classic re-press of unbeliveable, killer 4-tracker from the legendary jersey champion. holds something 4 everyone: from summery house with live-strings and steeldrums (!), to an unearthly, melancholic vocal piece, plus one deep instrumental with shifting organ chords and pumpin drums. >reprise tha dread< is probably the hit here: rolling, dub reggae inflected jersey house with a sweet roots vocal (horace andy?) on top. house cant get much better than this!!!

with his new night called based on misunderstandings that he hosts in berlins famous club week end, alex barck delivers his personal vision of club music and invites friends that share the same djing philosophy. following the success of the club night, alex further developed his concept and decided to create a special 12inch series on sonar kollektiv. also named based on misunderstandings, this new collection should be regarded as a return to roots for every house dj. it is dedicated to hot club sound that takes you by surprise, gets you dancing without you even noticing it and that really needs to be played out loud now!

production team from milan turn out dancefloor monsters with great ripping synth lines, loud drums, & choice breakdowns

coming off a variety of 12 releases in the past few years on handheld, forcetracks & defchild, igor vlasov presents his latest offerings aimed at the dancefloor with nods to the lounge or casa. keeping true his house roots and while channeling his alter-ego as s.p.c., igor demonstrates a remarkable proficiency in a variety of deep, evocative and yet grooving sounds. the outer tracks, >fellow’s traveller< and >phoenix< are keen on ampliflying the dancefloor energy, while the deep, highly-structured textural excursions in >nalim< and >horizon-c< are suggestive of the penetrating works of markus guentner

played by: karotte, mathias kaden, sebo k, stefan goldmann... franklins early musical roots began with a taiwan drumset and a hohner organ. after some training years under the influence of metal, jazz, 70sprog/rock and live perfomances as a versatile drummer his transition to electronic music began with an amiga 500 computer. the trackermusic of this machine lead him to the early techno music of the 90s and early production experiments in his fathers home studio. first releases followed in 1995 to 96 on the label fusion records (w/ 303 nation member, patrick vauillaume). later he released as tichy on various frankfurt techno labels until at the end of the 90s his search for inspiration brought him to a very experimental production phase without the 4 to the floor presetting. from this he developed his distinctive trademark sound with straight grooves and frisky sound design. meanwhile franklin was gaining more international recognition with releases on well-known labels such as trapez ltd, karmarouge noir, einmaleins musik and treibstoff. his singles entered the charts of the german groove magazine, german dance charts and the charts of djs worldwide. after his last release on resopal red he is coming up with his debut on leena music.

big with alex picone (cadenza) for phonica records london. the record has already been played by dj s such as james pennington, dj buzz goree (underground resistance) dj jus ed, radioslave, cassy, pacou, mad max, ricardo villalobos, luciano, prosumer, marcel dettmann.... their third ep on there independent label is a manifesto of their purposes: to provide to the dancefloors solid analagoue fat sounds not following the trends but always digging deep into their roots with the eyes on the future. the future is the past and the past is the future. restoration is an anti-digital media corporation who fully believe which the only useful ammunitions for djs are vinyls

sect number one offers a selection of beautifully crafted, warm, harmonic detroit techno soul

soulful funky house bizz by the groove junkies!! a 2003 classic release!!!

trouble in paradise is a pure testament to the roots of r&b flavored vocal house. in the danism vox the sweet simplicity of the standard boom & clap intro is well paced and leads into the funky bassline, while the enchanting chords set the stage for the outstanding vocal performance of sean williams. his r&b flavored, distinctive phrasing is mildly reminiscent of john legend, however, seans earthy quality shines through. the passionate & insistent lyrical melody never fails, climaxing into panoramic bridges while the memorable bah de dahsintermittently dot the production. its texture is a reminder of sophisticated nyc funk a la early 80s prelude/west end/sam records with a modern house feel. djs, if you want the ladies on the floor, trouble in paradise (danism vox) is the one to drop!

once again taken from paris well respected pro-zak imprint, this seductive, spliffed out odyssey takes the listener home after a blunted journey through future roots riddims for the millenium

nice price deal !!! the first full release from m.i. loki since being nominated for best breakthrough producers at breakspoll, sees them return to their musical roots for this unique double header. out of control combines cheeky synthetic rifts with an outrageous speed ragga inspired drop and a classically delivered vocal sample to finish things off.

supported by 3 channels, italoboyz, mike monday, john acquaviva, p.toile. the deep jungle can be an intimidating place. home to bird-eating spiders, deadly jaguars, and fierce natives, most ordinary folks wouldn’t last more than a day. fortunately, the jungle also holds plenty of swingable vines, feastable roots & berries, and the great scarlet macaw. label boss claude vonstroke’s first record on mothership is an ode to this majestic bird.

tip !! played by ripperton, agnes, quenum, chaton, crowdpleaser. we are really proud that ali joins the plak family. he’s from istanbul and got a very unique feeling for deep stuff. 2 endless tracks, nearly 24 minutes, of reduced head-y house, roots percussions, jackin’ hihats and cut-up vocals. add a trumpet lead and traditional turkish music on background and dive into ali’ world

wuerdiger nachfolger zu >>league of fools<< - hier wird derbe gerockt!

big with sonar kollektiv posse, alex attias, peter kruder, dave ellesmere, kiki, agoria, fabrice lig, 3channels, chymera, simon baker, dan ghenacia, sasse !! + quarion remix... already featured on our current label compilation >grand cru 2008<, we now welcome andrès garcìa with his first regular release on our sub-imprint connaisseur supérieur. andrès, a geneva-based musician with spanish roots was early infected with the music virus. he started with classic piano classes at an early age, and moved from there to jazz and improvised music. this lead him to the conservatoire populaire de musique genève, where he attended classes in electro acoustic music. today he’sproducing solo or with partners like dandy jack, quenum or paris the black fu on prestigious labels like crosstown rebels, imploz and num, beside his work in the contemporary art section, for theatres and movies. >no more tears< is a genuine summer track with an alluring groove, mysterious oriental-sounding vocals and an excellent percussion work, which is tailor-made for deep and moody techno sets. drumpoet community’s man of the moment - quarion

2x 15mins of ultra hypno house!! big with ricardo villalobos, prins thomas, laurent garnier,… unarguably, the best way to prepare umu is inside a hole in the ground. go find a nice flat land, preferably your mother in laws lawn, gather friends, ask them to bring wine. youll need a well amplified turntable playing mania #11 on a loop. cut the grass using a flat shovel, four or six square pieces of 50 cms, lifting the grass with its roots and some soil, move aside. now you have a clean area of about 1.5 mts square, dig in it to a depth of about 50 cms (come on, it will make you sweat profusely but you need this shallow grave to feel the magik of easter islands umu!).

part 2 of copyrights vinyl sampler fetauring the best of themselves both old & new

the chart buster martin solveig was glad when his roman friend and colleague lorenzo rumi called upon him to return to the roots of house music, starting from the early, glorious chicago scenario and its immediate and infectious groove. so far away came to life, as an impulse with only 2 days of hectic studio session and a few liters of coffee. the guys worked on a stricltly old school basis, then added a full vocal and new elements to bring the fine charme of todays house, turning so far away in a contemporary composition rich of surprises and thrilling breaks. the performance of australian soul singer rachel claudio gives a touch of attitude with passionates and unforgettable vocals. definitely another epic stone in the b2f wall!

paul hammond is a london-based producer and founder of the label real soon. he has been making records since 1984 originally with industrial avant-funk group a primary industry and then from 1989-1998 as ultramarine in partnership with ian cooper. paul’s musical roots were established in the early 1980s listening to the new wave funk & electronic experiments of a certain ratio, 23 skidoo, cabaret voltaire, the pop group, new order, gang of four, the slits, the raincoats and the broader independent scene of the time typified by labels such as factory, rough trade

aynzli is an exciting alternative act who fuses hip hop, dancehall and soul. hes currently working on his debut album with salaam remi (nas, fugees, amy winehouse), squeak e.clean (the yeah yeah yeahs, the pharcyde) and steve dub (chemical brothers, roots manuva).

detroit underground returns for their much anticipated ninth edition of their now legendary compilation series. featuring some of the label s biggest artists, namely funkstorung, richard devine and jimmy edgar, the ninth edition sees the label return to its more experimental roots after a successful, albeit brief foray into a more hip-hop and club-oriented music in the series seventh and eighth editions. while number nine, still puts you on the dance-floor, the release s forays into idm, acid and experimental sounds recall earlier du records and further detroit underground s reputation as a label that is not afraid to take chances

this is soul jazz records new journey into the heart of new orleans and a guide to the citys finest funk music produced in the late 1960s and early 1970s. featuring everyone from the meters to eddie bo, lee dorsey to betty harris, this is a whos who of the crescent citys most famous and most funky! the city of new orleans has deep musical roots that stretch back to africa. new orleans first gave birth to jazz music, a black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. similarly in the late 1960s new orleans funk came to define a unique sound, mixing caribbean rhythms, new orleans second line syncopation and rhythm and blues, all played by the big easys finest musicians.

kne deep is a&r ed by the one and only emperor of hard techno, dj rush. the next kd in line is by dj arcane, who did some braindamaging stuff on labels like lars klein s compressed, artificial beats etc.

jon gurd is back on a solo project, with the usual jon gurd style of using old school rave sounds with a tech and groovy combination that works well on the cooler dancefloors. tom neville - really good stuff. im playing both tracks but grass rots is probably my favourite. thanks slam! co / orde meikle: grass roots – very glichisco – quite intense, the chimes – love the groove – old skool stabs are nice kos: i am really into the chimes record. solid track and i love the old skool riff. definitely gonna play. james talk: the chimes is class mate, big room action

the chart buster martin solveig was glad when his roman friend and colleague lorenzo rumi called upon him to return to the roots of house music, starting from the early, glorious chicago scenario and its immediate and infectious groove. so far away came to life, as an impulse with only 2 days of hectic studio session and a few liters of coffee. the guys worked on a stricltly old school basis, then added a full vocal and new elements to bring the fine charme of todays house, turning so far away in a contemporary composition rich of surprises and thrilling breaks. the performance of australian soul singer rachel claudio gives a touch of attitude with passionates and unforgettable vocals. definitely another epic stone in the b2f wall!

nice price deal !!! once again taken from paris well respected pro zak imprint, this seductive, spliffed out odyssey takes the listener home after a blunted journey through future roots riddims for the millenium. grau one is the first one of a to be continued series. a side: big synthetic rave dancefloor bomb with an on the road again swing bassline. side b: monty rock is an electro elegant hypnotic 80s new wave transe danceflloor hit! dont forget your boots and your slim jeans.

dark energy is the first in a series of sonic strikes engineered by ur to be carried out during the winter equinox of star year 1994-1995, against programmer strongholds. the primary strike will consist of a series of 6 dark energy waves. this mission will be carried out by nitestrike leader james (suburban night) pennington. the dark energy waves will engulf the earth in a ultraviolet midnight sunshine allowing the suburban night and other resistance forces worldwide to finally see the truth and pinpoint programmer positions for the now mobile ur divisions moving out of detroit for the upcoming assault worldwide. to our brothers and sisters of the underground - stay low, stay strong, stay underground

nice price deal !!! after the big international success of one love, world love frank ti aya & yardi don go back to their roots! its da music is a hands in the air piano anthem that will burn every dance floor for sure! on the remix side, belgians natural born grooves add a banging big room remix, while uk producers soulseekerz lift its da music to become one of the finest house anthems around.

supported by cosy mozzy, felix da housecat, tocadisco, john acquaviva funk d void, miss kittin, da fresh, angel molina, jori hulkkonen, terence fixmer. french techno uber-lord kiko delivers his best track since monique, returning to his nourish techno roots to drop a 9 minute late night gothic epic. melancholic chords and strings dominate- vitalic fans will love it.

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

kid ringo and ghetto priest present >life<. a coming together musically in early 2006 when acclaimed roots and dub vocalist ghetto priest(on u sound, african head charge, concscious sounds)first heard the seductive, leftfield beats from prague based producer james baseley(kid ringo).the track >life< was born, with ghetto priest penning the emotive and conscious lyrics. not content with their own musical vision some further fuel was added to the fire from a clutch of remixes from czech nu jazz maestro boris carloff and czech brokenbeat pioneer dj blue from eclectica(pragues only real bruk up club night!)the pairs debut release for red salamanda marks a return to the surface for the prague based label, who have been lying low biding their time of late. for further info and audio samples check the following myspace pages.

phat harder slammin techmover. techhead is one of the leading techno labels which has its roots firmly set on the island of greece. the label functions as a platform for some of the most talented producers around. volume 7 pushes the quality upwards again as we have come to expect. master of jacking funk ignition technician have looked straight into the barrel of a gun and decided it needs more firepower...

once again taken from paris well respected pro-zak imprint, this seductive, spliffed out odyssey takes the listener home after a blunted journey through future roots riddims for the millenium. including remixes from paris and plaisir de pompidou

super dubbiger minimal !!!

support comes from paul mac, ben sims, reynold, fabrice lig, russ gabriel !! a solid detroitish techno ep from franco cangelli. digging deep into his roots, he delivers 3 brilliant tracks that exemplify the machine soul of techno. >highway< pulsates with deep bass kicks, slowly evolves to a rhythmic orgy of beautiful detroitish chord layers. future classic deep techno. the darker and moody >things coming together<, works the dancefloor with classic 808 sounds, a square bassline, dark strings and a nasty melody. dbx meets detroit. >presumably so< starts off on a minimal trip slowly evolving into a funky track with a moving bass string, squelchy electrifying sounds and a sweet pad to add a nice deep touch. reynold then comes along with a mind shaking remix, funky chords, electro bassline, building up to an unrelenting dancefloor experience

with a name more suitable to a private eye than a dj duo, guy noir is coming at you at full force. born out of a cross of diverse backgrounds and disciplines, the london based duo is spicing up your current techno aesthetics by adding a pinch of house thats sprinkled with the exact touch of sleaze. guy noir is gowers and georges black box that embodies their visceral secrets ranging from their hispanic and greek musical roots to their seductive sound that works the dance floors. raised within the emerging club scene of the late 80s

after the big success about >lift me up< - co-produced with brown sugar - niko de luka now releases his new imprint >good night< with dawn tallman on the microphone. just like his recent releases and remixes he focuses on dawns beautiful soulful vocals that bulid a perfect match with his funky beat programming. nikos roots reach back to the year 1995, as he - influenced by the us house of masters at work, roger sanchez and danny tenaglia - startsspinning the records. in 1998 his first >rich vibes< e.p. is signed by scorpio music france and opens up the doors for international dj bookings. after a short time in barcelona, niko de luka founds his own label, kaa recordings, and gains success with his mix of deep baslines, funk and latin.

ltd upfront promos , boddhi satva and abel tabu have fused their interpretation of african music by returning to their roots, providing us with one of the most interesting projects this year on atal music. they asked the talented congolese guitarist, danny mpiana, to bless their production with a true central african musical feeling ensuring they capture and soothe both heart and soul of dancers and listeners worldwide. the name boddhi satva has become for the most part, synonymous with deep, afro ancestral beats, melodies and rhythms. all these elements and more are present in his past productions, so its only fitting that he capitalize on this trend and join forces with his friend abel tabu to bring forth the best of both musical backgrounds. the end result is moina ya mokili, a formidable collaboration that confirms their true love and passion for deep soulful music. furthermore, this project is endorsed and enriched with support from abicah soul. his remix incorporates scintillating afro latin smooth, yet powerful beats and the signature abicah soul touch of deepness.

with his new alias motor city drum ensemble, danilo plessow returns to his house music roots. before he started to go more leftfield/broken beat ish with his inverse cinematics project, he was already heavily influenced by the likes of larry heard, chez damier, ur, moodymann, mike huckaby, labels like soul city, kms, prescription, harmonie park and deep deep house in general have always been a big part in his dj sets. the current four roses release has already been a favourite in many class a dj sets around the globe. combining the feeling of early 90s nugroove/balance tracks with the intensity of todays club music, this 12inch is a perfect, deep dancefloor tool. in the playlist of: ali warm, Âme, dixon, toby tobias, trusme…

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label

the homewreckers sound deep funky, peerlessly adventurous, with elaborate clicking beats, beautifully organized riots of ideas crowding every track. their first album american ruhr will drop first half of 2008. the first release of the homewreckers feat. kemo its about time on unique records is a beautiful monster jam that will destroy dance floors all over the world. the homewreckers style plows right over any preconceived notion you may have about the current funky underground grind. its about time is such a lusciously deep track where tradition and innovation meet. tradition as in the soulful roots of 70s funk and house music, innovation as in the streamlined, sparse arrangements and shrewd use of technology. the homewreckers truly master rhythm and space - and hawaii born kemo fully adapts to the music and the atmosphere with his amazing spoken word poetry.

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label.

this is a debut release of kaoru inoue aka chari chari for mule. he is a one of the most popular japanese house music dj & producer since end of 90s. maybe people still remember that he has joined to the compilation of bossa tres jazz. recently, he is pushing & producing to his roots music like a progressive rock, balearic sound under his own name & aurora (the project with guitarist dsk). these his original two tracks of a side will be reminded the sound of can, holger czukay, klaus schulze, manuel gottsching etc and this releases highlight of todd terje remix is a dreamy long barealic tune!!

a: >only lycra<: a beautiful deep and warm sounding melancholic dub train is bringing you trough this mysterious ,secret squonky night, with jazzy harmonies,tribal rhythms and some laid back minimal roots. you would not want to get out of it...!! b: >frispo<: synthetic slapping bass line,dark stomping modulated beat sounds, a tooly but functional character and some duby vocal cuts pushing it consequently to the dance floor

killer! we are honored that cadenza co-founder philippe quenum joins the fray with this super-fresh two tracker straight out of his geneva studio and into clubs, after parties, and living rooms all over the world. agbaja is a panorama bar special. it is big, freaky, dark, and loud. it is made for places that dont stop. it is for that moment when the party is about to lose control. this is quenums darker side. a day in mumbai is one of those tracks that defies description. is it house? is it techno? to us, its modern minimal music with personality. its soulful. its percussive. its loose. its quirky. most tellingly, its highly personal look into the roots of a very talented african-born, french-raised musician. if you cant get into this, get your head checked.

split ep by kompact producer + chicago techno-babe blends berings emotive style with simkos midwest roots & latin-influenced percussion. b-side f/each producer remixing the others track. soulful & groovy stuff as these artists & label elevate their game.

baby, when the light is on, you see who is who & who is doin what.julien jabre has always been amongst those artists we love & admire, because he delivers truly good music, soulsearching, without having the need to run after the next hit single. this warm production will stir our feelings through to our roots & seems to be a magic track inspired by chicago house figures lil louis and memphis house boss, mr. fingers aka larry heard. with its incredible and amazing atmosphere the stook is going to send all the listeners into a hypnotic and euphoric voyage.on the flip, he is said to be of the best underground producer, david duriez gives you his vision of early acid house with a wild and rough track. wilderness sounds like a tribute to davids musical father, afro acid man dj pierre.

from one of the best producers in the business. asante records is proud to release jihad muhammads the rush. with the deep jazzy versions of the main and the dub mix that has been supported by some of the heavy weights in the industry from japan, europe, south africa and the us, this classic track comes with a new deep, jazzy, soulful and yet techy remix called roots urban jazz remix to grace it.