scandinavian labels around studio barnhus. everything with their own unmistakable rhode & brown touch.

prolific doesn’t begin to describe japan’s keita sano, who has come seemingly out of nowhere to become one of the most unique new voices in electronic music thanks to a wildly eclectic clutch of releases for much-hyped labels like 1080p, joakim’s crowdspacer, mister saturday night, spring theory, discos capablanca and more. building on that buzz, sano is unleashing still more head-twisting takes on house and techno via new york’s most excellent unlimited. label boss paul raffaele has found a kindred spirit in sano. their shared love of classic dance music and refusal to let genre or convention define their work makes mxu a natural home for the “sunset ep,” coming as it does on the heels of the category-smashing “oyama edit” 12” and a 7” of drum track edits by disco king danny krivit.

early support by jonas kopp, blawan, zadig, jeff mills, ben sims, andre kronert, and, henning baer, i/y. another raw analog release from mr angelis. with this 3rd release its already asserting as a label to watch. one part of a&s - dimi angelis come up with his very own imprint. handstamped, vinyl only!

limited repress! proper analog and psychotic techno. exactly the right to destroy the floor. one part of a&s - dimi angelis come up with his very own imprint. handstamped, vinyl only!

the vinyl factory has teamed up with french label zone for another rugged techno four tracker, this time from close associate and well established production talent maelstrom. though his name suggests total chaos, maelstroms music belies intention, focus and precision. often marked as exciting newcomer to french techno, maelstrom has actually been making music for over fifteen years. with a cryptic history of aliases and side projects, illegal raves thrown in warehouses and fields and basements, the artist has really come into his own under this moniker. the optics ep showcases metallic techno, acid house, industrial noise and stark ambient sounds, forging smokey machine music for those with a penchant for post punk and a soft spot for the spikier end of the techno spectrum.

reissue of the 3rd primal scream album *screamadelica* from 1991 as double 12 inch vinyl in gatefold sleeve. produced by andrew weatherall

the greatest hits and the biggest new remixes from claptone, booka shade, high contrast and more on double vinyl.

overview effect is dubbed out detroit-esque techno with with a cognitive shift to richard fearless delivers some transatlantic love with his third drone instalment, and the fifth release from this growing label. overview effect is dubbed out detroit-esque techno with with an epic two and half minute string workout and a cognitive shift to pure fearless magic. metal dub is stripped-down, metallic, hypnotic techno with haunting pads, and it s been smashing it in the darkest of rooms of late. a deep, heavy release on drone. luke hess and dj richard remixes to come. pure fearless magic.

since it was very hard to grow musically or in any other artistic way in regard of our surroundings, we always had a need to find inspiration somewhere else. things that were a given for some were far fetched and hard to come by. a distant dream. that s why we decided to go forward. a final push to reach the place we wanted to be. a place we can call home.

earth-based producers julian duron and michael sherburn touch down at 1080p with a massive 12 inch laced with timeless, chilled grooves. earth boys construct each track in a deep haze - vintage house, smooth jazz and breakbeats - compiling moody vocals and analog gear to create their signature, tongue-in-cheek sound. *welcome 2 earth* delivers a range of upbeat melodies and catchy hooks, slants on rising genres such as dad house, brunch house, and millennial jazz that come to fruition by placing fun as the keystone of their studio practice. duron and sherburn frequently collaborate on other projects dust, christian surfer, and todd and *welcome 2 earth* has collaborations from john barclay (dust) and lemon d (planet earth, metalheadz, kickin records). also known for their eclectic dj sets and regular parties at bossa nova civic club, earth boys blaze the streets of nyc with a serious mission, to get the whole universe high as hell.

14 classic songs on 2 vinyls 180gr vinyl pressing - audiophile 45 rpm

following the extraordinary success of the releases signed by lory d and john beltran, soul research is publishing an ep by the creative minds of ednic, who is from livorno, italy and an historical name in the international realm of electronic music, g-man. pets (try this with mantra) is, in its original version, full of pathos. the tibetan mantra enters and expands through base lines and obsessive rhythm. the g-man version, on the other hand, is the perfect for dance floor devastation, like all the techno which has come from gez varley.

going further into techno territory, orphan swords come back with a three tracks ep called -license to desire- on paris-based desire records. following the -risk in the new age- ep (2014), this new hypnotic release is probably their most powerful so far, concentrating ebm, minimal techno gristle and industrial electronics. this ep clearly relates to previous efforts such as -caim- that has been described by xlr8r as -the grinding sounds and whirling blasts of white noise position the track directly in the realm of acts like sandwell district and richie hawtin s digressive and hypnotizing plastikman moniker.- make sure to check out the massive epic of asmoday and the textural sophistication of hooker .

• run out run delivers yet another transatlantic link-up !
• one half of hermans, jerry riggs brings a healthy four tracker with two mike davis (brenda, berlin) collaborations
• hand stamped manila jacket

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

with grace cores luminously warm debut ep, krsna, the artist has offer up a hi-energy provocative style blended with possessed chanting, modern pop, post-rave and hypnotic trance. these elements have come together to occupy a remarkably weird place all its own. taking cues and hint from pop-inspired releases, krsna slowly progresses from atmospheric and dreamy uplifting melodies to increased tempos with powerful, lilting synths and addictive, pounding and relentless drum kicks. it showcases a deconstructed panoramic set of tracks that shimmer with confidence and wonder created by the unique inner logic of grace cores sound world. finally entering brainspaces this fall, the result is a records that sounds both focused and coherent, flowing with a conceptual ease that leaves the listener completely fulfilled and open-jawed.

jesse calosso is a bronx-born dj and producer, part of a tight clique of new york artists that includes such luminaries as the martinez brothers and filsonik. 2015 has been a busy year for him. not only has he completed a mix-tape style album as masters at dutch with the martinez brothers and blas cordero, but also his tracks serving size and whatever right now appeared on the tuskegee ep the come up vol 1. he has dj-d at output in brooklyn, circoloco in ibiza and at seth troxlers acid future party in london to name but three. now, he releases a brand new four-track ep called the incoming on cutting headz.

vinyl only release, born and raised in constanta, home of the legendary la mania club, sepp was influenced by electronic music’s finest sound from an early age. step by step he rose from the ranks not only to become his city’s most beloved dj but also a la mania resident. production followed quickly and quickly came a few releases for uvar, body parts or andromeda. now it’s time for a new challenge and it appears sepp is here to serve. catren is the name, sepp is the game ! sepp’s work is usually a bit minimalistic and super organic and this ep is no different. crampei de balad starts a little broken an creepy only to develop into a super casual dance track. with the kick in comes the synth that will only be eclipsed by the occasional vocals. dance !
glass din stele is the serious one. the steely organic feel present in so many of his works is on. dark strings, piano, ample reverbed spaces and a super groove come together into a ultra deep track that echoes the artist’s fundamental influences. petre inspirescu and ricardo villalobos, probably, if we have to guess.

ltd nice price , last copies leftmartin eyerer teams up with daniele papini and what they come up with is truly sublime. alexander mayer starts deep in his remix and creates an unstoppable dub-train on his way through sound.

after recently impressing with a great remix on the label, kalden bess is now back on !organism with a full ep of his own. the great original tracks come on vinyl and feature remixes by jon gurd and developer.

no nonsense house stable holic trax turn to accomplished producer and dj ekkohaus for their next ep. the greek producer serves up four brilliantly robust jams that come on limited 12inch? coloured vinyl (with a bonus track)

marcel vogel has decided to celebrate the first five years of his edit-heavy lumberjacks in hell imprint in the only way he knows how: by putting together a sumptuous double pack stuffed with fresh new material. in keeping with the way the label has developed in recent times, the eight tracks blend the boundaries between original productions, illicit remixes and straight re edits. there s a celebratory, life affirming feel throughout, from the rubbery bass, d-train synths and rolling house grooves of giovanni damicos the break down, to the bluesy deep house brilliance of borrowed identitys queens bridge. highlights are plentiful elsewhere, too, from the hustlin electrofunk meets disco of vogel s own come on, to the killer synth solos and fuzzy bits of tim jules thrilling slap beat.

nice price deal !!! hypnotic lines and machine made sounds and noises are what to expect by petter b on this 8th release on bond. all four tracks were made during one weekend with a simplistic setup. its straight forward techno with sparse arrangement, focusing on the experience of how a melody or a sound can come alive on a dancefloor when played right. the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is music by djs for djs. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

once again the dutchman from the north boris bunnik (who actually resides in rotterdam now, but that aside) is showcasing his magic fingers, this time on shipwrec s deep techno offshoot deep sound channel. hinterland is a topnotch ice-cold but heartwarming submarine electro/techno album with distant hints of idm, in other words the perfect soundtrack for the long midwinter nights to come.