j-zbel returns with second ep on 12 dedicated to all amigos rest in fif. each sides results in a massive piece of freaky vibes and suggest to dance the hell out of you. this is cross-style ep from hard rave to one thousand bpm.

the freaks are out again. questo! music 006 comes on transparent vinyl and features three tracks by the freaky questo! family. this time we show up from the flashy and melodic side, right perfect for the beginning of the open air season.

neon finger rises. the new go! finger vinyl imprint, focused on synth-funk, boogie, hip hop, electro-funk and other freaky rythms, debuts with the new album by dj overdose -techno hop-. where the prolific artist from the haghe exhibits eight new outstanding tracks filled with classy electro-funk and the freshest hip hop manners. a sublime, intense and astonising piece of music, remarkable as an example of the finest electronic nowadays. rad!

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

official from re-edition done by phil weeks & didier allyne from gene hunt with released on svek in 1996 jazzy: synth riffs with 808 bass drums. get freaky oldschool feel and toughen the tune into techno status like robert amarni style. the man: candido sample like old moodymann house track...

early sounds recordings brings to light its freaky side with its brand new sublabel project, periodica records, that delivers for their first release a weird & stellar journey through the casio cz 101 cosmic-synthesizer by whodamanny (already seen as part of -the mystic jungle tribe- crew). prepare to take off!

concept is the new baby established by the already international well known artist agency my favourite freaks, which consists of a four part and monthly released series starting in december 2015. all tracks will be out on vinyl and only for real and freaky club boyz and party girlz. international celebrated artists of the agency collaborated to create such a big collector s item.

ebony goes first with real truth and offers a track that is both punchy and powerful thanks to its raw and thumping drums, but spiritual and serve thanks to the pained and soul infused vocal wails up top. glistening glass pads and over sized hi hats add to the intensity of this classy rave banger. r then serves up focus, eight minutes of freaky and hypnotic techno with creepy voices moving about the space as distorted kicks and droning reverb brings a physical feel. it s intense and dark and then comes colossus, a breakbeat driven track with heavenly pads making for a grand and atmospheric headspace. cosmic signifiers and far off pads add to the serenity of it all and will leave you with both a heavy heart and a stomping foot.

a quick split between h.j. and a.n. one freaky-deaky drum tool that operates on it own wave in space and time on the a, and the other side, a snappy, hazy ode(s) to the rhodes.

this ep starts with “stitched-, which begins by a rough & anxious introduction with a drone bass and a dissonance pad. then a steamroller sub bass engaged itself into an insane run drived by a brushing arpeggiated synth and sharpened cymbals. college road, the eponym track is a bright energetic trippy techno track influenced by house grooves & sonorities, for club use (not only). the last track bkr is a live construct track with both hardware and software stuff to create a freaky bouncing groove.

concept is the new baby established by the already international well known artist agency my favourite freaks, which consists of a four part and monthly released series starting in december 2015. all tracks will be out on vinyl and only for real and freaky club boyz and party girlz. international celebrated artists of the agency collaborated to create such a big collector s item.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

french label d3 elements returns to chicago for its next ep, this time looking to the assured house talents of hakim murphy for three tracks of raw, dense grooves right from the heart of the windy city. opener boxbeat is a curious, freaky jam with bobbing percussive hits, wonky, pixel thin synth lines and free roaming pads that wrap the whole thing in a nice sense of spaced-out serenity. taste o rainbow has a much more firmly planted kick drum that pounds away uninterrupted below a free flowing brew of modulate synth sounds. it s expertly reduced and masterfully reserved and is sure to send dance floors wild as a result. the flipside cut freshness has pinging drums and a big, frazzled bass line as slithering chords rain down the face. musical yet jacking, cosmic yet propulsive, it is a perfectly contemporary chicago house sound that rounds out a fine ep from one of the best in the game.

after a string of releases for omena, transatlantyk and studio barnhus, wroclaw-based naphta delivers his first ep for maciek sienkiewicz s fasrat label. this is house music like you ve never heard before, loose, freaky, hippie, voodoo machine funk, highly infectious grooves for any modern dancefloor. as always fasrat delivers also a stunning artwork - this time by renowned graphic designer ania goszczynska

freaky techno with abdulla rashim remix on the flipside

freaky new blawan 4 track vinyl... killer release, limited 2015 repress.

being at an albion gig is like entering a bedouin tent and smelling the scent of an exotic spice for the first time, at that point you can t imagine living without it for the rest of your life.- the psychedelic disco viking is back. master crate digger albion is a dj who doesn t merely take you on another drum journey, but adds an extra dimension where preconceptions don t apply. it can take a while to get used to it, but sophistication never went out of style, it just took more than three decades to catch up. when the coin finally dropped, albion was there to pick it up. when it comes to the mixtura series albion always opens up new ground. he only selects the finest cuts for our table like -burning disco- we here sexy sultry voice from a man who probably has a very large moustache dont you know i m dancing like an eagle in sky, people always ask me why? onto flamingo synths play in tandem with guitar and flute glides though a delay without a care in the world, add the horns and sexy porno voice and you got a winner. mustang is about letting the good times roll, freaky disco biscuits with dash of rock? yes please. comes correct on 180g white vinyl with no repress

freaky and seductive club studies from nyc producer via app, following up last years *dangerous game* cassette release here on 1080p with a five track 12 inch. disparately-sourced vocal samples, twinkling synths, and creeping basslines dialogue and tangle on the the table of apps demonic feast. club kicks and twisted-up models of more recognizable dance formats hold together disjointed parts on the brink of collapse and knock them into hard grooves. 7 headed rides low and rude, ripping down the backroads at 125mph, only ever stopping for brief reprieve before thrashing right back into infectious, blissful mania.

fresh , freaky analog / bunker styled electro

12 brand new egyptian lover tracks that will take you right back to 1984. back to the future!

50% deal , be fast !!
in early 2015, italian electronic producer fabrizio mammarella aka telespazio released an excellent debut full length on hell yeah, and now the label offers up four tracks from it remixed by modern greats kito jempere, wolf muller, harvey sutherland and tempelhof. in original form the album was a truly unique and idiosyncratic journey into a freaky sound world. now it has new moods and groves layer into it and becomes just as exciting a proposition as a result.

lopatins präziser ansatz an komposition und kreation hat ihn zu einem der einflussreichsten und prägnantesten persönlichkeiten moderner, elektronischer klanglandschaften gemacht. so arbeitete er für viele künstler, regisseure, musiker und führende kunstinstitutionen: von sofia coppola bis ariel kleiman, von antony & the johnsons (dessen kommendes album er produzierte) bis nine inch nails, von der tate modern (london) bis zum moma (museum of modern art, new york). da dem künstler oneohtrix point never auch immer etwas geheimnisvolles anhaftet, läuft seine teaserkampagne mit einer serie an abstrakten interviews, trailern und soundfiles - so kamen bereits erste materialschnipsel als midi-dateien in umlauf. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

sirius05, sirius07, sirius13 & sirius16 in a special price bundle.

up and coming producer, odd/even label boss and close stockholm ltd affiliate andre kronert arrives on figure with an astounding 3 track ep, completed by a deadly len faki dub. kronert has risen through the ranks yet stayed true to his reduced, warm and powerful sound strategy. the opening track g.i.a.n.t makes for a wonderfully tense opener, with its expansive dark sound design and deep dub kick arriving around the half-way point. this is countersigned then by two more energetic tracks in the shape of the throne room and fallen space, both pivoting over a fulcrum of classic synth hooks and carefully honed percussion. len faki takes the throne room into a different mental zone, with his almost tropical dub version, ensnaring a freaky pitched motif to accent and build upon andre s powerful original elements. classic reduction, and an ep of classic figure contemporary techno.

vinyl only release! the cough & drop ep is a various artists reworks ep with a ronnie turner and edgar moon collab on the ace robertas slack single and then ronnie digs out two killer cuts, the first being chucks back reworking chuck brown and the soul searchers borrero e sombero and the second is the very rare ashphalt jungle track freaky time which has been tweaked up a bit strictly for groovers. we are sure this ep will be doing some serious dance floor damage in the months to come

up first is gigolo, a spare and weird house cut with sine waves and random claps, hunched drums and trippy synth lines. it s a unique track made in a unique way and will lead to plenty of freaky dance floor moments, for sure. co. art is a whacked out techno cut with slap-funk claps, blistering and blistered synth lines and a rugged bit of bass underlining it all. the track is cavernous and metallic, empty and distant as if it somehow survived a nuclear blast. on the flip, alzheimer is a slow and gurgling, swampy techno number with broken drums and crawling synths that sound like their batteries have run down. icy, watery melodies eventually rain down, but the track remains resolutely eerie. last of all, fabric is another decaying track with subtle, heavily filtered synths and drums all making for a minimal groove that is barely there.

looking back at the influences from his recent full circle project, alexis le-fan (best know by some as le-tan), winds the clock back even further to his roots of trance. call it proto-goa if you like, these three tracks show a panel of sounds that could ve received airplay in the early 80s on the beaches of anjuna or vagator. standing on the edge is shoegaze gone tribal disco, up and down is new-wave with an ethno-indo twist, whilst love to hate is new-beat led by hypno synths a warped sax and freaky vocals which will ease you in the wee hours of the morning sun

freaky sneaky house tunes

after the legendary dj stingray, greek imprint lower parts strikes again with a heavy hitter. for their 8th release japanse producer keita sano delivers four experimental rough cuts that will push dance floors to the limit. known for his releases on mr saturday night, 1080p and spring theory, 2015 is the year where sano really opens out. freaky minimalistic explorations with an industrial twist, four jams for every moment of the night.

mat.joe ... those 2 bad boys join our material labels are on hype! nothing but pure bassline grooves and solid beats.. they way materialism goes!

think early relief records and the green velvet sound of the mid 90s, very cerebral and freaky undertones. all of this done from an earlier mathematic artist coming back into the game. included on the ep is a take on some jungle with a twist of analog house notes on top.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

sorn002 welcomes another experimental beat maker tot he fold. asan is likely from another planet. his take on techno is like no other. expect wild drum patterns, freaky synths and alien grooves. synth lord steve moore strips things back in a way only he can and creates an arpeggiated synth journey which you d never tire of, even if it was 45 minutes long!

rounding off the vinyl series that accompanies themas label-defining strength in numbers compilation, part 4 downsizes from 12 inch to 7 inch to present two distinctive jams that show some of the farthest reaches of the new york imprints sound. laurine frost may be best known as part of the nonconformist house and techno scene of europe through releases on perspectiv, sharingtones and nervmusic, but on this special creation for thema he makes the perfect tribute to the city that gave rise to the label, with a little help from the racy diatribe of amiri baraka on “your house”. by way of a truly special finale for the series, minneapolis maverick dj slip graces the label with an all-too rare appearance, taking an altogether more primal approach on “x7” that channels his years spent conjuring up next level techno for missile, music man and more into a taut and punchy electro excursion infected with tricked out effects and seductive sci-fi noir atmospherics. it’s the perfect example of the freaky fringes thema has comfortably reached to over the course of the last forty releases.

broken arrows are the powerhouse duo of londons bill ambrose and spruxx. united over an envy inducing collection of vintage and modern synths and drum machines. broken arrows are the sound of a slime coated pansexual club d amore as populated by malfunctioning ed-209s getting real freaky. taking cues from classic ebm, minimal synth, these three dark-fucking-wave destroyers are complimented by a remix from the one-man-brutalist-factory known as drvg cvltvre, taking the title track and twisting it into a reimagined 8-bit nes grinder / grindr. mastered by phelan kane. art by eric lee. always limited. download code included.

schleissen 1 marks the beginning of a major, four-part project from stuart leath s emotional response label an in-depth exploration of the outer reaches of drone and ambient. it s a grand scheme, highlighted perfectly by the grandiose scale of serbian maverick abul mogard s opener a hypnotic, 19-minute exploration of modular drone music that s as freaky as it is beautiful. stefan schwander dons his now familiar harmonious thelonious alias on the flip, laying down two brilliantly melodious synthesizer pieces inspired by the cyclical compositions of acclaimed minimalist composer steve reich. both pieces are borderline stunning, and more than worth the admission price.

this wax is a solid proto - funky ghetto house...its not for the faint hearted or the easily offended! take heed though, it will make you dance!

creme organization turn to the mysterious ivvvo and lisbon producer lake haze for a new single that comes backed with a remix from label regular legowelt. the single 1 is a hard hitting but fuzzy, misty and hugely spacious house track with deep jacking drums, haunting synths spiralling all around and freaky voices buried deep within. hugely atmospheric and lovably imperfect, it then gets remixed by legowelt. his version of the track flips it on its head, strips back some of the white noise fuzz and reimagines it as a driving techno cut with impish chords, retro arps and high pressure stabs. its a peak time bomb and ensures that this release is a high impact one indeed.

a killer collection of tracks from the mighty paul johnson on steve poindexters chicago underground offshoot. this is some true blue ghetto house music, fat, funky and fresh with all the swing youd expect from vintage paul johnson! the tracks across this ep kick like a mule when applied in the correct scenario, all styles are present here featuring some straight ahead bangers and some weird, woozy down-tempo cuts for the freaky side of the dance-floor to get lost in! theres endless fun to be had here for the djs, youll want to work these tracks all night long in the mix. essential! re-mastered, re-pressed and re-released with the permission of and in conjunction with steve poindexter chicago underground records usa and inspired by bobique bobby. do it!

the turkish producer ugur project wanna freak u... so he comes with a fresh new tech house vinyl which contains 4 freaky tracks.

2015 repress ! passionate advocates of vinyl, apollonia re-press point gs rare classic underwater, the first in a number of their personal out-of-stock favourites. the archetypal track of the paris afterhours that encapsulates the sound of the batofar kwality parties, a memory which is at the very core and stimulus of apollonia... underwater was a favourite of the trio back in 1998 and continues to be a record bag must-have in 2013. moody, bassy, a freaky lose-yourself-moment in the spaced-out melody, this deep house classic is being re-pressed for the first time exclusively on apollonia. a production project of dj gregory, the point g imprint created in the mid 90s offered a dark, raw interpretation of us deep house, given his alternative french twist. making a strong impact on the underground scene at the time, point g gained much respect amongst his peers with timeless releases like the raw and on the raw again eps, hence original copies of many of his early tracks are extremely scarce

dj spider & franklin de costa come along with a massive follow-up of their first single on killekill (cat number 016). second bass on the a-side is a bomb of a track with its jazzy beats, otherworldly strings and a bassline straight out of hell. comsume is even more otherworldly with its stumbling, shuffling beat and a spaced-out vocal sample taken from an unnamed sci-fi movies from the 50s. coffee break, the last track of the ep, is a deadlock groove of heavy beats and freaky breaks, that leaves you lost in time and space.

florian kupfer is back. this time he shows a glimpse into his diversity and depth. starting in the familiar territory with his trade marked, blue eyed freaky soul vocals and rough beats before meandering his way through strangely sad blown out drum workouts and hip hop styled new beat tracks... comes with full color sleeve.

dj haus goes a little freaky on the helta skelta ep. this 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. it takes its cues from the windy city but doesnt hide dj haus roots in the uk with a bleepy techno twist and pirate radio energy.

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

it was a little bit quite around the wirrwarr label in the last few years, as the boys focused on other projects like building up an bookingagency, a 2nd recordshop, new labels and for sure producing new music. now they are back with some fresh and crazy minimal techno tracks. on a1 we have mr. wigbert with his first appeareance on wirrwarr, a2 comes from labelhead locke in cooperation with mc shaver. b1 is a freaky brain damaging minimal monster by matt star. and last but not least b2 called *piano*, a old but still fresh sounding work of locke. freak out!

mysterious man that is monsieur georget… fresh off the back of an admirable ep on sammy dee s cult imprint ultrastretch, he returns with a freaky francais offering for adult only shape. minimalist in its nature yet meaty in its stature, the 3-track package features glitches, scratches and vocal murmurs, varying from the effortlessly sexy >en voiture simone< and highly-addictive >viens fifine<, to the driving tribal beat of > georget au piquet<. adult only shape is the new sub-label of chris carriers adult only, the prolific imprint that has been releasing the best in quality house since 2000. adult only shape brings a more techno-orientated flavour in vinyl-only format , with eps so far from funk e and marcman.

freaky acidic tech stuff ... very house infected but still raw !! all exclusive stuff, none tracks found on my new album iii.