just ahead of a landmark 50th ep release, catz n dogzs pets recordings turn to johan cederberg aka hnny for a special five track release that very much invites us deep into the off kilter world of the revered swedish producer. before now hnny - preferably pronounced honey - has won himself many fans with curious and quirky releases on labels including studio barnhus, lets play house and local talk.

a couple of years into honing their skills in the studio and behind the booths, the very dynamic duo known as andhim returns to get physical to present us with ‘spayce, the latest specimen of their self-christened super house genre. raised on a steady diet of hip hop and jazz, the cologne-native pair have proven to many far and wide that they are entertainers at heart and envelope-pushers by nature. taking turntables where they seldom go to turn them into instruments, as well as the heavy use of samples and real-world inspiration to set their own creations apart, its fair to say that ‘spayce is just another example of the duos eclectic, eccentric inclinations. two tracks long and spanning from dance floor epic to quirky by way of some particular glitch, piano work and musical hiccups, ‘spayce ep is a very sweet addition to an already original discography.

leeds based fullbarr have already release 12” involving luke solomon, hans berg, immer, kris wadsworth, samaan, vince watson, losoul and many more now sees the turn of liverpool based andy ash. to date ash has been much in demand on a range of labels including quintissentials, fly by night music and dessous, offering up fresh house that ranges from deep and moody to acid laced and angst ridden..

now indie pop favourites metronomy seek their magic touch to turn -love letters- into a house tune with all the ingredients to create an epic vibe.

a1 is kw edit of kellee s funky disco classic. a2 is kw edit of tchaikovskys real classic dance music. b side is introduction for kws new dance music label another one. featuring japanese brightest hope ugfy. supported by: dicky trisco, max essa,kza, beaten space probe

absolutely huge record from the shelter vaults! roland clark killing it on this underground house anthem from the turn of the millenium. i get deep (shelter mix) is pure peak time joy, based around a rough looping sample lifted from blue magics seminal philly anthem welcome to the club from 1976 and with clarks vocals telling us how he gets down in the club over some heavyweight drums. simple, yet devastatingly effective. this 12inch also features the dub mixes, original mix and the always indispensable acapella version for those who wish to create their own version!

when life gets tough, we always turn to music for physical and spiritual relief. we ve found that dancing to music with positive vibes brings us the joy and energy we need to get on with our daily rhythms. the four tracks contained on this disc are made for dancing. they fit perfectly in uplifting sets and are crafted to blend together with a wide range of house flavours. times are ruff understand what the soul needs to let go of the many forms of stress and pressures in life. we hope you enjoy the music as much as we have enjoyed making it and presenting it to you.

in the wake of youandewans spiral arms ep, will sauls aus turn their attention from the established to the auspicious and present a brand new artist from the camp: escape. based in glasgow, escape is a fledgling talent whose cultivation amongst the ranks sees him now ready to drop the first of several eps on aus.

christopher rau, best known for reliable, soothing and airy deep house, debuts on nsyde with a fresh alias: t.r. early earl / the royal earl company. t.r. early earl might be his rawest work to date. nsydes philosophy is releasing timeless techno / true house and beyond. we think raus latest work fulfills this.

legotek s first lp is brought to you by tel aviv based dot. imagine one of those special sets. the kind of musical story that sticks in your mind for ages, you always remember and in times can scoop endless seeming power from. well this 8-tracker from dot just about fulfils this kind of stimulus. each track can be seen either as one special individual or the whole package as one big flowing journey. mixed together this could easily turn out as a live set. now then, about the unique music and its seductive vibe. staying true to the underground heart of legotek dot has managed what many aim for in effort. a vibrant, lively and deep sound constantly accompanied by strong kicks and pumping melodies. the analogue core of the story has been given the breath of life to become a classic piece of deep house history.

special mixes by justin van der volgen of two of todd terjes biggest hits! commissioned by the man terje himself to take on inspector norse and strandbar, van der volgen strips back and extends the originals in a classic remix style creating powerful alternative takes on these already much loved records you wont find any filters or cheesy gimmicks here, just strong, direct, minimal versions designed to turn heads and move feet vinyl released through justins new my rules imprint

and so lux rec continue to reach out for all those ephemeral, eery noises which are so dear to them. unlit corners on half emptied dance floors. give in to suffer, loss and sadness. embrace it. believe...
lux recs first record for 2015 is a dark and moody affair coming from momentform, a french musician that has no fear to plunge into obscurity, melancholy, a somber look into memories that are too painful to forget. yet, he transformed all those postcards from the past into listening and dance material. our last dance together. turn off the lights when leaving.
pressing on dark translucent, smikey marbled vinyl.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

paper disco are back on vinyl ahead of their forthcoming trash the wax vol. 2 and two totally exclusive tracks. leon sweet launches things with sunny bigler that has a moroder style bass and plaintive male vocal designed to make grown men cry on dance floors. italian master blaster shares the same side rocking his trademark edit chops with games whch will only be seeing the light of day on this wax. turn it over and yam who makes an appearance with natasha watts and paper tea boy chris massey on remix duties. its floor heavy 4/4 disco with modern production and dynamics that will slot in to any discerning box. the second exclusive comes from oslo young bucks de fantastiske to who offer up a more house take on disco. gimme sum dim sum has a shuffling backbeat, lush keys and chords to give it an organic garage feel that tips a wink to the best that new york has to offer.

printed sleeve, 180g vinyl, b3 track vinyl only.

and here is something exciting for you. amsterdams mr mendel who had a proper 2014 already with releases on basic fingers, street edits and lumberjacks boogie debuts on lih as well. for killer reworks for the soulful dancefloor.

you can t touch it or see it but yet you feel it and it enchants you. we all understand that feeling of being lost in the music, where nothing else matters except for whats being drummed out the speakers. how do you describe that connection that connection that bonds strangers and causes good people to turn warehouses and underground basements upside, into bass heavy stomping grounds for the merry. get lost in this ep created by boston heavyweight dj/producer will monotone.

mortem returns! one of demands keyartists graces us with two brand new cuts midnight analogs and y.o.u. for our 24th release. the young polish drum & bass producer has been busy in the last 1.5 years finishing various production projects and latetly got back into the studio to finish off this stellar single. after the success of his last single bring it down / malfunction in summer 2013, mortem once again proofs that hes a master of basslines. while midnight analogs is a hard hitting dancefloor track with trademark subtile soul vocals, y.o.u. is more of a deeper afair. a track that builds up slowly to turn into a minimal bass roller. naughty!

when puppets turn to face the puppet master, the air reeks of triumph and catastrophe. for a price, i could make it go away. for a price, i could steer their hearts your way.

please find enclosed the latest biomix 06 by dj steef. #06 is about balearic & space disco feels. the very first track (a1) is a cosmic conquest, perfect for those really late night / early mornings picking up the speed to its maximum pontential. a2 is a long balearic ballad, dreamy & chilly vocals rounding up the first side. b1 is a solid cosmic & boogie loaded track, very efficient with an irresistible bassline, a must to set the atmosphere right on. b2 is a classic slow mo adventure, very hypnotic where you recognize dj steef savoir faire to turn any dance floor into a south east asian beach. the whole ep is a stylistic composition showing the cosmic disco influences of djsteef.

de:tuned was founded in 2009 by ruben boons and bert hermans. the pair first organised a series of old school techno parties in antwerp (belgium) before launching the record label in 2012. to celebrate 5 years de:tuned they now turn out a very special 5lp album featuring 21 tracks from some of the most respected names in the game. the album has its roots firmly in early/mid 90s techno and electronica, a style which de:tuned has always presented, and spans some 20 years of electronic music.

huge record alert! possibly one of the rarest (and funkiest!) jams on the legendary west end label! “touch your life” is an elusive beast, co-produced and mixed by bert reid (crown heights affair, empress) and steeped in low slung, spaced out electronic funk, this 1982 release is surely one of the most sought after in the labels catalog. a slick quiet storm number featuring the ultra smooth, laid back vocals of the millers backed with some serious synthed-out grooves, a real beauty of a track that will appeal to all disco, soul, electro-funk and boogie heads alike. both the vocal mix and the instrumental are featured here just like the original 12&#8243,,, release. this is the very first time this record has ever been re-issued in over 30 years. don’t miss your chance to scoop up a true rarity, used copies of “touch your life” usually sell for above the £100 mark and don’t turn up very often, if at all! this re-issue has been re-mastered from the original tapes and re-pressed with original label artwork in full collaboration with west end records, new york city.

laura jones second ep for visionquest eskipade takes a more serious turn for the respected female producer. featuring two hypnotic, rattling acid tracks together with a remix from sweden-based techno producer och, this is the sound of her stepping into new shoes.

the opening track on this double sided gynltd series comes from hironori takahashi. speclaz displays sharp panned cymbals and sonics, underpinned by a pulsey rhythm and modulated organesque synths. the takaaki itoh remix is a deeper and more moody affair, albeit with a similar syncopated rhythm structure and some tasty modulated acidic synth stabs with filtered atmospherics. on the flip-side, myk derill s crossroads takes a turn for a more broken industrial rhythm with looped vocal chants holding it all together before breaking down into a washed out synth breakdown, then returning to the pre-emnent fat rhythm and vocalised stabs. finally track 4 sees philippe petit remix, with the artist opting for a very stripped back 4-4 hi-hats/percussive workout underpinning minimalistic modulated synth and gentle bassy offsets. the most tooled-up track of this ep.

remastered reissue of the 1996 double-album *i m a rainbow* by queen of disco donna summer. pressing on heavyweight 180 gram vinyl, download code included.

200 copies - vinyl only !!
serving up their next techno morsel on vinyl, !organism turn to bodyscrub for a hot new single that comes complete with remixes from rocco caine, manic brothers and leghau.

red rack em is a name well known to wolf fans as he launched the first wolf white release with his deep house classic in love again. he is a master at reworking dusty grooves into peaking house bangers. that is the best way to describe this ep too. do or die is a straight up peak of the night disco jam. big sample, big bass, big track. ooh ooh ooh leans on the soulful side of his sample selections and its wonky but funky composition never fails to turn heads. the final track live at music hall is straight up deep. so, something for everyone, no messing.

the title track crystal city shows a real understanding of the techno aesthetic, combining cathedral like atmospherics with rough, raw and rugged drums. the italian tape saturation master steve murphy (lobster theremin/chiwax/wilson) is employed to remix the title track. murphy brings the track back in to the realms of house and sprinkles it with his analogue know how to turn in a sub rumbling interpretation

fantastic new album of disco, modern soul and boogie from 1978-82 on soul jazz records. the 2x12 inch lp includes a download code.

ibadan records releases new deep house/techno album s.a.t. from jerome sydenham, aybee and ron trent. a simple dinner in berlin transforms into a studio session, which in turn evolves into a track, which sets the spark for what has now materialized as one of the most highly anticipated albums of late.

if there is one thing jonas kopp has proven over the last decade is that he can turn his hand to just about anything. since debuting on pfirters revered mindtrip music back in 2006, the buenos aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic musics various forms. it is high time then, that jonas kopp should present his ?rst full-length effort. *beyond the hypnosis* weaves kopps discursive repertoire into a single and concise narrative, covering both familiar ground and exploring new and spellbinding territories, along with just a hint of cosmic neo-retroism that makes this a welcomed edition to the tresor catalogue.

if there is one thing jonas kopp has proven over the last decade is that he can turn his hand to just about anything. since debuting on pfirters revered mindtrip music back in 2006, the buenos aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic musics various forms. from warm chicago house through to deep, dark and driving techno on labels like deeply rooted house, stroboscopic artefacts and more, kopps hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to flourish as one of technos more liberal dance floor purveyors.

second part of the soundtrack for nicky sianos movie *love is the message - a night at the gallery 1977*.

ten releases in and aficionado have firmly established themselves as the go to label for those seeking something soothing and sublime to raise their spirits or move their feet. now messrs moonboots & boardman turn the page on the next chapter in the nado story with the earthly delights of number 11. the wrapping has changed but the gift inside is the same, blissed-out beats and sumptuous melodies perfect for the dancers and the dreamers out there. for this latest release, our generous hosts invite a new star from the east to take us on a journey through textured sound and rhythmic pulse. a vision of panorama greet us shrouded in secrecy and the mist of the unknown, preferring to speak through music than idle words.

ltd to 300!tokyo wax is a peckham based coterie of creative individuals who draw their influence from varied cross-section of electronic music s heritage. tokyo wax intend to outlet music that both reflects and expands upon their influences spanning across spacious, loose-limbed headphone pieces and tough, floor-focused club tracks. in to inaugurate the project are label heads presence and persona backed up by l.i.e.s and russian torrent versions affiliate ngly who collectively turn in a package bearing flecks of dub, percussion-lead house and tenebrous, left-of-centre electronica. tw001 was funded by a kickstarter campaign with all proceeds from record sales going towards the u.k based addison s disease self help group.

black 140g double vinyl pressing with full colour sleeve. limited edition of 300. includes download code.
all nervous energy, ill-defined brilliance, detached emotion, and subdued minimalism, man is deaf is the debut album from london based electronic musician brassica. sophisticated and distinctive it distills michael anthony wrights storied musical past, capturing new wave, psych, synth music, avant garde electronics, house, and italo disco, without sounding consigned to any part of it.

• nine inch nails member and hospital productions artist alessandro cortini debuts on avian !
• comes in a die-cut house jacket with title specific inner sleeve
• big support from the usual avian fans...
avian s 16th release is coming from alessandro cortini under the name skarn. best known for his work with trent reznor both in nine inch nails and how to destroy angels, the italian producer just recently made his debut on hospital productions with the hugely acclaimed * sonno* lp. his new project skarn sees cortini take a turn into more technoid driving soundscapes, which makes shifteds avian label the perfect fit for it. the ep features three tube driven noise workouts with a precise minimalism and a hypnotic drum pattern, which leads the way through the release.

... adonis comically named -endless pokers- project is no joke, in fact, this is some serious chicago acid house! originally released in 1987 and featuring adonis trademark staccato drum machine rhythms, creeping acid lines and cowbells -the poke- is a classic (watch out for those vocal stabs too!). all 3 mixes featured on this 12- bring something new to the table, twisting and turning that acid line into a frenzied buzz. this is pure old school business, chicago style! raw, simple box jams of the highest order! a definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today. re-mastered, re-pressed and brought to you in conjunction with dj international records.

new 4 track ep from moscow based analogue genius chizh (previous releases on anton zaps ethereal sound and plus seven records). 4 track ep of acid flavored house tracks of varying tempo, but always melodic. two originals plus two incredible beauty remixes from the mole (perlon, internasjonal, ostgut ton, philpot, slices of life) and anton zap (underground quality, quintessentials, apollo/r&s). mastered by kuniyuki takahashi.

returning to his original home for this ep, it represents yet another left turn on the ukkonen musical path. the man himself says: *once again i want to change direction a little, whilst still keeping all the things i love in there - the polyrhythms, phasing loops, ambiguous timings and so on* however this set sees the tempo looser than before. we are not sure if post-techno actually ever happened, but maybe post-discotronica is, er, in the post. anyway, we liked the tracks so much that we once again went the extra mile with the physical product - a clear and white marbled thing of beauty, cut to 10 inch size in a 12 inch pressing.

following eomac’s debut album “spectre” on killekill, released earlier this year, here come remixes of the three most outstanding track sof the album. tommy four seven picked the title track spectre, taking away some of the dense texture of the original, speeding it up a bit and adding some straight-forward percussion to turn the original into a big anthem for the mellow moments on the dancefloor. lars stöwe aka anstam is using his anno stamm-alias to rip the distorted bassline of the grimey su riddim out and add some playful bassline variations and some serious 808 business to it to turn it into a peaktime banger with lots of chicago flavour. and do what they do best and turn shell of dark into a half-tempo stomper that after a while breaks up to a devastating weapon of distorted drums and melodies.

the observer effect is a brainy and challenging record. recorded exclusively with gear, with all tracks arranged live, its tracks are pure explorations of the process of writing electronic music.

first part of the soundtrack for nicky sianos movie *love is the message - a night at the gallery 1977*.

having established themselves as two of frances most exciting prospects, jules & moss continue to turn heads and demand attention with refreshing releases that display their admirable eclecticism. with a flourishing discographyspanning the likes of dirtybird, souvenir music, upon you or inmotion music., the duos warm and charming productions speak for themselves, with their next release on kittball acting as a further excitable milestone to their prosperous careers.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

outboxx return to brstl two years on from their first release on the label, tougher and more dance floor focused. although primarily known for deeper house sounds for labels such as futureboogie, they have never been afraid to experiment as exemplified on their debut lp for idle hands. here they turn their attention to deep techno, with two stripped back cuts that retain the warmth of their other productions. sequential circles drills down on a singular, angular riff whilst neatly deployed percusiion hits at just the right moments. moon loop whirls round on a deep spacey groove in keeping with its title. another strong release from the bristol focused brstl label.

die budos sind weit gereist und weit gekommen — sie haben auf vier kontinenten gespielt — seit den anfängen der band. eine gefühlte lebenszeit an welt-tourneen und wöchentlichen bandproben floss in die entstehung von burnt offering mit ein ... und die reise ist noch lange nicht vorbei. so lange es neues publikum zu begeistern und musikalisches neuland zu erforschen gilt, wird sie nichts stoppen. *wir haben unsere mission noch längst nicht erfüllt*, erklärt profilio. *wir sind immer noch hungrig.*
die vinyl-lp erscheint im klappcover inklusive.

repress 2014 !! one of the big success of traxx underground by the young talent wil maddams from uk. after the well received label start-off release by french producer > kool vibe<, traxx underground is proud to present you with the second release coming by young talented house producer will maddams from the uk.

at once foreign and familiar, desert sound colony brilliantly scores a nostalgic journey through the proverbial looking glass. the plaintiff vibe of the way i began envelopes the listener in warm guitar licks and hushed vocals, transporting them to a time when innocence and insecurity gave way to transcendence. the road takes a turn with fire egg, a classic stomper that drives introspection with looping guitar melody and bouncy bass. and before we return to size, iris carries us further inward with scattered claps and a skipping kick, before releasing us into a deep and chugging, eyes-wide-shut, euphoric roller.