indie edition clear vinyl

first time pressed on cd since 2002 never before pressed on vinyl

to celebrate the release of the new album stay around, jj cales guitar man gets its very first vinyl edition 23 years after its release

ein organisch flie§endes ambient-debŸt mit guten absichten.
man kann sich tim mislocks debŸtalbum -now is the last best time- auf zwei weisen nŠhern. rein musikalisch betrachtet handelt es sich um ein von der gitarre dominiertes ambient-werk. mit seinen organisch flie§enden klanglandschaften ist es hšrbar von grš§en wie brian eno, stars of the lid oder eluvium beeinflusst, was hier durchaus als kompliment verstanden werden darf. abgerundet werden die sechs tracks durch minimal-einflŸsse eines max richters oder jonny greenwoods. jenseits der musik ist es mislock aber auch ein konzeptionelles anliegen, mit seinen kompositionen auf die krankheit alzheimer aufmerksam zu machen. -i wanted to raise awareness of the disease-, so der musiker. mit alzheimer kam er durch die erkrankung seines stiefvaters in kontakt. alzheimer ist eine schwere erkrankung des gehirns und die hŠufigste form der demenzerkrankung. in deutschland werden jŠhrlich rund 120.000 diagnosen gestellt. tendenz: steigend! fŸr familienmitglieder ist alzheimer eine extreme belastung, und so war es auch bei mislocks mutter, die sich aufopferungsvoll um ihren mann kŸmmerte. und auch daran dockt -now is the last best time- an: -i also wanted to develop a historical document to thank my mother and tell her that her generosity and kindness have not gone unnoticed.-

mit last man dancing übersetzt scissor sisters sänger jake shears seine lebenslange liebe zur clubkultur in seine bisher ambitionierteste popmusik. auf dem neuen album fährt jake shears mit seinen rollschuhen durch die popkultur, ohne rücksicht auf verluste. das album wurde von jake shears und einem engen team von kollaborateuren auf hochglanz poliert, darunter kylie minogue, jane fonda, amber martin und big freedia

reissue - ltd coloured edition , 20th anniversary

crystal clear vinyl with japanese stylized insert and deluxe obi strip.

coloured 3x12 inch lp, with gatefold sleeve

the groove sessions part 3

first official vinyl release of the worldwide stadium anthem, remixed by the glitch mob. limited single-sided fire red 7 inch vinyl with etching on the flip.

rare soul / funk gem from 1976 back on limited red 7 inch vinyl.

reissue on red vinyl.

incl great dj fiskars remix

ltd to 500 copies, dont sleep! and of coures happy birtday music man rec.

freaks cuts by dj fiskars

a little something for your garden party this summer, dj fiskars compiles a mix of favourites in the realm of ambient, new age and contemporary jazz. vibes highly botanical.

19 tracks from the critically acclaimed feature film on the ground breaking and iconic label mo’ wax. limited edition blue and red double vinyl, housed in a gatefold sleeve with download code included.

introducing the leave the man in peace with his kit summer banger. a healthy dose of 909 and 303, garnished with italian bassline expertise. and post malone. pressed on a shiny 160 gram vinyl record and complemented with a sticker. cheers!

forget public enemy! check nation of islam’s minister mohammad yusuf ali (aka prince buster) talkover rock steady cuts of louis farrakhan’s 1958 calypso manifesto “a white man’s heaven. recorded in kingston ja. 1967. explicit lyrics. exclusive reissue. pressing on red coloured 10 inch vinyl. taken from the forthcoming cd “africa - islam – revolution” (esr cd 01)

now, these tracks do one thing: they are meant for the club and in the club they should stay. a somewhat sweaty enviroment, like 150 people and a good analog soundsystem... something along those lines. the aim is at a real track-y, immediate vibe – without diving too deep to the autistic side of disco edits. just trying to master the ancient art of elevating a piece of music by cutting and pasting.

this is music that comes from playing records. dj fiskars have done it for 15 years, subconsciously gathering an assortment of ideas, vibes and moments on the job. it’s only now as he’s starting his career as a recording artist those ideas start to materialize in an accessible form on wax. it’s fair to suggest that the record has a day side and a night side. “filippa” is a somewhat balearic piece: on the shelf it lands somewhere between your omar s records and a mario kart disc. on the flip, “key largo’s” mellow yet banging house grooves drop especially well at the after hours party. the release also marks the dawn of fiskars’ new vinyl-first imprint leave the man in peace with his kit – be on the lookout for more releases in 2018.

the 1967 album from aretha franklin back on 180 gram viny.

as for the second release, the versatile newbeat can be, the versatile this release is.
it kicks off with kfactor. a brazilian ebm-artist, bringing a strong sounding newbeat track. on the edge of military rhythms and cheezy acidlines, and an unmistakely ongoing beat.
vv303, also an ebm artist, give us more then just pure acid. 303’s snorring and humping the dancefloor on fire.
ascended man is the pseudonim for olivier abbeloos, know from t99, quadraphonia,... joins us on this release with a masterpiece. the track connects modern underground electro with the strong and dark newbeat. another floorfiller.
-washing the machince- is the closing track, and a reference to the classic house sound of the warehouse and other early traxx, and still fresh and very newbeat.
as the first release was a huge fresh improvement of todays dancemusic, this release makes the statement clear. fenixfirerecords is here to stay. newbeat is here to stay.

excellent osunlade double lp, pressed on 180gr vinyl, with gatefold cover

nice price deal !!! previously sold as separate 12inch, but now combined into one blistering ep for the true music lovers!

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

including remix by arjuna schiks.

only for an artist like samuel l session and on labels like be as one, you could put together a remixes pack with some of the most genre defining producers in the dance music of the recent time and beyond. such is indeed for sls album the man with the case remixes pack. on the a side you have label boss shlomi aber, soon to release his 2nd long awaited artist album on ovum, who has reworked big bad drum in a jazzier, dubbier vein. damage is assured on the dancefloors. cadenzas main man reboot takes samuels the soloist and turns it into an hipnotic techno journey, something very different from what frank is known for. stacey pullen needs no introduction, being one of the leaders of the second wave of detroit techno hes a legend in the scene. with him, sls sections get reworked to a new high. to close the package, the soloist get remixed by sls himself, and its turned into a new dancefloor groover, bearing once again the swedish master imprint.

freaky blues infected techhouse - techno action