a: tral 49 - a easy beat with good placed cheeping sounds and well-balanced grooves are the key elements of the track >tral 49<. after a dj friendly introduction gloominess and psyche meet each other and invite to dance as both complement each other in full harmony and build the peak to the basis. b 1: zwischenlandung is a minimal track which atmosphere bringsa convenient feeling. the track starts with an emotional bass line which makes space, in the continuing story line, for a melancholic melody which coherence and charm never gets lost. b 2: der kuss des drachen -the finish is a nice homage to all which prefer a more relaxed motion but don t want to start sleeping on the way. a grooving beat cooperates in effective harmony with a classic chinese stringed bowed instrument so that you don t want to stop to seesaw in the rhythm. the whole time short padding sounds build up and down without losing the red line or leaving space for boredom

boysnoize rec. is presenting a new project called puzique. the duo show their first 3 tracks. >thomas< tributes the first days of french house master thomas bangalter. >relax< is a heavy modern cruncher which ends before you recognise it– and you will play it again! >chemie< makes the ep to a complete energetic package of massiv tracks everybody needs! puzique show you a way how to combine 3 different styles on one vinyl. music sounds better with puzique

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

schöne fluffige house und electro sounds die den raum um dich verzaubern!!!

rmxs by joris voorn & vince watson, support from brian zentz, joris voorn, vince watson and more! kage drops his first ep on the label, carefully crafting dancefloor elements as well as thought provoking sounds. already having releases on monoid, lumina and dluv, he this time brings on two of the biggest names in techno for the remixes

damon proves he s still got it, revisiting his subtractive synthesis project for an eighth time. the ep takes us on a spaced-out journey into the future with tribal beats, ethereal sounds and a sometimesquirky nature. on the a-side >space time< is a haunting track with a galloping feel and mesmerizing bass line. >evolute< is a masterful track that s both deep and funky...

minimal harmonik sounds!!!

schranz mit dem gewissen etwas,harte gitarren sounds, machen diese scheibe unverwechselbar!!!

hot minimal teck and tribal sounds!!!!!

ultracool dark detroit sounds!!!!! cool jeff mills imprint

adult only 26, produced by chris carrier. he offers a 3-track ep of complete and eccentric techhouse jack. we find chicago grove on kung fu grip, mixed with distorted techno sounds, followed by flammable lips, a little more minimal with a sensual spanish voice. the last track, sure shot is a tribal dub, already supported by phil weeks and mark farina

peter van hoesen creates his technoid tracks from a refreshingly different angle and immediatly struck a nerve at the lan muzic crew. this very skilled producer grabs a dark and pleasent atmosphere to create his songs with striking sounds and shifting arrangements that grow on you with every listen. on top the ep delivers a remix of the in-house top jocks exercise one that prove once again how to nail a track without cracking the surface

"elio riso makes his come back following up the much acclaimed &#147;to be or not to be&#148; on the paradise label.the south american producer delivers a daft inspired robotic electro with human spoken vocals under a solid electro groove & a cool synth ibiza based producer pat the cat remix uses also this catchy synth line but with a more british approach think 20/20 vision or nrk.original mix sounds like the original with a cool sunny vibe in it"

this one sounds similar to antoine clamarans paintball with a wicked sample from robert armanis moonlight on the a side flip for a massive new wave track with a killer vocal sample

together with his partner in crime sascha b, ludovic vendi produced three new tracks under the alias robotique on dialect recordings. with >message< both give us a warm welcome to join them, and hen i say warm i mean it. turn on the >message< close your eyes and this bass-pizzacato mixed with a driving minimal sound combined a complex percussion melody takes you away to a rave in the sun... >ricochet< is pure funk, also flavoured with a driving minimal sound, while the closing >reencuentro< is the right track for a full dancefloor in the morning hour which will make the crowd scream ecstatically! futureistic dark sounds driven by a minimal beat. an absolute floor burner

ein flippender beat, abgefahrende sounds, das ganze bunt gemischt und schon haben wir ihn,den super freaky floor stumper!!!!!

elastic breast is a minimal , bassheavy and obscure sounds collage ep. for just one year he has been producing tracks in incorporate his own style to perform live. elastic sounds for dancefloor, deep in percussions...

nice price deal !!! pps work tends toward richly textured, dub-influenced sounds, these are built for the dancefloor on base of live instruments w/disco & post-rock. b f/adam marshall (killer, deep night, antenna) retooling the source w/the dj in mind. 4 very long tracks. ltd 500 w/screened covers

the megabomb from brothers incognito comes with a huge remix by a.k.a. derbe alias phunklarique & dejonka (hammerskjöld)! the remix sounds a little bite like a soundhack form aphex twin - windowlicker ... dont miss it!

nice price deal !!! 3 hauntinmg tracks where the thumpin basslines icey key layers and driving forward funk of soopa fi s best moments remind on a mix between steve bug minimal funkiness best phazin chicago grooves and uk nu school tech sounds. cristal clear foward dancefloor gear supereme kidz

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

brill warm & deep detroit sounds

compost join in with the wolrd cup fever with this four tracker featuring a latino anthem from soul patrol on one side and tracks by harvey scales acres of grass and gino washington that are all about football on the flip

excellent 3 track ep from nick douglas here on wallop recordings with the label edging towards more electro based sounds than its usual plain progressive and tribal leanings

a piece of chicago music history moody old school synths adorn what sounds like the perfect blueprint of chicago drummachine jack work on both sides the marcus mixx originals are reworked into two brilliant and never before heard tracks courtesy of chicagos own legendary ron hardy recorded at the infamous head studios circa 1988 these tracks are magnificent examples of his legacy

on the a side, step back is an ultra fat minimal tune with both old school housy sounds and strong techno beat. the dark male vocal repeating step back won t leave your head for hours. on the flip side, bastien grine goes deeper on a mental trip. a fat bass line surrounded by clear floating sounds. he plays with stereo effects and we loose our mind … pure madness

atmospheric deephousetracks contained here acidic sounds hypnotizing chords and electro fied beats crop up everywhere

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

in bester systematic manier gibt es hier keine innovation aber funktionalen elektro-techno mit acid sounds auf die glocke !!

die typische märtini brös sause, frische minimal tech house sounds gewürzt mit einem schuss electro pop

san fran producer john howard comes with wiggling, rolling snare-driven beats with mad percussive sounds bouncing in and out, a moody chord that cuts through like a knife, sparkling synth sounds on top and cut-up vocal snippets.. the b side is a favourite for derrick carter fans..

one of the loosest grooves around a freakily funky number that sounds retro whilst benefitting from the bands usual shimmering production hac favourite & disco king greg wilson delivers a stunning remix whilst on the flipside james priestley & dan berkson remix things into a techy house groover much better here in its new dub

canada s bombay imprint with a mesmerizing new outing from the montreal-based singer songwrtier harmonics. this four-tracker is heavy on the deep and trippy side, an essential release for the late nights and side room sets. a-side kicks offwith two mixes from sean dimitrie and nav bhinder, a spliffed-out midtempo percussive radio mix and a deep and dubby club mix. on the flip rise ashen and trevor walker both turn inmixes, each on the driving percussion tip with some nice layers of samples and sounds, and even a touch of brazil in there. tasteful, groovy goods

silversurfer delivers to ntrop >lay down< a hypnotic techno track filled with his known moving drum sets besides his psychotic sounds. to prove his diversity on the b-side comes >one step<, deep, ethereal but still thirsty

tigerskin produces us 2 techhouse tracks with fine electronic basslines and freaky sounds..

tigerskin produces us 2 techhouse tracks with fine electronic basslines and freaky sounds. a perfect track for the people who like deep sounds and long breaks

legendary series to be continued with 2 acts from the uk. first >cool cuts< releases have been much in demand, and peeps are still trying to get hold of them - if you are lucky! a side is a brilliant track by the b-siderz - in the vein of some more proper house sounding stuff with nice sublime guitars struggling their way thru 2 big breaks complemented with an pushing b line and sophisticated acid sounds in between. other side is our beloved ma saski from manchester with an already massive electro tinged primetime stomper. the guys from the >tribal gathering< camp play around with some b lines emphasising those little but most effectual breaks through a wicked male poetry. mind you, that tune goes on and on without getting lame - dj linus always starts his sets with that tune - big!

buzzin fly is still proving that its one of the uk s finest underground house labels with their finger firmly on that budging dance music pulse. they prove this perfectly here as they enlist the man of the moment ame to remix their already massive >insomnia< by rodamaal. the result is slightly more dancefloor orientated than ame s past releases with a thoroughly electronic sound whilst maintaining the deep foreboding sounds with the vocal. they have also enlightened us with a remix from the nova dream sequence (king britt) who tackles lephtee s >so far back<, he delivers a cunningly deep and spacey track with some powerful chords & a strong all round ambient feel

a mountain of one have revisited the 70s and 80s in order to plunder not the back catalogue of disco or punk but the sounds of talk talk fleetwood mac mike oldfield & the the

first 12inch on the re-launched farside label run by ingo sänger (westpark unit). matt flores follows up his big 12inch for compost s black label, once more he has worked with tyree cooper. bass heavy house in between early 90s house, detroit sounds..

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

hartes chicago zeug, rockt jeden bunker, sounds wie sie green velvet nicht besser macht!!

4 track ep sounds like detroit & technasia tracks. the 1st sound architecture release is having great reactions and is being played by an impressive list of more deejays such as laurent garnier, sven väth, pascal feos, funk d void, king britt, charles siegling aka technasia and john thomas ...

3 of the best tracks of recent >yell< album by japans one man disco orchestra. a mad colourful brew of crazy, quirky otaku disco, kraut-rock references, jungle grooves, full-cinemascope soundtracks, exotic melodies & sounds and pothead humor..take a sip of the magic potion..

mariachi like vocals and groovy beats sounds crazy but this track is fun great use of traditional latin elements and vocals sure to move the floor the paranoid jack remix is a nice groovy 4x4 mix similar to the original but has a funkier bass line and synths you will groove the dance floor with this

no order is the title track and first single to be taken from 2020 soundsystem s debut album. the a side 2020soundsystem remix is a brilliant, epic mix in two parts - starting out mid paced electrofunk before morphing halfway into a berlin meets detroit meets new york techno disco odyssey. the discoteque dub is the first of two superb dub mixes, it takes the electro disco bassline and danny s rock solid beats to form the basis of an exceptional modern, italo influenced electro dub. the basics dub , as the name suggests, has been seriously road tested at the leeds underground institution back to basics and tips its hat to the sounds of classic chicago and new york house

spitzenmäßige 2 track ep , >cheap trick< ist ein wahres strobogewitter des sounds und >black sun< kickt in die minimale jackin chicago ecke !!

jens zimmermann s best record and strongest room 12inch so far. a masterpiece! pure innovation. minimal but with an immense strong impact on the floor. uses noises and sounds never been heard before on a club record. 10 of 10!

beluga on the a-side is a an exciting mixture of old school house elements paired with pumping modern electronic house sounds jacked up with sophistication, perhaps hence the name >beluga<? >strobe< on b1 is an hypnotizing minimal loopy groove-monster and >u-bahn< on b2 takes you on a ride through the berlin tube system. your sound wagon passes several break stations, soundwise and figuratively. gui chose this name because it reminds me of the movement of an u-bahn while in berlin 7 years ago