still a classic italian house repressed by the flash forward. arranged and mixed by claudio rispoli and kekko montefiori for irma production in 1990. long life!

still a classic italian house repressed by the flash forward. arranged and mixed by claudio rispoli and kekko montefiori for irma production in 1990. long life!

duo of cncpt and davis return with three moody, melancholic and booming techno cuts.

blackcash & theo get back at it with the latest in this series of funk soul party edits. pleasure bouncy lady is an amazing funk break track, produced by jazz legend wayne henderson of the crusaders. the intro break has been extended, and is one of the all time classic hip hop funk breaks. elements of this track were sampled on brand new funk by dj jazzy jeff & the fresh prince, word to the mother (land) by big daddy kane, and church by de la soul. whatnauts why cant people be colors too is a soul / r&b jam with another heavy break, as sampled by q-tip, pete rock, diamond d, dilla, and oh my god by a tribe called quest featuring busta rhymes.

after a storming 2016 celebrating twenty years of atjazz, where the master musician himself has spent the year jetting all over the globe performing shows to both loyal fans and new converts alike, atjazz record company is very excited to crown this hugely successful year with a release like no other. please allow us to present: that something else!

from the age of 13, jullian gomes secretly gambled every cent of his school lunch money on buying deep-house records, no doubt with the unknown knowledge that someday, these records would change his life forever. only a few people know this but jullian used to sneak, yes! sneak into local clubs in and around pretoria / tshwane from a very early age. at this time nothing could stop this young man being in the moment to enjoy the music that has now, amazingly, become his full time career. maybe his parents will be ok with the knowledge of his secret nightlife now knowing how incredibly skilled and loved their son has become throughout the world of dance music.

beautiful piano melodies, ballads drawing their inspiration from jazz, classical music and cinematic imagery, hummed choruses, a mood at the crossroad of nostalgia and reverie, instruments with uncanny timbre and charm, chiseled percussions, added to a subtle electronic production, this is the recipe for tout va bien, the second solo album by french composer ezechiel pailhes.

up next on good company records is tourist kid s under armour suite , a power ambient head cleaner in four parts, built for the club, and best enjoyed at high volume. originally recorded in a sweltering bedroom in hawaii, the a-side pits rolling virtual piano against heavyweight clouds of crisp dsp that jitter and jostle at 125 bpm for this, local audio/visual artist rory glacken s first vinyl release. on the flip, the suite is reworked by basic mind, one half of gcr alumni long body, who lures a blowfly house stomper from the original s minimal, digital dusk. packaged in a disarmingly plain black sleeve !

fresh from perth s most prolific percussion den, we re proud to introduce gcr006: the keenly-awaited debut lp from local rhythm magician phil stroud. presented in an absorbing listening arc and captured with crystal clarity, this self-titled slow burner is an artful and meditative journey, filled out with straight up danceable joy. in just over an hour, stroud leads a pilgrimage through intricate landscapes of percussive beauty. there s the restrained, hypnotic approach of ritual and tribe in amongst organic house workouts with rich orchestrations. nimble vocal motifs and shimmering flutes ride the hefty grooves of the birds, scintillating and outside as field recordings surprise and delight. fix a glass of punch in time for the smooth, melodic neo-exotica of flow. and as the physical plane fades away, lose yourself in the shimmering ambience of middle east, a mellow final act recalling the more mystic moods of alice coltrane.

the maverick maestro from the bay dave aju is back with his circus family here with an incredible new release. based on stripped-down hardware sessions rocking just a roland tr-909 and sh-101, aju once again proves that no sound set need be limited in itself and along with the addition of one microphone for his inimitable soulful voice, creates one of his strongest and most imaginative releases to date, the 10101 ep. a multiple homage to the 101 freeway that spans his native golden state and the numeric classic analog boxes used vs digital binary to process them, the four rich tracks offer the best of both worlds and cover all the bases of mr ajus musical multiverse. low dive starts things on a deep heads-down dance floor tip where rising synth lines soar over a blast of shuffling drums and percussion for a rocksolid djs delight. always never comes next with pure aju magic, equal parts song and track, an ear worm of a chorus, and full of sunny west coast electro influences all the way through. on the flip sides may very well be one of ajus most intense transmissions ever, with a sublime and seemingly endless build-up of dark pads, driving, shifting rhythms, and voodoo vocals that will detonate many a peak-hour sound system guaranteed. aju then tastefully finishes with the cool psychedelic mid-tempo bump of tell her why which harks back to his hip-hop roots and wraps up the vibe and elements of the whole ep perfectly. welcome back with a bang brother aju!

a legend to those who know, todd sines makes his first appearance on circus company in a fit of sharp-edged, wildly expressive house music that harks back to the unhinged early days of the label. sines has a career that stretches back to the early 90s, having released lauded records under the .xtrak moniker on peacefrog and 7th city amongst other legendary labels.

future classic! rerelease of the highly sought after original version with stunning remixes by palms trax and massimiliano pagliara.

brenda 003 with slamming minimal detroit infected techno

we have the tremendous pleasure to welcome manuel de lorenzi to bad barbie records with his company ep, including three ground-shaking tracks for our next vinyl release.

its a long time since we last heard from dop. the boys have been far from quiet, continuing to tour and enchant party people across the world with their infectious fusion of house music and refined songwriting. theyve equally been no strangers to the studio, with their les fils du calvaire project releasing the recent rester avec toi collaboration with miss kittin in preparation for the debut album of the project later this year

over the last 12 months, new mexico-based label plastik people has put out a number of superb eps featuring little known, and hard-to-find house jams. the latest edition in their collections series continues on a similar theme, and opens with the undulating boogie bass, drifting chords and wild organ solos of kerri chandlers 1999 cut * we can* (initially released on black vinyl, fact fans). on the flip you ll find the classic u.s garage/soulful house of andre wade & company s brilliant * bend over* - all woozy chords, chunky beats and rich organ lines - and the new jersey style garage bump of madagascar s overlooked *i never thought (homegrown dub)*.
played by maurice, monsieur cedric (serie limitee), mike w - kolour ltd, lady blacktronika, manooz, steve froggatt (pocket money), anaxander

nice price deal !!! dani sicilianos latest album is self-titled for a reason, it represents a personal statement crafted by danis own hand - feeding off her accomplished past in experimental pop and electronica and reaching to new tones and timbres in a celebration of musical liberation. culminating eight years of songwriting, production research and sonic exploration, circus company is proud to present dani sicilianos third solo album.

after eight years immersed in songwriting and production, dani siciliano is ready to return with her third solo lp dani siciliano. ahead of the lps release on circus company, the lead single shines a light on one of the albums undoubted highlights and offers it up for some intriguing dancefloor variations that nod to her house music roots.

incl noze remix

atjazz record company is pleased to welcome back prolific artist and dapper gent fred everything. from canada to the uk, this skillful and ever-present producer brings over 20 years of talent and experience to bear on this exciting new release.

direct from the deepest corner of the southern hemisphere, a.k.a. perth, western australia, good company records is a new outlet for the music of our west coast underground , born out of four years of parties and a newly-opened specialist record store of the same name. release number zero-zero-two comes from north perth riddim doctor phil stroud, two extended instrumentals offered generously across two sides of the same 12- black plastic disk, equally suited to solo meditation or dance floor evocation! side a is drum workout the forest , sounding in the mix or on the breeze not unlike a mid-summer, mid-noughties villalobos set echoing through a european wood. side b is the beachside dawn of yemaja , a glistening ode to the goddess of the same name that features the dewy key-tones of yazist vaapa s jack doepel. limited quantities

while their debut on mysterious downtown romeo records was dominated by lovesickness packed in soulful garage dubs, this time pt/b reflect on lapse and transience - boiled down to three dark and plain rave anthems.

following the playful tones of feathered sun and carlos nilmmns, circus company continues its run of distinctive singles with a four-track release from new production entity flabbergast. while the name might not be familiar, the imagination-soaked minds behind the music are synonymous with the history of circus company.

gwen torino is kinda weird and brings some distorted music. twisted, psychedelic science fiction jams with a small portion of acid.

pdd are proud to welcome the legendary basement boys label to their mighty label roster! responsible for genre defining releases for over 2 decades, and with a discography as deep & rich as most labels can only dream of, the the first release hitting back on wax is from none other than the one and only jasper street co. after their stellar southport weekender and camelot performances with the basement boys in the uk, it was inevitable that j.s.c. would soon be back in the studio recording once more.

capturing the spirit of the season, when the electronic music community leaves its darkened rooms and heads back to nature, feathered sun are here with the perfect accompaniment.

after carlos nilmmns enthralled us with his expressive true chemistry ep, circus company is delighted to welcome a new character into the fold in the form of fast-rising german artist borrowed identity. based in the southern town of freiburg im breisgau, in just a few years he has already released scores of singles for labels as respected as quintessentials, fina, home taping is killing music and mistress. the borrowed identity sound is direct and uncomplicated, using classic house and techno styles and applying them to dynamic arrangements that showcase a confident set of studio skills and a deep understanding of what excites the expectant dancer.

originally released in 1992 on the panic in detroit compilation, this is one of dan curtins finest deep techno tunes

demonstrating the diversity we have thrived on since we started out, circus company moves merrily from the intimate songwriting tones of nozes come with us lp to the expansive dancefloor scope of carlos nilmmns. the scottish-born, paris-based artist arrives at our label with a strong reputation behind him, proudly championing the influence of detroit and chicago while delivering his own harmonious approach to electronic soul music.

four years since they released dring, nôze are making a very welcome return to circus company with their fifth album come with us, and once again the pairing of nicolas sfintescu and ezechiel pailhes has yielded a collection of captivating and curious songs that could only come from the unique sound world they inhabit.

introducing 3b records the label… an outlet for tufty club, jemmy & skyland mountain to release music of their own alongside amazing local talent and internationally established artists that they admire. be it techno, house, cosmic disco or something a little different their ethos remains simple … release quality music that they all feel connected to. kicking off the first release is liverpool based company is family. mark as he is known in everyday life is a lover of dub techno, and reductionist house.

nôze have never been ones to rest on their laurels, and since they first came to fruition nicolas sfintescu and ezechiel pailhes have travelled far and wide with their well-fermented tales of romance and surrealism.

steady pulsating bassline driven house tracks with a little nodd to the house sound of chicago. great release on this small german label who so far was under the radar and only sold in some local german stores. recommended by roman fluegel.

the rugged, noirish soul of dave ajus third album black frames is still lingering in our minds months after it dropped, and as you well know by now we at circus company can never get enough of the san francisco mans honey-coated voice. as such, we once again reached out to dear friends and like-minded souls within the house and techno community to deliver three reinterpretations of the mans distinctive sound for a fresh dancefloor perspective.

it feels like only a moment ago that we welcomed russian prodigy andrey pushkarev to the circus company fold with the gingo biloba 12inch, and after that refined exercise in stripped down dancefloor aesthetics its gives us great pleasure to bring him back in for another three-pronged demonstration of his considerable studio talent.

before the full installment of jaws collaborative project for circus company midtown, let us whet your appetites with the midtown ep featuring a kaleidoscopic handful of teasers. contributing artists such as canadian renegades art department, berlin dj/producer and bar25 alumni britta arnold, dirtybird kingpin claude vonstroke, hamburg scene staples philip wolgast & benito winberg and berlin based duo the/das, all lend their unique electronic footprints to the already unique and instantly recognisable voice and charisma of jaw.

joint release with ppu and zentao ii publishing. one-sided 12 inch pressing of trash companys mind game. rva disco darkness.

black frames is a creation from two major life transitions for dave aju, namely the end of a long-term relationship combined with a move away from his home town of san francisco. punctuated with philosophical statements and political punches, the former mc proves he isnt afraid to use his voice and production skills to unite music and passion with his latest album on circus company.

circus company with their new output: *the fight within ep* by guillaume & the coutu dumonts!

in our corner of leftfield dance music, there are not many of our heroes that we havent had the pleasure of hosting on circus company. from the early days of ark and akufen to robag wruhme, deetron and franck roger, we are privileged to have welcomed some genuine legends onto our label, and now we are honoured to add another all-time great to the list, soulphiction

100% baumwolle, großer druck auf der vorderseite

100% baumwolle, großer druck auf der vorderseite

100% baumwolle, großer druck auf der vorderseite

100% baumwolle, großer druck auf der vorderseite

tom simmert und philipp triebel, two young guns from offenbach and berlin, share contributions to their first ep: deep, melodic, always powerful and with slight hints of melancholy, this record has its own distinctive note. admire those piano-hooks in ergo (a), a fantastically placed break in foolproof (b1) and the dreamy synthies in told you so (b2). comes as red vinyl, weighing 180 grams!

first ep and vinyl release from this surprising detroit secret! we dont know who or what, so we will let the music speak for itself. for those in search of something new, buy this record

its always a treat here at circus company to be able to shed the light on a lesser known talent. after all, its a philosophy we have built the label on, but theres no denying we need to have that personal connection with the artists whose music we release.