mixes by sa-ra creative partners!!!

nice price deal !!! supported by joakim, octave one, ian pooley, smash tv (bpitch control), lerosa, dj falcon, lifelike

brand new duo from thüringen, germany. stunning track continuing the classic herbert vibe. deep minimal house and jazzy electronica with beautiful vocals and some theo parrish and vintage charles webster thrown in. incl. a remix of >beats like birds< from douglas greed, very pumpin techhouse style

first extract from their forthcoming new album >proud sponsors of boredom< release in fall 2007. including remix from electro techno french wonder sex schon, in a very nine inch nails-ish vein.... backed with a huge remix from the english electro wizards south central, somewhere between ed banger and fat boy slim....

the dutch techno label found it was time to revive one of his biggest smashers called >birds on e< the title gives us quite a good idea of what this stuff is all about… this time there are two brandnu remixers in this new djax-pack including the original version! please give these men a warm welcome: sandy warez & the edge of motion crew fire away two mind-blowing nukes and show that the heart of acid music still has a pulse… and it s getting stronger

great detroit flavoured a side flip for two relaxed and jazzy vocal traxx with remixes by funkstoerung and soulpatrol (sb)

the 4th album from london collective da lata.

in our fast moving times five years of sharing a musical path is a remarkable way and a good moment to celebrate. mollono.bass & ava asante celebrate with their first joint album: birds flying high. by combining the catchiness of their solid grooves with a touching violin and a breathtaking voice they create a magical journey a journey that takes you along endless roads from lively african villages to mystic asian dreams. while part one of their vinyl double brought pleasure to the festival world in summer 16 already, the silence of winter gave more of their precious time in the studio to melt all their musical feelings into the second vinyl - and spring finally combines new mixes of all tracks on the album cd. lay back and relax or move your feet in passion.

the debut solo album from the former oasis songwriter and guitarist. .as leader of oasis since the band s inception in 1993, noel gallagher was at the helm for their global success, from the launch of their first indie uk singles in 1994 to their final shows together in the summer of 2009. over the course of their seven consecutive #1 studio albums, oasis sold over 70 million records worldwide and charted 22 consecutive top 10 uk hits from 1995 to 2008 (including eight 1s), creating an astounding historical record.

birdsmakingmachine ist zurück und feiert das 10-jährige bestehen der bmm-serie.

ultraphat groovin minimal

tom ries and birdsmakingmachine with a wonderful split ep for slowdy mowdy. vinyl only release.

finally the bird is back

limited / 1 per customer

70s disco funk by edwin birdsong

the birdsmakingmachine duo is back with what could be the more extroverted ep of the series. the birds are painting a more funky and psychedelic palette on top of their mechanical rolling grooves, with a hint of rave and acid.

funky / disco split ep ... classic

new birdsmakingmachine release

rolling minimalistic groovers from birdsmakingmachine for the ninth instalment of the series. a versatile ep that keeps in line with the bmm trademark sound, while offering a track for each mood, from more dancefoor-oriented club music to stripped down afterparty vibes passing through broken beat influences and eclectic atmospheric soundscapes.

for la clap s second release, cntrl takes commands with a banging ears ep, including a special remix by birdsmakingmachine. la clap is on the roll, having a slowly start but a heavy advance. -dwntstrs- will take you downstairs, at a slow tempo and precise claps. a mixture of sharp sounds that makes you travel deep down. cntrl is coming here with a &#64258,,ame in his hands, followed by a bmm dynamite remix, taking us to another sound

when trends in music can come and go in the blink of an eye, ten years is a long time to stay relevant, passionate and real on the frontline. from its roots in the parisian club scene by way of its spiritual home at fuse in brussels and so on to the globe-trotting, multi-faceted entity that it is today, lessizmore is living proof of how to do a decade right.

draft brings you the third installment in its vinyl series with spain s very own bolumar featuring singer and songwriter katy blue. remixed by the amazing trio birdsmakingmachine.

birdsmakingmachine are back on track and continuing their series in style with bmm 007. kicking off things on a1, at 124 bpm, “the draft” is a joyful number that bursts with relentless energy while managing to fuse sharp metallic drum patterns with juggling ambient hooks. the more dancefloor-oriented track is nevertheless found on a2. as the title suggests, “area 52” is quite literally a journey through the unknown and mysterious, a metaphor for the deep minimal house amazon, a track that stands out with an extra subby bassline, swinging hihats and those ever-so-warm sequenced analog pads in the background. flip the record over and you find yourself with two slightly more industrial affairs, “the voice of kudha” on b1 offering a breakier alternative than it’s predecessors and “zagonity”, on b2, galloping its way to close off the record with shuffling vocal hits and an amalgamation of bouncing hats and snares.

ein paar jahre nach seiner letzten platte war es für suff daddy nun an der zeit sein neues gruppy dumb studio einzuweihen. tief verwurzelt in seinem klassischen suff daddy-sound, entstand ein album, das sich in die entwicklung von suff daddy als producer und mensch nahtlos einfügen lässt. er ersetzt das becks und den schnaps als inspirationsquelle und berieselt sich fortan durch die eindrücke, die er auf seinen reisen durch europa und australien sammeln konnte. weniger chopped samples, dafür mehr synthies. weniger hip hop, dafür mehr handgemachte musik. nachdem er 2015 seine dj-shows erfolgreich aus deutschland auf ganz europa verlagern konnte, u.a. mit einem boiler room in london, durfte er auch anderson.paak bei seinen deutschland shows als support begleiten. auf dem album sind unter anderem sein bandkollege dexter (betty ford boys) aus stuttgart und mayer hawthorne aus los angeles vertreten. der einzige up-tempo & vocal track auf dem album ist sicher einer der ungewöhnlichsten für suff daddy. dexter und suff daddy hingegen ergänzen sich mit ihren ganz speziellen basslines und drum sounds, so ergibt sich der bewährte sound gepaart mit dexters brachialem habitus. diesen winter wird suff daddy zum ersten mal mit einer liveband auf der bühne stehen. termine folgen.

because its our 002, only two copies per customer. banger. banger. banger. beware of the honey bagder. 140g / vinyl only.

over a year since their last release, birdsmakingmachine come back hitting hard with a diverse three-track ep ranging from deep to minimal house. the title track “deaf crows” intelligently layers delayed snares and elaborate hihats into subtle analogue pads and melodies, resulting in a sophisticated, yet dj-friendly composition. at over 10min long, it’s an endless rotation of industrial rawness that manages to melt into the smooth and rich textures for which the birds are known. “black midget”, on the flip, goes into darker depths, with an almost broken 4/4 beat underlying overly swinging rhythmic arrangements and hypnotic synth lines that reminisce some of the earlier bmm material. finishing off the record is the simply titled “primos”, offering a more minimalistic approach with its intricate arrangement of quirky arpeggiating melodies and playfully juggling hihats, closing off the ep in the neatest birdsmakingmachine fashion.

dani casarano & felipe valenzuelas melisma imprint returns with opaco. the original mix by felipe venegas is very distinct with its wide open and subtle pads, which together with the floating groove sum up to a very relaxed and still demanding atmosphere. birdsmakingmachine in their remix shrink this up a bit in favour of a perpetual jack - -bmminimal- style so to say.

vinyl only release, eklo 030 is here!!!
after * monopolar*, robin ordell bring us his second ep on the label, *instruments*. he recently moved from london to set up studio in berlin, adding some analog stuff to his collection of toys. he s back with 3 new tracks, plus a remix from his friends from birdsmakingmachine !the 3 original tracks are connected, they each possess the same kind of vibe & energy and we can feel the new ritual touch in robin s music. micro house modern, ritual grooves, and modular explored sounds is what you are gonna find here… add a stunning remix for the bmm guys and you have an essential 12 inch!!! vinyl only release

marking a difference with the previous releases, the sixth chapter of the birdsmakingmachine saga comes as a two-tracker, announcing a special double pack that will be divided between bmm005 and bmm006. the a-side of bmm 005, >icaros<, is an elegant dancefloor warmer that encompasses all the signature ingredients of the birds, dreamy pads, jazzy hi-hats, metallic percussive elements and quirky fx touches. on the flip side we find >inland sickness<, a slightly darker affair fusing together eerie pads, whooshing sound effects, forming an intricate net of sound layers with a refined industrial touch but still bringing the pressure to the floor with a solid drum pattern. bmm 005 is yet another example of the birds’ ability to craft miniature grooves with an attitude.

keeping in line with the trademark birdsmakingmachine sound, comes the fifth release on their self-entitled label, bmm 004. with a more straight-to-the-point approach than its predecessor, the ep starts off on the dance floor, with rumbling bass lines and heavy metallic snares juggling with effects-laden delicacies on the a1s >ahora vengo<. the arrival of >ash but not arthur< on the a2 calms things down bit and takes the listener for a gentle journey through ambient pads and cleverly swinging hi hats, while on the flip, things get a little more bouncy in >oscars critical jack<, which is mostly due to the fact its main ingredient – the solid playful bass line – blends effortlessly with the higher frequency spices, keys, strings and rhythmic parts. the end credits roll down with >bonfume<, another relatively smooth yet jacking swinger that could either be used to kick it up a notch in a warm-up set or be danced to while finding yourself at an afterhour.

finest hour is back with another house gem incl. birdsmakingmachine remix. tip

vinyl only. sol asylum s follow up to the wildly successful >long time coming< ep is finally here. this time around from dilated pupils, a collective group of likeminded friends from the netherlands whom together have a distinct flavor in production consisting of analogue machines, tape noises and raw one-take jam sessions. in this release they have created a distinct mesmerizing atmosphere with an infinite labyrinth of intricate raw analogue grooves and evolving dream like synths. a haunting yet luminous collection of tracks tightly binds together the three-track entry with a remix delivered from birdmakingmachine.

for its third chapter, half baked records presents an ep from the producers collective of birdsmakingmachine. the birds stay true to their sound, a clever balance between ethereal atmospheres and swinging minimal house production.

hot on the heels of bmm 002 comes the latest instalment of the birdsmakingmachine series – bmm 003 – a package combining their signature sine-bass laden grooves, steel drums and oblique melodies. >antonios swing<, as the title indicates, literally swings listeners into its rhythm with dark vocal snippets layered onto soft stabs and eerie melodies. >woodpeckers<, on the a2, takes a more linear approach, an effective dj-friendly tool that will please dancefloors in the late hours of the night/early hours of the morning. on the flip, in >silk road< we find a captivating, yet mysteriously funky minimal house affair that builds and builds until finally erupting following the break. the ep is rounded-off with >dead lines<, a broken themed galloping of bass kicks fused into moody melodies and reverberated far cries, resembling a genuine excavation into the depths of house music – another example that the birds are always trying to redefine the genres boundaries.

the wandering artists are back for the third instalment of the birdsmakingmachine series, this time again going deeply into the abysses of house music. >multiverse<, occupying the whole a-side, is a deep dancefloor affair filled with endless pads which, having been layered onto elaborate drum grooves, fuse together into the endless horizon. the b-side goes into similar territory, while still managing to create a slightly different ambience: >40th of may< uses intricately groovy steel drum patterns on a long, never-ending journey through the deep depths of the ocean, as for the end credits, >dune< rounds off the ep with an instantly hypnotising groove that melts into delayed vocals, slightly darker pads and a galloping, yet smooth sine-wave bassline.

hypnotic minimalism 4 tracker!! rare! birdsmakingmachine is a collective of wandering artists interested in music, design and off course, birds.

amazing record! birdsmakingmachine is a collective of wandering artists interested in music, design and off course, birds.

ace return from naples abyss. hot remixes from snoretex and montreals flowers and sea creatures.

2xlp black vinyl with white splatter, printed inner sleeves, widespine jacket

cassette/tape

limited edition orange coloured vinyl.

classic black vinyl edition.

nothing makes sense without it, the seminal sophomore lp by kind of like spitting, is finalyl getting the deluxe reissue that it deserves. comes on coloured splatter double vinyl.