nice price deal !!! eclier (siberia) proudly represents the new cold wave from the east: electro break, robotic vocals and spacey pop synths: all together this siberian chemistry is a hot hymn to the dancefloor. after the release in july of >the hole< ep (ref. mako004), supported by mr oizo, das glow, mixhell, zombie nation, autodidakt, etc., eclier is coming back in october for his new « the future is now » ep. with new bombs for the dancefloor, on the productive label boxon records. if ecliers first album took you on an amazing trip, this new project with more rhythm will take you directly to exploding parties. girls, the word is dancing. after a few remixes for some artists of the label boxon records and an ep on proxys label, we were right to expect a true hurricane. no options left, its gonna come. with intros very much turned to an atmosphere close to b.o. s.f. and a new wave touch, nikita, who comes from the great siberian cold, adds an electro touch to choruses that just make the ice melt. a perfect example to be found on >rockfall<, heritage of digitalism. the saturated melodies are bloody efficient and the beats powerful. away from a lament or a lullaby, eclier earned his stripes, and took vitamins. we definitely find this craving energy on >spider< that ends this three-track record. eclier has everything of big man now: tom deluxxs enthusiasm and the combined new wave touch of the cut copy. he gets closer to proxys ingenuousness. >the future is now< (text by céline fula, october 2010 – traduced by cécile guidon)

love will fix it: the best of ashford &, simpson is a comprehensive double vinyl lp spanning the legendary song-writing duos own recording career with warner bros. records from 1973 to 1981. the husband and wife team of nickolas and valerie established themselves in the 1960s as one of motown records many successful hit making partnerships (“ain’t no mountain high enough,” “you’re all i need to get by”). the duo added even more depth, emotion and musicality to their self-produced recordings. this newly remastered, comprehensive groove line records release features 19 of the duo’s classic progressive 70s r&b duets including it seems to hang on, send it, don’t cost you nothing, found a cure, bourgie bourgie, love don’t make it right, is it still good to ya, ain’t it a shame and one more try, of which the latter four titles are represented here in their extended form, and many of which are mixed by valerie’s brother jimmy, regarded as an early innovator and enduring influence on dance music. groove line records cut no corners when making sure that each and every one of our releases has the highest quality performance possible. newly remastered from the original tapes and half-speed mastered by matt colton at alchemy, its housed in a gatefold sleeve featuring liner notes penned by christian john wikane. love will fix it: the best of ashford & simpson is an essential addition to any serious r&b, soul, funk and disco vinyl collector.

played by monsieur cedric (serie limitee), jason hodges, phaze dee, bradford james (ds records)
after a short break in releases, plastik people are back with the third installment of the various people. we see label owner marc cotterell up first with his slice of 90 s house music, incorperating slick grooves and catchy cut up vocals, along side mark on side a, a new addition to the plastik people family from london, charles caliber, who graces the ep with a stunning soulful house groove called moving on. on the flip side nyc artist doug gomez brings us a classic sounding, deep head nodding track which was originally releases on frole records and we loved it so much that we decided it needed a vinyl releases, to round off the release, we are very pleased to have mikki funk back on plastik people. he delivers us a splendid cut of uk garage, mikki funk has also previously released on rm records and music is love.

we proudly welcome arne and delbaen to our label, without a doubt the new boys in electronic scene to look out for the coming period. hailing from the beautiful city of antwerp belgium, where diamonds are cut rough just like these two. be aware we will not bore you with just a one off release. no, these guys have got a mission and it starts right here. expect analogue heaven from one of antwerps finest analogue studios and best-kept secrets. some of them might have hear these guys rock the concrete at the ampere club in antwerp. we proudly open the book on page one, the first page of a book that will become a long and interesting read. ladies and gentle people, welcome to the adventures of arne & delbaen. sound architecture proudly presents the long awaited official release of the >funky chicken ep<

welcome to the rocksteady sound from jamaica. towards the end of 1965 some say due to the extreme heatwave that was hitting the island the people that followed the sound system dances demanded a slower beat so they could still move and groove to the all night musical night affairs. so the jerky ska swing was slowed down to a steady beat that also allowed the songs cut at this time to shine throgh. so sit back and enjoy the tunes that rocked this islands between 1966-1968 the rocksteady sound that hit that town..

nice price deal !!! very catchy little club bomb gets a nice remix treatment by maurizio gubellini & matteo sala, phunk investigation, christian vila & jordi sanchez and pain & rossini!!

nice price deal !!! the parisian duo trouble men give this powerful shadow kings cut a melodic inspiring remix house workout. the trouble men lay out the vocal on top of some serious tribal percussion then lace it all with sunny guitar melodies and body moving bassline! the b side mix features a norman connors sample.

nice price deal !!! matadi is the main port of the democratic republic of the congo / africa and swen definately managed to transport the african feeling to a european club smasher. this ep comes with a great remix package: there are two deeper versions of swen himself

synthesiser genius max loderbauer (nsi, sun electric, vilod, moritz von oswald trio) and techno experimentalist jacek sienkiewicz (recognition) combined for a stunning live show on the opening night of festival 2015. blending harmonic drones and almost unrecognizably distended vocal samples with adroitly weighted melodic passages, this collaboration was a masterclass in expertly crafted ambient music from two of the genres’ leading exponents. two passages from this set have been mastered and cut to vinyl in a special 12” with artwork by pedro maia based on his visuals for the show.

nice price deal !!! sister label to markantonios analytic trail imprint, mkt records is all about providing a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge. originally created as a home for markantonios experimental work, mkt has developed into a destination label for all forwardthinking techno acts.
unearthing a neverending conveyer belt of neapolitan techno talent, markantonios mkt records have struck gold once again with this 3track ep from flavio diaz. proof that the key to success lies in a combination of passion and ambition, flavios story is one of selfdetermined endeavors. immersed in the music he loves and devoted to bettering his craft, success is now on the horizon.
sampling, as the name would suggest, is a patchwork of sonic fusions. multiple layers of loops, riffs and grooves are punctuated with just as many innovative fills and effects to create a punchy, stripped back cut high on energy and big on funk.
secret addiction pumps up the tempo for a fullon rollercoaster ride of funky techno. highly percussive and fast paced with a jittery, lowdown groove that booms loud out of the speakers this is flavio diaz in peaktime dancefloor action.
the most experimental of the three tracks, live today drops the pace back down and straps a big old bouncing bassline on to the front end to create an imaginative fusion between garage and techno. sounds crazy but check it out...

nice price deal !!! bozzwell, he of hiem, presents a solo slice of minimal. it s been cut, carpaccio style and arrives like the sun breaking through the woods from ethereal slums. it throbs, it hums, it pulses, it fizzes and will put a heart in your head. the black dog pick up the quest, taking you by the leash into an electric ether, deep towards the heart of darknessà threading your veins in to the eye of a static storm. it s enough to kick start the heart in your head. pulling you out of darkness and beyond the mist, trulz & robin from the norway bring you back home into a tidy new day for soothing relief. it s a squidgy fckr and grows and thrives like the mushrooms out back, leaving you in a good head and settled with what lies ahead.

die offizielle wiederveröffentlichung des dub-klassikers -scientist - heavyweight dub champion- ist als 2lp-edition mit poster (60x60 cm) erhältlich! die aufnahmen des originalalbums von 1980 finden sich auf der ersten lp - sie wurden mit den musikern der roots radics in bestbesetzung im channel one studio eingespielt und im king tubby studio abgemischt, am mischpult saß dabei hopeton overton brown, besser bekannt als scientist. für die produktion zeichnete henry junjo lawes verantwortlich. auf der zweiten lp finden sich die dazugehörigen versionen der sänger, vertreten durch barrington levy. für dieses herausragende re-issue projekt wurde die top-adresse, was audio-mastering in europa angeht, die firma soundmasters in london, engagiert. das dazugehörige artwork von tony mcdermott hat bis heute nichts an seiner faszination verloren.

nice price deal !!!

nice price deal !!!

nice price deal !!! at last! beatboxer, lyricist and singer mark boombastik finally releases his album adios berlin, produced with eduard delgado lopez (bass guitar and more). no more pseudonyms, no frills, but intimacy between sense and nonsense: a grand record. adios berlin is: champagne and unpaid rent. it is: love and hate - it is: a conviction and an absolution of the possibility to be different, to live differently. it is: the mainstream suitability of the peculiar, like cooking without a recipe. it is: tomato stains in a kitchen, scratches on a record, scars on a shin. it is: a swan song and a new beginning. an album like a speech, between accapella and beatbox, punk and rough cut - techno and experiments for a special audience.
comes as limited edition double 12 inch, including 7 inch and cd.

damon bell arrives on dba with a debut three-track ep that delves deep into the musical influences that shape his sound. best known for his output on fellow oaklander aybees deepblak recordings - where he holds the title chief connoisseur- bell has won ardent admirers both with his string of eps and with last year s debut lp blues for the libyan , in addition to releases on r&s sub-label meda fury. the trio of tracks that make up the ankh boogie ep find bell returning to the dynamic african rhythms of his most floor-friendly work, with live instrumentation layered over an electronic pulse. having had his start as a teenager obsessing over afro-cuban jazz and jazz fusion, his long-standing devotion to learning and adapting the music s polyrhythmic sensibilities in his own music, coupled with the voyages of sound deepblak is known for, result in a unique collage of sounds that at various moments can recall the likes of joe claussell, dj qu and ron trent. where the title track plays with sun-kissed melodies and percussive elements, the b1, aural afrek, goes into darker techno territory, while b2 cut time for change is an organ-led house workout.

a live version of björk’s highly-acclaimed eighth studio album ‘vulnicura’ on double 12 inch vinyl, packaged in special vulnicura wound die-cut gatefold sleeve.
the album is made up of björk’s favourite performances from her 2015 tour, including all songs on vulnicura plus some of favourites from previous works.
the songs were performed live with the alarm will sound & heritage orchestras, and critically acclaimed artists the haxan cloak & arca. the artwork was designed by m/m paris.

timmy ps latest outing on dessous recordings continues the long list of illustrious labels that have been home to his house vision. now based in london, timmy has a string of emphatic releases under his belt, not least on influential imprints such as local talk, extended play, dirt crew and madtech. with safety first, timmys playful approach to the deeper side of house shines though. the title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. the fantastically named grim fandango is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. timmys balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. bosh is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while james dexters remix is a robust, deep roller. this is house music made with joy and passion.

first part of cygnus remixes is here. that big track produced by coyu and sezer uysal will have a second life with big revisits.
the first remix is signed by one of the biggest legends of the electronic scene: the mighty john digweed, together with his studio partner nick muir, did a proggy-tech trip with tons of epic vibes.
gabriel ananda has turned the original into a more electronic, sophisticated and special track.
last but not least, coyu did a dub edit from his original cut, focusing the leadership of the track in the bassline instead of the melodies. great names for an amazing package!

for the second elastique music release we could win great artists over to our label. daniel madlung takes it to the next level with an energetic and minimalistic track, which nearly seems to explode. the tunes on the b-side, one by christopher lawrenz and one by nicola koch will certainly move your feet. you’ll definitely cut the rug to these tunes.

following 2014’s ‘xure’ ep, dutch producer doka returns to format with a fresh four-track release including a remix by fellow techno luminaries twr72.carved out of no-nonsense techno grooves, the ep is another prima example of format’s trademark: bold, stripped-down techno designed for peak-time clubbing moments. the title track blends in classic detroit synths to powerful tresor-style grooves, after which twr72 give it a playfully experimental makeover. ‘lommer’ throws in a pitch-black cut that’s heavy on the bass while cleverly mixing in progressive house elements, while ‘dam’ closes things by adding a lovely hypnotic twist to this release’s content. there’s no denying: this eighth format release has all the ingredients to ignite some serious floor carnage…

new range of zr logo t-shirts designed exclusively by the daviddavid design collective. these new men’s classic cut jersey shirts are made by continental n03 in 100% combed cotton. (melange grey : 85% cotton 15% viscose) fine jersey 4oz / 165g

new range of zr logo t-shirts designed exclusively by the daviddavid design collective. these new men’s classic cut jersey shirts are made by continental n03 in 100% combed cotton. (melange grey : 85% cotton 15% viscose) fine jersey 4oz / 165g

new range of zr logo t-shirts designed exclusively by the daviddavid design collective. these new men’s classic cut jersey shirts are made by continental n03 in 100% combed cotton. (melange grey : 85% cotton 15% viscose) fine jersey 4oz / 165g

new range of zr logo t-shirts designed exclusively by the daviddavid design collective. these new men’s classic cut jersey shirts are made by continental n03 in 100% combed cotton. (melange grey : 85% cotton 15% viscose) fine jersey 4oz / 165g

zeit echo are a german/swedish electro-pop/minimal-electronic duo formed by thomas karlsson & matthias schuster. all electronics, synthesizers & drum machines are by thomas karlsson at studio zeitklang. vocals on “secretary” by lidia fiala.
all the cuts and edits are made by the genius of mick wills.
mastered by helmut herler at dubplates & mastering.
vinyl only - 200 copies pressing - no repress - numbered.
supported by: mick wills, william bennet aka cut hands, clouds, ancient methods, drvg culture

release 2 in the perihel series is one of the most famous electroacoustic compositions by iannis xenakis. mixed by martin wurmnest, mastered & cut by rashad becker, la legende d eer is available as vinyl (180gr, dl code, insert with liner notes by reinhold friedl) and download for the very first time.

ride through five boppin’ cuts on this varied five tracker fresh out of tallinn, estonia. offering up the lekker man’s hardy techno, disco-house and jungle flavourings, nikolajev takes no prisoners on his self-titled debut. rest assured that collect-call has got you connected with no hassles.

tim green is back with another brace of high impact club tunes of the sort that have made him one of the most in demand producers of the day. whether serving up rolling techno treats for cocoon, essential mixes for the body language series on get physical or laying down compelling club sets in the dj booth, brit tim green is unstoppable right now. here he steps up to the get weird imprint with two more tantalising cuts that show just how broad and brilliant an artist he is. stirring opener ‘for a memory’ is eleven minutes of wordless and intoxicating female vocals, slick rubbery drums and plunging bass. the overall effect is hypnotic, rolling and perfectly groovy, and it will no doubt have whole dancefloors locked under its spell. some little melodic explosions, sweeping filters and luscious pads all help add a real air of grace to proceedings that mark it out as another classic from green. ‘for a distant memory’ is a subtle but noteworthy reworking of the same cut. in this one, the drums are less direct and more stripped back, there is a focus on the angelic, glowing pads and on spine tingling slices of synth that are reflective and emotive as they drop in and out. it is a perfectly trance inducing, heart warming cut that the likes of lee burridge at his all day i dream parties, or various djs playing on a sun kissed terrace around the globe, will all lap right up. these are two more essential tracks from the ever on point tim green.

fu.me label is back with massive release 002, -over- by george k is a techno tribute - the best raw cut. xenogears aka the analogue cops -20rdm- with a progressive subterranean dark house mood. js fantastic -sick society- obscure excursions techno trip tune. walkman takes the opening theme by george k, to give the clear idea of the project. dont miss it! vinyl only 200 copies.

the secret squirrels continue to assault the dance floor and make you want to you to dance with two more deadly reworks.
on this 11th episode they continue to disrespect boundaries as they criss-cross from disco to italo to house music in order to do their dirty deeds. cut loud for maximum dj impact.
amen !

truly nuts and really kind of essential the starship commander with his own take on the synthesiser voice b-boys/girls delight. check the instrumental cut, mastership - a head nod synth voyage of the highest order. limited copies. tip!

limited pressing
those bahia inspired boogie lovers barefoot beats return with 2 more brasilian infused gems to light up your dance floor. selvagem, who graced the first release on the imprint alongside eric duncan, returns once again this time with kiko costato and drops a chunky, funky, samba laced bomb of a track. meanwhile over on the flip, disco deviants pete herbert & dicky trisco work a catchy brasilian number to the bone with glorious discotastic results. pure vibes on both sides and cut onto limited edition 10 inch vinyl. vamos!!!

2018 repress , more killer stuff from gay marvine: a lost michael cut, obscure depeche mode, his own original music for his take on see line woman, and first choices 1974 the player turned into a house jam but still using the 70s drums.

dimitri veimar dimitri veimar has arrived with the second installment to the omnidisc swim series. the release includes 4 raw cuts from the producer. ranging from the acid soaked acid jogging to the driving cut 6 days.

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

patrick topping returns to hot creations with his taking libz ep and demonstrates why his reputation carries such weight with three special tracks that act as a master-class in how to create music that will consume dance floors. first up is brayed which takes the listener on a loopy and enriching journey, whilst howk is a classic foot-to-the-floor number. concluding the ep is taking libz, the title track that sees topping firmly hold onto his crown with this unstoppable cut. i-d magazine described patricks style that is characterized by punchy,chugging baselines that have become weapons in the sets of many a dj. started his career djing at the club night motion in newcastle, he was quickly snapped up by jamie jones, for hot creations. releases on the label and a residency at paradise dc10 in ibiza soon followed and 2014 saw him release get beasty, forget and voicemail featuring green velvet and concluded with a hattrick of awards including winning the dj mag best newcomer, track of the season and best tune awards in their best of british awards.

nice price deal !!! russell and the xx / king krule producer rodaidh mcdonald team up after a trip to ethiopia to bring you experimental electronic sounds, loops and samples interlaced with soundbites and cut ups of traditional african sounds.

the first release on confused machines pays respect for some of their homeland collaborators/heroes in a form of remixes. side a present two remixes by the models. the first one for the cult ex jerusalemite trio mouth and foot, a slow and mellow / romantic house tune (in hebrew), while the second remix is a dark shoegazy atmosphere with harsh 808 treat for singer songwriter bela taar. the flip side holds an essential edit for late 80 s post punk female duo mafatal, mule driver turned the original cut into a dance floor hit using tribal poly-rhythmic drumming with merciless driven bassline.

pets are proud to welcome long-time friend mathias kaden whose making his label debut with two of the trippiest, sense-shaking, freakiest jams we think hes ever conjured. as teased in his recent boiler room show (and most sets hes played lately), both polyphonic and nokick offer a fresh-yet-heritage rooted take on techno and have been tailored to cut through on the biggest of festival and carnival rigs. perfect timing, then.

the lobster white label series finally gets back into gear with a sublime five-track scorcher from core london member luke palmer aka ozel ab. after firing some deafening shots with last years crimes ep - which burrowed deep into some seriously trippy and journey d house, techno and acid - valis sees palmer develop those evolving arrangement ideas across five very different soundboards that bring his signature brain-fuzzed deepness, rubbery acid and dubbed-out sound design to the fore.

heated heads delves into another dark corner of the american experiment, this time via the lone star state. graig clouse s shit & shine project has been a mainstay of the underground for well over a decade, having released unique sides for legendary labels like rhode island s load, riot season, gangsigns, powell s diagonal imprint, rocket recordings, conspiracy outta belgium and the inimitable editions mego, to name but a few. for this 12-, $&$ has invoked the ghosts of cb radio via the us trucking fraternity - 4 cut n shut jams that defy regular definition. backed so far by the likes ron morelli (l.i.e.s), the trilogy tapes, bill converse, jon k, nina (golden pudel), shapednoise

here s a new remix record from aaron spectre, an american producer known for building bridges. nearly a decade after his first amen, punk vinyl was released in japan and became a worldwide underground staple, he s back refining the energetic hybrid sound further. jungle boots is four tracks of genre-unifying white label goodness, flawlessly cut to vinyl and ready to rock.

earlier this year, dekmantel announced the signing of robert hood for a new project titled paradygm shift. over the course of three different eps, which will eventually evolve into an album, the detroit but now alabama based legend presents paradygm shift. hood: -the idea behind paradygm shift is similar to a shift in our focus. we can become so complacent, we are so comfortable with our surroundings, i think this is the time for electronic music to find a new mindset volume ii serves up two more killer techno floor bombs by the never disappointing originator. master jack is a classy and deadly effective cut that gets its strength from a simple, yet biting stack of funky chords, while pulsating bass lines and rattling hats are holding it together. more fast-paced action can be found on magnet,a no-nonsense, minimalist stomper you can store in your peak-time section. refined techno action times two, but what did you expect?

nandu returns with full force on off recordings with glömde, a high strung melodic techno cut consisting of one original track and two revamps

philly s home-grown edit kings superprince drop some serious brotherly love in their first outing for rnt. from the uptempo bounce of strong feeling, to the soulful boogie of down on bitter end and start again, to the chilled re-cut funk of up up to the sky, these 4 heaters are guaranteed to find a permanent home in any record bag

jongno edits is a homage to the golden age of k-pop: psych-rock, funk, disco, boogie… 60 s, 70 s, 80 s… countless hours spent getting our hands dusty in the record shops and flea markets of jongno-gu, the central district of seoul, in order to dig out the ultra-rare gems from the land of the morning calm . expect a complete reinterpretation of hard to find music, masterfully looped, edited and remastered for your listening and dancing pleasure! the first volume, a limited edition of 300 hand-stamped white labels, contains two tracks: the a side is a spacey edit of south korean ballroom disco. the slappy intro is followed by a rolling bass line, keeping the groove locked for the tape delay expeditions. side-b is a cut and paste of a classic disco-rock tune. k-pop history right here!

fifty first recordings was created in 1994 out of a small but very productive studio in london called state 51 using the down time and the very talented engineers who had been brought together for state 51 s existing clients. state 51 was the go to studio for the likes of x-press 2, sharp, amalgamation of soundz. the engineers we worked with included mark woolford, james brown, james reynolds & mark yardley. fifty first recordings soon found a name for itself and was very quickly at the forefront of the new generation of uk garage music. we produced and released music in the 90s, for over 7 years, with the likes of tuff jam etc. and later went to develop other imprints such as konnect / test press / unda vybe / spread love / tick etc., some in partnership with producers and managed artists.

nice price deal !!! macro has been the home for the albums of some of electronic music’s most exciting live acts. so when a live band enters this context, it should better enter with a bang. kuf do just this with their album debut. the three-piece outfit with keys, bass and drums cooks up a sound that is as warm, cozy and exciting as it is utterly alien. the rhythm section hints at the great history of dirty funk and bouncing r’n b, but the grooves are firmly of today: dance-centered, thrillingly interactive and broken up at the best possible joints. the bewildering thing about kuf is that it is a vocal-led group that has no singer on stage at all. all vocal elements are based on self-recorded samples which keyboard whizz kid tom schneider melds and bends and squeezes in real time. as if it was the most natural thing to do. with no artificial synchronization in place, valentin link on bass and hendrik havekost on drums push the disembodied voices into an arena of hyperintegrated realtime magic of rough soul, intertwined by improvised outbursts and shaped with the aesthetics of raw mpc-based cut up techno.