ricardo villalobos, magda, karotte, loco dice, monika kruse, martinez, 2000andone, tiefschwarz, matthias tanzmann, ben klock, lauhaus, raresh...we proudly present our first release on cécille numbers the new sublabel from cécille records. the first release comes from the greek producer lemos and is splitted in two parts. on two tracks he worked together with his friend ilan manouach and conjured two amazing vibe and atmosphere live recorded saxophone tracks that will catch your ear for sure. the other tracks use the perfect balance between rhythmic and vocal sounds. all four tracks are sure shots for every music lover. hope you enjoy…

by now dazzle drums and nite grooves are old friends. this being their 5th release on the label, the beat goes on and carries us with it. gypsyman turns out an organic bent out of shape (we didnt say warped!), percussive, almost dubby, instrumental delight. this is one of the definite moods one would hear at say, the shelter. its got that kind of clubby rhythmic organic vibe. call it what you will, we call it hot. tokyo deep that follows is a more upbeat instrumental full of synth moog sounds and overflowing washes. very car chase or early 80s stalk you cinema, catch the drama while you can!

homewreckers - close your eyes til the morning the amazing success of their last release >its about time< challenged the homewreckers to push their sound a little further out. >close your eyes til the morning< is hardcore groove with a great, burning synth bass that funks along until new york singer dennis legree brings some excitement to the proceedings with his tremendous voice. its pure underground deep house - intense, abstract and dramatic. no wonder that felix da housecat and marshall jefferson supported those guys when they were teenagers! a vital alternative to the melodic clichés and rhythmic orthodoxy of the electronic music mainstream. langenbergs remix gets the b-side under way. backed up by a strong beat it rolls steadily ahead with unflagging propulsion. next up is >hot hot hot<, an exciting up-tempo number which gives kemo another opportunity to show his lyrical feeling while >smile< slows down the pace easing into a down-home hip-hop affair. this is the second of four records representing the vinyl collectors edition of the homewreckers forthcoming album >american ruhr<

support comes from paul mac, ben sims, reynold, fabrice lig, russ gabriel !! a solid detroitish techno ep from franco cangelli. digging deep into his roots, he delivers 3 brilliant tracks that exemplify the machine soul of techno. >highway< pulsates with deep bass kicks, slowly evolves to a rhythmic orgy of beautiful detroitish chord layers. future classic deep techno. the darker and moody >things coming together<, works the dancefloor with classic 808 sounds, a square bassline, dark strings and a nasty melody. dbx meets detroit. >presumably so< starts off on a minimal trip slowly evolving into a funky track with a moving bass string, squelchy electrifying sounds and a sweet pad to add a nice deep touch. reynold then comes along with a mind shaking remix, funky chords, electro bassline, building up to an unrelenting dancefloor experience

ltd warehouse found! an excellent three tracker from the well known artist andomat3000 (cadenza / platzhirsch). he keeps the perfect balance with adding the warm groovy house feelings and the freaky sounds he stands for! kind of his typical dippy style flavour with a bit of that minimalism tech house sound…. wicked! >vertical smile< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic voice that can be used as perfect warm tool for any dance floor. >cicl?< has an old school touch in a futuristic production and gives you real power and more than enough matters to shake and rock the dancefloor. >hominid< is an modern crazy effective techno track, nice percussion, small cuts and a deep base…frickl wickl

>jurassico< is the third release from nemesi a.k.a. gianluca pandullo of i-robots and ebbro fame and alessandro lestino. on the epic nine minute ‘jurassico’, nemsi elements of krautrock, 70’s german electronica, old school italo-electro and the darker side of 80’s rock to come up with something seriously cosmic. prins thomas b-side version probes and emphasises the more rhythmic elements of the track which results in a real disco banger.

dimi angélis & jeroen search. both artists are among the few internationally acclaimed techno artists from the netherlands. their dj activity and production work reaches back into the early nineties. >the new frontier< melds the firmness and determination of old school techno with a contemporary subtlety. it is amazing how few elements jereon search and dimi angélis need to create a dense and compelling athmosphere. >lunar< is the kind of track that slips perfectly in a wide range of club sets. while it offers the dj a vast span of possible connections to other music, its hypnotic melody does not leave your head for hours. >jupiter< is bolder, it is centered around a demanding groove. while the melodies operate in the background of the track, the complex net of rhythmic patterns shifts indistinguishably. it is the type of music which holds you in a tight grip - and you are not even able to tell what exactly is so striking about it. its implicitness makes >the new frontier< such a special record. it belongs to the rare breed of music which does not demand to go into your box - and this is exactly why it is made to stay there for quite some time

fresh after the release of his well-received wagon repair debut, we are thrilled to present italian producer luca bacchettis >like a sadhu ep<. a prominent tech-house dj and prolific producer with releases on tenax recordings and safari electronique prior to his work with wagon repair, luca can also be found presenting the excellent xtrabass show on samurai fm. opener >like a sadhu< is a driving tech-house track, motored by a pulsating bass loop and enlivened by fast approaching synth highlights, buzzing rhythmic tones and restless percussive transformations. >trust< is saturated with new dimensions, mixing a deep bass drive and clattering percussion with intensifying synth passages and an unnerving ambience. >the way to corvocado< is the deepest of the trilogy, mixing a sparse soundscape with subtle percussive pushes as a stabbed chord passage adds melody

dj support: 2000 and one, karotte, tobi neumann, onur Özer, matthias tanzmann, ali schwarz from tiefscwarz... the four tracks on >Études Électroniques< find luciano invigorated and inspired, putting his talents into the service of dancefloors at their most delirious. with its delicate skip and its slow sunrise flare, >montana< opens the record on a blissful note, calm and suffused with light. a hollow bass tone puffs away like a glassblower as brittle rhythmic patterns spin round and round. swelling and drifting, weightless and iridescent, it feels like chasing dawn in a hot-air balloon. >fochedrem< eases off the throttle and cracks an ear-to-ear grin. a stubby one-note bass line beats out a kind of cartoon funk as the answering riff splinters and shapeshifts between cowbell, organ and piano. its as slippery as the deck of a storm-tossed boat. >masalla< features liquid congas and feathered metallic details that stand on end like magnetic shavings. laid-back and polyrhythmic, its a future latin maysterpiece

an acclaimed young five piece from leeds, stateless have already displayed their mastery of beat driven guitar and turntable rock on previous releases. but their third single bloodstream, is their masterpiece. a 21st century blues ballad built from cinematic hip hop beats, super heavy bass and perfumed piano. it sounds both heartbroken and drunk on its own romantic intoxication. the berlin based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to his version. schwarzs remix re engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. by contrast, the chic parisian re edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. its a playful and vibrant fusion, where soul baring yorkshire poetry meets sleek french disco chic.

check track 4 >> a massive carl craig rmx!!!! original versions are aken from the massively acclaimed and already touted by many as an album of the year >sound of silver<. with its emotive refrain and rhythmic precision >someone great< was recognized critically as an album standout and has become a key part of their live set. its release is backed by a spectacular array of new and exclusive mixes of other s.o.s standouts in the form soulwax (>get innocuous<), carl craig (>sound of silver<), sorcerer (>us v them<) and gucci sound system (>time to get away<). award winning artist/ filmmaker doug aitken is currently shooting an experimental short film for >someone great.< doug aitkens work has been exhibited extensively at museums and festivals throughout europe and the u.s. his most recent work, >sleepwalkers< , was commissioned by moma

barcelona/ibiza based new electronic label indigo raw is composed of norwegian petter dia aka mirus love , ibiza resident jaime fiorito & l.a resident stuart patterson (colorola). they now proudly launch with first release and what a release! german producers andreas wiegand and jan iwanitz aka andomat 3000 & jan who have already released several tracks on labels such as cadenza, 9volt and more.. are now presenting one of their best records so far. amygdala ep producing together for the past three years the frankfurt duo has got the ability to mix the funk of house into the punch of techno. sexy beats for girls and powerful rhythms for boys. >salvarsan< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic ethnic voice that can be used as perfect warm up tool for any dancefloor. >sobre ebrietas< is more of a peak time record for all our minimal lovers. keeping the perfect balance with transitions adding the warm house feeling that makes you groove!

compared to their almost simultaneously released 12 ep >innocent robot< / >night of tvarok< (treibstoff 73), animaltek celebrate a more reduced interaction of rhythmic signals and systems on >karma loops<. animaltek describe this sensation as >a powerful effort of self-expression through rhythm, sound and harmony.<

palette is proud to debut its newest artist, dave hughes. the irish born, la-resident sound engineer finally let palette in on his music making secrets. the result is daves debut ep >lets do it<. a three tracker showcasing what is to come from this visionary artist. >lets do it< kicks the ep off with a strong rhythmic solid base which alone would be enough to solidify it as a stand out track, but without delay the song quickly develops into a musical journey with rhythmic chords at the end providing the icing on the cake. the flip side provides two more tracks of the same calibre, >it all deepends< and >realization< showcase great sound design skills and a message about our own humanity. take in to account the heavy subs and intricate drum programming and you have what we feel to be a classic palette recordings single

tango saty is a crazy dancer from klaus schulze. sounds huge on 12 inch and causes a storm of freaky dancing on the more discerning dancefloors with a wonky yet eminently groovy rhythmic structure and synth brass riffs that echo around in your head for days. when the bass drops its smiles all round. b shock r.e.r.b. is a classic piece of doomy yet uplifting cosmic elettro from london town that was a baldelli and loda play. getting increasingly hard to find on the original 12 inch and even if you do, this one is mastered with more weight and clarity

another dynamic instalment from the nagano kitchen duo (jerome sydenham & hideo kobayashi). these tracks continue the ibadan legacy of pushing the boundaries. >destination nagano< is a rhythmic tech house journey with classic chicago and detroit overtones in true ibadan style. >head<, on the other hand, is a stripped down beefy club track with a big techno beat and classic chicago chords. destined for term use.

dj support: karotte, ricardo villalobos, shinedoe, tobi neumann !! its only july and serafin has already finished his first release of the year. he teams up with percussionist roman bruderer from the p-train crew to embark on a rhythmic journey into the housier realms of club music. have they had enough of the streamlined, overengineered high tech sound that still dominates the landscape? we certainly do welcome the vintage house dirt that they deliver and believe that this is one of serafins best releases to date. this is music for all kinds of summer dancefloors that will open up your crowds hearts. peace

scott ferguson has already had numerouis releases on international deejay gigolo, rhythmic-deep and psychostasia recordings (koomba project) as well as on his own label, ferris park. now he releases on deep vibes recordings four tracks heavilly inspired by the detroit sound one of which is a remix of >i cried for you<

pikaya take to the a-side with a flourish of robes and flashing beams of light. >jedi< is not the track youre looking for… wait, no—it absolutely is the track youre looking for, all mind tricks aside. kicking off with a sparse drum pattern, it quickly shifts from a measured andante to an easy jog, as resonant synths and sweeping filters whip up desert winds and high drama. high, lonesome counterpoints and a moody chord progression carry the faintest whiff of ennio morricones outlaw music, and playful trills—you could almost swear they were birdcalls—suggest a secret oasis hidden just behind the next hill.if you find >jedi< cinematic, then >fango< will really blow your wide-screen mind. starting with a rhythmic underpinning thats everything youve come to expect from a cadenza track - tight, ultra-kinetic, just a little bit jittery - pikaya build up layer upon layer of hazy pads and cool arpeggios that shimmer like the aurora borealis. bullfrog-throated horns occasionally burst in with a fat, amicable fanfare, announcing the arrival of the peak hour. great, unison handclaps play off against heel-kicking syncopations: madness ensues. and then everything slowly, imperceptibly smears together and loses focus, and the tune fades flickeringly away. talk about a double feature! now playing on a turntable near you

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

with huge audiofly rmx !! the unholy 13th release on oliver huntemanns dance electric label is most definitely one of the strongest to date. uks promising newcomers richard wakley & paul maddox aka spektre return to the label with nothing but a true club killer! the long a side belongs to audiofly aka rekleiner aka sleeper thief aka audiofly x with releases on get physical, connaisseur, tsuba, sixty four, mobilee, adrift and kickboxer to name just a few. they remix the title track dark horse in their very unique way a driving and atmospheric 2007 tech house journey. on the flip-side neon drift embodies a big-ass bass, cleverly arranged rhythmic structures and a huge strobe-light soaked rave melody

dj oji hits us right in the face with a couple of atypical jazzy afro funkified productions on this double a side! sax you features vocalist kolai & gets eclectic with its slappy percussion & really catchy plucky rhythm string. this only serves to warm up the epic intro of the jazzy sax that comes in as strong as a freight train. doing one of his very special edits is master musical editor & dance legend, dj danny krivit. continuing on his path of afro funkdom, this next oji offering is another quality piece featuring esteban & tettris entitled non believers. a rhythmic hodge podge of sounds in the same vein as the aforementioned style including sax, trumpet, hammond organ, wood clavs, and interjected by a psychotic transistor noise thats sure to drive the listener into a modern day ritualistic frenz

organic dj/producer of tet kale orchestra and former member of wave musics abstract truth, jephte guillaume brings forth a lovely sexy mid tempo tune graced by the delicate vocals of japanese songstress ak. already being championed by louie vega, danny krivit, and joe claussell, this elegant production has all the makings of soulful dance future classic. be sure not to sleep on the dub either, as its rhythmic roll & smooth bassline will caress the ears of any listener and bring a joyful flow to the dancefloor

we are happy to welcome on this 5th release one of the most important argentinian producers, franco cinelli, well known for his recent album on alphahouse, played by the most important minimal das around the the globe.he is finally back on the young spanish label esperanza with a couple of tracks, accompanied by a mikael stavostrand remix.on the a side we have a funky course track, >antenna<, characterized by his typical fat and vibrating bassline, thin and cleverly placed hi-hat patterns and unexpected bubbling delayed bleeps.this is the perfect to change the gear of the dj set from a warmup session to a serious rockin party, thanx its energetic restart after a mid breaking pause.>oscilator one< on a 2 goes more hypnotic though mantaining a funk rate, thanks to a huge variety of cycling loops featuring a dubby bassline and an appreciable rhythmic pattern.on b side we have >antenna 2< wich is remixed with knowledge by the swedish artist mikael stravostrand, bringing it much percussive on start and effective in every kind dancefloor, all that enriched by an exceptinal vocal performance by big bully that definte lyx make it a true bomb to detonate in the right moment of the night

through their involvement with leipzig-based netlabel 1bit wonder, daniel stefanik and sven tasnadi became acquainted with each other. recognizing similar approaches to production they decided to throw things together - cargo edition #3 being the result. daniel s unique feeling for melodic harmonies meets sven s preference for vivid complex rhythmic structures - the outcome being two enthralling tracks, at the same time driving and deliberate. this is stuff for real music lovers - it appeals to fans of contemporary dancefloor production means as well as to those who appreciate highly emotional records!! already played by mike shannon , jay haze, reynold...

3 tracks with a mixture of dreamy, naiv minimal techno and impulsive, rhythmic acid house. 3 hits for the dancefloor which will enlarge their dj fancommunity remarkable

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

the ventriloquist is mirco uguccioni one half of the project rolf & fonky and vaseline and dust is the second issue. where amb.(bit04),the first ep, explores the ambient musical side of mirco. vaseline and dust takes the listener in a sound more melodic and rhythmic

following in the footsteps of audikas cd reissue, arthur russells most extraordinary work, world of echo is reissued for the first time as a newly remastered limited edition double vinyl set. 18 tracks are featured including drumless versions of his disco classics lets go swimming, tree house and wax the van along with four previously unreleased tracks from sketches from world of echo. originally released in 1986, world of echo is a deeply intimate and meditative work of awe inspiring grace and remains a timeless work of sublime beauty. arthurs aim was to achieve what he calls the most vivid rhythmic reality, with just cello, voice, and echoes. arthur achieved all of this and more on one of the most incredible suite of songs ever recorded

after the much applauded first release >jon< by henrik schwarz the second label-boss sasse continues with the soul-searching. under his klas lindblad guise he experiments with various rhythmic structures from downbeat, to broken to straight 4/4 and combines them with hypnotizing, sweet melodies...

this is the first 12inch outing from new electro dance label defdrive. it includes some very exciting mixes. radio slaves mammoth rhythmic techno workout with all the atmospheric foreboding you d expect, is backed with a punchy tech-house workout from rob mello - which is perfectly accompanied by a disco flavoured vocal mix from magik johnson of 33hz the much touted 33hz from nyc

no other than chilean sunnyboy and groove scientist luciano is taking us on the a-side on a long ride of lush but infectious minimalism. eleven minutes strong, luciano does what he does best and unfolds a continuous flow of subtle rhythmic changes, melodies and field recordings to create an overall hypnotic feel that sucks you in right from the start. think his last ep on cadenza with thomas melchior and add an eerie feel to it. on the flip side the enigmatic duo eat (both integrat parts of the diamonds and pearls family) steps up for some serious dancefloor destruction. what starts off as a pulsating acidic techno-monster that creeps up from the depths of a pile of analog synthesizers, turns into a breakbeat chopping electro-jam that will leave you behind with bleeding ears and thumping hearts, before the track jumps right back to techno peaktime.

taken from the recent album technologies in house music which is a grinding exploration in sinking moods and computer thoughts. every detail is meticulously plotted. using samples and effects like rhythmic rudiments, greppi finds new cavernous depths of the soul that are twisted and mechanical yet warm and emotive

archipels brand new sublabel brings you its second weirded out slab of wax with uli kunkels singing with rod. uli kunkel,however,is not one single artist. it is comprised of lee curtiss, maayan nidam (miss fitz) and shaun reeves.the record starts off with leethophobia which is an hypnotic breaks like piece of dark insanity laced drughouse very much inspired by the perlonian sounds which have been coming from germany as of late.drugpigs is fat, wobbly, and just as hypnotising as leethophobia and commands that the freaks come out to dance from the shadows of strange early morning corridoors.the flip takes a more direct approach and is fiercely lead by arrival which is an hypnotic take on dancefloor drive influenced tracks and is laced with clever edits and lysergic percussion.sing like rod is a totally weirded out and just as lysergic early morning rhythmic smoothy. kalimari is set to release quality weirdness and here it stands tall from the rest.

busted speaker brew is the second installation by the afternoon coffee boys on clink recordings. this new minimal rocker walks the fine line between minimal and techno with acb’s signature drum programming and short decay instrumentation. the afternoon coffee boys, aka tim xavier and tony rohr, released their debut collaborative release on clink001 last year with one of the bigger eps of 2005: dark blend. their follow-up ep on cocoon, >glitches brew<, was released at the beginning of this year and was a huge success. their music has been praised by top artists such as adam beyer, richie hawtin, sven väth and marco carola, and they show promise as one of the new leading duos of 2006. this ep is an excellent release as acb continues to push the minimal edge with their techno influences by keeping the tracks rhythmic and driving while maintaining the slow, deep and funky pace that djs are currently pursuing in their sets

multiple partitionen part four on berlin based label nachtfrequent with rafeal fortuna and he show us how interessting und funky can be rhythmic structures, bleebs and percussions !!

three hard but rhythmic tracks pounding hypnotic a side by scott kemix flip for disteks trademark cuts and edits and jonny smarts atmospheric synth workout

it was only 2 years ago that nocando burst onto the scene with their macro v supported livin in a new world on zurich s own sog records. the original mix fires it off with some chunkier, rhythmic elements that add a good solid foundation to the rumbling bassline and synth stab progressions. support from sasha, nick warren, dave seaman, anthony pappa.

sentidos opuedos as its names indicates go to explore the many fields of techno music. a1 >ama sonica< shoots to ears some groovy drums and a funky bass line, which take control of the soul while the hypnotic synthe-line gets in charge of the head. a2 >naked gravity< challenges to blow you mind into heaven. argenis points out his origin, delivering a song with a fat bassline and some typical south american rhythms that could easily bring you naked on a dance floor. b1 >yerbabuena< explores a more rhythmic section. this evolving tune starts from a simple bass shot to more complex patterns that deliver fury in crowded clubs as easily as to say >yerbabuuuuuuena< b2 >eimuu< is the psychedelic child of this ep. its groovy bass pushes you far somewhere in the deepness and the chords do the rest. dance, dance baby, its a sunny day! this 12inch is mixed by jay haze !!

'body culture' is a low-slung house winner, with a deep, dubby bassline stabbing between tight beats, gritty analog play, sweeping textured synths, and a rhythmic vocal stab on the reverse, ethan, felli and buddy all team up on the remix, taking the track off into floor-working electro-house territory thanks to some stellar new analog elements, slightly more pumped up beats, and spacey effects..

a tribute to the girls of the nightlife with the unique dose sound of heavy basslines, a touch of soul and no-nonsense lyrics that are a step beyond typical dance verbiage. the first two tracks move forward with laid-back hypnotic force while squeeze my body digs deep in the night with rhythmic vocals, breaks and more than enough funk to fill the dancefloore. all three cuts are funky, tough and cool - the embodiment of boys who the mothers of this world dont want their daughters to get involved with

mild melancholy with stealthy rhythmic verve in the original.. andrew brooks (remixed for swayzak, the human league, martini bros and outkast)makes a little bit of dancefloor flavour with his brooks total dubremix.. nn

peru meets switzerland for this nice collaboration introducing afro peruvian music which is a blend of spanish andean and african traditions this is a very rhythmic new breed of popular new dance music

excellent percussion rhythmic 4 tracker

this record are the last in the eagerly anticipated analord series. they are produced by richard d. james. the style is rhythmic & melodic electronic music in the much-loved afx style. the music is suitable for public performance as well as home listening. rephlex strongly recommends this series, among its most entertaining and fulfilling music

produced by richard d. james. the style is rhythmic & melodic electronic music in the much-loved afx style. the music is suitable for public performance as well as home listening. rephlex strongly recommends this series, among its most entertaining and fulfilling music, part 8 , cool summer burner !!

the a-side with dark chords, busy detroit style beats with occasional loose percussion sounds filled in between and a filthy electro bassline - a haunting and intense late-night soundtrack. james taylor counterattacks with swinging, bouncing, masterly chopped up beats and rhythmic voice cut-ups that will surely help develop and improve your swift footwork...

the third remix round and it still carries enough weight and stamina to put up a hell of a fight on these 4 new mixes.tristan watkins remix is a rhythmic firecracker while devolve takes a slow menacing approach dropping one of the most dangerous basslines known to mankind.