kardinal has become a rising figure of french techno music thanks to a handful of impressive maxi. his rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now he is back with a new single, future dancefloor killer: ‘,fire from the spark ep’,

baroques new techno label with mixmag future hero jon rundell, dont lose your head is a slammin slice of filthy bassline driven techno, clanky percussion and bolshy rhythms work up a frenzy. for the remix ali wilson pulls it out of the bag with a wicked cross between techno and prog. simply massive on the floor. the retro riffed depature finishes the package with a bang, and sets the standard high for this new imprint. i think jon is a jewel in the crown (carl cox)

toolroom smash their way into 2009 with the awesome new double a side from f.l.g. (fedde le grand) >amplifier & pink bird<. after his first release on toolroom in 2007 with the massive >just trippin< feat mc gee fedde returns with two peak time club tracks to cement himself as not only a master at delivering chart number ones but also big underground main room shakers! lead track amplifier does exactly what it says on the tin, with influences from the early sound in chicago fused with pounding drums and an earthy synth ready to eat up any speaker system that it plays from, this will shake up any floor into a frenzy! second track pink bird has a more techy feel merging skippy beats, a rolling bassline and stabbing synths to have your head nodding more than churchills dog! building up to the breakdown it will have you hooked as it unleashes a whirlwind of groove guaranteed to get any club moving. an essential release setting the standard for 2009!

michael forzzas is one of the most important techno djs from belgium. like figure head len faki, michael forzzas speciality is to play extended sets which develop an individual athmosphere. figure 015 is forzzas first international release, and forzza sent two unique tracks to berlin, the tenor & the monkey is destined to turn the dancefloor into a frenzy. it puts you in a state of fear and euphoria at the same time. while the tenor & the monkey puts the roof of every club on fire, high on this is more cautious. the powerful groove unfolds its energy in many contexts. the pulse of the track immediate, it feels like the music is talking to each dancer personally. the tenor & the monkey and high on this don t show any effort, yet the tracks rule over the dancefloor: they both manage to focus on the essence of club music, a rarely achieved task these days.

re-press!. the first legitimate latin inspired funkstomper of 2004 centering about life , pasttime & paradise if yall know what im sayin. shithot vox and dub mix. this will cause uproar and frenzy-get your order in-stocks are ltd

squeezing one last one in before the christmas frenzy, these hed kandi samplers have topped the shopping lists over last few month thanks to the quality of the tracks allied to the bargain four for the price of one deal. ending the year in style, hed kandi hit the back of the net with this tasty 4 tracks of unreleased action

the wonky bassline of mr oizo lives on into 2009 and the scenes biggest player calvertron is back to burn after destroying dancefloors with his recent data smash. this one lifts apache drum break to good effect and dirty freek handles the remix with a highly effective assault on the dancefloor that whips up a frenzy here we have a record to warm up the long winter, yet more proof that the freeks most definately come out at night

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

berlin-based belgian producers sierra sam & marcus vector present the debut release of d.i.y. (dumb irresponsible youth), their new house-oriented project. sierra sam (toysforboys, einmaleins, trapez) and marcus vector (toysforboys, nomor, playground) recently released their first joint effort for contexterrior. working together once again, this time around theyve put aside their usual dark techno inclinations, opting instead for uninhibited house led by analog percussion sounds. drumroll, please… >pimp my saw< is a frenzy layers and layers of toms, kicks, steeldrums and clicks. >screw it up< is a more melodic affair, with the classic build-up and tension that defines classic house material, plus a hint of latino finesse. on the flip, >hammer of love< closes things out with a shuffly balance between the organic and the artificial, with looming atmospheric ambience to set a darker tone. these three tracks are the perfect tools to use where the sun dont shine. (that would be the nightclub, you pervert!)

jackpot embodies chicago house and electronic elements with a voco-vocale telling you how to jack until you hit the jackpot ... pure. dancefloor. cash on acid builds and builds to a stabbing/ hand-clap acid frenzy... and what comes up must come down.

max trax records returns after a one year hiatus with the slammin westbourne park dubs ep vol. 1 by dj and producer aaron ross. what you get here are four massive tracks with a definite underground old school touch, all of them being sure shot winners guaranteed to send the crowd into a frenzy thanks to their deep relentless grooves and the hypnotizing synths and chords used. deep, simple, very effective - just the way we love it.

lowkey and kardinal have become a rising figure of french techno music thanks to a handful of impressive maxi. their rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now they are back with their new single, future dancefloor killer, ghost rider

simon baker & jamie jones have been long time dj s in england s underground electronic music scene, who have within the last couple of years emerged as respected producers and have seen their works signed to labels such as crosstown rebels, 20/20 vision, freak ‘n’ chic, poker flat, cocoon, get physical and connaisseur just to name a few. kaskazi is their first collaborative effort and proves their individual strengths are even more formidable when unified in the studio. the three versions of kaskazi all invoke a different mood and style, but still retain that jubilant flavor of the original that caught the ears of m.a.n.d.y. and dj t. early in the summer. praise has come from all corners of the dj spectrum, as the combination of a galloping funk fused bass line, with the infectious vocals and clever effects have erupted many club dance floors into a frenzy.

kindisch is now eighteen releases old, and its mission - to uncover new talent, and to provide a platform for producers to evolve and experiment - is more passionate than ever. this time, the reins are handed to sascha braemer, aka hirtenfellner, and philip bader, who build on the promise of their releases on sup dub and get physical. >mamba drums< is, as its name suggests, a percussive, latin-tinged affair, with sweeping builds and heavy drops, layer upon layer of locomotive percussion and a skeletal four-note vamp designed to whip the listener into a state of frenzy (and sure to be successful in this aim!). a male vocal sample pervades on >thrill<, this time more gruff, more laconic, and edited so that the words become another percussive element rather than carriers of meaning. deep whirlpools of delay open up below a surface drift of jazz-tinged chords, from a minimalist sound palette bader and braemer paint a vastly evocative, effusive picture that will transport the listener, or dancefloor, to a strange and addictive place. >put your arms around me<, implores the soul-infused vocal sample on b >around<, over a yawning vista of synth chords bridged with sibiliant snares and subtle but earth-moving edits that leave no doubt as to braemer and baders mastery of dancefloor dynamics.

jerome sydenhams mighty dub remix of hideo kobayashis >the puzzle< is simple energetic and very efficient track. ablaze with stabs and a funky beat it does nothing less than thrown you into a state of tech-house frenzy. jerome sydenham dons his techno hat to express his interpretation of the heart of darkness in >congo<. big kicks, punchy bass lines and a deep house hook make >congo< not only fresh in sydenhams production approach but also very accessible to all those who are tech inclined

the legendary johnny dangerous, of beat that bitch fame, returns to nite grooves with another spoken stomper. clear my mind is a dark infectious hook riddled tech track whose remix by japans dazzle drums turns it into a dancefloor frenzy. russian federations techno minimalist & hip hop producers tripmastaz take this tune all the way down to infernal depths creating an almost nightmarish sensation. this aint for the faint of heart but made rather for the dungeon of your dreams

another full blown rave up from the label that proves that wonky can be not only fun, but also successful! last releases have all sold like hot cakes, and if you check out the tracks on here its easy to see why. quality genre-smashing bombs through and through, all that is required here is a bit of imagination. if youve got 7 zillion tracks to choose from on your laptop, why play all the same ones as everyone else? club killers everyone, from mustard gunn vs onkens humanoid esque take no prisoners to the onkens rave break attack of possession of ganja, and from the stomping hoover frenzy of lukes angers clodhopper to jerome hills hardcore sample a thon tickle the bee (a tribute).open your mind and get sick!!!

quaaaaaaaaaaaack…!!! the second vinyl release for the young, nyc/-buenos aires-based label airdrop records, soulclaps >die ente<, comes after a coveted >the giraffe< by the very same artists. nowhere near shifting down a gear or two, the dynamic duo, consisting of the two team players elyte and cnyce, has us sweating and screaming animal names -- again!!! >die ente< simply wipes the floor, true airdrop styleeee. the original mix is already being rinsed out by the likes of italoboyz and getting the crowds whipped up in frenzy. the release also features a remix by tanner ross aka marcel wave aka voodeux coming straight out of hell. rumors have it that claude von stroke showed a lot of interest in it. officially, he says >i like it< and is playing it.

finest looped techno four tracker

experienced producer tom neville, fresh from his remix of beastie boys >intergalactic<, he tries his hand here at some hands in the air electro, this however is no girly affair, with dirty bass lines and a heavy beat, this tune is an all out club stomper. breaking midway into an awesome old skool, acid throwback, staying true to the originals undeniable danceability, sure to work every listener into a dancing frenzy. known for his thumping mixes, tom neville has well and truly done it again

lowkey and kardinal have become a rising figure of french techno music thanks to a handful of impressive maxi. their rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now they are back with their new single, future dancefloor killer called safari

the 4th release on the label sees whistla wearing his 2-step influences proud with 2 tracks of off kilter garage beats, heaven oozes swing and groove. the bass line bubbles around a twisted vocal line whipping any listener into a frenzy which will see them swiveling across any dancefloor, studio or bedroom

the enigmatic bulletdodge brings forth their debut release by up and coming glasgow dj/producers loweck, glasgows well known remixer electro voodoo and chicago house legend gene hunt. the >misdirection ep< is an exciting release that conveys vibrant techno magic. the first track to dawn the wax is lowecks original mix, which is a certain floor filler that drives with a dark bassline and explodes with an exciting arpeggio that will cause a frenzy on any dancefloor. track two is electro voodoos mix which is a more deep dubby mix that delivers a more layed back intelligent techno feel. the e.p. culminates with gene hunts mix which, fuses the essence of the original mix with a sub bass line and minimal bleepy effects to create a killer remix. the e.p. has been supported by terrence dixon and k alexi and is set to be a great success in 2008!

the first in a two-part sampler series from the sound republics highly respected chicago-based spatulacity. the a-side kicks off with a funky-as-hell piano jam by hollands tommy largo with a killer bass groove that is certain to get dancefloors whipped in to a frenzy, and the a2 delivers just as well. >barnyard announcement< by melbourne, australias house prodigies lamanex is a pumping, funny tongue-in-cheek jacker that bounces relentlessly and has been drawing incredible reactions from dancefloors worldwide! flip the record over and check chicago newcomers scrubfish laurences >disco papacy< cut for maximum booty-swhaking satsfaction! this track has it all: interesting drum breaks and super-crisp beats, chopped-up instrumental bits that kick the energy up further, and an unforgettable vocal. last but not least the uks sound diggers turn in a fantastic deep-but-still-jackin tune that really rounds the record out with the funky horn and guitar bits sitting on top of a great groove.

played by move d., deetron, agnes, lerosa, quarion, … attention: limited to 350 copies! hot on the heels of his real soon limited release, berlinbased producer hauke freer offers another fab piece of deep house music! hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, rawsounding edge. all 3 tracks maintain a deep, dark yet smooth feel, using some lo-fi percussion. hauke is keeping a >minimal< edge, fusing detroit flavoured electronics with a rough berlin feel. old-fashioned in a good way - just the way we like it! hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

from the four corners of the globe (sort of) comes a collection of some of the hottest club bangers 130bpm has ever seen. first up is dangerous in the 80s from kid who (brixton) who managers to unite the strange pairing of calvin harris and busta rhymes to make an old school electro tinged post classic combination. t wrecks (toronto) is next out the box with stabs, cut ups and the think break that turns timbalands tune into a baltimore anthem. estaw (amsterdam) takes the hip hop anthem of all hip hop anthems, breaks it down, builds it up, bobs, weaves, throws a right hook, throws some ds on it and throws the dance into a frenzy. last but not least, jim sharp (london / toronto) re animates talib kwelis ode to the fairer sex into a fidgety, bumpy, electro slab of sound that makes feminine undergarments moist.

basic unit are yair etziony (vermont) & shlomi avni (dj sola) pioneers of the israeli electronic music scene, and production partners since 2005. their debut release for fine art takes no prisoners, 4 tracks of jackin minimal tech. remixes from gary beck & pedro cali bring out the detroit elements from the original track and works them into a late night dancefloor frenzy.

this three track instrumental project features the slick, cutting edge grooves of jive assing, as well as a gorgeous musical painting in the form of manzana de mi vida. showcasing glenn undergrounds signature sound & stylings, jive assing (main mix) is a flawless dancefloor groove, and is essentially a musical journey into the moody mind of cvo. surely to send dancefloor pundits into a frenzy, the dub version boasts a slightly tweaked sonic experience, with thicker percussive layers, a tougher kick and one bad ass bassline as only gu can deliver. the lush manzana de mi vida is a fine lesson in avant garde dance music, featuring some fine work (as usual) on keyboards, creating a melodious & profound atmosphere that will set your soul (and soles) on fire!

zimmermann alias jens zimmermann aka tyrell corp. aka dj gargamel is constantly changing yet always the same: a damn good producer. from his early days when he whipped up tracks by culture beats and out of the ordinary into dancey frenzy with well-known german producer torsten fenslau, to his drum n bass-fuelled moments of technical innovation, jens has never been one to stand still. constantly reinventing hilmself, he always managed to keep things ticking, making him one of the most sought-after producers in the late eighties and throughout the nineties. now, in 2007, after years of noise research and sound sculpting, he is re-emerging as zimmermann which stands for >new german minimal sound<. after three much-celebrated releases, aptly called zimmermann #1, #2 and #3 on room recordings, which were severely hyped up by germany s house fraternity, and releases and remixes on boxersport, k2,and hifreaks as well as on harthouse mannheim, the future is looking bright for jens

next outing by us post punk sensation the gossip. includes mixes by patrick alavi and dolby anol that will cause frenzy on the dancefloors

berlin s miro pajic has an extended history with his multitude of techno releases and alias. >data devils< showcases his modern talents and ear for the dancefloor. begin with the original creations >bubble trouble< and >data devils<. hypnotic and quirky digital pathways into an often hidden soul of berlin and electronic dance music. both cuts snap the groove and rise to the occasion grabbing the listener with the keyboard workouts and the dancer with his slick backbeats. the return of john selway(semblance factor/tronic) to tora is an epic and massive adventure. selway crafts the title cut into his own, building with layers before he unleashes a frenzy that will not go unnoticed. promo of the remix is already in the hands of top jocks (cristian smith, beyer,hawtin, abe duque) and is primed to be a memorable fall highlight

africa bambaata back on the scene with this massive dancefloor anthem feat his unique vocals this will cause frenzy on the dancefloors around a must have

busti loose returns with 2 underground techhouse tracks by zenos & sox that will cause frenzy on the dancefloors around a must have

nice price deal !!! burnin meets the funky oldschool piano this will cause frenzy on the floors dont miss this

cool hip hop flavoured breaks anthem based on the mandy classic this will cause frenzy on the floors around

psst-we got a superdope hush-hush goodie for you in store. one of the spearheads of the berlin house renaissance masterfully edited the already big electronically tinged main tune from the solo album by the falsetto leadsinger from the famous uk band with the bizarre audio-device heads. on the flip one of truely classic tunes by one ur founding member and daddy of minimal techno gets re-tweaked for hot peak-time frenzy

nice price deal !!! explosive coop here stereo scum vs hoxton whores with an energetic electrohouse bomb that will cause frenzy on the dancefloors around

techy edged bleepy progger that will cause frenzy on the dancefloors mixed in blue and red clouds

hardcore beats presents boabinga & j d on their offshot pure filth 2 dubstep ragga vibes that will cause frenzy on the dancefloors

dj support : jennifer cardini, shinedoe, tobi neumann!! 8bit rojo on side a is a hard dirty groover. starting off as a straight up jacker that over a three minute progression turns into a heavy peak time cut. with a low rez processing throughout the percussion and overdriven subs the name of the game of this track is dirtyness. bouncing underneath the dirt is a slick gliding bass line that slides down from 100hz to 40hz. sure to work the dancefloor from peak time to down time. the b side red tide is a deep headstrong slow builder that elevates like an induced acid frenzy. massive funky techno

michelle grinser - dj, producer and the beat mastermind of tough n nasty disco-punk rockers dakar and grinser steps out on a shadowy wave of electro-dub blip frenzy with his stunning, beautiful and all the way classy solo debut on southern states minimal techno fortress - st. louis based alphahouse limited. although d&g still have a knack for writing simplistic electronic arrangements and cherry.picking throbbing baseline and synth constantly evolving a brave new sound to bridge the gap between industrial music, synthpop and disco, grinser s >swallow - my - pant< is a lovely minimal electronic record which rather states a less rockin approach to what is used to be called berlin beat

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

les bandits du temps who consists of underground solution first capo ollie grabowski and switzerland senior house don mirco esposito throw some weight around and hand out a righteous disco funk beating with some lovin dropping a beat heavier like an anvil, slightly smoothered with some love sounds is only a short foreplay before a hard slapping bassline, wild sweeping disco strings and piercing horn choruses chase you through a enduring pleasure session with numerous ups and downs testing your stamina to the max. if still got power reserves in your loins to go another round flip over for a deeper dub, stripped down and centered around the pounding bassline with more filtered strings in the background. studio 45 pick up the pace and intensity again to send you back to sweaty peaktime frenzy

already hammered by the knee deeps everywhere, this regularly blasted whole clubs in distant galleries and had dancers boppin from one to another star. with this funky house goodie in your back, full floor frenzy ain t no rocket science

kubyks solo production of you can do it its nothing less than raw dancefloor material. top notch drum programming, heavy bassline, raw synths and epic strings are layered together providing a perfect recipe for dancefloor frenzy.

the new tombone brings you two fierce detroitish electro banger by michael ford.reminiscent of a dark futuristic soundtrack, in >gallowgate< gnarly and sizzling cascades of synth chase each other over a choppy, skanking break-beat stewing up a more and more pressure before bursting into a full frenzy with a punchy 4/4 beat. >bellgroove< on the flip keeps it nasty with its anarchistic bombardment of dirty, raw synth noises over a hard-hitting electro groove

after the killer original mix of this future classic we bring you two of our favourite producers to the table to tackle the vocals from kiki. alexkid starts with a early chicago frankie knuckles groove evolving the song into a peakhour frenzy of electronic house at it s best. mr pigna aka marco passarani twists a bar or two from french kiss and turns the track into a jacking killer-groove alÁ powerplant 1987 with the vocals teared into parts and turned into a mutilated chant. for the not so vocal orientated around he kindly made a slamming dub as well. salutÉ

a1 starts with a pleasant warm mood. short, funky keys, a cool bassline and shuffling hihats push this track forward - smoothly but surely.>breast milk< on a2 starts a bit more aggressively, with a slightly distorted bass sound and some rough beats. added chords mixes the rough atmosphere up a bit, finishing in an extraordinary mixture which makes this very special piece of club music. the flip side boasts trapez artist alex under s splendid remix of this track. the rework of the spanish producer delivers an unbelievable bomb of funkiness and high-end groove. enormously powerful music, presented in such a fleet-footed way. big fun & frenzy on all dancefloors!

disruptor heads into 06 with >words are bulletsa<: a dark, funky and not so typical acid house creeper reminiscent of bryan s earlier works as barada (definitive/plus8) circa 94. thumping 303 starts things off soon joined by frantic percussion. a staccato synth line creeps in before all hell breaks loose in frenzy with our friend the mini moog taking the lead.