pete herbert drops the second release on paradise row - the imprint he and dicky trisco set up to release their own output. mango moon is a very herbertesque number pumped full of musical influences from house to italo to disco, but with an eagle eye at all times on driving the dance floor really wild. pedro demonstrates his years of experience as both a producer and a dj in a track that captures so much of the territory he has covered in both guises over the years. with its pumping live disco underbelly, its melodic italo-style keys riding on top and its rock solid drums, it really is a very classy production by a dj/ producer who knows where he wants to go and how to get us all there at the same time. meanwhile on the flip, his label and dj compadre dicky trisco flips the track in a live disco direction with an epic take of his own that throws more than a few surprises into the mix. dicky teases the dancefloor with a long build up but just wait until those wicked keys by faze action s robin lee drop in! quality stuff, & more great dance floor tackle courtesy of paradise row.

watergate affairs is a brand new offering featuring residents, regulars and affiliated artists that have developed close ties to the club through the years. over the course of four tracks, jimi jules, lee jones, la fleur and david mayer & sebastian voigt perfectly display the sound of watergate. diving right in is jimi jules and he hasnt let lost a step, picking up where he left off with his stellar bogota ep earlier this year by churning out a burner. 6% is rooted in a heaving low end groove while hypnotic tones spiral around a modulating lead that never lands in the same place, ensuring a twisted dance floor venture.

** limited 2016 repress **
for the next instalment on their vinyl only imprint, fear of flying look to producers old & new for the second volume of their various artist ep. two distinct flavours are packed on the vinyl with the a side being the housier of the two schatrax provides just for fun - following on perfectly from his crossover hit get it right with the same deeply phunked up sample based vibe. ivano tetelepta continues his hot streak on the label with lot, very classic sounding in its approach with a real blissed out & sunkissed groove for the forthcoming hot summer months. techno is the main staple of the flip side the analogue cops offer up introduction under their ocp guise. as youd expect from these analogue warriors the groove is raw, the samples peaking and the beats intense. new artist ste roberts rounds things off with booze which takes its cue from studio 1 records of old but ups the ante with tripped out noises and a tougher edge

kicking off this four track ep is one of yuri s most dynamic productions to date. wildly oscillating synths and snapping handclap-led house beats drive east west connection , while what starts out as an acid synth shifts through a cycle of changes before evolving into a detroit-style riff. both nervous arp and morning at home take the same palette of sounds into much deeper territory, touching base with electro funk and straight up jazz-fusion, highlighting yuri s versatile musicality and distinctive production style. modular is an older track of yuris - a non-stop ride through wonky, synthesized fusion with hypnotic keys and rolling drums.

auf warme streicher- und gesangsarrangementes reduzierter house à la arthur russell.

spazio disponibile is the italian label run by voices from the lake, aka italians donato dozzy and neel. it finds the pair putting out music made with their rome party of the same name in mind. music comes from the founders themselves, as well as guests who record in the studio in the days leading up to the party. after a first release by voices from the lake, dozzy is back with a solo ep offering four cuts to form the that fab ep.

debut lp offering from london rap group jungle brown. having featured on sbtv with their ep ‘take one’, this lp builds on a strong foundation. sample heavy, with strong saxophone performances from ayo odia, the instrumentation is rich and thick in texture. lyrically the group go from light and playful, to deep and introspective with great subtlety. keep it movin (a1) is a light reflection of the group moving from bournemouth to london, while ‘in the city’ (b1) is a gritty anthem detailing the arrival to the city. having a strong performance record behind them as well, the group’s reach is good, both in the uk and abroad.

‘this is eleanore mills’ was her debut and only album, recorded for the sylvia robinson’s all platinum subsidiary astroscope in 1974. the album was produced by harry ray and al goodman of the moments and tommy keith of the rimshots. it includes some great crossover and modern soul cuts, including the in-demand string laden early soul/disco ‘same routine’ a popular killer cut and ‘i’m gonna get you’ another superb up tempo soul cut. ‘fascinating devastating man’ is a lovely mid tempo track. the album includes some beautiful soul ballads ‘he said goodbye’, ‘how can i love you’ and the heavily sampled ‘telegram’ which she rips up, plus ‘teach me’ an amazing near seven minute opus which picks up a heavier groove half way through.

in a world where a lot of music can sound the same, yse saint laur ant is like a red umbrella in a sea of grey. for years he has shown a gift for choosing a unique array of samples to paint a picture. then building upon them with warm, slinky and expressive drums. his first outing on editorial s waxed series faux me?tier in 2014 was a definite hit. here he returns to editorial with his cure for gravity ep as a special record store day release we will let the music do the talking from here. hope you enjoy and find something for a place in your sets.

bringing some much needed soul to the party, emotive 001 sets the tone for the imprint, a label that aims to give you more than a quick fix, tapping the listeners emotions with each release. 001 comes courtesy of silk 86 & blamma blamma, a collaborative two track ep, ‘never think’ & ‘still love’ were born from the same studio session and feature the signature flair both parties are known for – percussive grooves, jacking drums and that ear for a hook.

religio is glad to present the first va series of the label rigorosely on vinyl only. a side is from lillo and fulvio ruffert & gregorio serasin, both minimal and deep tunes, lillo s track is more big deep bass and bouncy instead the creature from fulvio and his mate is focused on the mesmering soundscapes and deep dub melodies.. b side is from fnr and kitkalt the fnr tune is very organic and sexy and from his kind of producing very analog stuff taste, kitkalt delivers a more techy track, dark and shiny at the same time, a tune for smashing the dance floor..

seventh part in the very exclusive schatrax repress series. handstamped 180 grams coloured vinyl.

the in 1986 produced mks-50 synth is a rack-mount version of roland corporation s alpha juno. it has the same synth engine and architecture, but with added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. the optional pg-300 gives traditional slider type control of all editable tone parameters which include dco (digitally controlled oscillators) lfo, bend, env, pulse, waveforms, noise, pw/pwm, high pass filter, vcf (filter) with freq/env/res/lfo/kybd, vca envelope, chorus, and more. adapta delivers a project based on this legendary mks-50 synth. tracks created with technology from the past, aimed for the future. what we call,.. techno!!

limited edition of 300 copies with unique artwork made by russian street artist (grisha), which were carefully adapted to sleeve design by mikhail myasoedov. the vinyl lp contains 4 selected tracks from the full 8-track album.
after 9 years of silence, here’s the 11th album from the unclassifiable brussels-based duo. with their usual tamping drums (just mention the two parts of “the decision to exist” or “same area”, led by a ferocious 808), a regular bass guitar hammering, some bare minimum poor voices, threatened violins, skinbound flute and oboe here and there, a distorted furious piano everywhere and finally some tiny cautious optimism (the extra-human guitar in “enough slaps”), the whole is carefully assembled in order to obtain an accurate picture of life on earth. “pain” and “pleasure” are different aspects of the same mental construction.

new york house legend david morales arrives on radio slave’s rekids for a vinyl only release. homage to his formative years at the influential club of the same name, morales’ red zone project is the moniker which the def mix veteran produced many of his seminal remixes under, from the thompson twins to shawn christopher, clive griffin to overweight pooch and propaganda to the pet shop boys. rekindling the pseudonym for a vinyl only appearance on matt edwards’ renowned imprint, the release initiates with a robust dancefloor workout titled ‘don’t go’ that’s laced with heady melodies and energetic hats. meanwhile, ‘tribal funk’ is a more rhythmic cut featuring thudding drums, deep chords and compelling vocal samples.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

glasgows junto club return with their second ep. in their own words. this is the second in our planned trilogy of junto club eps. if the first was the birth of the junto club, this is the middle-aged existential crisis. we ve followed the same ethos as the first ep, allowing the music to develop organically rather than being restricted by considerations of genre. naturally, this was shaped by our experiences of the first ep.

brussels’ michael “weird dust” crabbé & ernesto “bear bones, lay low” gonzález play electronic music to dance and trip out to as tav exotic, using all kinds of machines except goddamn laptops.

h-productions proudly presents >green light< by cari lekebusch. this is the fourth release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997. since the beginning of the 1990s, caris brainchild label platform h-productions has been changing and re-inventing itself numerous times. and at this moment it takes the shape of 3 different catalog numbers running at the same time. the hyb releases will be exclusive vinyl releases only, and the hpx numbers will be digital only. as a cherry ontop we have the special hybrid catalog that will only be found in our bandcamp online shop. -with warm regards from stockholm-

we finished 2015 with a six-track jumbo ep from borrowed identity and thought we d repeat the same trick for 2016, though this time with originals from okayama-based producer keita sano. eye begins with keep an eye out, pt.2, a propulsive song that sounds like a lost contender for the knight rider theme. own signal keeps things dark, but with a spartan bleakness. the side finishes with smoker, another manic cut that ll give you chills. the flip finds keita exploring brighter sounds without losing that industrial, jagged edge. trmk is essentially a beat track that ll ignite any dance floor and fix is a herky-jerky ditty that ll get you stomping around the club like a possessed reveler. the 12inches cherry on top is think twice, a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. a fiery finale for this hedonistic party.

essential reissue!! the producer and dj from chicago joey kay published in 1994 an ep that soon became a favorite of the 90s house djs around the world: eclectiz ep . the legendary label house jam records was responsible for editing and selling it. nowadays, in 2016 (22 years later) the owners of the label bons records have been in contact with joey kay and they have been quick to reach an agreement to make a remastered edition of the great eclectiz ep including the same tracks that the original version but at an affordable price to everyone, not favoring the speculation around these kind of musical gems, mostly in platforms like discogs. eclectiz ep has been remastered by robert feuchtl (fat of excellence)

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. they’ve been chopping up our dance floors months, we’re excited to hear them do the same to yours.

180 gram marbled vinyl in unprinted translucent pp/pvc sleeve! nick sole, know for his previous releases on mojuba and fauxpas restarts his very own label plattform with a brand new album like series called private collection one. 46 minutes of music ins his typical mesmerizing and capturing very own private house rhythms, a 4/4 paced array carpet of tones and effects that are hypnotic and bpitched around 120 bpm wit ha focus on fantastic sound and high quality production. for vinyl fans the extra bonus is 180 g and marbled vinyl.

from the depths of the dark net come telkhin, the latest addition to the shipwrec roster. following earth being recycled on detroit underground, the argentine project are debuting on vinyl with five tracks of off-world electronics. the chilling atmospherics of -body container- meet the needle before an electro iciness takes hold. spiking snares and echoed radiowaves orbit the moody walk in, that same frosted futurism central to level above human. telkhin melts man and machine, giving the computer age a humanoid form. processors whirr in the bassy bleeps and residues of brithomber before the final statement. leaving the human world behind flight 19 is a fast and future funk driven piece of 2050 music. forget the past, embrace the next step. limited run of 150 coloured copies.

1 sided + large gravure on other side. love on the rocks is very excited to present sharif laffrey’s key jam (a.c.i.d.). his first release since the sleeper hit turn it up was released on discos capablanca over two years ago. key jam (a.c.i.d.) is the treasure + the mystery. laffrey’s signature raw edit style is in full effect on this 9-minute proto-dance heater. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - he’s worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through a open window. an active member in detroit’s early rave scene, sharif remembers booking all foreign gigs with a fax machine - and would still do it that way, if anybody else had them anymore. he drove a black trans-am from 1990 to 1995. acid, tons of random stuff, tough, sexy, lovely, slow. freak mode. he is dealing with the fame. more to come.

originally released via ascetic house in 2015, vereker’s grace tape owes much to the canon of vintage anti-music, exploring catharsis via a transgression of traditional compositional & technical values. working with the same thematic concerns of much of the more leftfield additions to the avian catalogue - in it’s more subdued moments, anxiety & dissafection, in it’s more high energy - pure hysteria - the recording pairs basic synthesis with warped vocals in the same manner as industrial progenitors throbbing gristle and steven stapleton (nurse with wound).
the reduced palette & crushed production aesthetic creates a powerful immediacy, with a twisted musicality being drawn - at times, kicking and screaming, out of the depths of the mix. like much of vereker’s best work on labels like lies & berceuse heroique, elements warp & twist uncomfortably within the tight confines of a reduced dynamic spectrum - creating a dark, heady energy. scetic house, the predominantly cassette only label, has seen appearances from la’s silent servant, northern electronics’ varg & avian’s own shifted - under his covered in sand alias.

it doesn t happen often, but every once in a while one release is all it takes to establish you re dealing with an exceptional talent. laurence guy s debut ep on church was one of those records: four dusty, moody, intricate basenent workouts that tug on your heartstrings and make you want to crank up the gain at the same time

4 tracks from zavor shows at his most versatile yet and clearly displays the producers talent for constructing both strong atmosphere as well as sheer dance-floor effectiveness. enjoy!

soft talk is the latest alias that natal zaks - our longtime danish friend and a musician we have been constantly releasing under different monikers throughout the last 5 years - picked out for us. he is hands down the most talented producer we have ever met and it is always a privilege to be able release his music under any name he chooses. we have seen his music go through many transformations and they were always for the best. this time we feel the exact same thing, that this is our favorite music ever and we will never want to release anything else again. that is never true of course, but the mercy ep does feel a lot like that.

the label owners of enough! music will tell a story with their music project. the following releases are bind together witch each other through the same story. each release gets you closer to the whole story. enjoy listening to the invited first artist ilario liburni. four trippy, groovy and pumpin tracks from mastermind ilario liburni behind cardinal / invade records and enough! music labelhead danilo schneider. a „piece of each ep is a stunning liaison between danilo and ilario. enjoy our journey

when we started heist a few years back, our idea was to give a stage to talent in a same way as we have had a helping hand by the labels that have supported us from the beginning. therefore, i’s our pleasure to share this release with you by newcomers ouer, a berlin based duo with only a handful of tracks out so far on their self released debut last year. their approach to producing is very much jam based, and with a compact collection of synths, drum machines and a fair level of distortion, they succeed in creating their own sound with hints of classic electronic music from chicago and detroit. theres a nice mix of energy on the whole ep, the ascent being the most driving track of the package. fans of classics mcde tracks will love show off with its dreamy dx7 style chords and cracking acid lines. move over feels like a jam session that was way too much fun with some lovely solo work on the synths, whereas mess around goes down in similar free-ride style on the synths and again, has some lovely sampling going on. an impressive ep were just all too happy to have on our label. sincerely yours, lars & maarten

subsidiary label of a same-titled record shop based in moscow. created to reflect owners vision of quality dance music.

oliver schories is neither a friend of dogmas nor an antagonist of reflection. he winks affectionately to his musical past with his fourth album, to at the same time bethink himself of his musical core. accordingly profound and day-dreamfully rests relatively definitely in itself, without having any demand to be danceable. schories has allowed to let himself go and to listen into himself. in twelve tracks he tells about his experiences and allows a very deep view. who listens to music with the heart will understand what his ensouled basslines and oceans of melodies are telling. he came down to rest solid as a rock and knows where he belongs to. and apparently he feels relatively well over there. how sweet, that he lets us listen so closely.

the first release features two original tracks and one remix. back home in itself opens up with emotions and feelings of mysterious dark atmosphere that won t leave you indifferent as a listener or a dj. field of dreams is brimming with various textures that form strange feelings but at the same time delivering a clear message. the remix on side a sounds very precise and sophisticated. the minimalistic groove of the entire track forces your feet to move.

good things come to those who wait. the long-anticipated land of light debut, a masterpiece of an album and pillar of the esp institute, was unveiled in late 2012, slowly followed by the gorgeous remixed ii. since then, many have longed for the missing first half of this two-part package, the universe is kind and has finally delivered remixed i. on side a, kuniyuki takahashi (mastering engineer behind seminal esp releases, and legend in his own right) took the bull by the horns remixing flares—a piece of music so entrenched in melancholy, with such fluid performance and production, its hard to imagine anyone taking it deeper—he has unarguably triumphed. on side b, esp institute veterans tambien rose to the same challenge with flares, the bavarians taking a refreshing uptempo approach, a contrast to the swells of guitar and synth. closing the release is the seahawks blissful re-imagination of bell rock outpost, slowly and steadily setting sail into a dusky vision of the scottish lighthouse after which the song was named.

a truly original artist is joining the lmml family. enrico mantini, who has been dropping classics one after the other since 1992. for this release he created something really special, apart from his traditional sound. three tracks that are deep, crunchy & groovy at the same time. zap right thru it...

markus wormstorm, the one man phenomenon, is back with his new album. in it wormstorm experiments with down tempo pulses, bernard herrmann style compositions , african click singing, anime &#769,,,sampling and xhosa rapping. unlike his previous albums, wormstorm presents a whole new style called african electronic , which combines his passion for the cultural effects of south africa along with his expertise in electronic music and classical composing. figure in field consists from a various amount of collaborations, keeping you captivated and fascinated leading into his fantasyworld and - at the same time - into the reality of modern south-africa.

leave your preconceptions behind because ital tek’s brilliant new album ‘hollowed‘ is his best and most rewarding yet. created from new beginnings, it’s a journey through the naïve exploratory methods with which alan myson started to make music over a decade ago. the record is dark and maximalist but at the same time the huge sounds are minutely detailed and elegantly rendered.

shlømo signs new singular, cat number 9 with titan ep. the parisian artist, co-founder of taapion records delivers two deep techno cuts on a side, clearly floor orientated, “titan” opens the hostilities and shows all the thoroughness of the man, powerfull and precise, sharp… then comes “memento mori”, made in collaboration with his friend awb (adrien ozouf), where we can find the same ingredients with more emotional flavours, going deeper. b side starts with a drastic reshape of “titan”, by norman nodge himself, before going on a down tempo warehouse feeiling closing perfectly this record with “void axis”.

listen up! dizzy tunes dj krime jets out with yet another well produced, most distinguished pinpoint production - sounding both classic and modern at the same time, this acid house & ghetto acid music sums it all up to please your needs!

one of the most charismatic and respected djs in poland, eltron (aka eltron john) presents what is probably the most expressely club-oriented record in transatlantyk history. his four track offering sounds much like his sets - ferocious and subtle, raw and sophisticated at the same time. the main mix of b&s blends druggy deepness inspired by the vibe of 90s tribal america with uk funky riddims, creating the sort of pneumatic house groove that never fails to get the party rocking. this simple, yet meticulously produced tune has already been road-tested and received enthusiastic feedback from a number of jocks around europe, and the vinyl version seems destined to strengthen its deserved banger-with-a-message status. the dub version of fuses layers of darker, industrial bleeps with a classic break and a rather healthy dose of echo. trippy and rough, yet exhilarating - it is exactly the kind of track you want to hear in a dark warehouse. switch to the b-side for the light , where sampled vocals, pitched-down drums and fuzzy pads are combined to form a unique specimen of lo-fi r n b, eltron-style. this hazy groove is guaranteed to guide dancers ever-so-gently into the light of the morning. finally, reprise exposes the bare bones of the original. with its dubby, in-your-face quality, it is one for the track heads, definitely.

the third ep of the trilogy works following the releases d6&d7 from sundance in 2012 and flying one hand from op.disc in 2015 comes this one. a) side is the unreleased dub version of the previously released same titled track. b) side is the fine interweave of radiqs percussion + fumiyas base/beat groove with soul vocals. the sound is different from the style of dirtriix works and the each has its distinctive own groove.

padez is a producer from a town near mannheim which meant growing up fully submersed into the vibrant electronic music movement of mannheim and frankfurt area, but his influences grow roots deeper into the golden age of hip-hop, as well as jazz, soul, funk etc… he started producing in 2009, sharing music just in between a circle of friends, and it was not until 2013 that he had his first digital release out on basti grub’s hoehenregler records. in the meantime he took the chance to dive deeper into the sound with his friends sedee. releases on valioso recordings and medeia records among others can be expected as a result of this collaboration. the love reloaded ep on kanzyanis jesus loved you label is his first vinyl release and a homage to the music he is essentially influenced by. the ep features 3 intrinsically groovy tracks, permeated with heavy baselines and driven by upbeat, slightly broken rhythm patterns, oozing a sublime soulful vibe at the same time. truly a dance-floor delight!

its one year since we started this adventure and we want to celebrate pressing our first vinyl. for this special event we have onboard one of our best friends and someone we respect massively, no other than oscar mulero. he his providing two futuristic reworks of uncuts track beneath, floor orientated but mental at the same time, with flanged synth sequences and scientific drum programming making two techno tools that will crush sound systems worldwide. aside from the remixes, an own rework of beneath is made by the hd substance & leandro gamez duo as well as a brand new original track called f9, arpegio madness, concrete beats and solid structures as we should expect from this two veterans. four solid cuts of no joke modern techno made by those who know for those who know.

tt/dok is kenton slash demons third ep on future classic. the two track ep is set to hold down the same amount of anticipation and support of precious offerings of the danish duo. this release affirms again the strength of kenton slash demons organic and futuristic sound, and their obvious skills take their productions further than the typical frame and dramaturgy of a club track. they want to create soundtracks for clubs as well as music that you can listen to on your home stereo, thus blurring the space between the public and private experience. the vinyl release includes a download code.

nice price deal !!! “rising / falling” marks multi faceted artist daze maxim aka markus manowki’s second full length lp since 2000’s “same place the bot got smashed”. this is the 3lp deluxe vinyl version.

the album is a soundtrack of music inspired by the movie rubble kings and is out globally via mass appeal records. produced by longtime run the jewels collaborator little shalimar, the album features appearances from bun b, ghostface killah, killer mike, tunde adebimpe, mr muthaf*kin exquire, boldy james, cuz lightyear, ka and roxiny, in addition to run the jewels. scoring the film was the first time little shalimar set out to make period music. half of the music on this album was taken directly from the score and is heavily indebted to ‘60s and ‘70s soul and funk music. for the new tunes shalimar sampled joints from the score and created new beats out of them.
the grey marbled double lp version comes in a gatefold sleeve and includes an iron-on patch of the rubble kings plus a download code for the rubble kings album and documentary.

passafire has built their reputation up through relentless touring and a series of studio albums that have upped the ante each time out with its songwriting, musicianship and production. the band’s fifth studio album, vines, is their strongest yet, featuring a super tight set of songs that draw on reggae and alternative rock in equal measures. produced by the band and mixed by paul leary (sublime, slightly stoopid, pepper, meat puppets). the limited vinyl release includes a download code.

local talk release number 66 moves in deeper territories with a duo that needs no further introduction, greg dowling, shane johnson aka fish go deep. these two fine gents have been releasing music for more than two decades. both greg & shane played an integral part in the emergence of house music in cork city between the years of 1988 and 2001 as their well renowned sweat night at sir henrys helped to attract a host of talent, such as kerri chandler, laurent garnier, dj deep, glenn underground, derrick may just to name a few. it s a big, big honour to have them on aboard for this debut on local talk. first track, off script, takes us straight back to the days of prescription. the driving kick and bassline, warm pads and a hypnotic melody line that crescendos throughout the track keeping you hooked from start to finish. on the flip, northern reach, follows on the same theme. it hits deep, the strings adds that extra bit of drama and again showing the duo s skill in creating perfect atmospheric and timeless deep house. you wouldn t be surprised to hear dixon drop this in a dj set.