0am001 is the first in a series of various artists 12-s in which we ll aim to capture the spirit of the 00:am dance floor with music we ve received and road tested across our beloved city s bars, clubs, & half cocked after parties. the first release brings together local neighbourhood staples / roommates priori and adam feingold alongside our good australian pal mike midnight and la s very own ashtrejinkins. expect house from the melancholy to the roughed up, live drums & breaks, and beautiful dubby atmospherics. all this to say, there s no set rules here, just good music from good friends, and hopefully a little something for everyone inside.

deluxe vinyl edition!!!!

london s sugarhouse crew have already made some waves with their first two releases, and now the gang are back with round three of their soul-drenched deep house adventures. this time it s maurice jnr and seb miguel teaming up for three crucial jams, each with something different to say. -deebo s quest- is rich with aqueous pad tones and a slick set of drums that shuffle just the way you want it, while -science of life- takes a distinctly detroit-influenced approach that wouldn t sound out of place on mahogani music. that leaves it to -lovin u- to round the ep out with a warm, upbeat roller for those who like their house loaded with passion.

thats the way it is is the 40th album by elvis presley, originally released in november 1970. the album consists of eight tracks recorded in the studio in nashville at the marathon sessions in june 1970 that would also yield several singles and the elvis country album, and four tracks from his august 1970 show at the international hotel in las vegas. although it is not generally considered a soundtrack album, it accompanied the theatrical release of the documentary film of the same name.
pressing on 180 gram audiophile vinyl.

rrwd is a label collaboration between ta-ku/ repeat pattern & jakarta records. charlie abbott is a 25 year old from boston, ma.living in aomori, japan who teaches high school english. i made goes to math class, over the course of about one year (from fall 2015 fall 2016ish). as for influences, i d say i was trying to go for the dirt of early quasimoto mixed with the melody of emerald fantasy tracks era lone, but i m having trouble describing it in terms of larger generic genre terms.i feel like it has a beat tape structure, and is definitely rooted in hip hop//dance music, but isn t really danceable or meant for the club.i d probably describe it as headphone music?

music from the disney movie “hercules” on picture vinyl.

portable is alan abrahams, a south african born artist, producer, and celebrated live act who has released his minimal wares on cult labels like perlon and live at robert johnson, as well as his own süd electronic label. abrahams’ first lp for !k7 is his most personal yet, taking the artist’s given name for its title. the album places portable’s distinctive vocals front and center, showcasing some very real song writing skills next to abrahams’ own piano playing, in addition to a few choice collaborators.
double vinyl release with cd-copy of the album included.

dub store records veröffentlichen -unreleased early recordings: shuffle & boogie 1960-, ein 7-track album von rico rodriguez & friends

born in shreveport, louisiana, reuben bell began singing in local clubs. he first recorded for the local murco label in 1967 before moving to the silver fox and house of orange labels. in 1975 he released his first 45rpm single for alarm records (-superjock- b/w -i still have to say goodbye-) which was produced by wardell quezergue. neither side made any noise back then but 24 years later -superjock- was included in dj shadow & cut chemist s brainfreeze mix. since then it has become a classic and it has been played constantly by hip hop and funk djs all around the world. it has appeared on a handful of (mainly bootleg) compilations over the years so we are proud to present the long-overdue, fully licensed re-issue on its original format. you may check out tramp s -countdown to... soul- (tr-9067) compilation which contains -superjock- as well as some other fine rare grooves.

whats better once we hit peak time that dropping a sweet and soulful, bumpin tune that makes all the ladies say, ah and the fellas say, yeah? nothing. nothing is better. wd53 has stocked you up with four prime contenders for that perfect time of the night.

played by marcel vogel / it s been a while since we heard any new material from rick poppa howard, the father of prodigious house talent tevo howard. the soul and raw, off-kilter production style runs in the family, and -keep holdin on- demonstrates this perfectly with its immediate warmth and unfussy arrangement. -gimme that love- is the real gem on this record though, toying with a rubbery bassline and a touch more atmospheric detail that makes howards voice shine. that said, if you do require an instrumental version for any reason, the alternative cut stands proud on its own. for our money though, we d say howard s vocals are what makes this record special.

pumpin house as we like it

austin-based musician eliot lipp delivers “skywave”, an album lipp has been working on for the past several months. with influences from sci-fi soundtracks and 70s and 80s funk, he channels a collection of weird, high-definition, melodic beats. in these nine songs lipp feels he “might have everything i want to say in one moment.” recreating key musical moments in a current and relatable way was the goal in producing skywave and giving himself permission to take some risks as well. with a versatile approach, lipp has created opportunities to connect with some of the artists he first looked up to, playing in cities across america and abroad always returning to his hometown in the pacific northwest. collaboration plays a role in all his albums. he’s been a fan of emancipator for a years now and was beyond excited to get his “not quite awake” remix. he asked dmc champ chris karns to scratch on ‘joyride’. in addition to doing cuts, chris ended up playing live drums and layering unique vocal samples. ‘reflection’ came from a jam session with gibbz and cherub in their nashville studio. one of lipp’s biggest musical influences last year came from a group of producers from seattle that call themselves fish tank friends. most of them had a hand in the early stages of ‘spiders’. with monthly trips planned from texas back to washington, he anticipates more evenings surrounded by friends, fans, and new listeners where he brings everyone together through the touch of a button.

side-b contains a surprise: no sample. (you will have to trust us on this). roras 14 th release by label founder romar. nothing more to say. vinyl only and 180g.

new vara project this time touches neik, say hello to bahia blanca based producer with a massive tc80 remix

180 gram audiophile vinyl
including insert
including the world-wide hit * moskow diskow*

500 copies limited edition! flash forward is happy to repress one of kerri chandler s most beautiful records.first come first served ! -black vinyl label boss alan russell first met kerri when alan was writing for echoes magazine and kerri was signed (by a&r man johnnie walker) to champion records in the uk. alan was interviewing dee dee brave at a hotel in west london as part of the promotion for her album on champion which was released in 1991. alan was already familiar with kerri s work such as superlover and set if off and with his productions on movin records, so asked about kerri and when told that he was also in london as part of the dee dee s tour, the two met and began talking. kerri was slightly surprised that alan knew all of his early releases and the two bonded. they met again in new york when alan was attending the nms (precursor to the wmc in miami) and stayed in touch. years later when alan had started black vinyl the two met again and alan asked if kerri would do something for his label. kerri soon delivered a dat containing these three tracks. the track my old friend was originally titled for my old friend alan , which alan shortened so it would look better on the label! the rest, as they say, is history.-

das beste von dem sänger mit der rauchig-smoothen stimme, der seit mehr als 30 jahren als solokünstler, songwriter und produzent erfolgreich ist. “can’t stop a man” präsentiert 36 ausgesuchte songs aus den jahren 1976 bis 2003 auf triple-lp im gatefold sleeve und ausführlichen liner notes & track by track-notes, geschrieben vom us-amerikanischen reggae-experten rob kenner. erstmalig in jahre 2003 parallel zum gleichnamigen 2cd-digipak set erschienen, ist dieses beres hammond porträt wieder als vinyl erhältlich. das zitat von prime entertainment zum konzert im kölner stadtgarten bringt es auf den punkt: “beres hammond beeindruckt mit seiner durch tiefes timbre geprägten, dennoch smoothen und sehr eindringlichen stimme. seine texte sind stets von einer emotionalen dichte und der wahrheit getragen, dass wir eigentlich alle nur nach liebe suchen. diese essentielle message verpackt er in große dancehall-smasher, ebenso wie in romantische balladen und in spirituelle rootsgesänge.”

nice price deal !!! blazin rnb & hip hop tracks incl kanye west, gwen stefani, nelly, elephant man !

exzellenter sampler mit 16 massiven tracks aus der belgischen popcorn-Ära rund um den gleichnamigen club in vrasene (flandern) und seinem dj gilbert govaert. opener ist die vielgesuchte top-rarität “keelin kinda lonesome” von willie j charles, während die tunes von ki ki page und chance halladay hier zum ersten mal auf vinyl wiederveröffentlicht werden! ein schmuckstück für soul/r&b-vinylsammler.

nice price deal !!!

nice price deal !!! 50 % deal - new great compilation for electro tech-house & techno freaks !!! ltd restock

compiling some of the rarest and most desieable nahid akhtar 7inch appearances - some for the first time since their original release.

jesterfunk’s debut album, originally released in 1994, now back on double 12 inch vinyl, housed in a gatfeold sleeve.

deleted - classic debut album repressed in colour vinyl with bonus 7 inch! produced by 9th wonder, vocals by big pooh & phonte.

reissue of a classic! the label: tk records in essence represents the city of miami when it came to soul/r&b and the early stages of disco. in 1974, george mccrae gave the label its first no. 1 disco hit with rock your baby. a little more than a year after mccrae s hit, the record label struck gold with kc & the sunshine band with five 1 songs on the billboard hot 100. needless to say at the height of the genreÆs cultural domination tk did pretty well.

after agoria and oxia, dino lenny is now entering the sapiens family. founder of frenetica and fine human records, dino lenny starts young as a dj in a small radio in cassino (italy) and after a while he moves to london where soon he starts enjoying successful releases on labels like ellum, innervisions, crosstown rebels, exploited, yoshitoshi, toolroom, suara and many others. dino also gaines notoriety remixing underworld, missy elliot, timbaland and collaborating with everyone from scissor sisters to wutang clan and madonna. in 2015 dino signes to ellum 3 eps in a row its saturday, living in a song & the anthem this is a love song. 2016 sees dino remixing in partnership with seth troxler the magic room out on seth’s label (play it say it) and contemporary on innervisions a certain distance with a great rework from label boss dixon himself. this year correspondant will take part in this exciting journey with a track that dino wrote with fiberroot called suddenly meanwhile his label fine human records continues building nicely with great support. the italian wizard just got remixed by agoria & maceo plex and his original mixes of shoot me to the sky/ this time we take it easy will be out soon on sapiens. exciting electronic days for lenny! tracklisting 1 shoot me to the sky (maceo plex remix) 2 this time we take it easy (vinyl edit) 3 shoot me to the sky (extended mix)

the limited, hand-stamped presentation of the canoe releases matches the music contained within, all grainy and unusual but utterly tooled up for the club. nyra s pet project is providing a fascinating insight into the make up of this ever emerging artist, and tracks like -opening rhyme- are sure to pique interest from all kinds of adventurous spinners. while the track may start in a kind of looped up deep house headspace, after the breakdown it takes an unexpected, thrilling swerve into twitchy acid. -tape trek- is more overt in its surreality with its layers of pitched speech getting run through the mill and splashed over a primal drum machine beat. -galaktik- meanwhile has a touch of old skool rave about it, but it s far from an obvious throwback track. suffice it to say, we ll have whatever nyra s having.

hot release from south african producer dj call me. digital, sunlit and soulful house for your heart. perfect to bang a club with love. all tracks were written and produced between 2009 and 2010, in mokopane, south africa.

since the beginning we can see an evolution in jose ricos music. his sound is now more powerful than ever and the structure of his tracks have gained in complexity. the rhythms of his tracks, highly influenced by chicago house and detroit in his earlier releases, now are looking at the european 90 s electronica and dub music, slowing down (even more) the tempo. we can say that the his last releases on into the the deep and off minor are probably his best works and most mature, so far. de&#769,,ja&#768,, vu, the 11th downbeat installment, continues to explore this route. here we find four emotional and spacey tracks, made by old synths and samplers which takes us back to the early 90 s.

*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know. pressing on 180 gram audiophile double vinyl.

dutch jungle loons fff and coco bryce team up once again for another amen excursion on myor massiv. space is the place on this 12inch, with both jams featuring a short documentary s worth of chatter about giant planets, failed stars and opposing quadrants. whereas fff takes a rather intricate and, dare i say it, intelligent approach on the a-side, coco bryce s more massiv goes straight for the throat, with amen chops and a double tempo pulse bassline being dropped mere seconds after take off.

limitiertes farbiges heavyweight vinyl in gatefold sleeve mit vierseitigem booklet und mp3-donwloadkarte.
erstes album seit 20 jahren: der sänger der only ones überrascht mit einem neuen album voller pop-preziosen und einer stimme, die lou reed zum verwechseln ähnlich ist.
heutzutage suchen wir nach verlässlichen figuren in der welt. zum glück gibt es peter perrett. auf das britische musik-urgestein war schließlich schon in den späten 70ern verlass. damals bescherte er mit der band the only ones der londoner new wave bewegung den hit “another girl, another planet”, drei alben und ganz viel inspiration. nun meldet sich der heute 65-jährige mit dem neuen solo-album “how the west was won” zurück. wer the only ones kennt, wird wissen, dass perrett schon früh anleihen aus dem us-rock’n’roll mit new wave und britischer schnauze einzigartig vermischen konnte. durchflossen von neuem elan hat er gleich einen hit genau dieser couleur mitgebracht: den albumtiteltrack.

heutzutage suchen wir nach verlässlichen figuren in der welt. zum glück gibt es peter perrett. auf das britische musik-urgestein war schließlich schon in den späten 70ern verlass. damals bescherte er mit der band the only ones der londoner new wave bewegung den hit -another girl, another planet-, drei alben und ganz viel inspiration. letzteres wussten vor allem die kritiker. und trotzdem gelang der band niemals der totale durchbruch. danach blieb es über ein jahrzehnt ruhig um perrett. seinem drogenmissbrauch folgte das abtauchen und dann die mystifizierung seiner person. nach zwei solo-gehversuchen 1996 und 2001 brach er 2015 zu einer kleinen tour auf. dort performte er seit langem auch wieder neue songs. nun meldet sich der heute 65-jährige mit dem neuen solo-album -how the west was won- zurück. wer the only ones kennt, wird wissen, dass perrett schon früh anleihen aus dem us-rock n roll mit new wave und britischer schnauze einzigartig vermischen konnte. durchflossen von neuem elan hat er gleich einen hit genau dieser couleur mitgebracht: den albumtiteltrack. von the replacements bis hin zu violent femmes, peter perretts musik hat den sound vieler darauffolgenden bands mitgeprägt. 2017 feiert er das comeback, das keiner kommen sah.

what is there to say about the difference ? this is how it should be done - deep, with soul and conveying a message, house music doesn t get any realer, any purer. logic, a collaborative effort between wayne gardiner, roger sanchez, vivian sessoms and eddie maduro unleashed this monolithic slab of music on the world in 1990. truly streets ahead this record helped carve a new sound, a new feeling in dance music. oozing with human emotion and feeling the difference is one of those records that honestly warrants the title of classic . it s b side i got somethin is a slinky, late night groove that recalls smoky, sweaty dance-floors and is all the better for it, this is the real deal for real. yet another solid, essential release from the mighty strictly rhythm vaults, sounding as important, fresh and incredible as it did on it s initial release. house music history brought back into view for lucky ears and feet in 2017. the difference has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

kampana s debut release was a global hit across the house, disco and tropical scene, with support from heavyweights such as francois k, soul clap and gilles peterson. the label is back just in time for summer with three more doses of peak time fire from aroop roy, who has gained a fine reputation for the quality and widespread appeal of his releases. you say is a funk-fuelled number with gritty retro vocals and guitar, driven by a warm disco groove and 80s arp-synth. the feel-good vibes gradually build into an anthemic floor-filling climax. taj mahal reworks a brazilian classic into a full on house workout, reminiscent of roys popular series on gamm. mapora is an original number that will blend well into both deep house and afro-centric sets. the track builds nicely with filtered samples and syncopated vocals, coming in with an infectious highlife guitar line and late night synth stabs, to get mind and body moving.

180gr pressing, incl boys dont cry, friday im in love & lullaby !

180gr vinyl

matasism 1st release on his new vinyl label.the debut ep features 3 heavy techno cuts.nothing to say,enjoy it.

ltd nice price summer deal , berlin & schwerin based nu-breeds-de-jour goldwill cook up a rather special release as dessous teeters ever closer to its 100th release! >discooker< comprises of 3 original tracks on the vinyl. sauntering off into the night, >nachtzug< delivers a tripped out, jazzy jam that skips between off killer house and laid back disco editstations… a freaky warbling synth tone becomes the main destination as skipping beats and warm, coal-fired beats pump throughout. title track >discooker< is a true testiment to goldwills skills in audio-culinary. splicing micro samples, elastic beats and beautiful synth work, this groovy late night journey track deserves 3 michelin stars. >sketches< is a more tripped out jam featuring fantastic vocal manipulations, deeper-thandeep synth hypnosis and some clever timing which reminds of some acid drenched french filter-funk action! needless to say its a killer for the late, late hours.

the mojuba sublabel moves on to the next realm of music after delivering with sven weisemann - xine one of the most surprising and acclaimed albums of 2009. so now its the turn for goldwill. some of you might know these incredible talented guys from their first releases on liebedetail, musik gewinnt freunde, wasnotwas or einmaleins. so what can we say about this release, if you liked jc freaks you will love the sound of goldwill! its that magic combination of sounding fresh and not forgetting about the traditional old school feel at the same time, which makes the tracks so special! so check out the convincing tunes and keep in mind: the future looks golden!

mit hits wie waterfalls, no scrubs und creep- sowie 65 millionen verkauften alben, vier grammys, platin und diamant-auszeichnungen, zehn top 10-singles und vier nummer 1 singles gehören tlc bis heute zu den erfolgreichsten und einflussreichsten girlgroups aller zeiten. jetzt meldet sich die band nach 15 jahren eindrucksvoll zurück. nach dem ersten musikalischen lebenszeichen way back mit westcoast-rap-legende snoop dogg, erscheint jetzt mit haters die erste single aus dem neuen album der legendären girlgroup. war way back noch ein astreiner neunziger-throwback-track, haben tlc mit haters einen echten pop-banger am start. haters gonna hate / people gonna say what they say / but we dont care about that anyway, singen t-boz & chilli und widmen sich in dem song einem aktuellen thema: mobbing in den sozialen netzwerken - und machen deutlich, für derartige lästereien hat das duo nur ein selbstbewusstes schulterzucken übrig. -haters- ist die erste single aus dem neuen, selbstbetitelten album tlc, zugleich der erste longplayer seit 3d aus dem jahr 2002. nachdem lisa left eye lopes sieben monate vor albumveröffentlichung bei einem autounfall ums leben kam, wurde es ruhig um t-boz und chilli. erst 2015 meldeten sich die beiden mit einem spendenaufruf zurück und sammelten mithilfe der crowdfunding plattform kickstarter 430.000 dollar für die produktion einer neuen platte. künstler wie katy perry, new kids on the block und justin timberlake beteiligten sich an der aktion. das vinyl-album erscheint mit 12 neuen tracks.

following the success of ‘ride’ with miss kittin, eminent sci+tec founder dubfire returns with another chaos-conjuring techno composition. previously the sole-preserve of his epic sense-blurring hybrid show, dubfire is finally unleashing ‘dust devil’… his first solo release in several years, ‘dust devil’ is all about precision momentum. a move that dubfire’s made his signature, you can physically feel movement and destination throughout. especially as we reach the short breakdown where the riff revolves faster and higher, providing space for the echoed stabs that whirl and twist around you intensely. as the drums re-ignite, the riff is suddenly converted into groove energy as the jack-minded persistence brings the elements back together with pure focus. this is what ali has to say… “this was an instrumental i had done that i wasn’t quite sure what to do with. it wasn’t strong enough for a lead single and it always felt as though there was something missing, perhaps a spoken or sung vocal. so i sort of put it out of my mind until it was time to compile the music for the hybrid show back in the summer of 2013. once i had the backbone of the set list, along with the visual look, there seemed to be a more defined mood and look. and when i happened upon this track again it seemed to have been tailor-made for this show. it was also nice to insert something no one had heard before to break things up a bit.

bss records returns with the second in a series of va compilations entitled percussive parameters . after successfully launching the series last year, showcasing both emerging and established artists and topping juno s vinyl chart, this one s set to cause a stir. first up is troy gunner, an artist with a wealth of experience and a diverse arsenal of club focused records to his name. ‘pleading shows troy s deeper, more melodic side with atmospheric pads and vocals layered around an intelligent, driven percussive array. as the track progresses, a hypnotic and compelling synth is introduced that draws the listener further in, cementing troy s intuitive abilities in the studio. next up are head honchos silas & snare, who deliver a certified club weapon. memories starts unassuming, mesmerizing and innocuous, before launching the listener into a rolling, dubbed out cut destined to open and close sets across the world s sound systems. on the flip, we bring two exciting and emerging uk producers, agrippa and yak, both delivering their debut 12- offerings. kicking things off is ziplash , a drum workout that demonstrates agrippa s ability to manipulate percussion and sub to the highest caliber, with thunderous claps and kicks weaved over intricate beats and samples. finally, and as the name suggests, showdown is a menacing cut of club weight destined for low ceilings and late nights, with a relentless sub and inimitable groove throughout! as ever, we d like to say a massive thank you to everyone supporting our music, ideas and artists.

hot on the heels of skarn division s successful launch in december of 2016 and its inaugural, well-received four-tracker skarn which featured an original track and 3 remixes from positive centre, plukkk and yuuki sakai, italy-based label founder and author of the original work federico amoroso has made an indisputably wise decision and commissioned 5 more remixes to be produced by the stellar representatives of high quality techno discipline. needless to say, when you bring together the heavy-hitting and well-established takaaki itoh, stingrays, lucindo and paul birken who have it for a principle to bar no holds when it comes to production, you can expect a rather strong output, but even dj surgeles, who is normally known for contemplative, leisurely-paced deep space vibes has turned quite mean and put forth a kind of stomper that has the potential to wreck some serious havoc on the dancefloor full of action-ready technoheads.

ltd 50% summer deal ... betterlatethanever is the 029th instalment of the lessismore label for eindhoven. this release took the long road in getting there, with in the meanwhile already the first lessismore baby born. finally we can only say it is better late than. this edition without label heads gideon & mbc, lessismore presents three spanish artists. pelacha is one of the best known female djs in spain. pelacha already released her first work on lessismore 015 with her well received super glue. the two new artists are vasco ispirian, who is known by everyone who visited the room in madrid where he has his residency. and hd substance, this production machine with already a long discography going back to the begin of the 90s, is now finally on lessismore. this edition is all about showing a different perspective of something that is essentially the same. so chordish love for spain.

limited rsd 2017 release.

this double-pack cymbolic originally came out in 1995 and found favour with electronic music fans who sought a deeper edge in their music. it s all here, the trademark drum programming, the epic sense that all of the burden bros productions have within them. this is dancefloor music, music for dj s to utilise, tools, but tools with the deepest soul imaginable. listen to terraforming or the symbiont - perfect examples of driving, almost tribal-esque rhythms fused with strings, synth pads and human feeling. cymbolic is for you if you re a fan of detroit techno, but it s also for those who enjoy the deepest electronic sounds. that s not to say it isn t funky though, these tracks will decimate most dance-floors, and therein lies the secret. essential