the 2nd part of the >the life we choose< album series starts with >who you gonna call?< the track is built on a melodic 303 acid line, which, followed by two more 303s, results in a complete acid trip. >the life we choose< is compelling, with its 117 bpm electro-groove, strong bassline combined with a hypnotic acid line, right up to the triumphant string finale. >itz ok (club mix)<: sombre, expressive vocals mixed with acid beats make one thoughtful, despite enjoying the whole package in a >hardfloor will survive< club mix! attention! full album cover comes with part 3!

volume 11.5 serves up a series of amazing funkers you simply wont believe. brazilian superstar elton d teams up with ferrari, which results in a full on dancefloor monster. the ep is topped of with newcomers pette vaydex and one of the most promising talents about, dejan milicevic!

rush hour limited presents san propers adam family series. this is a series where he teams up with well known and lesser known producers from amsterdam. on this four part he collaborates with one of amsterdams busiest djs, o.boogie, check the results! a deep slamming 12 inch

this release sees electric soulside take a heavy electro funk influence, merging tight rhythms, dirty syncopated basses and twisted vocodered vocals. the results are two awesome slabs of chunky electro that effortlessly cross genres and are sure to bring further acclaim to these rising artists. on the flip mantra vibes blatta & inesha deliver a sublime slice of dirty electro breaks

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

julio navas and david amo (main responsibles) of fresco records strike alone again. if you remember memory cell, electronic electro, pressure, alto voltaje or open your eyes, you will not forget this new release. every time they join forces with other producers they create big tracks but when they work alone their imagination flows to other limits modelling other ways to understand and feel the electronic house music. pamtomaket and allioli are 2 very popular courses from catalonia (barcelona), they want to do a tribute to their country doing 2 really amazing tracks !!! >pamtomaket<: a big big big bassline makes the dancefloor go crazy. b-side >allioli<: overwhelming track. basic instincts make this track have the best results with people

tyree cooper, the house music legend teaming up with rising dutch stars born to funk well, roog and greg hooked it up, and the results are explosive the born to funk boys have revamped an old skool hip hop classic and skilfully turned it into a dance floor monster, entitled sodb

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

bastian heerhorst and patrick meissner from hamburg, first met each other in the end of the 90s by their common love for graffiti. inspired by the hamburg night live, they decided very soon to work creatively together, also for their music productions. because of bastians long time experience in electronic music and the revolutionary development of the virtual instruments, the two guys were fast able to obtain quite dancable results, also with a small budget. begun with the rather modest possibilities of a 4-tracker on the amiga and the first live-acts with a groovebox, bastians liking to produce and to experiment with all possible styles grew. since also patrick came in contact with electronic music in hamburg s scene already early, it was somehow predetermined that in the future not only walls, but also dancefloors gonna be rocked. the project >heerhorst & meissner< was born and with kompass musik a label was found, which was courageous enough to publish the first tracks of duo…

quality ep of minimally leaning floor friendly techno, keenly understaded for maximum results

a twisted piece of modern electronic dance music for druggy dancefloors… on the flip you have an astonishing remix from >man from another planet of the year< : radio slave, who tweaks and paste the original elements with thunderous results, hell yeah!

incl harmonic lovely anja schneider rmx !! plasmik are the brothers roman and marcel fritz. both originate from black forests finest city freiburg, located close to the swiss border. the time came, when both went different ways but now in 2006 the brothers hooked up with each other again in berlin and continued where they stopped ten years before. since then they are on the quest for that timeless sound, which fascinated both in their musical past so lastingly. the first results of their promising reanimated collaboration are the tracks >eight to nine< and <ahead>

alex flatner is defining tech-house in a new and different fashion. banding together housy grooves and endless wide harmonies. the results of this exciting fusion are shaking grooves! alex has selected the creme de la creme for the remix treatment, martin eyerer, silversurfer and vox sola !!

features none other than mory kante,and when combined with the production talents of darren tate the results are simply dynamite. hammered by judge jules

yello is the colour ! 3 worldclass remixes by germany s top elite !!! well everybody have been waiting for this for a very, very long time!! the results are dancefloor smashers , that will be huge for the rest for your life. monster reactions -already getting regular spins from all the a-list djs worldwide ! awesome !!

another mighty step for unified sees chicago s mr. a.l.i. s latest single >imagine freedom< remixed by nyc heavyweight dj spinna. the results are a deep shelteresque house cut with spoken word vocals. also on the remix tip is chicagos glenn underground. 12inch includes instrumental on the spinna mix

kalle-markus mätäsjarvi aka kalle-m in coop with his tampere colleague dj shuffle results an energetic tune called 'kepardi', which is the finnish meaning for hunting-leopard. michael diekmann, known from his remix for jussi-pekkas 'the snake' (wr02) reworked 'kepardi' on the flipside, concentrating more on the functionality. this time we don't want to spend much words on the description of the track - its just hot, sounds like detroit and has the energy of a prey. this is what we call trance-music

perfect 4 the summer: dj naughty meets up with munk to rework their fake-italian-50s-beach-hymn with stunning results: a neo italo club monster that combines serious berlin electro with happy italian disco. already tested with euphoric feedback

a grooved monster that balances dark bass against soulful vocals and a sound scape of nifty synth work, with great results. the flip side strips the vocal to a bare minimum leaving a quality dub that concentrates on the beats and synths. can you cope with this? we sure hope so!

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

for its ninth release, italian label spazio disponible looks to countryman marco shuttle for a first full length. systhema comes three years after his last album on his own eerie label and finds him again focussing on an absorbing ambient techno style across eight enthralling cuts. shuttle layers sound in subtle ways and has a meticulous attention to detail that results in a cinematic techno style that is cavernous and hypnotizing. always operating in a region where ambient, techno and heady soundtracks become one, with this album marco shuttle once again confirms he is one of the finest sonic sculptors out there.

at the end of august, sound artists and producers drvg cvltvre, strict nurse, staplerfahrer and pim kersten examined the audio capabilities of a huge steel art structure. in a 5 hour session they scraped, pushed, hit, wiped, connected and kissed the steel rings. everything was recorded and these three tracks are the results of those sessions. they were recorded live in park 013, where the iconostase was housed and which adds a sea of dark reverb to the sounds of the steel rings

* this is the seventh surgeon album.
* -while exploring new production techniques using old and unlikely hardware, the results were so unusual that i really had the sense that these pieces of equipment didn t actually create these sounds, rather they were in fact some kind of elaborate reception device that allowed me to tune into transmissions from distant galaxies. the music i could hear was actually the received transmissions of pop hits from those distant galaxies that were being played on their radio stations. i quickly recorded all that i could before losing the transmission.
* i consulted with dr andrew read, the astrophysicist with whom i recorded guitar treatments in 1999. he has worked on the discovery of the most distant galaxies and astronomical objects in the universe. together we came up with a possible list of where these musical transmissions may have come from.

straight out of the czech republic come the ferocious electronic exploits of scene stalwart, forbidden society. heavily influenced by the industrial sounds synomous with drum & bass during the golden era, fss hardline take draws on pioneers such as ed rush and tech itch, whilst bringing a little of his own punk ethos into the mix. the results are not for the faint hearted and with his second album ready to kick off 2015, throne crusher looks set to cement his status as czechs most major league drum & bass producer.

walking through the skyÉfive years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

*broken circuit* is the meeting of minds between max wheeler and victoria port aka anushka. the results are one of the most enjoyable, unpretentious hybrid dance soul records you will hear all year.
the double vinyl lp includes a code for free download of the full album.

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

when two kindred spirits meet, their combination often results in more than just its sum. neve naive is such a coincidence. producer/multi instrumentalist stefan merse ulrich and singer/songwriter neve aka alexa voss have joined forces to come up with one of the most astonishing debuts of this year.

its probably safe to say that youve never heard anything like brothers of brazil before. for the past three years the brotherly duo of supla and joao have been combining elements of traditional brazilian music such as bossa nova and samba with rock and funk to create a unique sound thats won over countless fans in brazil, and now theyre ready to expand worldwide with the release of their self-titled album. the duo was started when the brothers landed their own national variety show in brazil called brothers on rede tv. supla and joao realized then that when they collaborated the results were beyond what they had ever imagined.