supported by stephan bodzin, kombinat100, mathias schaffhäuser, p.toile ..... again that laid-back, humorous and open-minded character of the people of mecklenburg glistens from the grooves of the available acker record. this time it is represented by the gentlemen schaeufler, who is an essential part of the local producer and dj scene since many years, and zovsky, who was musically socialized in trancy sceneries and shows a remarkable versatility. set di dol comes around on a powerful, pushing bass line, precisely placed percussions, minimal melody fragments and an exotic vocal sample make this track distinctly stimulating. after that the two dudes pick up the relaxed and cosy atmosphere of every day, which originally hails from the easy listening genre, and garnish it with reduced but very effective rhythms. on the flipside, the radio version puts this remix even more in a nutshell and finally acker mister mollono.bass presents his version of set di dol on the flipside: based on his typical, bouncing groove, he creates a frisky and somehow tropical atmosphere, using refreshing xylophone sounds and a proper portion of tribalistic percussions

markantonios analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. the labels inventive approach is the key to their success. marrying raw basic elements with funloving party vibes, the label is a destination for djs wanting a bigroom sound. previous releases have featured the likes of rino cerrone, valentino kanzyani, the advent, davide squillace, and joseph capriati.
electric rescue has been at the heart of the parisian rave scene for the past fifteen years. cutting his teeth at parties at legendary avantgarde club >boy<, a career evolved fast, becoming part of the mentasm crew alongside laurent garnier and chaotik rames. since then electric rescue have released on many innovative techno tracks on high profile labels including fcom, afu, yellow label, eterno and his own skryptom imprint.
the flash tool is a simply constructed but incendiary club tool. deploying a limited palette of elements to create an earcatching track, the use of heavy kick, undulating bass, ever rising synth lines and wildly distorting pitch tones screams dancefloor impact.
las castagnettas is nothing short of a mainroom monster. uncompromising and direct with a raw, assertive energy this is inyourface ravetastic techno. booming beats and abrasive sounds set the tone but this is all about the supersized bass stab. watch out..
saving the title track for last, electric rescue unleashes the beast that is locomoto. industrial and uncomplicated, this 4am bodyshaker is packed with plenty of percussive punch and crowderuption moments to ensure maximum effect. file under >encore tune<.

fourth release from do easy records comes up with an outstanding deep and groovy anthem delivered by no one less than producing genius daso from cologne. >im over u< catches listeners and dancers immediately with its remarkable piano hookline and a perfect timed groove. the funky vocals push this track to a real house bomb and will set each club and outdoor floor on fire ! again, daso at its best ! on the flip you find a percussive remix by romanian sound wizard ali nasser. ali well know for his very own house style gives the original a more oldschool and rough touch that is pushed by nice funky bass. for sure one of his exceptional remixes. we love it and we hope you too !

duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

nico grubert from switzerland give us his vision of sound in 3 tracks. a side is a furious one full of trippy wave perfect for you peaktime set! on the aa side you will find the track which is extact the name of this ep: >dom perignon ep< - classic smart and deep tech house. the second one is more catchy and fluffy dancefloor as well as a little morning on the beach! this one gonna be a summer bomb!

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition

i ve been playing ortins track at big gigs for quite a while at peak times, with the advent & industrialyzer interpreting it its great to release these two fine pieces of work that have purpose and conviction says luke slater about the next release on his mote evolver label. the boundary pushing mind set slater brings to his own planetary assault systems creations is a key characteristic of the music he selects for mote evolver. this release from ortin cam is a prime example.

beep beep beep. remix remix remix!
on the a-side, the loco dice dub is a perfect set-builder, one of his best remixes to date. purist loco fans might also be happy to hear that tigas vocal has been 99% extracted from this version, leaving behind only the echo of disco-pop in a solid, dj-friendly groove.
kaines mix keeps things closer to the original, emphasizing the pop punch-lines with staccato beeps and a chunky beat. positive vibes here from a bright young uk producer.
finally, space-disco maestros emperor machine turn in another epic roller complete with a brilliant analog synth jam finale.
great job!

>i m that alley< is the new single from south african shock-poppers sweat.x. it comes as they embark on their two month european tour and is a taste of their forthcoming album >187<. >i m that alley< is a departure from vocalist spoek mathambos hyper-surreal rap style, and, together with markus wormstorms finely designed production, is a modern take on the classic synthpop love song. accompanying the title track is >the knife<, a freaked peek into the world of sweat.x, a favourite of their live shows, it finally gets released here. third track on the single is a remix of >i m that alley< by new york-based mike slott. slott has been making waves with his work as one half of heralds of change and this remix is his best work to date and is already being used to close out his live set. the release also includes instrumental versions of >the knife< and >i m that alley< for maximum club efficiency!

remerge started in early 2007 and quietly set the precedent for the current old skool influenced recordings. initially, the concept was to re-interpret old rave records and rebuild the samples into modern day hardcore classics. over the last two years, the series has slowly come to it s logical conclusion with two original recordings, which retain the essence of æ92, but remain relevant to the sound of 09. amenyall is produced by dj wasp, a pseudonym for one of the most revered and consistent producers of electronic music over the last 16 years. expect the usual formula to be broken, crushed and recompiled into something truly unique. >wasp< described it as >the track i wanted to make 15 years ago< and we are really proud to be able to release it. >terror overdrive< by agt rave cru is on the flipside and is without question, one of the toughest, most manic records you re likely to hear all year. wild stabs, full juno hoover workouts, ruff breaks and one of the greatest intros to a track ever, this really is the real deal.

a temporary sabbatical from gigs was taken and the band wrote material for where were you when it happened in new orleans midtown district, where their rawboned compositions resembled the katrina-pummeled surroundings. with their girlfriends with them in as close to a stableenvironment as they d been in months, they were able to tap a darker, more personal side in songs like as noise, and hunt you down, with its mournful, organ drenched air belying monotonixs typical good time charlie posturing, while fulfilling the albums need for a climactic, balladic moment. where were you when it happened? finds monotonix visiting a greater diversity of places within their sound while still retaining their minimal appeal. mostly though, where were you when it happened works up a sweat with raw rock and roll, acid guitar licks and riffs, screaming choruses and, in general, the wildness of monotonix in a way that makes for repeated album listening (and pummelling). where most bands refine their production sound as they go forward, monotonix have reverse refined themselves, playing dirtier and more energetic to capture the lightning they are known for.

patrick begins with his techno bomb “tooth n nail”, a track that showcases a heavy detroit influence with smooth synth work reminiscent of productions from robert hood and carl craig. midway through the track, patrick keeps us guessing with a wobbly synth line that adds playfulness to an otherwise straightforward, moody journey. an understated use of serene female whispers throughout gives this tracks techno classicism a fresh sound. next patrick gives us “davinches”, a chugging tech-house track that pairs a deep, buoyant bass line with a tight, resonant kick, giving it a dynamic groove. patricks tight percussion work keeps things moving with its rims, clicks, and ticks set against a spooky, playful melody that energizes and propels the track to its finish. fans of guido schneider won’t want to miss this one! on the flip, nyc’s elon of clink recordings fame, and a newcomer to klectik, takes on remix duties with a minimal techno take on patrick’s “tooth n nail”. elons version is a pulsating, stripped down mind-bender marked by sub-bass and the sporadic clangs of raw machinery — sexy! this remix maintains the smooth character of patricks original in melodic sensibility, but stands on its own via sparse rhythmic patterns resulting in a deeper, moodier treatment.

one of the hottest clubtracks of the moment, played by every self respecting dj., id&t resident comes with an infectious house track with mc shurakano on vocals. ... hottest track in ibiza, set for real crossover hit record in the benelux.

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

the arctic monkeys much anticipated third effort was co produced by queens of the stone age frontman josh homme and james ford. humbug is a voyage somewhere new - its a richer, darker and more powerul sound. its heavy yet melodic mixing offhand self analysis with verbal assaults. turners charismatic vocals remain centre stage with that sweetening flutter of vibrato. the songs remain stories - fabulously wrought and told, set to thrilling and adventurous music. its a more grown up album of irony, guile, riffs and tunes, yet it still very much the arctic monkeys.

fer br is the man! with releases on special series, relatives, innervate and soul access he set the standard and he still keeps moving on and on. with this ep he shows us his skills once again of how to fill a dancefloor. incredibly funky with a fierce drive and wicked drums. the great samplework and synth sound to it all of and we are ready for action! go go go!

a mountain of one are now set to release bones, the first single to be lifted from their album institute of joy. its a thrilling musical voyage, driven by one of zebens best vocals to date.the track is set to be backed with a brilliant remix package including new yorks house of house, the duo behind the huge, anthemic rushing to paradise, and way of the ancients, thomas bullocks (map of africa, rub-n-tug).

the tribute series is all about releasing battle weapons for djs, especially during the festival season. top secret contributors lovingly prepare new versions of classic tracks that will drive the crowds wild. these new versions are tributes to some of the editors all time favourite tracks and are aimed at increasing their dj play and spreading the love. the series kicks off with one of the biggest cuts of the madchester and acid house generation wrote for luck by the happy mondays which is respectfully edited, extended and dubbed out on we love mondays for maximum dj pleasure. cut loud on single-sided 180g vinyl the tribute series is set to inflict some serious dancefloor damage

limited collectors item! with a cd (live 1968 paris/ottawa), 1 woodstock t-shirt (size l). poster, classic concert postcard set, button set, ipod skin, pik card, all-access pass

supported by: dubfire, luciano, anja schneider, nick curly, mathias tanzman... the hidden artists behind the nick of clarissa are matteo spedicati and andrea ferlin and eriko tanabe is titbit co-owner davide squillace... big summer hit played in all set by davide squillace

spatula city is proud to present an ep from our pals over on the other side of the pond: the sound diggers - full english ep. originally appearing with his smash hit jazz shit on spat008 - the four piece set vol. 1, justin critchlow of the midlands, uk, blew our ham pants off with his bouncey style of breakfast house. now he is back with a full english breakfast comprises of all the fixins for to start your day off with some jack in your step.

s johnny k is the disguise of a well known producer that makes his (or is it her?) debut to ec, the long running label of michel de hey. >if< is a club stormer that is the most requested record out of michels dj-set in the past months. it comes with a remix from egbert, not a stranger at all to the close followers of ec records. >0.506127< is hidden on the a2, but is maybe even better. what an amazing ep!

the 12inch has been eagerly anticipate, jsl brings 2 epic tracks to this imprint. both tracks are set to do big damage as they have been heavily supported by some of the scenes big guns. double time drums make the tracks work well on the dance floor as well as on the air wave...

so it s time for 10... what a run it s been folks and we re set to celebrate with our jubilee rollout for 2009 – still standing and stronger than ever kompakt returns with our annual tradition – the cologne event this year set for the 14th of august and the collection.
spanning the course of 2 cds and 3lps, total 10 aims to be the collection of essential tunes from our catalogue and highlights exclusive, new music from the likes of dj koze, thomas/mayer, juergen paape, wassermann aka wolfgang voigt and others. what one immediately will notice in comparison to other editions is the inclusion of remixes. the likes of ivan smagghe & tim paris aka it s a fine line tackling the likes of burger/voigt, gui borattos remix of sam taylor wood produced by pet shop boys, thomas fehlmanns stunning impression of the field and of course finally available, the lost remix of gotyes hit >heart s a mess< by supermayer.
expect the unexpected this year, total 10 promises to be one of the most diverse collections of tracks the label has ever brought forward in our history.

everyone s favourite french mpc don fulgeance steps up for his one-handed music debut with a heavyweight set aimed squarely at the dancefloor! fresh from his success on musique large with his low club styles, fulgeance steps out of the beats scene to bring us the bangers. detroit electro wunderkind jimmy edgar is on remix duties with a mesmerising 4am stepper, deeply trippy and all the better for it.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

nice & nasty are pleased to announce the release of their 14th piece of vinyl, rob glennons night freaks remixed. in january 2009 rob glennon and nice & nasty released the night freaks ep and sonic adventure in detroit techno, breaks and chilled beats. soon after the two lead trax bass shifter and ratio got the remix treatment and released online to critical acclaim and now the choice mixes are available on vinyl for the first time accompanied by wonderful artwork from detroits berlin based artist alan oldham aka dj t-1000. bass shifter gets tweaked by dutch techno maestro orlando voorn (nightvision) and londons paul mac (stimulus) whilst the original of ratio appears alongside the devastating remix by dublins the parallel. already rob has gained chart support and playlists from dave clarke, ben simms, dave ellesmere, chymera, dave mothersole, surgeon, brian henderson, mark o sullivan, dj 3000, detroit grand pubahs, itokim and laurent garnier whilst other tunes from nice & nasty are in the set lists and charts of fabrice lig, russ gabriel, tomi chair, ignition technician, dj t1000, dan curtin, claude younge, derrick may, q-burns abstract message & richie hawtin.

dfa complete the set of black meteoric star tracks onto vinyl with >dreamcatcher/dawn< on the third and final 12 from the album. gavin russom has created a unique tribute to the early days of synth and drum machine experimentation with this project, inhabiting the spirits of everyone from giorgio moroder to ron hardy with hypnotically brilliant effects. >dreamcatcher< is another undiluted jam at 120bpm, sounding like a lo-fi moroder tripout with gorgeous arpeggiations swirling in a pool of shallow resonant tape hiss. >dawn< on the flip is the slowest track on the album, a sub 100bpm psyched electro-soul groove with cracking handclaps and an uncompromisingly lo-fi attitude. dead cool.

the original instrumental mix of stardust was one of hed kandis favourites at el divino last summer, and with the new season already taken off with the ims and the opening fiestas last week, ibiza is the perfect place to drop the new vocal mix, which really sounds like the long awaited vocal version of pjanoo that has never seen the lights of the day. this adds a monster loleatta holloway sampling vocal to the large twisted disco groove of the original. a massive bomb that is set to be a big hit for the usuals! skylarks andy chatterley takes to the controls with a powerful interpretation, complete with sharp driving drums and an underlying techno rhythm. a more stripped down dub mix is enclosed also for those who like things a little bit darker and deeper. last but no by means least, tim hudson, fresh from his latest here comes the sun release on hysterical, turns in a hypnotic house groove to make you smile.

a digital hip hop dub floor shaker we rewind is impossible to resist, flore matches rodney ps good time vocal flow with woofer wobbling and 8bit bleeps. not forgetting the 4/4 bass line, b more, breakbeat mash up crew (!) flore throws down a rocking n rolling club mix of we rewind, guaranteed to set any floor alight! on the flip flore lays it down with the kuduro infected the test teaming up with shunda k of silver tongued hip hop duo yo! majesty (domino records). shunda k has worked with deekline, kotchy, peaches (xl/beggars banquet) and featured in a 2 page spread and nmes cool list number 41.

played by richie hawtin, nick holder, popof, gel abril, steve lawler, someone else, technasia, matt john, fabrizio maurizi, joseph capriati, delete & oliver ho ... limited 10inch only 500 copies / no repress!!!! / be fast originally released only digital with the supertight ep people kept asking when this will be finally out on vinyl,....back in the days the digital truckvolume release got charted by chris liebing and pan pot and now emerson decided its finally time to put that out on vinyl with an extra fat special bonus remix. the guy who remixed this tune is called m.in and he is hot on the heels of people like nick curly or nima gorji and many others. he produces his own definition of excellent house tunes and is about to release on labels as various as international freakshow, murmur, souvenir, get physical, get digital, merkesdir, off, höhenregler, keinemusik, frequenza ltd., polar noise, hypercolour, and more. his micro.fon ep debut is set for release after the summer and it s gonna be a huge bomb too. so prepare for a blast and check out this very special limited vinyl only sneak preview

support by dave clark, miss kittin, laurent garnier, oliver huntemann
with different releases and remixes on labels like anthonyrothers datapunk, huntemanns dance electric and different (tiga, garnier, agoria), xenia beliayeva and her production partner andré winter have recently set up a highly respected reputation. >analog effekt< comes longwith the original which you can check on youtube while huntemann spinning it and the more techhousy andréwinter remix.

der zomo dj-tank ist die ideale erweiterung für den zomo dj-trolley, aber er macht auch im alleingang eine super figur. er bietet platz für ca. 70 lps und für 24 cds im mitgelieferten zomo cd small, welches in der vorderen außentasche platz findet. in den beiden seitentaschen lassen sich kopfhörer, systeme und andere accessoires verstauen. in den zusätzlichen netzen, die auf den seitentaschen angebracht sind, lassen sich zudem noch handy, tickets oder ähnliches verstauen. in kombination mit dem zomo dj-trolley, auf dem der zomo dj-tank perfekt und sicher abgestellt werden kann, lassen sich sogar 140 lps und 48 cds bequem zum set rollen. ein bequemer tragegriff, ein mit duraflex verschlüssen befestigter und in der länge verstellbarer schultergurt und ein vorhängeschloss zählen natürlich zur grundaustattung. special case für 70 lps and 24 cds in the separate cd case • größe: 450 x 310 x 320 mm • gewicht: 1650g

der zomo dj-tank ist die ideale erweiterung für den zomo dj-trolley, aber er macht auch im alleingang eine super figur. er bietet platz für ca. 70 lps und für 24 cds im mitgelieferten zomo cd small, welches in der vorderen außentasche platz findet. in den beiden seitentaschen lassen sich kopfhörer, systeme und andere accessoires verstauen. in den zusätzlichen netzen, die auf den seitentaschen angebracht sind, lassen sich zudem noch handy, tickets oder ähnliches verstauen. in kombination mit dem zomo dj-trolley, auf dem der zomo dj-tank perfekt und sicher abgestellt werden kann, lassen sich sogar 140 lps und 48 cds bequem zum set rollen. ein bequemer tragegriff, ein mit duraflex verschlüssen befestigter und in der länge verstellbarer schultergurt und ein vorhängeschloss zählen natürlich zur grundaustattung. special case für 70 lps and 24 cds in the separate cd case • größe: 450 x 310 x 320 mm • gewicht: 1650g

der zomo dj-tank ist die ideale erweiterung für den zomo dj-trolley, aber er macht auch im alleingang eine super figur. er bietet platz für ca. 70 lps und für 24 cds im mitgelieferten zomo cd small, welches in der vorderen außentasche platz findet. in den beiden seitentaschen lassen sich kopfhörer, systeme und andere accessoires verstauen. in den zusätzlichen netzen, die auf den seitentaschen angebracht sind, lassen sich zudem noch handy, tickets oder ähnliches verstauen. in kombination mit dem zomo dj-trolley, auf dem der zomo dj-tank perfekt und sicher abgestellt werden kann, lassen sich sogar 140 lps und 48 cds bequem zum set rollen. ein bequemer tragegriff, ein mit duraflex verschlüssen befestigter und in der länge verstellbarer schultergurt und ein vorhängeschloss zählen natürlich zur grundaustattung. special case für 70 lps and 24 cds in the separate cd case • größe: 450 x 310 x 320 mm • gewicht: 1650g

nice price deal !!! rafale are julien henry (sampler, laptop and keyboards) and marc aumont (bass), and have been making music since 2006. rafale offers an intense live with violent beats and saturated basses. their live set, both nervous and dancefloor-oriented, is a successful marriage of club and rock, which flickers from blog house hits to synthetic choruses. this new ?drive? killer tune by rafale is backed by remixes by grum, arnaud rebotini (blackstrobe), and tez.

r.a.w. the heavyweight label from guy mcaffer is back, now in its tenth year the label continues to deliver quality london style techno to the world. guy a.k.a. the geezer has been responsible for some of the finer moments on great london techno labels such as stay up forever, cluster, routemaster and smitten. on this release guy teams up with another legend from the stay up forever family, ant man behind the powertools label. on the a its an all out hard funk assault with a honkytonk piano style riff set over tough loops and 909 drums. on the flip its a powertools style synthesiser fest with quaking beats

on remix duty here is amsterdams rising star, anton pieete, who takes a slightly more subtle but no less infectious direction. he sits æmistral on a hypnotic tech groove that takes a deeper journey, and is entirely effective for setting up a different vibe in any djs set. its already getting the thumbs up from carl cox.

detroit inspired bleeping techno ep. original cut brings back the accelerate synth bloop with modern pulse drums. damon wild kicks in the tight acid and xpansul makes this a big room summer hit. steve parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. counting on a long career as dj his style in a dj set goes from tech-house and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority

following the success of mylo on breastfed, linus loves has now set up 2112 to showcase his own productions & latest signing, burns. prom night has that linus loves chirpy-bleeped-loopy-synths & smooth ambient balance, starting in a progressive italo-disco manner then slowly buffing its body & picking up speed till it reaches the crowd-cheering climax followed by the moment when all the mixes fall down & the linus loves reinterpretation of the digitalism-zdarlight-synth-guitar-break takes you through a hypno-euphoric intermission / journey before the great powerful departure. burns remix is the dinosaur version of prom night, injecting the original with vulgarity, a tough exterior & makes it more aggressive .dutch superstar don diablo provides the final mix a more breaks led interpretation using the zdarlight guitar riff. radio support plays on pete tong, kissy sell out, sarah main

tim green first appeared on dirtybird with >revox<, one of our favorite releases. this time around he delivers another set of dirtybird club gems. >kitch in< has an incredible breakdown and i have been playing it for months. the music speaks for itself so i hope you enjoy it. claude vonstroke

adult only is back for a deep house release with lots of chicago house inflections and three unique cuts, all shaped differently for the players choice. blue brunch by catwash is a floor knocking club jam, powerful and atmospheric, the elements arestrategically placed and prepped for the full vocal hook thats followed by a really cool airy drop out, leaving the dancer ready for more. excellent concept, delivered with brilliance. seth troxler remix has a classic fliter disco inflection loved from globals players straight out of chicagos most renowed sound. broken down with a guitar bass wind down in the middle, he dubs the vox for more classic arrnagements inside the already wound up groove. fabio giannelli & mirco violi - blues brunch remix is accented on the vocal hook, used as a nagging hook set along a solid tribal rhythm that really gives the jazzy vocal style a fresh step for originality.

cesare vs disorder has become a name synonymous with dark tribal mystique of the whole ever-ness. now he returns to dumb-unit under his queen atom alias with 2 powerful moody exponent of summer fueled target mayhem. refuse greed is the monster of the 2 and is set to create precise dust storms of engraved monuments throughout the continents. beaten down circuit trek. forward, functional and expertly designed, it is the swiss knife of the hard motion. minsk is the trickster of the 2, the wild coyote data dash it goes deep and dark and slides through stacks like no other tin tit. hollow, resonant and compelling it s some fireside buzz log. it s out there ... now go find it ...

now signed to sony and coming out feat the eurythmics this was the ibiza anthem and set to be the next >call on me<?!! dj support pete tong (6 weeks in a row radio 1) / paul harris / mark brown mark knight / angello / ingrosso / eric prydz / axwell / carl cox etc etc..last of the limited promos get in fast

second installment by berlin based mri who successfully cultivated since 2002 some serious dance terrains. this release carries two outstanding and rare remixes as well as one original track. by taking techno deep into the mine shafts of dub, chain reactions / basic channel artist fluxion created an eerie, full-circle remix of the latter. you can hear that a man is at work who knows his gear well and is good in what he is doing. the production is brilliant, the selection of sounds superb, set-ups are constructed with caution, superimpositions are finely layered, propagations and ripenings are get going in a well-considered manner. dreadnaught bassline, steady hi-hats and lo-fi clips – a must for basic channel fans ! on the flip, young talented producer u.e.s. delivers the meanest blend of modern techno style and reduced shaped subs that just creams it on every system. and as well as both guys together does mri with original track rough. the „el castillo“ ep separates the styles over two sides and with „rough“ functioning as a wicked minimal techno track with shifted groove hinging on a grinding bassline - drives the track into abyssal techno territory. fans of basic channel and modern electronic music enthusiasts will be all over this beauty.

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
first up to rework oasi is great stuff s ramon tapia. without doubt one of the names of 2009, tapia delivers a typically dramatic mix where sparse trial rhythms meet pulsing, offkilter melodies. hot new production duo hauswerks and gaz james keep up the pace with a more funked up version centered around a wicked rolling groove while homegrown neapolitan talent abnormal boyz offer up a stomping rework that twists things out with deep undulating bass.

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
the mighty umek gets first crack at c est la vie, turning in a typically straight to the point remake, dropping the distinctive percussive hook over a jackhammer groove. ortin cam (drumcode) adopts a more minimal approach with firing snare rolls and a distorted, buzzing cutup loop of the original hook. rounding out the first part of this package is xpansul (ovum, soma) with a dramatic, stringladen take that bounces along on a tough but funky bassline.