last copies , ltd nice price ...coole minimal tech platte mit jackigem b seiten remix track von robin jacobs der untenrum so richtig wubbert... da freut sich die membrane

listen to this if you like max graef, boo williams or anything on chiwax, atjazz, dam swindle or fantastic man. were really happy to get andy on heist after his successful collab with his buddy max graef on the jungle ep back in 2013. he delivers a great 4-track ep that ranges from the synth-arp love affair of ‘the same for me, to the heavily sampled disco jam ‘epsilon girls. check out ‘hermano and ‘merkin for a dreamy old school chicago vibe, both done with a great sense of history and an added touch andys modern production and sampling skills. sincerely yours, lars & maarten

rene bourgeois and andy kohlmann are striking back on rennbahn. packed with catchy melodies, a fat powerful bassline and deep vocals they created a perfect mixture of open air and club sounds. philip bader comes along with a huge remix. in combining the intense mood of the track with some dark vocals, hes pushing you directly forward to the top of the dance floor. a quite more experimental remix is given to you by bruno pronsato – for lovers of the classic minimal stuff. early support by: dubfire, anja schneider, hot since 82, super flu, blond:ish, yousef etc.

many reggae artists are lucky to make one breakthrough to the music mainstream. horace andy has managed not only to make a mark with *skylarking*, but also to deliver the definitive reggae version of soul singer-songwriter bill withers evergreen *aint no sunshine*. one of reggaes most distinctive singers, andy has managed to sound as credible delivering social commentary as he does love songs. as one critic put it, *the fragile, vulnerable qualities of his voice could invariably be relied upon to add dignity and sincerity to songs*, the proof is everywhere on this compilation.

brill deep groovin and floating analog rooted

special limited edition of 300 numbered copies. re-issue of kendrick andys 1994 album, all tracks were re-mastered by alien dread & top beat, fall 2013. the lp has a glossy printed inner sleeve in an outer black sleeve.

liverpools andy ash has been releasing finely crafted, authentic house music for a number of labels over the past few years, including appearances on stillove4music, kolour and quintessentials. here he joins steve bugs dessous imprint and drops some of his best work yet - four slices of deep and raw house grooves.

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.

earlier on this year andy stott found himself playing on the same bill as new york heavy metal hoarders batillus. despite operating in completely different spheres, batillus had been playing luxury problems, stotts most recent album, on their tourbus and suggested a remix. the result is pressed up on this one-sided 12inch, a deadly reduction that pitches the original down into the abyss. andy stott will be back in 2014 with new material.

nice price deal !!!

*regular & irregular* is a collection of five unfolding tracks, that reveal themselves through hidden sections, like walking through a foreign city at night hearing snatches of life. these tracks were created over a two year period and represent andys further exploration of melodic, rhythmic, and sonic ideas, some with instrumental parts contributed by fellow fallingup (the bristol club night andy runs) crew members typesun and jay l. spread over 2×12 inches, this is the 7th release in 2013 from idle hands following on from esteemed releases by outboxx, rhythmc theory, kevin mcphee and strategy. this is andys first release since his acclaimed 12 inch for peverelists punch drunk label.

it doesnt get much bigger than this andy stott gets called into to transform trickys redendtion of valentine into a murderous dungeon lullaby. get it fast its a super limited edition 12inch on splatter colored vinyl!

liverpool based andy ash hits the saft imprint with two excellent analog house jams. the overall sound andy comes up with, hints to the early machine driven house sounds from the late 80s on the a1 in love whilst transitioning into the more jammy house sound andy has been purveying on his string of latest releases on his a2 jam called black stem.on the b side saft regular kastil provides andy ashs >in love< with a heavy machine rework. kastil proves he has been crafting and perfecting his production skills with some new hardware gear. this remix hold the intense feel of a 4am sweaty club session. all and all saft proudly present the 5th installment in their series of pure and all round house releases.

soul print recordings is proud to present their first ever vinyl release. 4 excellent deep tracks pressed on a slice of 12inch black gold which features tracks by fil lavin & djp, petkovski & akioki and reworks by the mighty deep space orchestra and liverpool based andy ash.

>it was one of those long journeys to somewhere in russia, bit of a weird club but then u meet some friends from st petersburg and they give you a cd. with one track. nothing special. but this time it was! on the way back ill give it a listen on the plane and im instantly blown away by this deephouse funk monster.< soteardrop music label head basti doehring better known as lovebirds telling us and there arent any more words to add to this from our side

here at off we are very proud to welcome a very exciting new collaboration team including one of the fastest growing acts on the scene in the last couple of years. mexican wonder-team climbers, already praised for massive releases on the likes of get physical, culprit and electronique, team up with londons own silky (my favourite robot, nurvous) and barber (faceless recs) to put together a solid ep surely destined to have room in everyones set this summer.

shit the bed, its been over a year since the last wu 12. after 2 tracks appeared on andrew weatheralls masterpiece comp and apientos orange place became a bona fide underground anthem most labels would have piled in with a slew of releases to capitalise on the interest

vinyl only release !
nilla discovered its super-talented newcomer from germany, andy kolwes spreads the word on the fourth release of nilla. beautiful analog warmness, fat and crispy sounds, lulling rhythms. three unquestionable bombs of the dancefloors. play them loud

a heavy lead rhythm provides the foundation from which spiralling elements project. they coruscate, pulse with light and collapse inwards, until just the echoes of dub2 are left. rising from these depths, the sharpness of distribution theorys crisp hi-hats and snapping claps provide forward momentum to a series of stabs. the house element.
beginning as a mystery but ending as a certainty, the ethereal theme that opens untitled document gives way as it increases velocity, shaking and rattling under the strain. the apex. hands reach, seeking, the elusive moment has already passed, all left is pure. bliss. circumflex kicks hard, a final statement of intent. powerful. corrosive. this is late night techno, played over a system on which the squelching acid-lines converge within the mind. the body jacks.

melbournes finest with a specially selected various artists release: featuring fantastic man / box aus holz main man max graef & andy hart pressed on limited 10 inch vinyl.

the fist release of 2013 comes from none other then londons own andy blake and the man behind record labels like dissident and cave paintings.

only a handful copies & vinyl only. debut of colognes best kept secret. more than 26 minutes of playtime for your afterhour pleasures. every item with unique handmade street design be quick!
support from: dorian paic, dan andrei, nekes, marquese and many more

the mysterious robotalco has already released on top labels like on the prowl, hometaping or seven music. the uks andy ash is called in for remix duties.

phat phunky deep house , incl andy ash rmx

following on from a pair of extended players released in 2011 (passed me by / we stay together), andy stott returns to modern love with luxury problems, an 8 track album of new material recorded over the last 12 months. five of the tracks on the album feature the voice of alison skidmore, andys onetime piano teacher whom he hadnt seen since he was a teenager back in 1996. there was no grand gesture in mind, it just sort of happened – but after almost a year of studio work the result is really quite unlike anything you will have heard from him before.

fly by night music delivers its first blow with this sublime slice of deep house from liverpools andy ash.

sledgehammer hardcore madness

nice price deal !!! cave paintings 4 arrives, late of course and as with all cave paintings 12inches from now on, mastered from tape for maximum fidelity and pump. 4x flies into hypnotic techno territory. big drums, big bass and big synth strings creating a rollercoasters in outer space vibe. 4y brings some house/garage swing and wild pitch atmosphere into the cave paintings equation, introducing elements found in andys recent contribution as slazengers people to the spargel trax release into a long, tracky cave paintings workout

three years have passed since the last moon harbour inhouse compilation came out. now >moon harbour inhouse vol.4< is on its way. in accordance with the tried and tested concept, this release also showcases the work of current moon harbour artists. in addition to exclusive tracks by matthias tanzmann, luna city express, dan drastic, ekkohaus, martinez, italoboyz, andy catana and blind minded, special guests like reboot, guido schneider, boris werner and tini & marc antona are also represented on this compilation. the list of artists clearly demonstrates that moon harbour has developed into a label with international scope and appeal. this sampler was compiled and mixed by dan drastic, who has been part of moon harbours artist roster for more than seven years and recently released his >noodle stories ep< on our label.he regularly hosts the moon harbour nights at the leipzig club distillery and is one of the most active moon harbour deejays, together with matthias tanzmann and luna city express

prodigal sons the deep space orchestra return to foto with the mighty blindsided track. ver on the flip the two remixes from medlar (wolf music) and another foto regular andy ash are equally as good. medlar opts for shuffling drums and a dose of the funk whilst andy turns in a classy bumping electronic workout.

marcos cabral and jacques renaults latest on the prowl 12 inch features the return of andy ash, the man who dropped >another world< with them last year (otp007) as well as a grab of edits on otp party breaks way back in 2010. as is to be expected with the talented, young producer, the ep is all groovy, bouncy, high-octane house with a hardy injection of disco glitz.

andy kohlmann and marco fender join forces for the >flowkati ep< on mimique records. with support by ron flatter on the remix-front we have a trio infernale ready to rock every dancefloor.

two low slung house beauties from low slung to start his aptly titled label. andy ash and matthew kyle join the choir with 2 equally gorgeous remixes. keep it low slung!

nice price deal !!! as they say, all good things come to those who wait … and here it finally is: the 2nd release from black key records, made by andy ash and backed up with a remix by ugly drums - which is the exact opposite of ugly. great release!

an indie dance monster produced by londons jagz kooner with live bass, guitars and building synths. features the original mix and 3 remixes from fellow new yorkers todd terry (two mixes using his classic drum sounds) and jetlag (the smiths’ andy rourke & dj ole koretski).

next up on nang, we have the long awaited full-length from nu-disco hero and synth aficionado, andy meecham. the release sees meecham step away from his revered emperor machine monkier to create something conceptual and truly visceral, yet still retaining those signature grooves and rich tones we all know and love. the aptly titled monophonic volume 1 is a synth purists dream. each track has been crafted on a single classic synthesizer (and named after it!), giving each piece its own identity and sense of time and place, referencing landmark moments in the history of music technology from the east and west

nice price deal !!! the third, somewhat overdue, installment of andy blakes cave paintings series finally sees the light of day. all the cave paintings releases are one-take analogue excursions constructed by machines and recorded live in new cross gate and mastered for vinyl in hackney.3x is a close cousin of 2y.a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion.machine funk meets the locking crew for a warehouse showdown.3y heads into thus far uncharted territory. an evil, growling lfo driven bass underpins militaristic percussion thats slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death. heads down strobe-lit dancefloor action.

we are at the end of 2011 and so it is time for a record label to find a great final for the music year 2011. after four successful releases, mimique looks back to a fantastic start and presents music from his heads and calls all of it mimique ep. andy smith, steve haze, michel laro and the frenchimport mozaic do their share and give this ep a wide fan of music which represent the label. you could call it mimique style. many tastes will be satisfied with this release and will give a sweat appetite for the next mimique music year 2012.

supported by: kerri chandler, dyed soundorom, gregor tresher, karotte, anja schneider, anthony collins, 2000 and one, enzo siragusa, nic fanciulli, ralph kollmann, tiefschwarz, onno van velzen, pascal feos, arado, monika kruse, robert dietz, marco carola, julietta, mathias kaden, lauhaus, meat, shahrokh dini, raresh, luca bacchetti, federico molinari, paul hazendonk, markus schatz, nick curly, todd bodine, paco osuna, tini, audiofly, seth troxler, martinez, ana, kabale und liebe, adam port, rozzo, martin eyerer, julien chaptal, ray okpara, fabrizio maurizi ...

for its second kiss, stolen kisses reached out to bnjmn, one of 2011s most promising artists. with nimble synth melodies that leap over burbling sub-bass with the grace and poise of ballet dancers, >nightvision< quickly distinguishes itself as more accessible but equally detailed as the tracks on the uk producers breakthrough album, >plastic world<. it is paired with a remix by fellow uk producer andy stott, a core member of the modern love family. fresh off his revelatory >passed me by< 2x12, stott drags >nightvision< into his lair to refashion it as a gritty, slo-mo beatdown. his sonic gremlins gnaw new textures into familiar progressions and set off sub-bass clusterbombs, daring djs to unleash the remix on a sizable sound system.

if you have ever heard a crunching roland system 100 bass line ringing in your ears at 5.00am in the morning, there is a good chance that it has been written by andy meecham. whether as emperor machine, sir drew, chicken lips or even bizarre inc his music rolls and waves in incredible ways and sheds light on all the probable combinations of familiar sounds. morning banger is certainly a hot potato! upon the first listen you are hooked in with the slightly aggressive korg delta drawing you in. the track builds and builds into a crescendo of beautiful tension and before you know it your brain is eagerly awaiting the next step of the journey.

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

what?!? what?!? what?!? whats going on? the great new publication from beatamines (damm rec. , mbf) >what?!?<. oh yes, i tell you, there are 3 really fat parts on it. the original by betamines kicks your ass, the steve lischinsky remix kicking your feet and andy kohlmann (lordag, zylinder) guitar airs and graces kicks your brain. thats a good precondition for the 4th publication on mimique.

the first release of the transfer series, one of four seven inch singles by andy moor and anne-james chaton, based around the themes of transition and transportation, side a constructed from factual information and side b from fiction. comes in a lush folded sleeve.