endlich ist es hier, das neues album >in return<! durchzogen vom pop ist es ein elektronisches wunderwerk, voller mitreißender hooks. die vocals kommen von zyra, py und den shy girls sowie madelyn grant auf sun models. odesza werden mit dem neuen album den gesamten herbst auf tour gehen. sie werden eine reihe von ausverkaufen shows in den usa und europa spielen. in return ist ein album, mit dem odesza an die spitze der elektronischen musik aufsteigen wird. das doppel-vinyl erscheint inklusive download-code.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what’s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

remember adam ports last contribution to the keinemusik-discography? its been the absorption of a pop-tune by an almighty techno-roller. compared to that, it seems, port has equipped himself with velvet gloves to shape this km024

nemesis e.p. is the latest 12 release by painbringer. featuring 4 oldschool 909 hardcore techno tracks with pure energetic gabber riffs, acid and breakbeats. no pop style, this is straight-in-your-face underground music!

trickreich und zartfühlend zugleich, klingt es wesentlich endorphin-geschwängerter als die bis jetzt veröffentlichten singles. das mag zunächst verwirrend sein, aber die Überraschung gelingt. die reise, die dark sky zurück gelegt haben, muss von extremem musikkonsum begleitet gewesen sein. das album evoziert bilder eines erwachsenwerdens durch sound. vor allem eine musikalische dekade hat dark sky beeinflusst, die 90er und all die vielen musikrichtungen, die damals wiederentdeckt worden sind finden sich auch auf imagin wieder. funk, bossa nova, eine ganze menge triphop, aber auch post-rock, ambient, balearic-house und 80ies pop alles geschüttelt und gerührt und in einem post-dubstep cocktailglas serviert. eiskalt selbstverständlich

take me away exemplifies the boys cinema-scope, widescreen sound and ambition. a tight, in the pocket bass line takes root over skittering, celestial synths and only girls sublime vocal line. this could be a phuture-phunky quincy jones track, utterly infectious. in perfect tonal-tandem with this is the uplifting, techy-pop of u know.

neues ninja tune signing! hinter evy jane stecken evelyn jane mason und jeremiah klein die beide ihre gemeinsame liebe für bass musik, pop und r&b teilen. das aus vancouver, kanada operierende duo veröffentlichte bereits 2012 eine ep auf king deluxe und räumten bei tastemakern wie pitchfork und fact ordentlich ab. fact beschreibt ihre songs als *frozen pop futurism*, pitchfork hingegen kürte die single direkt als best new track. mit der *closer ep* gibt es vier brandneue tracks zwischen minimal pop und future r&b. fans von the weeknd oder clams casino dürfen sich jetzt schon freuen. das geniale cover artwork kommt übrigens von leif podhajsky!

second album from british electro/synth-pop act la roux aka elly jackson.

pop music rarely comes as honest and heartfelt as when delivered by molly nilsson. ltd to 500 8 track ep. having traveled around the world singing to the romantic and the doomed, nilsson found herself in the late summer of 2014 in buenos aires. inspired by the crumbling andscape and the heavy hearts that populate it, sólo paraíso is not only an ode to a specific time and space but a musical novella that meditates on youth, idealism and belonging. the soundtrack to a summer you thought you had when looking over bleached out old photo albums.

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

slidebar says goodbye and thanks to all people who have supported the label during 5 years.the final release is from a unique artist who is well known for his special live act performance. its non other than the amazing anklepants.4 tracks which shows the variety of his style.

haptic ep is the first release from glasgow and new zealand based duo modifier. the downbeat, glacial pop record sits comfortably between the likes of apparat and boards of canada and is the first in a series of releases for high sheen.

having previously impressed with vivid blends of cosmic r&b, skewed space-pop, glistening post-ambient soundscapes and mangled, synth-laden grime, rising star throwing shade (aka producer nabihan iqbal) demonstrates her dancefloor side with a killer 12- on happy skull. -chancer- and -blanx- both retain iqbal s uniquely intergalactic aesthetic,whilst flitting between jacking, chicago-influenced house rhythms and jazzy, off-kilter dancefloor grooves. synths sparkle, while vocal snippets drift in and out of the mix. the 12- is completed by a riotous, predictably heavyweight remix from kowton, whose guttural techno grooves are peppered with cut-up samples of iqbal s distinctive, dreamy vocals.

limited repress of this huge classic album!

in the six years since the release of their last full-length record, naomi shelton & the gospel queens have toured extensively, playing main stages at some of the most prestigious festivals in the world, including bonnaroo, the monterey jazz festival, montreal pop, and the ottawa blues festival. though seasoned veterans, these years of touring played a major role in the creation of the twelve songs that we are so delighted to offer to you, our beloved daptone family. presenting: cold world. the vinyl lp comes with download code included.

ultra limited (300 copies) new tevo howard release. 4 remixesof movereleased on rush hour label...

a few trips in tel aviv made ivan smagghe aware of the extensive and more importantly, quasi forgotten, wave and pop scene from israel. blown away some of the tracks passed on to him, he and the ginger prince thought it would be a good start for the lddlm reissues series, edits and originals.

hot new release from sunkissed recordings celebrating italian synth pop hero mike francis aka francesco puccioni. back in the 80s, francis elegant electronic style and smooth rich vocals provided a perfect backdrop to nights dancing on the sand and in clubs throughout the mediterranean and his popularity continues today amongst the balearic cognoscenti. this ep features the fantastic in-demand club mix of *features of love*, a funky pop-soul opus washed with lush synths, lazy guitars and dreamy vocals plus the sought-after long 12 inch cut of *survivor*, a gorgeous slice of blue-eyed soul with a strong dancefloor sensibility. flip over for big cosmic play, the magnificent 12 inch version of *body thrill*, a bass-heavy chunky instrumental with an art of noise feel followed by francis beautiful laid-back cover of the bill withers classic *lovely day* and lastly the heavenly hypnotic *on and on*, a little-known gem from the b-side from a rare 12 inch. a great package!

2x180gr vinyl unmixed. majestic casual represents new electronic music chill-out, experimental, garage, house, pop, hip-hop, indie & many more. the majestic casual youtube channel now serves 1.7m subscribers and has amassed 366 million views to date

erste ep des norwegischen duos soft as snow auf dem fabric-sublabel houndstooth, auf der sie mit experimentalem pop zwischen minimal-wave und der frühen warp-phase überzeugen. analoge maschinen treffen auf eigenartige vocals und stark verfremdete gitarren.

medical records presents two of the most striking and iconic reissues in its catalog. the lp though 2 years after since the accident continues to carry the torch illustrating the evolving transition between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. this lp seems to move slightly into darker territory in general with its synth textures and slower tempo tracks but overall has a nice continuation feel from since the accident yet with obvious technological evolutions.

its safe to say that without vito & druzzi, we wouldn’t be here today. indeed, along with the other members of the rapture (ever heard of them?) and james friedman, they founded throne of blood. our histories go hand in hand. after releasing classic albums on labels like sub pop, dfa, vertigo, and motown- and spending more than a decade touring the world with lcd soundystem, soulwax, the cure, interpol, and franz ferdinand to name a few- vito & druzzi have spent the last few years shifting their focus towards djing and production, building a studio in brooklyn and churning out the jams. its been a labor a love and were very happy to present you with the first fruits of their collaboration

die britische psychedelic-rock/pop band the moons meldet sich mit ihrer neuen single vom *mindwaves* album zurück. die b-seite enthät die buzzcocks coverversion *everybody s happy nowadays*.

presented on high-quality 180gram heavyweight black and white vinyl. features bonus lp insert compiled by tom ellard with ephemera from the time. limited edition. medical records presents two of the most striking and iconic reissues in its catalog. severed heads are one of the most diverse and expert soundpalette engineers and are also repeatedly overlooked and far underrated. hailing from sydney, australia, they formed in 1979. the lp exemplifies the transition point between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. difficult to classify, it is a masterpiece of electronic music

for their latest outing, a choice selection of rock, balearic and pop-reggae-disco goes under the razor for some precise trimming and extensions. beard science veterans hardway bros. & 45 badger are joined by glasgows scratchandsniff, and tokyo matt from hong kongs otaku soundsystem.

as part of bini & martini, paolo was without doubt one of the most prolific house producers at the turn of the century, touring the globe and lending their remix talents to major dance labels like defected,strictly rhythm, am:pm, emi, universal, sony and many of the worlds biggest pop acts such jamiroquai, kylie minogue, terence trent d arby, murk,armand van helden and many many more. in 2009 paolo teamed up with paul c and the pair have worked tirelessly in the studio and their music has been supported by many of the industrys biggest names.

a collection of 15 tracks from the prodigy on silver coloured double 12 inch vinyl, including download code.

three modern cuts created from a new swedish duo, mount liberation unlimited. the duo have a long heritage in the swedish indie-pop scene but have now taken it further. with a lot of inspiration from techno and house have the appearence become something between indiepop and house, with a great body of analogue expression. junk yard connections is super happy to give out this lovely debut ep!

losers can win is the first ep from electro-pop superband starwalker, comprised of frenchman jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang). starwalker is a brand new collaboration between two electro-pop icons: jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang, lady & bird). the title starwalker - suitably spatial and curious - is an umbrella term for the duo s new works together. included in this blossoming canon is the debut ep including singles bad weather and losers can win , a celestial song featuring the vocals of keren ann

i see sunrise ep comprises 3 blazing versions with vocals by bryan chambers who has been storming the pop and club charts for the best part of a decade making smash hits with well respected artists. let s bring light to the summer season of 2014!

a special dj double pack from emotional rescue brings together a collection of razormaid remixes, plus unreleased originals, of two projects from georg kajanus, the founder of 70s pop group, sailor and 80s synth poppers, data. with a career spanning late 60s psychedelic folk-rock in eclection, through to chart success as a member of 70s pop group, sailor, before embracing the synthesised sound of early 80s new wave and synth pop via the excellent data, georg kajunas music has covered a lot of ground.

repress 2023 , mexico: a hugely satisfying follow-up to past exploits and another step into the future of anthemic pop music.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

nachdem das letztjährige jagwar ma-album -howlin- dance- und indie-pop-freunde gleichsam in seinen bann zog und die musikpresse in dem werk die direkte nachfolge zu primal screams -screamadelica- sah, ist nun die zeit reif für die -the time and space machine dub sessions-. beeinflusst von dub und krautrock hat sich richard norris (the grid) an die regler gesetzt und einige der schlüssel-tracks des albums nochmals radikal überarbeitet. jagwar ma spielen die beiden festivals melt! und dockville und werden dabei erstmals auf hiesigen bühnen ihre musik vorstellen.

english synth pop group gets a wicked disco re-work from ilo released on pleasure international exports from iceland. highly sought after, rare white label. now is your chance to grab this without it costing you 100dollar. 1-sided hand stamped white label. gonna be big. almost sold out already!

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair… they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

experimental electronica pop

after ipoly mates bracing ignition worlds are colliding on ipoly mate 002, just as alec troniq loves it. strong voices and discreet acoustic instruments meet electronic grooves. electronica hits rock music, pop strikes tech house. alec involves rock, jazz and pop musicians here.

hot creations are back with another killer release, this time at the hands igor vicente who previously released on the label back in 2011 with the brilliant breathe n pop as part of the duo ultrasone. with the ultrasone project at an end, igor this time flies solo for the label, delivering two standout originals with intoxicating bass-lines and dark whispered vocals, creating endless energy of swing and groove to really work the crowd at peak time. hot creations boss jamie jones also delivers an on point remix of ‘the knight with his electric jones remix adding new synth melodies and wonky fx, keeping high energy for dance-floor domination.

the ep finds jeremy mining the depths of bass music, synth pop, ambient hip-hop, and everything in between.

even though the only commonly known avant-pop/pseudo-world/cultural-rave outcome from lithuania exists for more than 15 years, which is, for a lithuanian band - a lot, it seems this machine will never stop from moving forward, to the contrary - the legendary avant-project spins in its own unstoppable wheel of fortune and change.

das debütalbum der belgischen indie pop-band

following up to their much applauded international debut save the youth, denmarks answer to warpaint,giana factory, return with their second album lemon moon this spring 2014. fronted by louise foo (sister of sharin of the raveonettes) and flanked by lisbet fritze (who also plays guitar in the trentemoller band) and sofie johanne, giana factory specialize in a wonderful kind of iced pop, beautiful songwriting with a lot of depth and diy attitude punch.

as liron himself says:>realitivity is my road to finding a new and fresh sound. a sound for which i found a lot of inspiration in my personal musical history of deejaying and buying records over the last 20 years. the album is just as much a journey, as it is a destination from which to move on to the next one, as i look to develop my music whilst not repeating myself.<

self release from the artist formally known as inga copeland. pop length songs, instrumentals & abstractions. to the point and powerful. featuring a co-production with actress. an excellent record thats swept us off our feet! limited copies... tip!

der erfrischende psychedelic-pop des gleichnamigen django django debütalbums wurde 2012 direkt für den mercury prize nominiert und in den weltweiten jahresbestenlisten abgefeiert (musikexpress #1, nme top 10, us-rolling stone top 30). nun stellt die band ihre persönliche afterhours-session zusammen, in der sie zeitlose perlen aus den plattensammlungen ihrer eltern (roy davis jr, nilsson, james last) mit hip hop und modernen bass-sounds von heute (ramadanman, tnght aka hudson mohawke & lunice, outkast) mischen, ohne dabei ihre einflüsse von sonnengetränktem sixties-pop (beach boys, seals & crofts) zu vergessen. als exklusives bonbon steuern django django zudem eine eigene coverversion des *porpoise song* von the monkees bei. und wie üblich beendet eine exklusive gutenacht-geschichte jedes set, diesmal erzählt von topdarsteller benedict cumberbatch, bekannt aus filmhighlights wie *12 years a slave*, *star trek* oder *the hobbit*

syracuse is back with two psychedelic songs, released on a 7 inch. a side is a dreamy pop song written & sung by isabelle. she delivers the first proper love song on the antinote label! b side is a killer synth groove ufo, that will fits perfectly with your summer romance.

we were evergreen are a celebration of life’s messy magic: their world is beautiful and deep, happy the trio of fabienne, william and michael are originally french, settling in london to pursue their music four years ago, a literal movement that’s been hugely influential on their fusion of the french lyrical tradition sung in english, married to a very anglo-pop sensibility.

tori amos gilt als rätselhaft, bizarr und voller leidenschaft. in den letzten 20 jahren ist sie zur kultfigur aufgestiegen und hat den ruf erlangt, eine der versiertesten künstlerinnen und songschreiberinnen zu sein. jetzt erscheint ihr 14. studioalbum unrepentant geraldines. nach einer serie mehr klassisch inspirierter und innovativer musikalischer ausflüge in den letzten fünf jahren, offenbart unrepentant geraldines die rückkehr zu ihrer ursprünglichen identität als schöpferin zeitgenössischer songs von außergewöhnlicher schönheit. diese werden mit großartigem bandsound zum leben erweckt und bringen tori amos genau zu dem singer/songwirter pop zurück, mit dem sie mehr als 12 mio alben verkauft hat und weltweite charterfolge feiern konnte. es ist auf gewisse weise eines der spannendsten comebacks des jahres - wenn tori amos auch nicht wirklich fort war, so hat sie doch andere pfade beschritten - und man wird davon beeindruckt, wie gut dieses neue popalbum klingt