after a recent excursion on theo parrish’s sound signature label these two pioneering legends of uk music return to eglo records for another heavyweight jaunt through broken house and boogie. ep opener black is key has already been making noise throughout the underground and the rest are set to do the same, another stone cold classic! artwork by sassy j.

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

steve murphys curiously long shadow casts itself ever further over the realms of gritty house and techno with a barn-storming follow up on the lobster theremin core series, this time ratcheting up the tempo and rhythm to epic levels. shed-esque kicks thunder over asteroid-crumbling basslines, crackling wooden percussion is slammed into the muggy dirt and leaves, seriously filthy, rolling numbers for the all night crew.
*uk treatment* kicks and thumps in all the right places, with a stuttering synth stab loop and vocals giving it some serious peak time currency. *spleen* is all sludgy, skittering mpc business, while *rules* goes off-key chicago and *total recall 2084* swims around, pestered in the mud until a lonely, droning piano key scares away the flanged swarm of wasps and noise.

the second release on fina white is a four tracker from rising barcelona producer and former rbma attendee clip! diverse releases on discomaths, classicworks, sweat taste and jd records, coupled with his signature hardware only live shows have really put clip! on the map locally and throughout europe. key to his sound is a shifting style and impressive knowledge of sound design, displayed on this brotherhood ep though four pure and unadulterated peak time cuts. there s a real menace to the bassline, low end throb and razor hats of the title track, whilst r36 showcases the fusion of sounds clip! can attain in his productions. on the flip side, forward is, surprise, a no messing, relentlessly percussive banger whilst dissonance s technique heads down an equally straight-up, rough n ready path.

after 1 good year of hiatus & celebrating its 6th year in the game, room with a view is back in full effect with a very special 3 tracker by kyodai, a duo that has been gathering serious momentum after highly celebrated releases on local talk, exploited, freerange or pokerflat to name a few. the famous brother pair has proven to be working hard in the last years recording, remixing & touring extensively. reknown for their energitic live performances & to have deliver tracks & remixes that have been played by the who s who of the global house scene, kyodai have decided to choose rwav to deliver some very personal tracks. in 2013 already, they appeared on our label with the uplifting what you give that became on of the key tracks of the live sets of the last 2 years.

ltd 2015 repress , excellent, low-key though effective techno bomb

shadeleaf continues, with a strident 7 out of 7 on the scoreboard! following a stunning (and sell-out !) ep earlier last year, the north easts answer to michigans finest, steps up again, with probably his strongest work to date. mannmademusic became known very quickly, over the space of a few low key, but expertly realised edits releases for the likes of glenview, lumberjacks in hell & diner city sounds. this ep sees him continue wearing his influences proudly, but re-imagine them in an altogether rawer framework - samples woven together, augmented and redefined, some of it following the classic kdj blueprint but laid out in a style thats all his own. those familiar loops submerged and unfurling, rubbing up against altogether more off-kilter but coherent workouts, sat alongside perfectly measured electronic jams all combining into an ep that stands head and shoulders above the competition. another shadeleaf sureshot!

inspiration is taken from psychedelic rock, deep southern disco, rhythm and blues, classic house and techno also taking a key from the avant-garde

luigi giomini and massimiliano miele aka marsupials have come a long way since their debut on seven music in late 2014, delivering a string of original content since via the likes of large music scucci manucci, dabit, and black key records. here, the duo push on by joining the roster of kerri chandlers madhouse records yet another substantial step forward for the rising duo.

sheik ‘n’ beik are a nyc based cohort specialising in promotion, production and outletting left­of­centre slices of electronic music. with previous releases from family members derek marin, voiski and peter corvaia their 4th release comes courtesy of danny wolfers (a.k.a legowelt) working alongside rush hour regular xosar under their xamiga alias. with this being xamiga’s 3rd release, the pair draw for their trusted arsenal of analogue gear and offer up the ‘bohemian grove’ ep, a woozy brew of foggy textures, gently frazzled hats and detroit­indebted grooves. the title track kicks things off with glassy pads sat atop a long­tailed thud and a sandy shuffle. a distant bass groove wades in ahead of a passage of intricate, band­passed percussion and a circling synth line before ‘cumulus versie’ sets sheets of ethereal vocals and synth strings gently ducking under a taught analogue pulse. ‘midwest’ then sets hissing kicks and frayed hi­hats alongside a rasping bass tone. pitch­bent synth lines then bubble into focus before ‘blizzard’ sets a dystopian tone from the off. a stout kick drum thunders under minor­key chord shifts and a menacing sequence that works to round off another fine addition to the sheik ‘n’ beik series.

• 10 inch handstamped limited edition of 200 copies, no repress.
• dj support so far from key players including: murf (subterrain), russ gabriel (ferox)
• following the first 2 sell out releases, the mysterious silver ash returns with tallow, the 3rd in a series of super limited 10 inch vinyl, handstamped, and lovingly mastered with a superb warm tape qualities. the original mix carries beautifully structured shuffling beats, and a wall of stunning reverbed stabs, dubby chords and cut through bass. fellow dub techno producers, hailing from australia, the echo inspectors provide a deeper reshape, soaked in warm dub soundscapes!

second state audio präsentiert den ersten gemeinsamen release der beiden berliner djs andreas quiring und frederik laaser (aka the reason y), die beide seit jahren feste institutionen der berliner clubszene sind. creativity, craziness and techno infused by pure genius are some of the key components of the duo the reason y.

one modest man known as das komplex has been steadily producing music for almost a decade now in his quiet hometown of koszalin in western pomerania region of poland. it could have stayed like this if not for maciek sienkiewicz (veteran dj and promoter, one of the pioneers of polish electronic music scene), who picked some tunes for his new label fasrat. as the artist himself prefers to stay out of the spotlight, let the music speak for itself: from sun-drenched, guitar-driven like a fish (remixes coming from some key players in modern disco/balearic scene), through futuristic disco of -narkoleptyczni troche- and hazy deepness of nowadays, towards epic, over 13 minutes long, jazzy, dreamy, but no less energetic -siren-. elegant, original, infectious grooves for club play and home listening alike. limited edition with cover art by acclaimed contemporary painter aleksandra waliszewska

introducing damien zala... the next promising young frenchman to release on hold youth. although relatively unknown, his first album *lonely happiness* received strong support from theo parrish, norm talley and luke hess amongst others. combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. hold youth provide a breeding ground for open-minded and innovative music, and zalas second life ep ticks all the right boxes. exploring sounds from a broad spectrum, *ms blue* is the moody opener that creates a melange of raw minimal jazz, while the b side continues in this vein with more of an obvious off-key german micro house influence. *considered done* references the late herbie hancock, sampling his voice over a flowing piano melody and punchy bass line, while *tribute to willy simon* goes all out funky, full of brass, with a classic hip hop swagger.

re-issue of the 1974 compilation *boggie chillun* by blues legend john lee hooker on heavyweight 180 gram double vinyl.

len faki initiates a new series on figure. a hybrid of picture disc and classic vinyl, 65.5 looks to the future of the label in a bold statement both musically and aesthetically. already well known for his precise works, and with a wealth of remix credits under his name, djs have come to know exactly what they can expect from a len faki production - pure quality and dedication to his art! with other key figure artists expected to contribute to the concept too, we re excited to offer up this beautifully crafted series of collectors items. the classic rattling techno stabs of basic pain procedure are reworked into a storming deep quest for the floor - one for the heads, the original was produced by a certain and much heralded uk duo in their early years of operations… len faki takes the haunting, bare bones of the original and modifies it gracefully, resulting in this high-end reprise. emerging from the hazy echoes of a late 90s rave in the uk, by way of chicago, the classic synth line could be the epitome of a genre that seems to live on timelessly without borders or the need for hype: dub techno spirit 2015!

the swedish label dirty hands strikes back with double force. this motor driven techno 12 is hard to hide from. labelboss per hammar says when patrick gave me this track, i played it in every set for the 3 months. when he later told me that he hasnt found a home for it, we said in choir ‘lets do a dirty hands release out of it!. and after that moment, all my previous plans for the label was deleted. with patricks ruthless original combined with per hammars jungle sounding edit on the flip, this release isnt anything but a key into the producer duos minds.

activated, going there! two long and cranium expanding adventures beyond.... excellent material. tip!

two british house music duos team up for an almighty ménage à quatre on futureboogie this march, ably assisted by remixes from lauer and a sagittariun.

from the prolific chicago house legend glenn underground comes 3 more dope re-edits: direct current (with some perfectly synced up and in key vocal drops from loleatta holloway), a hard to find groove from kellee patterson and azymuths brazil (extended from 3 mins to 11 on the b-side)

its winter in detroit and fit siegel has given us * carmine*, a moody techno classic perfect for the lonely season. subtle, low-key and thumping, the title track revolves around a bittersweet piano lead, elegiac 303 and blade runner string swells. its a high-tech driving song in the tradition of model 500s low-key classic * pick up the flow* and fit sounds more assured than ever. * first found* is mills-ian jigsaw puzzle techno imbued with breathy and addictive humanity. stacatto, free-jazz informed piano solos lock into ping-pong synths -- eventually, a female vocal emerges over a bed of arpeggiated bass. loose yet robotic, * first found* is first-rate detroit techno mysticism. the record as a whole is a worthy entry into the motor citys storied canon from a leader of the new school.

hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top.

thre release from polar records for one special price! contains these eps:
- polar003: various artists - pegasus ep
- polar004: various artists - lotus ep
- polar005: various artists - uranus ep

vinyl reprint of a highly sought after electronic abstract future jazz release by italian library/soundtrack composer piero umiliano /moggi originally release on omicron. pieros releases are generally hard to find and very expensive on vinyl and this here, released on mental grooves sublabel wrwtww makes no difference. heres a review from a last years cd edition: tra scienza e fantascienza is an album of histrionic piero umiliani recorded under the pseudonym moggi.

a club in the parthenon basement where you cant see in front of you, you lose yourself as the antipodean heat beat surrounds you. this is the latest imagination of melbourne-based band leader nicolaas oogjes. marrying into a greek family (his wife contributes spoken word on two tracks), oogjes became fixated with hellenic culture and its impact on humanity, prompting his rotating cult of collective consciousness musicians no zu to spiral deeper into their celebration of global rhythm and percussion. their even weirder, sparser and more synth driven sound is the result of creative exchanges with home loan records ceo michael ozone, who helped them realise the strange and complete world of medusa music.

magic waves very own casionova delivers three classic analogue synth-jams from the vaults on this raw, hypnotising and energetic ep. side a consists of the epic italo/electro darkness-into-light spacetrip journey into night, while side b gives us night emotion, a deep-hypnosis darkside italo juno 60 jammer and 1983, a pounding builder of a track resplendent with key changes aplenty and a magnificent release of a chorus that rocks the record all the way through to the finish. buy quick as copies are limited!

mystery production unit dj bmx continue their thrilling, no-nonsense adventures in the underground with the conquest of gravity ep for mil. techno-fused roller -warrior within- gets matters underway as thumping bass and ticking hi hats form the fore of the track, marching along over off-kilter bleeps and succinct glitches. the rough n ready aesthetic of the track sets the tone excellently for the ep, leading coherently into -wonders of time- where slight changes and improvisations keep your attention, with dubbed out key jabs that are matched melodically against atmospheric synth pads whirling in and out over crisp percussion clicks. -spinning across the sky- maintains the inspiration for myriad sources, cosmic, dreamy chimes are sprinkled over a tentatively used piano sequence, distorted key kicks and muddied percussion. its the only moment on the ep to include a vocal, and its used beautifully as it floats around the tracks central structure, lending it a spacious and depth-charged feel. -radim world- finishes everything off with a touch of pepe bradock style elegance - the multi-layered arrangements are fluid and dynamic, resulting in well-executed deep house.

pvs is finally ready with the new release on his own label .the ep is composed of three tracks. the original version signed by pvs (h.omevvork label owner / m_rec ltd / key vinyl) is a overwhelming broken-beat techno. he remixes are signed by max_m (m_rec ltd label owner) and the spanish talent kwartz (polegroup).

berlin based mutewax records strikes again with its eagerly awaited second release, various artists 02. label founder mutecells cursed casts a long dark shadow over the dance floor with an electrifying and slightly acidic melody. hector oaks reductions gets straight to the point with an aggressive and powerful followup to his last release on key vinyl. msdmnr takes a more placid approach with vortex vapour, building energy with clear and crisp progressions. urbano employs soft melodies to counterbalance a chilling journey into an unknown world.

for the latest edition of the intriguing dessert islands discs re-edit series, the label has called upon the well-renowned scalpel talents of german-in-amsterdam marcel vogel, aka em vee. the double denim-sporting eccentric drops another gem in the shape of *white heat shake it out (edit)*, a bouncy and seductive disco chop-job that makes great use of the source materials bustling groove and steamy, spoken word vocals. on the flip, lesser-known re-edit heads papi del pancake and claude von reefer take up the challenge. their *gimme what you got* has a little more deep house shuffle, but retains the key instrumentation and feel of a sumptuous disco-soul jam.

finale sessions is proud to bring another fine release from none other then nick lapian from soul people music fame and amoung other fine labels worldwide . we at finale sessions welcome nick to our family and our system here at finale sessions with his fatastic tracks that s sure to please your ears and we start with the first track and it called -lost days- it has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines is a must haqve for the record bag for sure . then we have -pigment which is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work it is 1st hour monster for sure . then last but not least we have -motif- which is peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a b side jam and that what we have for finale sessions 023 we hope you enjoy the next generation from the forward thinking vault.....we want to thank you for the ongoing support .....love finale sessions god bless you

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

a key member of the minus family for almost a decade, jon gaiser is to release false light, his third artist album on richie hawtins label in autumn 2014

frankfurts label embi music calls on the inimitable talents of italian marco cassanelli, who really delivers on the 4-tracker that is the adub ep. a smart and atmospheric minimal jaunt, the original takes the breadth away thanks to its unrelenting persuasion and its penchant for the unpredictable. cushion is another spiky, metallic number whereby the ambiance plays another key role, while fluxion s remix of adub is full of weighty low-end signals and intricate synth work

first release of the new label run by dj soch aka marco socci and it starts with a bang! dj soch is one of the resident djs at the serendipity club, after the positive experience of mind your hate records he feels the need to have a platform for his rougher sound. -coney island- honors the true house sound of chicago, but with that modern twist to move any dancefloor. the analog cops rendition takes all the key elements of the orignal and brings everything to another level creating a new wild pitch sound. -funky dry- is the most functional track here. it s a great funky techno tune perfect for the peak time of the night. black angus records is only vinyl don t miss it!

key players of the scandinavian electro scene have worked together to deliver a snapshot of their unique sound for bt04. luke eargoggle, kan3da, obergman and rutherford deliver everything from icy electro to downtempo, mournful idm leanings. between them, the artists have released on highly respected labels such as bunker, abstract forms, ac and transient force. luke eargoggle also runs the important and highly respected label stilleben. all copies come with an individual screenprinting sleeve and include digital download.

anthony collins and francis harris keep up the creative pace of their frank & tony project following the recent sprinkles collaboration, and once again a fine selection of tracks from their lp are on offer for deeper, more leftfield kinds of house record bags.love brut is an uneasy burner that uses a minimal amount of elements to create intensity, proving that simplicity is very often the key. the dub mix of resistance is exclusive to the vinyl, and it too keeps a stripped attitude in place with its plain and simple drums peppered with poised melodic content. villa seurat has a fuller range of percussion at work but there are no more fireworks to be found here than there are elsewhere on the ep, appealing to a more subtle kind of taste

long established detroit talent keith worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, the price of non-conformance. t.p.o.n.c. is a conceptual project that takes you on a virtual walk through the streets of detroit. from a musical standpoint, the sound and feel of t.p.o.n.c. aligns with worthy’s own dna, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition. always striving to create his own path, and never allowing everyone else’s “norm” to become his influence, worthy really excels in this long player format. in total, t.p.o.n.c. consists of 14 tracks (including 8 songs and 6 interludes) all crafted to convey a vision of what non-conformance looks and sounds like. t.p.o.n.c. has range, from the boom-bap of the drums to the unorthodox patterns and key structures, this project evokes a sense of individualism that often gets lost in todays modern world of musical proliferation. in true detroit fashion, and in tandem with the spirit of aesthetic audios own mantra, t.p.o.n.c. maintains, the rule is there are no rules.

watch out, it is one track/remix cut over 2 sides to ensure more sound volume. 16 minutes each side, total of 32 minutes! anyone who takes it upon themselves to contemplate over the history of house music, along with its highlights and key players, will inevitably stumble upon dj pierres name sooner or later. the chicago born producer and dj has been living and breathing underground dance music, namely house, since its inception in his very own hometown. for this very special get physical release, weve decided to pay homage to dj pierres contribution to the worldwide dance community by way of an epic re-release of that most iconic of tracks, >what is house muzik<.

t c f is the moniker of norwegian contemporary artist and experimental computer musician lars holdhus. his work explores themes of code, cryptography and privacy through the use of visual, sonic, built and written concepts. often the titles and descriptions of his work are written in cyphertext, the key to which is hidden within the piece itself. his forthcoming release on liberation technologies will further this cryptographic theme, consisting of digital and physical content containing the necessary keys to unlock the full meaning of the work.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

alan fitzpatrick is back with a three-track ep that encapsulates what alan s drumcode sound is all about. hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top. check! in short, this ep is everything we have come to expect from alan over his long history with drumcode (this is his 10th ep as a solo artist!), but still his sound remains fresh and super-charged for 2014.

a key member of the minus family for almost a decade, jon gaiser is to release his lead single krakdup preceding his full length release false light in november. since 2005, gaiser has been at the heart of the minimal techno movement. his hugely atmospheric eps and lps have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals

ltd repress! a collaborative project from melbournes andras fox and oscar key sung. tip!

an ep done by ukrainian producer recid - 3 catchy techno bangers accompanied by straightforward remix done by saint petersburg based techno producer > sanys<. ep is named after one of the key elements in universe and recids home city kirovograd which is full of uranium mines.

producer and boss of mathematics records, jamal moss a.k.a hieroglyphic being is a one-off musical explorer. jamals music takes cues from the ebm and house that played a huge part in the city s musical underground in the late eighties and early nineties, notably ron hardy and adonis, but also industrial, avant-jazz and noise. his tireless schedule of rough low-key releases over the last 12 years and his intense, very physical, psychedelic music, have made him a key exponent or maybe even a pioneer of what has recently come to be named outsider house, although he prefers the more sun-ra like descriptors of rhythmic cubism and cosmic be-bop.
the double vinyl lp includes a download code for the full album.

glam was the name used by italian hits producers dfc team to present their cult record hells party. hells party also was more than just an inspiration for the international hit the key the secret composed by urban cookies collective and dfc team. for their second glams record dfc team wanted one of their favorite artist of all times: pete burns of dead or alive. pete was really excited by glams demo and wrote one of his best songs: this is the story of sex drive that fast become an hit in 1994. today, exactly 20 years later, dfc label re-releases sex drive with four wonderful new remixes, a real hot record that pete burns and glams old and new fans cannot miss.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.