this is the second 12 inch out of two, representing the golden gate club compilation mix. after all this wonderful years of sweat, heat and highlight in this unique club, some producers and djs are contributing their tracks, showing gratitude and love for this special place. feel welcome to share this high emotional tribute being released on tonkind.

meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

thomas gandeys return is warmly welcomed by dance-floors worldwide. the artist formally known as cagedbaby has consistently made tough, deep, cutting techno and house based tracks, and his latest offering >the piano track< is no different. mr.gandey upped sticks to berlin last year and one can really hear the city that holds so much weight in the history of dance music, in this his latest production. like ronseal, the piano track does exactly what it says on the tin. its a track laced with piano hooks. its stylish, sophisticated and genre-busting, thomas gandey really has gone for the ultimate goose-bump rush! radio slave and thomas gandey have long admired each others work. they have a history of producing and djing together and like tom, matt (radio slave) also comes from brighton and now lives in berlin. after hearing the piano track he dived straight in to the remixing it. in actual fact radio slave remixed the track in a different key and tom re-played the piano making for a really special radio slave re-work

marcus mixx drops this jaw dropping follow up to last years use your mouth 2 luv me ep on uttu records. both versions of special creme are chicago house in its purest most original form, by the hands that created without makeup dont sleep!

brooklyns own lets play house returns with its first release of the new year: a couple of original house jams by chicken lips dean meredith—here teaming up with fellow londoners ben shenton and tim silver—and a couple of remixes, courtesy of the mysterious house maven chicago damn and production guru brennan green. as usual, the party-starters behind lph (jacques renault from runaway and on the prowl, editor nik mercer, and tobs james friedman) have assembled a four-track 12 inch fit to be played at their biweekly ragers as well as any other dancefloor hungry for something a little unexpected.

with two massive reissues from suns of arqa and jaki whitren under their belts, the fledging label emotional rescue have come up with the goods once again, with this remastered reissue of incredibly rare 70s psyche-funk from bob chance. two versions are included: the original 7 inch version, driven along by a razor-sharp guitar riff and sweetly lamenting lyrics, topped off with weird cosmic synths and galloping rhythm. however, the real gem is the edit entitled >wild its broken< which sharpens the focus of the guitar and adds some serious kick to the drums to create a beefy counterpart to the new age original.

sect records recent compilation >its all for you< showcased the exceptionally high standard of the labels roster as well as introducing some talent to the world, and this, the first 12 inch sampler from the album, selects three of the compilations finest tracks for vinyl treatment.

chasing voices returns for its 4th installment with an audacious reiteration of the projects uncompromising ethos and technique. >valley of the dry bones< operates on the peripheries of club music and far-sighted rock mutation, death march-disco for the ever-present sunburn of daily scourges and musical apathy. prospering from plentiful sentimentally-tinged stabs and a breathtaking, slow-churning progressive disintegration, >valley of the dry bones< hits intuitively and suddenly, a bent and bruised anthem for problematic times. despair can be celebrated, and celebration can be despairing—if anything the nyc collectives latest bomb seems to stem from a need to revive the cannibalism of a movement that has grown weary of its own cliches, to dissect itself and hopefully come out the other end better and new?? albeit scarred and never quite the same.

first copies only via decks.de !!! laut & luises second poodle, the >shoot the sun ep<, marks the long overdue return of manchesters third dimensional space head norken. collaborating with deer, a powerful brujo from weimar he met while hanging out in a space trailer during his recent long travels, he managed to create an ethereal delight. these techno sorcerers have conjured an album worthy of its title micro don juan. we have chosen two lush trans-dimensional techno tracks with a deep housey feel, namely >shoot the sun< (a2) and >remember that feeling< (b1), and asked deers local buddy dwig aka die wiese im garten (a1) and our charming dürerstuben (b2) for remixes to complete the collection to an essential listening for the third ear. yes, well done gentlemen!

>have you found true love<? it looks as we have once again as we been graced with another soulful gem from distant people. joey silvero aka distant people made his way onto the seasons limited imprint early in the year with a projected titled >connected< that went onto making its rounds and making a stamp in south africa. distant people our back once again with a project titled unconditional love featuring a strong vocal from nickson. the project is packed with remixes from spirit blessings, tikki tembo & jonny bravo. sit back and enjoy this one, cause we think you will also have found true love with this record!

second release on the wonderful supafrico records digs up and dusts off four more mega-rare nuggets of superb afro funk. first up is the excellent afro disco groove of kabbalas ashewo ara, a lost gem originally released back in 82 on tiny uk independent red flame and now featuring highly on many collectors wants lists. next is buaris im ready, a chunk of pure dancefloor dynamite with a driving disco groove and great funky synths, taken from the ghanian singer and percussionists awesome 1979 disco soccer lp. on the flip we get the mega-rare and totally essential body & soul, a magnificent 10 minute mid-tempo afro workout recorded in 1980 by nigerian funkster william onyeabor. last up is a great extended edit of the ashantis brilliant funky bubbler everybodys groove with its floor-filling groove and wicked vocals. these lovingly remastered rarities sound better than ever making this ep a must for anyone with a taste for those incredible funky afro grooves.

bristolian label think deep do exactly that when they sign new tunes. this latest instalment is a breath of fresh air and paul sg and andy sim really go in on this remix of >infinite mischief< which in its original form is a well engineered slice of liquid solely designed for the dancefloor.

a pair of huge, juicy, ripe bassy beasts here. the original mixes are still doing damage on international dancefloors and now its the time for the remixes. bare smashes >lockdown< with another drumstep megabass monster, and j.rabbit comes with a full-on dubstep remix of the mighty >up in the club

solar one music with a highly limited 200 copies, full artwork release in their new >the exaltics meets …< series! its gosub that has the honour to kick this off. 2 pure electro funk killer tracks from the veteran from miami who cant do no worng! the exaltics return to their homebase som with deep melodic tracks with dark basses and the typical exaltics mood. like said earlier the record comes with full printed cover artwork designed by duncanmattocks a great oil paint artist from australia.

live at the regal ein klassisches tondokument, das nicht nur im blues seines gleichen sucht. ein album, welches in keiner sammlung fehlen darf.

warm cuttlefish and asparagus salad (insalata tiepida di seppie con asparagi) ingredients: 22 oz (600 grams) green asparagus, spears cut into 12-inch lengths 6 tablespoons extra black virgin oil (for special vinyl taste) 2 lb and 4 oz (1 kilogram) cuttlefish, cleaned and cut into thin strips 2 tablespoon flat-leaf parsley, chopped 2 garlic clove, chopped 2 teaspoon coriander seeds seasalt and pepper directions:halve the pieces of asparagus lengthways and steam for about 5 minutes. drain and refresh under cold water. heat the olive oil in a pan, add the cuttlefish and cook until its lightly browned. season with seasalt and pepper, add the parsley, garlic, coriander and asparagus and mix well. serve warm and on a pirate flag printed tabelcloth. serves 12.

after the old-school inspired >forward to the past< that saw a poker flat re-visit some seriously jacking zones, we now focus directly on acid house and the genres beloved roland tb-303. that innocent little box created some of the most freaky basslines in dance music history, and were here to celebrate its unique tone and the legacy of acid. producers featured include motorcitysoul, vincenzo and tyson balard, sven tasnadi and juno 6, sasse, steve bug, kink and neville watson, snuff crew, tinman, glimpse & will saul.

for our third instalment on mars recordings weve decided to go for transparent green vinyl! this has nothing to do with aliens, we wouldnt be that obvious, but its the colour chosen by the artists and we think it looks like another great mars package. musically, well edward oberon & paul t have conjured up 2 awesome tracks. >love is< is absolutely sublime with its warm bass line and delicate sounds to the breakdown, while keeping the drums nice and punchy, a great tune to roll out. >absolute< harks back to the deep sounds of old good looking by the likes of big bud or tayla. ridiculous sub-lo bass and deep strings, this is how mars do things and we feel its another quality 12 inch where the music & the packaging matter.

the opening hits of the percussion stay smooth and relaxed, and the instruments come in one-by-one – first the synth, then the strings, then the brass – to create an experience thats both engaging and relaxing. this is the sort of music i would listen to if i cruised the streets of san francisco in the evenings. as >back to the bay< wraps up and pulls us into his remix of >screw up<, we get a dose of subscapes intensity, but its quickly pulled back into matty gs signature low-bass, hip-hop/dubstep fusion beats. >jam like a tek< adds in some vocal hooks to get the crowd chanting – and you are missing out if you dont add this into your mix. deep kick drums, a snappy snare, big distortion on the scratchy bass wobbles, and the vocals all come together perfectly to create a track thatll get people grinding like mad on the dancefloor.

the lights go dim,the crowd roars and the announcer cries out, ladies and gentleman,its soul time!

with their explosive melting pot of afrobeat, reggae, hip-hop and dancefloor jazz, 10-piece ensemble the strides has already won over a steadfast following in australia. after a lengthy series of gigs that includes supporting afrobeat legend tony allen and becoming a headline act at both the bellingen global carnival and peats ridge festival, this dynamic outfit is ready to launch its new album “reclamation” on record kicks. with a heavy rhythm section and a powerful 3-piece horn section, the strides deliver a captivating blend of funky afrobeat, roots reggae, hip hop grooves, dubbed out beats, and hypnotic rhythms.

after almost 2 years of serving slices of their idea on cutting edge house music on a solely digital basis, the belgian silverback recordings now releases its first vinyl… on >ep 2< polish producer the phantom demonstrates he is a master at creating a soulful, genre-bending, futuristic blend, whilst paying homage to rich chicago, uk garage, and detroit traditions, to name but a few. highly acclaimed and limited to 300 12 inch copies. support by ikonika, hackman, canblaster, french fries, teki latex, round table knights, dubbel dutch, brenmar, lol boys, blackwax, optimum, chaos in the cbd, lil silva, martelo, …

nice price deal !!! dro carey from sydney has been making waves for a while now, as both an audio and visual artist and journey with the heavy crystallises a disconnected ambiguity that defines its own melodic path like a red carpet slowly unravelling, only to be seen to have been cut up and slashed beyond recognition.

martin landskys outstanding form continues with his latest release on poker flat recordings–his first outing on steve bugs label since his stunning contribution to the‚jack is back ep earlier this year. with over 10 years of association with the label, landsky is a poker flat mainstay - and with this release, its not hard to see why.the composer is an atmospheric tech-house work out that kicks off with a tight and funky groove, and then expands into an off-kilter dancefloor bomb, with nagging synth lines weaving their way through the taut, finely- tuned production. on the flip,moodmusic main-man sasse adds a dubbier take on the track, pushing the drums up in the mix and teasing out the acidic riffs to full effect. expertly building the tension, the track resolves itself in an epic breakdown.

its been 16 years since aquasky first started bashing out the beats on moving shadow and 10 years since they released the mind altering >777< on botchit & scarper. during these 16 years aquasky have messed about with most genres at most tempos... but always retaining their trademark bass and their retro rave vibes.and here we are... the first ep from their long awaited follow up album to >teamplayers< released on passenger back in 2006. going back to their tear-out roots and fully embracing the modern production sound of now along with a firm 140bpm footing, aquasky come out fighting. >raise the devil< is an albums worth of tracks that will awaken your inner devil... powerful, noisy, aggressive and militant. taking it back to the days when people partied hard in abandoned warehouses and muddy fields. but, i expect you know all of that already... its what aquasky do, and its what they do well!

reissue of this 1981 new wave classic, re-mastered from original master tapes. includes an insert with liner notes by kim gordon.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

pressing on 180 gram audiophile vinyl, including insert with lyrics.
this first vinyl re-issue since its original release includes >who by fire<, a duet with janis ian, and a song about cohens relationship with janis joplin, >chelsey hotel #2<.

hot deal! support by nick curly, reboot, karotte, robert dietz, mathias kaden, soul clap, dj hell, brothers vibe, &me, adam port and many more.. andrew soul continues to shine as one of the most exciting young talents form his native italy. his current switching positions ep on new yorks stranjjur imprint is winning many a plaudit and today he rolls into town with his latest offering on kiara records, too much love will kill you. andrew brings the funk with his deep bassy synth lines and pounding kick. he also continues to impress with his use of vocals, here using a pitched down soulful take. but its the bass that wins the day and takes control. watch the girls move! on the remix kiara welcome dutchman julien chaptal who dips his rework into some fierce nyc flavouring. killer drum pattern and a twist of the vocal bring a whole new face to the original whilst creating a fearsome and equally potent groov

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

soundway set sail for colombia once again, delving deeper into the south american countrys rich musical past. 55 tracks spread over two triple vinyl releases. the original sound of cumbia is soundway’s definitive guide to the origins of colombian cumbia and porro and the result of five years pain staking re-search by will quantic holland. 1500 copies limited worldwide.tip!triplepack 1 tells the story of some the earliest colombian cumbia recorded, a genre that captured a nation, spreading from its birthplace on the caribbean coast in land to central colombia and the capital bogata

first available only on decks.de !! 2 month after the first release on vinyl and after huge success, as well as great feedbacks from alejandro trebor, dandi & ugo, alex flatner, claudio ponticelli, mike wall and many many more, its time for >piss of bp – the remixes>! labelchef marco coviello and kopfmusik is proud to present these artists, who played the unforgetables sets at the closed resident club of kopfmusik events- the tronix club in bielefeld (r.i.p): miro pajic, who played every 3 birthdays of kopfmusik/ tronix/ marco coviello. miss sunshine, who inspired all the guest/ organizers with her interpretation of kopfmusik and octave, who played the best techno live set!

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

young david august, as usual spoils us with three gorgeous tracks of which it is quit hard to pick a favorite. the eponym comes a long with a repetitive vocal line which will stay on your mind for a long time. with its pumping baseline and one stretching acapella breakdown, >you got to love me< is a guaranteed dancefloor-bomb.

includes free bonus 10inch picture-disc! after the old-school inspired >forward to the past< that saw a poker flat re-visit some seriously jacking zones, we now focus directly on acid house and the genres beloved roland tb-303. that innocent little box created some of the most freaky basslines in dance music history, and were here to celebrate its unique tone and the legacy of acid. producers featured include motorcitysoul, vincenzo and tyson balard, sven tasnadi and juno 6, sasse, steve bug, kink and neville watson, snuff crew, tinman, glimpse & will saul.

decks exklusive pack also incl great acid yellow bag ... free bonus 10inch picture-disc! after the old-school inspired >forward to the past< that saw a poker flat re-visit some seriously jacking zones, we now focus directly on acid house and the genres beloved roland tb-303. that innocent little box created some of the most freaky basslines in dance music history, and were here to celebrate its unique tone and the legacy of acid. producers featured include motorcitysoul, vincenzo and tyson balard, sven tasnadi and juno 6, sasse, steve bug, kink and neville watson, snuff crew, tinman, glimpse & will saul.

6 months after we first ventured into vinyl territory were back with a new ep. the follow up to kastils dusty edits is a sampler containing 4 tracks by 3 artists we are heavily supporting at the moment. the a1 is again by basque county based kastil. shes back is a wonderful sample drenched house track containing soul touching vocals. definitely one for the dancefloor. on the a2 we have doctor bills by fellow rotterdam native ben la desh this is actually his first release out of many to come. this track has been circulating the soundcloud for a few months and was played by ooft! in one of his excellent podcasts. on the flip we find two tracks by taiko mochi name:tomas malo. while the b1 scenesters is a great more uptempo disco house track with quite an emotive break its the b2 slomo track shelter that has been stealing the show until now. if youre in to real slow and mesmerizing music this might just be the one for you. support by: ooft!, the dead rose music company, miguel campbell, craig smith (6th borough project), andy ash, james johnston, soho808, sleazy beats recordings, zoo look, kirill tipo, fulbert, satore.

here some of the rare white vinyl editions dont sleep ... going to be huge !! the 2 rocking dudes with minimal but comfy oldschool hit appeal are the right team on the spot when its prime time

iww musics very first various artist compilation really lives up to its name: you cant resist falling in love with it! the featured artists are showcasing their musical status quo: with lots of heart and love for the detail dürerstuben, andrea di rocco, maxage and fabian kranz composed their little lovestories. they will touch you in a special way so you will forget about the cold and gloomy days and feel an undeniable warmth instead...

incl. remixes by deepgroove, warren fellow and martinek remix, mannheims circle music returns with a superb new single from label boss alex flatner featuring remixes from deepgroove, martinek & warren fellow. the circle music imprint has been releasing quality tech fuelled house music for the last seven years and has a catalogue that includes music from the likes of gui boratto, michel de hey, umek & sebastien leger. at the heart of the labels success has been the guidance and music of label boss alex flatner, who has provided some of the labels key releases and been responsible for signing its amazing roster of acts.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

with his collaborations with ian pooley as mvip, jazz pianist matthias vogt is a comfortable behind a piano, a drum machine or in a club environment. with his partner c-rock, they have been residents at sven vaths cocoon club for many years now. he’s releasing music on some of the best labels around the world including freerange, infracom, urban torque, simple and their own stir 15 label. he’s also collaborated with ingenious musicians like nils petter molvaer, bugge wesseltoft, viktoria tolstoy, jhelisa anderson, alice russel, nathan haines & eric truffaz. he and c-rock also collaborated with house music legend, chez damier, on the project kids in the strets with the classic track keep on running. matthias & fred everything also collaborated on the frederico todos ep on urban torque earlier this year and theres a fred everything remix of matthiass frankfurt sour to come out soon on urban torque.this ep is an ode to the old chicago prescription underground sound of ron trent & chez damier. a time when music spoke by its feeling rather than a formula. let it grow on you and play it loud! we hope you enjoy the music. show us your support with charts and plays!support by osunlade, john tejada, alland byallo, roberto rodriguez, scope, jimpster, llorca, johnny fiasco, giom, grant nelson, nacho marco, shur-i-kan, danny krivit ....

the first phase in the breath-taking new musical project from hadamard, who of course we know from earlier projects via bunker, transient force, mighty robot and more recently featuring on compilations via our friends at solar one music. as we enter hadamards universe of the jupiter cycle, we hear a synthesis of straight-up electro coalesce with spellbinding ambient and experimental futurism, to create an overall bladerunner-esque environment. from the offset of our journey, approach,dramatically defining the musical landscape with its soundtrack-like and impending atmospherics,entry point,a stealthy, sneering electro fiend expect no mercy here magnetodisk is unpretentious, energized electro, providing a slightly more upbeat pause between the more serious overtones of offerings from ion electro straight from the core of jupiters volcanic moon whilst outpost jupiter and transition to chaos are most definitely someplace far, far in the future, as this piece can only leave the listener possessing a sense of introspection regarding the technological evolution of our generation. a stunning variety of styles on this limited edition vinyl project for last known trajectory.special limited edition pack includes the first in a series of collectable posters.

dont, whatever you do, dismiss this as a run of the mill re-edit re-hash of some of the gibb brothers finest work. far from someone with a laptop chopping and changing classics as they see fit, this ep casts the original studio multi tracks of three disco standards from saturday night fever into the capable hands of the hands of time family and what theyve come up with is head turning,double take inducing, dance floor weaponry of the highest order.filippo moscatello, aka dj naughty, is first up with his dreamy extended version of night fever. stayin alive gets dubbed to within an inch of its life and comes up smiling courtesy of hot mainstay kon and his mr whiskey dub treatment and last but not least the reflex get the pleasure of working with the classic horn and conga riff off that is you should be dancing.top drawer,high-grade fodder for the forthcoming christmas party season and a sure fire winner for the wedding disco dj alter ego that resides within all of us.

just like different fishes can be found in different grounds, also the acoustic tales of the micronaut take place in different regions of the emotional landscape: sometimes warm, sometimes fresh – sometimes calm and stagnant, sometimes lively and floating. and just like all the fishes are connected by the water surrounding them, also this album has its connecting element: a very individual and independent groove. this groove comes with a lot of surprises. for instance, when a guitar chord from the acoustic band atmosphere of gruen- dling suddenly gets tangled up in a loop and introduces an unexpected but coherent change into the direction of broken, electronic beats. or when the emotional world music elements of schleie mix up with exciting halfstep rhythms. sophi- sticated arrangements, unusual instrumentations and intense emotions- these are the main attributes of friedfisch . though the experimental character of this work does not really aim the dance floor, it still keeps connected to this place: two sensitive remixes by mollono.bass represent the upbeat for an entire series, being exclusively released on vinyl.

whether on his own or with nick hoppner as my my lee jones has been djing and making music for more than a decade. in 2008 jones released his debut full-length lp “electronic frank” on aus music. his solo releases and remixes have appeared on labels such as aus music, ostgut ton, liebe*detail and cityfox and last year, he did his first ever mix cd for the world famous watergate club. next up from the talented producer is a futuristic 4-tracker on aus, incl 2 remixes from george fitzgerald and midland. for the lead track moment, jones offers up a bass driven house number that hints at his jazz roots whilst pushing forward into garage territory. for the remix, george fitzgerald delivers his most straight up, heads down house production to date. next up is duvel, a characteristically quirky jones production, bouncy and deep all at once but with a bass line that will hold its own at peak time. midland steps up for the remix, twisting it into a moody multi-genre convergence like only he can.

the legendary black market continues to dig in its archives. and for the 2nd black market classics release we have one of the most beautiful larry heard tracks ever! the it with gallimaufry gallery! slow, sexy and jazzy.. magic. on the flip side a club anthem from the early nineties... club ice with manhassett (larry heards space mix). beautiful timeless house music!

its been 16 years since aquasky first started bashing out the beats on moving shadow and 10 years since they released the mind altering >777< on botchit & scarper. during these 16 years aquasky have messed about with most genres at most tempos... but always retaining their trademark bass and their retro rave vibes. and here we are... the first ep from their long awaited follow up album to >teamplayers< released on passenger back in 2006. going back to their tear-out roots and fully embracing the modern production sound of now along with a firm 140bpm footing, aquasky come out fighting. >raise the devil< is an albums worth of tracks that will awaken your inner devil... powerful, noisy, aggressive and militant. taking it back to the days when people partied hard in abandoned warehouses and muddy fields. but, i expect you know all of that already... its what aquasky do, and its what they do well!