the first vinyl slab of capital bass imprint comes in form of 10inches

vinyl only!! finest deep techno ep incl jeroen search remixes

francesco tristanos *ground bass* remixed by brandt brauer frick and kirk degiorgio. pressing on heavyweight 180 gram vinyl, digital download code included.

taiki and nulight or to their friends rowan harrington and erka chinbayer have both been djing/producing for many years both in very different circles. taikis career started back in 2008 under his old alias name site 1 who was a house/electro producer. they joined forces and started working together in 2011 which now seems like a lifetime ago considering on what they have achieved in such a short time. when they first started out working together they were making a lot of dubstep, house and electro influenced bass music as we call it now. being heavily into garage, house and electronic dance music there sound heavily progressed across the spectrum of dance music. taiki and nulight released their first ep in february 2012 on subway recordings which gained a lot of support from the likes of mistajam, crookers, herve zinc, redlight, foamo, roska, benga, skream, adam f, hatcha, n type and more. gaining them a lot of frequent airtime on bbc radio 1, 1xtra, kiss 100 and rinse fm. now nearly a year and a half since they have joined forces, they have received massive support from some of the most respected djs out there not to mention air time nearly every week on radio 1 and kiss 100. with their next release on the horizon and due to drop december time 2012 on bengas very well respected label benga beats there is so much more that you will see from these boys and so much new material to hear.

tex-rec returns on nachtstrom with this brilliant bassheavy, storming release. limited special edition on transparent vinyl!

djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

was passiert, wenn das tiefdruckgebiet mollono.bass auf ein atmosphärisches hoch namens ava asante trifft? es kommt zu einem gar mächtigen begeisterungssturm! zu beobachten war dieses naturspektakel im vergangenen sommer auf so mancher tanzfläche, wo es eine faszinierende wirkung auf die zuhörer zeigte… es verwandelte sie nämlich in traumtänzer! der mecklenburger vagabund mollono.bass legt ein organisch-melodiöses groove-fundament, auf dem die ghanaische schönheit ava asante mit ihrem virtuosen geigenspiel klangliche luftschlösser von unwirklicher eleganz entstehen lässt. mit begeisterten tanzschritten hüpft rene bourgeois ihre kristalltürmchen hinauf und hinab, wird dabei selbst zum traumtänzer. gorge lässt warme sommersonne auf den klangpalast scheinen: der subtile, scheinbar endlose aufbau seiner progressiv housigen interpretation eskaliert schließlich auf rollendem bassdruck und zwischen eingängigen akkorden. im stereo express bewegt sich der traumtänzer schließlich in versonnen-minimale groovegefilde, wo immer wieder mal ein erfrischender schauer blecherner hi-hats auf ihn herabregnet.

disko404 is a long-established promotions crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. earlier this year they branched out as a record label, launching with a well-received split ep from sun people & franjazzco. their second release features two new tunes by sun peoples simon/off as well as a splendid remix by bass clef.
early support comes from scratcha dva (hyperdub), brackles (rinse fm), phon.o (50weapons), and bunzer0 (sub fm), and with a strictly limited run of 250 pressed, this is a 12 inch that will be in demand long after supply holds out.

how do you define the music of mantronix? is it hip hop? electro? funk? house? maybe the answer is all of the above (or is it none of the above?). it is true that mantronix will be remembered for their multi-faceted sound as well as their ability to bend and blend genres flawlessly into a cohesive musical tapestry, but they will also most importantly they will be remembered as musical innovators and sub-genre pioneers.
now available for the first time ever, traffic entertainment group in conjunction with sleeping bag records and warlock entertainment present, mantronix: king of the beats, the anthology 1985-1988. this carefully curated double lp compilation combines the best of mantronixs work from the early, and arguably, best era of their career into one amazing listening experience. whether you are an avid mantronix fan or are looking for a place to start - this is the collection to wrap your ears around.

24 year old andrade is without doubt, one of the most exciting talents from the current crop of young french producers. having built a reputation within the paris scene for his skills behind the decks, it was his early solo productions for time has changed and robotronic that caught the ear of a certain mr steve bug. releases on dessous followed and last year andrade also made a impressive debut on poker flat recordings. hes releasing today his debut ep on d julz bass culture records, a 3 tracker completed remix from by us deep house veteran jus-ed. support by ame, gerd, mr.g., deetron, sebo k, axel boman, dan curtin....

based out of nyc, profound audio is one of americas leading labels for seriously heavyweight bass music.

on the heels of the success of tin mans – s_mpl_house ep shaddock is proud to welcome another true master for the labels fifth release: j.t.c.
originally produced for tim sweenys beats in space radio show the title track was heard in one of j.t.c.s dj sets during a night out in berlin and was signed to shaddock on the spot. heavy on the synths with a stirring bass-line and a driving 808, beats in space is destined to shake-up every dance-floor.

following his acclaimed lp on punch drunk >reeling sideways< idle hands bring you two new bass clef tracks.

it is time for midnight love club! if you like house and techno, if you like sexy basslines and raw beats, if you like oldschool and newschool, and if you like midnight and love and club, this label is for you! watch out for the likes of chicago damn, the rhythm odyssey or robotalco! mlc loves you!
starting his career on mark es merc music label, chicago damn is now one of the hottest uk producers and has been establishing himself with more tunes on labels like wolf music, quintessentials, wurst music or his own chicago damn imprint. and he will soon have triplets and is preparing his first album! sounds like a lot of midnight action!

over the past few years we have seen a surge of artists, music and labels coming out of romania and, whilst not seen as a traditional hotbed of house music, this new wave of movers and shakers are working together to create their own lasting musical legacy. the latest in the busy line of producers is 22 year old bacau born, marcman. behind the decks at 14 and studying his art from 18 the young man with a love for angry kicks and heavy baselines has already graced the likes of quanticman, plant 74 and esperanza with his music. now hes set to join the bass culture family as he presents his debut release for the label the in trecere ep. >i was actually sent some marcman tracks about a year ago by franco cinelli< says bass culture label chief djulz. i instantly loved his beats and groove and i played them immediately on the circoloco terrace. i got in touch and asked him to work on an ep for bass culture. i specifically wanted it for this summer because his beats are exactly what i love to play in ibiza. marcmans 4 track >in trecere< ep sees him sandwiching the deep dubby sounds of rutina and the percussive guitar licked dansand, with the chicagoesque numbers levier and in trecere.

gregory isaacs, reggae superstar, has left an unrivaled legacy. report, taken from our gregory isaacs remix album, is yet another testament to that. curtis lynch boosts this bassline driven track to the max, as gregory enquires of his ladys whereabouts the previous evening. marcus visionary once again takes the reigns for the dnb mix.

with another release that is made to be a soundtrack for sunny open air scenarios, acker records keeps living up to its name and pays tribute to the current summer season. in doing so, the label from mecklenburg one more time steps out of the line, since this release again distinguishes itself by a refreshing otherness. light and easy piano plonking as well as the lascivious french voice of singer rebecca dominate the atmosphere of ici, while its minimal electronic groove discreetly remains in the background. a really tropical feeling evolves in the long version of this track when playful synthesiser chords give rise to the idea of a steel drum. in his remix, mollono.bass manages to combine the very song-orientated approach of the original with a bouncy electronic arrangement. thus he not only creates a lot of dance floor thrust, but also provides the perfect link to rather conventional productions.

dubbed a structural prodigy by mixmag, south londons joe syntax is back with >modus bass fun<, offering the very best in dancefloor d+b with buckets of bassline bounce.
joe syntax impressed with his med school debut last year, both >signal drop< and >sightlines< were received with rapturous praise from mary anne hobbs (xfm), mistajam (bbc radio 1), marcus intalex, brookes brothers, tc, dj hype and many others. this was followed up by >red rhythm<, an uncompromising collaboration with lung and eleven8, which was released on med schools >blood pressure< compilation earlier this year. joes new ep takes his production to the next level, so prepare to adopt your bassface as we get syntactical.

arcarsenal blablablabla... good music blablablablabla... detroit, chicago, berlin blablablablabla...

pure electro! once again, robotmachine spreads devastating vibes on the electro system like a trail of shooting star! following the successful >robotmachine remixes< by the end of 2011, the german label returns with its third vinyl.

esperanzas 25th release comes from labels boss kasper. been this his third solo release on the label and the second of his dope beats series, on the a side we have the art of rebellion, a deep burner with some disco infused sounds all over the place. the track builds up around a heavy bass sample filtered in and out from start to beginning. b side, the dreamer, is just yet another example of kaspers love for the classic sounds. this time teaming up with vitorias best kept secrets, mario castillo, also known as kastil for his releases on soul notes, outernational and seven music, they deliver a true tribute to chicagos house sound from the 80s. 707, juno and what more!

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

thug records returns with a truly unique and special release. tevo howard and nick anthony simoncino working together on one of the deepest records this year. both showcasing their unique take on house music, they are brought together by the devout and seductive vocals of mark rogers. sending a message of love and hope, and reminding us that house music can have a purpose that cuts deeper than just the dancefloor. the double 12 inch package provides a selection of original vocal mixes, instrumentals and club ready dubs, the bass played a sad refrain is essential, emotive and timeless. peace to the freedom fighters!

second vinyl installement on atmosphere and another proof that stereo express (shaker plates, pimprinella, ipoly music) is on a peak level. this time with support from stavroz we get two great originals in combination with remixes from umami (burlesque musique, audiolith) and mollono.bass (ostwind, acker).

firing jungle remixes marcus visionary & dj tuskan on curtis lynchs necessary bass label.

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

big with: steve bug, shinedoe, tobi neumann, ewan pearson, t.williams, zoe xenia, tiefschwarz, tim sweeney, mr. g, sascha dive, marc romboy, larrson, sebo k, bass culture records boss djulz

180gr vinyl!! bjak and dubbyman team up to become twin beats on the latters deep explorer imprint. this is the pairs first collaborative release, but their studio chemistry is there for all to see as the first few bars of >do it properly< ease out through your speakers. its floaty, jazz-flecked house bathed in pools of gently rippling bass tones, and things are given a sophisticated edge by the adroit vocals of brian cullen. this shares the a-side with the slightly more upbeat >water walk with me<, with cullen matching marvin belton in the modern day soulful crooner stakes. flip over for a remix of the title track from - gulp - larry heard, with the chicagoan legend turning in a typically sumptuous slice of machine soul that naturally hogs the vast majority of the b-side, before an excellent ep is rounded off by a beatless outro

nach 500 auftritten in 30 ländern und 50.000 verkauften alben binnen vier jahren, alles in klassischer diy-manier, veröffentlichen das aus mathieu phil jourdain am schlagzeug und backgroundgesangs-mikrofon sowie leadsänger und gitarrist laurent malcom lacrouts bestehende duo the inspector cluzo ihr drittes album >the two mousquetaires< am 12. april 2012 als lp mit comicbook auf ihrem eigenen label fuck the bass player records.

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, >reeling skullways< marks a subtle, but highly alluring development in the evolution of cumbers primary recording project. long-term bass clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as some truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. but with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal bass clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, >reeling skullways< is one of those albums you will be reaching for again and again.

bassheavy floorburning techhouse ep. tipp

rahaan editing up a mint classic, with a bruce ivery version too - this is true dopeness galore!

our new release has a particular importance in the history of wicked bass, being incidentally both the latest and the first to appear on vinyl. the four-track record comes from our long-time favorite kc wunderkind, huerco s., who evidently grasps his inspiration from literally everywhere, be it uk hardcore, pitched down american vibes, or even modern art. scoring no jack ep with three original tracks and a remix by the us scenes fresh discovery, braille (who is coincidentally one half behind sepalcure), as his first physical release, huerco s. embarks on a far-lying journey with even more to come.
support from: neville watson, locked groove, throwing snow, hackman ...

dirty dirty dirty.. ha ha ha... next strike by damm rec. member marc de vole on sister-label m.m.ad rec.! finest peaktime-techhouse for dirty rockin on dancefloor! rmx by mollono bass (acker, ostwind), marcel sterling (pimprinella, style rockets) and damm member glanz & lemann

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

big with: deetron, lee curtiss, nick curly, ewan pearson, tobi neumann, luca bacchetti, reboot, ryan crosson, anja schneider, mathias kaden, ben sims, okain, mr. g, marc romboy, paul woolford, gerd

once again some special sounds and atmosphere on fdb recordings with a pure miami style electro 12. magotron & debonaire brought out here some very well produced piece music that could take u back in the early 90s in an eye blink. special project ltd 300.

supported by marco carola, paco osuna, marc depulse, hanne & lore, superflu, d.diggler, matt star, oliver schleenvoigt.. auf der amuse gueule 004 präsentiert uns der junge koelner sandru seinen naechsten leckerbissen. eucalipto und zuckerkrawatte ueberzeugen mit treibenden grooves und knackigen beats, die jedes tanzbein zum schwingen bringen werden. feinster techouse mit wundervollen chords, machen diese platte zu einem besonderen ohrenschmaus. auf der b seite geben sich mollono.bass sowie jules und jazper die klinke in die hand und remixen sandrus tracks mit bravour.

next superb dreher & smart release, this time on acker sub division acker dub! incl mollono.bass rmx

samba inspired beats and an intense shot of acid chord stabs propel along a belching bass to create an intoxicating dance slammer.

incl. david duriez remix!! supported by: nick curly, ryan crosson, deetron, axel boman, danny howells, alex celler, martinez, ralph lawson, fred everything, laurent garnier, okain, ame, spencer parker, zdar, larsson, luke solomon, reboot, kenny larkin, jimpster, raresh

schon viel wurde darüber spekuliert, von genau welchem dorf rich denn eigentlich komme. lauscht man seinen neusten produktionen, drängen sich unwillkürlich mediterrane assoziationen auf: seichte gitarrenklänge werden von der warmen abendbrise herüber getragen, als die betörende >senorita rita< mit temperamentvoll wiegendem hüften vorüber schlendert. ihr südländischer charme bezaubert auch die trompeter, deren leidenschaftliches spiel in >el chicacabra< schwerelos über feurigen rhythmen und waberndem bassdruck zu schweben scheint. und so ist die fiesta bereits voll im gange, als acker-matador mollono.bass die plaza betritt. mit >mochacho & chicacabra< gelingt es ihm, die ohnehin schon euphorische stimmung nochmals anzuheizen, indem er seinen unverwechselbaren groove mit fiedler- und trompeteneinlagen vertwistet

played and supported by samuel l session,angel molina,froward strategy group,norman nodge,max m, mattias fridell,ness,dave ellesmere,paul boex,bryan zentz,xpansul,bcr boys,88uw and more. tom bass is an alias, which is hidden behind an artist already established on the international scene. attic music is a label (vinyl only) who now has his own style well defined, it can afford to make records also different and special as it was the last vinyl. high quality! here we return in the classic style of attic music. this new artist shows two tracks, one on each side. 313 is a classic hypnotic techno. a continuous and relentless rhythm. never heavy and aggressive. how to travel in a train, overcome numerous galleries, sounds that rise and fall.human voices that come and go. dont worry you just closed your eyes! suoni profondi has a syncopated rhythm. the sound is deep. from mid-track sample voice makes everything more harmonious and full of groove. psychedelic and dreamy atmosphere. absolutely its for fans of deep techno sound, on vinyl!

book-ending a successful 2011 for bass culture records, the label return to swedish producer joel alter, whs january release the silence is golden ep, remains one of the most popular and successful releases to date for d julz impressively strong imprint.

the rapidly evolving scene thats happening out in russia allows for the kind of collaboration between artists of highly different fields, as is the case here. arram mantana, tripmastaz and roustam are three producers of different ilk, who have joined in this special case for their debut ep out on souvenir records

cool but warm – is that possible? at least in respect of music. because its exactly these attributes that apply to what carsten rausch presents on the latest acker release