this is the official unofficial-soundtrack for the olympic summer games 2008 in beijing! three electronic techno killer tunes

essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.

daniel mehlhart steps up to the plate for kindischs seventeenth release, origami - an exquisitely deep, languid house jam laced with strung-out, processed spanish guitar and gently euphoric xylophone arpeggios. >origami< is languid, yes, but not exactly laid-back: its held up and propelled forward by a gently vibrating lattice of kickdrum and snare hits, through which a dubby, molten bassline and taut, time-keeping chords dreamily but determinedly flow. the perfect soundtrack to the mixed pace of summers long days and even longer nights. mehlhart harks back to his acclaimed past releases on karmarouge and neutonmusic for >alles klar alles easy<, which sees brushed drum and shaker sounds edited into a quietly explosive techno work-out with serious swing. >fata morgana< begins in a more linear, four-to-the-floor style, but those percussive flourishes quickly accrue into something more strange, and then out of the ether comes an entrancing, south american-style chorus line. the voices mingle imperceptibly with woodblock strikes and caustic snares, injecting the techno dna >fata morgana< with a sick and psychedelic voodoo funk. with this 12inch kindisch once again proves itself to be a preeminent stable for experimental, expressive dancefloor music, and daniel mehlhart affirms his status as one of our most daring and capable producers

classic, must have collectors item!! soundtrack for the homonymous animation movie!!

hot on the heels of the bestselling second edition in the limited series, the ppf boys dropped off this outstanding third ep in the sample pleasures trilogy!!! as always, they expertly reference classic, though less well known underground gems from the last days of disco to early forays into proto house. heavily influenced by the fertile early 80s period, when european disco and boogie sounds took us in a more electronic direction, and the kind of boundary pushing, energetic, funked up soundtrack ron hardy laid down in the music box, the popular peoples front have established a formidable reputation for making stand out modern club cuts...

jephte guillaume, nyc based dj/producer, has garnered mass appeal from his dancefloor audiences. bringing the same grace and precision to handling the decks, as he does in the recording studio, he is well established for his rich sets where he mixes soulful dance and spiritual house grooves with traditional afro cuban, afro haitian and brazilian rhythms. known as the creator of vodou house for some of his well loved hits, he is firmly established as an international dj/producer/remixer. jephte scored a subtantial portion of the soundtrack and is being featured on the film documentary maestro...the most realistic and in depth motion picture ever made on dance culture.

zwischen pogo- und schunkelstimmung fühlt sich frederik zuhause und liefert die schönsten casio melodien, den hochwertigsten trash & den soundtrack für deine euphorischsten stunden. captain future meets squarepusher

incl patrick zigon remix!! big with martin eyerer, florian meindl, mirko eysser, dualton, nudisco, trick & kubic, frankie flowerz, alexander koning, din3000, clement meyer. after releases on traumschallplatten, opossum or curle, and some permanent residents in many playlists of loco dice to markus kavka, lars wickinger now is in history to write. >aladin< enchants! an oriental inclined summers night dream which patrick zigon (cocoon, puzzle traxx) dreams in his remix still a little wide.the perfect soundtrack for a relaxed summer nights, open air venues and hung-over sunday afternoons

two tracks which have been tested to satisfaction in live sessions around the globe during the last months, loved by the girls, envied by the boys, two dense character studies of epic scale where every small detail morphs into a very hookline, relaxed and ambitious at the same time. yep, this guy could even produce a soundtrack to a speck of dust and still everybody would think it’s star wars.

acos coolkas return on theomatic just in time for summer. >stellar way< is a sublime journey through warm atmospheric strata followed by refreshing funk-powered waves of >meridian< which receives an extra rub of aural refinement from amberflame aka an-2. everything gets topped off with a celestial downbeat splendor of >lazy moon< - a perfect soundtrack for star gazing sometime in mid-august

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

brilliant 4xlp! a masterpiece!! loco dices much-anticipated debut lp has been created to take the listener on a journey: an album to be treasured as a fine-textured catalogue of the senses. loco dice, who spends much of his time shuttling between the worlds main electronic music ports as an in-demand dj, packed up his studio and relocated to new york city. there, the renowned düsseldorf dj, producer and desolat label head fomented a raw and simmering soundtrack: a nuance-packed collection of sonic interpretations of scenes, characters and moods from the most diverse and mythologised city in the world. the album specifically pays homage to their...

playboys favourite dj returns with the finest retro disco, dancefloor grooves and smoothest soul. the ultimate soundtrack to a night at the mansion!!

deep, deeper, peter grummich! this man is on a roll right now, and with every new release you have to ask yourself where this is all going to lead to? however with the >garden ep< he now already delivers the perfect soundtrack for weeding the beds and waterblasting the terrace - and for partying hard, of course. >beachtrak< prefers its quintessential sub-harmonics to just playing it safe with an upfront bassdrum, and finally channels its way in a wide arc up to the next level. a hit also for friends of water gardens. on the b-side grummich enlarges his melodic skills with a sweet flowery scent of detroit on the track >garden<, and >its to share<, which evolves into a great anthem with just an assumed number of 3 sounds and a couple of snotty claps

leon segka is back with his new >mosanto< e.p. a beatless, breathtaking soundtrack with a not yet known music direction. >inside you< a reconstruction of his original work with the participation of the vocalist olga kouklaki >while you where sleeping<, dirty, hypnotic techhouse the main dancefloor action this time comes out of san francisco. sutekh reforms inside you to his jerky-techno sound

for fans od richie hawtin !!watch out! this one going to be huge. italian artist rico casazza has a varied musical background of classical, soundtrack and dub, but his core interest is quality, 4/4 techno. his style centers on deep atmospherics, bright as well as stoned melodies and lazy ambiences, with a subtle twist of tension...

in our everlasting effort to push the next generations from berlin s mininal house scene, we are very happy to feature a quite new artist for highgrade no. 46. marcus schatz, who already released on berlins oposum records, coproduced these two energetic trax with highgrads mastermind tom clark. two exceptional minimal house cuts, flirting on >scribble mania< with a slightly abstract wildpitch feel and on 2 >scribble shock< giving the berlin after hour crowd their well deserved accelaration- soundtrack with this minimalistic hypno house gift!

smart & housig sowie smart & angetrancte tracks vom berliner duo. der richtige soundtrack für warme & herzliche clubnächte bis jemand die platte umdreht. denn dort rockt der simon baker mix extrem druckvoll nach vorne & weckt selbst den letzten hartgesottenen mochitotrinker aus dem dornröschenschlaf

ghostbusters is one of the most famous movies from the 80 s and so is the soundtrack! now it s time for the new soundtrack - packed in a new groovy style. produced was this new version by the one who is also responsable for the project steve n king and the rap vocals are from no one else than dj van tell who is the support act for the whole forthcoming 50 cent tour.

played by todd terje, tim sweeny, mungolian jet set, bill brewster, dj cosmo and more. on this release they don’t seem to hide their combined love for soundtrack and trip hop at all! the heavy sonic landscape that is painted then suddenly gets some strokes of warm synthetic keys while a mid tempo 4/4 bass drum hypnotically keeps you going towards the end. finally you kindly get administered a dose of druggy guitar for maximum distortion effect.on the flip norwegian top-flight psychonauts mungolian jet set show their genius by telling a totally different story. for their dark & gloomy medievel knievel version the main theme from bs&f gets many variations and transpositions.this is a genuine and highly intelligent epic dance floor masterpiece not for the faint-hearted!

golem episode 3 : he has now left the earth to conquer the universe. and this 12inch deliver us the soundtrack of this space odyssey ! on a side youll find spacerock. this time, contrary to what you could think when youre listening to it, its not an edit of a forgotten italo b-side but an original track done this year by a famous french producers duo. no need to launch the worldwide nerd contest to find who did it in the late 70s.... on b-side, a.l-t. give us 2 new edits. reaching to the sky is an early electronic piece, hypnotic and completely weird with its guitar >à la morricone< ! and cosmic rocket, with its powerful drum and its siren all along the track, prove us how a 70s psychedelic library music production could be a dancefloor filler ! an epic song which sounds like chemical brothers produced by vangelis !

>after his very well acclaimed debut on orphanear with >jujuy&salta< and his impelling and chartbreaking remix for tocotronics latest 12 >imitationen<, pawel is back with >gabriel< on orphanear. both tracks have it in oneself to provide the autumn soundtrack for deep and dark house loving clubs all over the globe. the a-side with >gabriel< mixes classic house-strings with some xylophone and bell-sounds rather known from hamburgs scene around dial and smallville records. these elements built up in beautiful layers to culminate in a furious rather ironic break. the b-side with >early bird< begins with an airy beat that brings pawels 2004 vocalhouse lover >grab it< back to mind. after the softer intro the track mutates into a synthspiral which home has already been defined by pawels 12 >ceramic<. some abandoned industrial city in the north of the united states. a timeless record.<

hannover based producer and dj sascha wallus comes here on the 7th dinner with varying string lines, cathy melody pads and a wee soundtrack atmosphere.

the red giants ep is the missing soundtrack for blade runner: a post futuristic techno 12 deeply rooted in knowledge, sound and soul. irfan brings us back to kraftwerk, planet e, transmat and kms in an intro that defies gravity.

asylum seeker + padded cell rmx blackpool refugee, cycling fiend and house music-machine magik johnson joins curfew for obviously his finest piece of music ever. imagine dj sneak, switch and jesper dahlback all kept hostage in a small room under orders to make something really good or be shot. filtered electro riffs build the pressure over a huge rumbling bass-end, then it drops into a techy hook that sounds like richie hawtin remixing a john carpenter soundtrack. paranoid and minimal as you like - and then back to the earth shattering beats & bass..

das ist psychedelic-rock auf elektronisch. ideal für den nächsten tarantino soundtrack. grosses kino also

big tune who has achieved an enormous worldwide acceptance and hype as soundtrack of a citroen spot. mos in the uk! incl john dahlbeck mix plus a germany only new jürgens rmx

the a-side, >slap back< is a peak time, funk packed rave destroyer with all the right moves. shuffled grooves, doubled kick drums, slick edits and a monster hook equals a prime time bomb. tried tested and true, this cut is sure to raise the roof. >fridge funk< takes things slightly deeper on the b-side but follows suit to >slap back<. in its ability to peak and burn a dancefloor. layers of swinging percussion build up to a deep melody that breathes and filters up to the essence of funk, purely expressed in the monster bassline. to cut it short, this selection is simply massive and is sure to be part of your soundtrack to many a summer night sessions . dj support by tom clark, jeff milligan, laurent garnier

born in australia but moving to japan in 2000, luke le mans is the main organizer of the night >quop< in osaka which focused on bringing big international djs and contribute to create a scene in the roughest japanese city. after releasing his debut ep on trapez luke is back with this 2 tracker ontrenton. much more mature, his talent as a producer are undeniable and we hope that this will be the beginning of long series of old school but yet modern minimal material for trenton. >dark helmet< has dry beats and a funky bass line with a crazy chords pattern that has some sort of a b horror movie vibe… like a minimal techno version of a dario argentos soundtrack, dark helmet will bring you out-there! the second track called >lisa< is a bit more old school but still rules and the endless loopy bass ramp that just keeps on building up will make your legs feel a bit less heavy and your mouth a bit thirstier… slg is back on trenton, but for a remix this time. after is very first ep on our label we are proud to have him back. his version of >dark helmet< is just outstanding… pure slg style, it has it all: detroit, minimal, forward, groovy… if you are still sitting in a clubs corner after hearing that on the p.a…. means that you have serious issues with being able to feel the funk!!

with the vulva string quartett and via combination records leichtmann makes a poppy techhouse house sound as a present to the world. sharp - wittedly playful 4 - to - the - floor - beats are dancing to glamours, intoxicating synthie sounds and flirting with deep soundtrack - atmospheres. never too hard, always catchy and definitely extremly seductive

4 smooth disco and boogie tracks in the remix, re edit versions by amplified orchestra. the title tracks is a crazy driving disco house track (kind of motorbass). the original version comes from a bollywood soundtrack. discotrippin is a great boogie track with a nice party feeling. a duck on my truck is a strange cosmic disco ish track which is really cool

disciple of groove is a fresh new label dedicated to the teachings of deep house, influenced by electro, nu disco, space atmospheric beats & cosmic grooves. for this superb debut they have called upon ilya santana already known for his work on balihu, airtight, permament vacation and dessous. hes been supported by artists and djs including daniel wang, linstrom, prins thomas, tiga, steve bug and more. there are 2 a side tracks, analogic mind and blackhole, both inspired by the analogical synthesis of the vintage systems, emphasising a powerful bassline of one of those legendary synths. trademark santana sounds with disco soundtrack nods to giorgio moroder, koto, kano, gaz nevada. the flip includes a remix by jl salvatella, a more straight up dancefloor cut and some bonus beats too

a heavyweight collaboration between vocalist lyric l & producer musician mark de clive lowe in the form of the future hip hop soul nugget ever (after), a soundtrack for the summer with a big crossover appeal. from west london to philly via tokyo and nigeria, lyricl is reaching the ears of the soulful masses

after his dessous debut >bona fide< in spring 2006 st. sebastian aka gamal sebastian kaba returns with a new two-tracker. on >genetics< the young talent from manchester perfectly manages to produce stripped down and dark techhouse tunes. both tracks spread a rather dark atmosphere with their vocal samples and an elaborate choice of sounds set in the right spots, but still manage to make the hips shake. the title track >genetics< convinces with a sparse but very effective build up with synthie stabs and a wafting bassline. just as well and cleverly arranged is >backwardsman< on the flipside. the mumbled vocal sample and some spooky laughter hide in the dark behind a punchy kick, a deep deep bassline and some strange chords which make this the perfect soundtrack for your techy ghost train

rmx by audion (matthew dear), fresh from mixing the third installment in the >body language< series, uk dj/producer in berlin jesse rose puts out his debut ep for get physical and he opens his account with a timeless house track. >didn t i< is a seductive, dubby piece of music with a niggling vocal sample and warm, jazzy chords. as the sun rises over scenes of decadence in the panorama bar at jesse s monthly residency there, this is the musical soundtrack that will give the weary party goers some relief. jesse goes in a more daring direction for his own >made to play< remix. it starts to the sound of an orchestra tuning up, retains the vocal sample and makes the jazzy hooks more tripped out. rose s shuffling, twitching rhythms are a welcome relief for any dj who is sick of having to stick to straight 4/4 tracks all night. on the flipside matthew dear delivers a remix of >didn t i< in his audion guise.

mexican breakbeat super hero neztic has been dubbed one to watch by a stunned breaks community. his remixes have earned him a reputation that has been surpassed by his own productions by far. his release on mob earlier this year got him on the soundtrack for a nike ad, and it looks like nothing can stop him as he uleashes his first 12 on sound of habib

>für den garten< is perfect for the peaktime on minimal dancefloors. its huge, jittery riff in addition to cleverly crafted beats and well arranged drops definitely deliver every time. >(nichts) für den garten<, on the other hand, shows the duo from a more comtemplative, spaced out side. this track is the perfect soundtrack for gliding into blissed out mornings. we are chuffed to work with this very talented outfit and are already looking forward to releasing more of their lovely tunes. played by karotte

combining sams love of house, classic techno, electro, latin and jazz influences, >twisted< is a beautiful journey through an electronic landscape littered with orchestral sweeps, delicate pads, sublime robert owens-esque vocals, dancefloor beats and heart tugging strings. featuring guest appearances from subject detroits dj bone, la based singer ovasoul 7, vocalist and guitarist justin chapman, who is also onehalf of the atlanta-based dj/production duo kemeticjust and the one and only paris the black fu from the detroit grand pubahs. deetron shows us that techno can still conjure moments of beauty whilst still keeping us on the dancefloor !!

remember the infamous scene from the movie deliverance? the one with the retarded kid and the grown man going all out in a play off, an acoustic guitar vs a banjo… anyway, lindstrom finally got around to play & record the banjo he bought in nyc last summer. it takes time to practise & learn to play the banjo. lindstrom needed a year to make the simple banjo-lick used on >the contemporary fix<, the 9th feedelity release. you might think the use of banjo, autoharp & clavinet together with acid squiggles on top of live disco-drums is a most unusual combination? well, here s the soundtrack to deliverance 2006

12inch version of new miami vice soundtrack. house, r&b vocal mixes! hit

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

breaks reworking of prince – future (taken frtom the batman soundtrack) by mr potato head aka rennie pilgrem.

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

this 12inch on cache marks sebastian kramer s departure from a close-range sound that was defined by the labels he was assigned to until now, pure plastic and coda records. tracks on this 12inch cover different flavours of 4/4 beat dance music, with a strong reference to detroit techno. the single kicks off with >m-51<,a dark and deep techno monster track which could be taken as an alternate >matrix< soundtrack, followed by >blue cell<, a chord driven floorburner. on the flip the title track >sunwarriors< – a nice blend of analog shuffle and basslines, think of kms and f-com in the best sense. closing with >rain< a gem with haunting keyboard action

despite the title >never coming back< they are back! back with the >stamina< and this time here to stay! stereo 8 hail from bristol, the town once described as the >graveyard of ambition< a corner of the united kingdom oozing with so much talent but overshadowed by so much lack of motivation. finger lickin are very proud to present this aa sided anthem >never comin back< – it is the official soundtrack to the summer festivals 2006

kinder country is the theme to a summer that never happened. its warm texture and subtle funkiness provide a soundtrack for warm mornings and long lazy days subdued by a melancholic cloud that dampens the brightness. matt johns vollbart remix accentuates that mood, by stripping down the elements and locking them down over his own, unique groove..

the new tombone brings you two fierce detroitish electro banger by michael ford.reminiscent of a dark futuristic soundtrack, in >gallowgate< gnarly and sizzling cascades of synth chase each other over a choppy, skanking break-beat stewing up a more and more pressure before bursting into a full frenzy with a punchy 4/4 beat. >bellgroove< on the flip keeps it nasty with its anarchistic bombardment of dirty, raw synth noises over a hard-hitting electro groove

this promising single has already become the soundtrack of a tv commercial by a well known car brand and features an unmistakable blend of electromagnetic waves phase sounds merge perfectly with the old fashioned bass guitar played by the talented gabriele salvador and generate a unique musical contrast the track has such a power that it is easy to understand why volkswagen chose it for the launch of its fox this electro/house track will include three remix all of them feature a powerful sound that will penetrate peoples mind and turn into sheer energy

>the trip< sees wil moving away from his usual late night house gear on this percolating analog-fueled winner, with great percussion, drifting atmospheric synth lines, bubbling analog hooks, and a fuzzy analog bassline all combing for some textured late night techno. on the reverse, >the gravity soundtrack< combines a soulful vocal from wil with some very detroit-esque late night techno backdrops, with warm chords, shuffling beats, and more vibrant analog keys all playing a part..