duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

d.i.m. is back with this new party monster! after several profile remixes for depeche mode, chromeo, the presets, tiga or midfield general the mysterious producer from germany sat together with his friend tai to deliver the big time bassline tech-banger >lyposuct< - a track to be sure to destroy any dancefloor, hit! on the flip you get a fantastic groovy house-techno remix by youngstar noob who has recently remixed the likes of tiga, popof or dancearea and preparing his first release together with brodinski. his deeper house groove, bleeps and climaxes are perfect for upcoming ibiza season or any summer rave! big hit!! d.i.m. will play clubs and festivals in ibiza, uk, italy, brasil, spain and germany this summer

nice price deal !!! besides their new album metal machine and their busy tour schedule as support for depeche mode motor re-works christian fischers schlachthof. second track comes from gabriel ben (tattoo detectives) with his massive vocals the track kills every dance floor. pure energy!

cortney tidwell has confirmed details of the first single to be taken from her forthcoming album boys which is – according to tidwell – >about two kids in love, fighting, and they eventually kill themselves. its a modern day romeo and juliet.< undeniably one of the most electronic songs shes written, it calls upon diverse influences like new order and depeche mode and packs a typically impressive melodic punch. the track will be available as a special single edit, and is accompanied by exclusive mixes and an a cappella version. after the success of ewan pearsons remix of the title track to her debut album dont let stars keep us tangled up (a pitchfork track of the year 2007) duties are this time handled by simon baker and daphni. bakers remixes for radioslave and simian mobile disco have confirmed his status as one of the most exciting djsand producers around, and he gives the track a technicolor tech-house workover perfect for summer twilight. daphni – aka dan snaith, aka caribou – has meanwhile turned in a fourteen minute monster, a trippy techno bastard that sneaks up gently, growing relentlessly until it leaves listeners dizzy and euphoric.

strong electro house remake of the depeche mode hit

jim abbiss radio remix b jeuce rework. remixed radio friendly new single added to 6music b list, nme radio record of the week and receiving strong specialist support at radio 2 and xfm. their 2008 world tour continues into 2009, including an eastern european tour with depeche mode in may, which is preceded by a south american headlining tour and a co-headlining us tour with the faint. june will then see them play shows with brian eno in australia at the sydney opera house. further shows and festivals tba. their recent uk tour included a london date at shepherds bush empire. they are currently warming up for all this activity by writing songs with christina aguilera for her new album.

tribute to the seminal 1990 depeche mode classic >enjoy the silence<

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.

a very special compost release with two very rare tracks! the a-side features a great remix of beanfields >tides< with amazing vocals from bajka - of course its not quite up there with the unbelievable carl craig mix but then that would be an uphill struggle. ripperton from the lazy fat people adds his moody, deep slant to the track, less anthemic than carl craig but a more than welcome alternative. this mix was available for a short time as bootleg with ricardo villaloboss remix of depeche modes >sinner in me< on the flip and sold out quickly despite the poor sound quality. finally, one year later, this great tune sees it official release completely remasterd in chrystal clear sound - get it, play it, love it! in 2006 the duo tom wieland and marc frank - better known as 7 samurai - crafted a fine remix of invisible sessions under their panoptikum moniker. when michael reinboth considered this remix for his new future sounds of jazz compilation the guys decided to contribute even a little bit more: an excusive new version which became a definitely highlight of the whole compilation. the panoptikum 2007 remix surprisingly takes a leaf out of innervisions book for a smooth deep houser with a slighty techy sound and a touch of detroit in the vein of Âme or henrik schwarz. in contrast to the vocal version included on fsoj this 12inch features the trippy instrumental version. ace stuff! two must have tracks - all killer, no filler!

2007 marked an outstanding success in the world of swiss production duo ivan l and dan daniel. their blasting remake of one of the 90s biggest new wave hits enjoy the silence directly approved by depeche modes mastermind martin gore took the scene by storm with international recognition from all the key players such as david guetta, sander kleinenberg, james zabiela, roger sanchez, paul van dyk, hernan cataneo, victor simonelli, george acosta, paul oakenfold, jose amnesia, johan gielen and many many more...

the second ep on console music comes from the bubbling with talent eastern block! the slovenian veztax, known for his numerous releases and dj performances sharing stage with massive acts such as depeche mode, teams up with the young talent aneuria to deliver the two minimal techno slammers on the a side and sun40 remix on the flip

the italian remixes on the yvan & dan daniel depeche mode cover. includes minimal chic, george acosta, robytek vs glm and

dont be fooled by the plural >boys.< alexander ridha, 24, is just one man and he can do it all on his own. nobody, however, would argue about the >noize< part. as a kid he taught himself to play the drums and piano, started to write his first songs when he was 12, and at the age of 16, discovered his love for programming and producing. his music and productions have excited massive interest from artists like soulwax, justice, erol alkan and the rapture and labels such as kitsuné, ed banger, fatboy slim s skint, dj hells intl gigolo and tigas turbo rec - to name a few. daft punk have sent him their love via myspace and his remixes of depeche mode, feist, british indie anthems >banquet< by bloc party and >everyday i love you less and less< by kaiser chiefs have thrilled global djs and crowds all over the world.

on logo side, flow vinyl welcomes jerome isma-ae, being the first german to have a record on the us house label strictly rhythm and his resume, while filled with work on labels like jee productions, universal, sony, ministry of sound uk, wea, craft music, hope recordings, re-brand, baroque rec, etc. isma-ae is known for his abilities to connect bright, uplifting and non-cheesy progressive style with an uncompromisingly rolling percussive groove. having a strong support by hernan cattaneo, nick warren, oliver moldan, tom novy, andy moor, chus & ceballos, dj mason. on the info side, german duo bjoern mandry & thomas gold teams up, to present us a huge progressive electro track filled with throbbing bass layers and a marvelous combination of deep pads and a huge vocal reminding us of depeche mode. they have been supported by tong, digweed, sasha, lawler, oakenfold to name a few

electronica coverersion of depeche mode

depeche mode remake !!

>the dude< ep is based on the idea by holger flinsch to invite some of his friends to produce some >dude< tracks together. the hypnotic first track on the ep is an emotional, minimal shuffle stomper by two_em & el locco. the second track is produced by toby dreher and sm.art (well known for her last depeche mode >martyr< remix on mute). >zelterdude< makes great use of a funky bass and the hypnotically rolling arrangement progresses to nice french female vocals and hypnotic synth lines. and the last track is produced by holger flinsch himself with his dude holger nielson aka holgi star. its a superb smoove grooving club track which keeps a deep detroit feeling

feat hank scorpio remix of loveland let the music lift you up and jakob carrison remix of depeche modes enjoy the silence must have

after ricardo has being busy doing remixes for depeche mode and beck lately, here comes 4 brandnew songs in the quite luxury format of 2x12inch.. yummy. from jazzy swinging to latinlectro hypnotic minimal grooves.. please check mix 3 >> africolaps !!!

future forward is a new hybrid of chicago >jack<. mount sims who has remixed madonna was selected to mix depeche mode s single s collection. icon alexander robotnick has been enlisted for remix duties. getting play by tiga, the hacker, green velvet & more

with this brand new ep, his first one on a non-french label, d vincent turning back to 80s electro pop style, espescially on the a side >caps lock<, which could be the instrumental part of a depeche mode tune. not to be taken too seriously, of course ! >less< is more looking towards the actual electro-techno dance floor, and the other b side is a remix of bazoline founder doctor olive s the end of the beginning<. the original was released on parisian label missive music in october 2005 and played, a.o., by laurent garnier. this d. vincent remix was previously unavailable and definitely deserves exposure. in case of laurent garnier,doctor olive,dj hell,jack de marseille,lars sandberg,…!

phat ebm , new wave style 2005, plus slamming techno horrorist remix, very depeche mode & nitzer ebb sounding

good price for good music! da allerorts die begeisterung Ÿber die kauzig-effektiven, elektronischen orgien in remixform nicht abriss, ist es nur gerecht, ein zweites mal eine werkschau auf einer cd zu prŠsentieren. mit den remixen fŸr: depeche mode, underworld, ellen alien, ršyksop, fsol, ...

40th anniversary collection of 47 classic 80s dance mixes by shep pettibone on 4xcd, housed in a 32-page hardcover booklet. (available audio previews are an excerpt from the full playlist)

in seiner fast 25-jŠhrigen karriere hat paul fast alles erreicht, was man in der internationalen dance-welt erreichen kann: mehrfach wurde er von den dj mag-lesern zum no.1 weltbesten dj gewŠhlt, 2014 sogar zur no.1 aller zeiten. sein klassiker -for an angel- (1994) zŠhlt fŸr das mixmag zu den 10 besten dance-tracks aller zeiten. weltstars wie madonna, u2, depeche mode, new order oder rammstein nehmen seine remixkŸnste in anspruch. paul spielt jŠhrlich Ÿber 150 shows, mit 1.5 millionen gŠsten gelang ihm silvester 2008 in rio de janeiro ein neuer publikumsrekord. und seine wšchentliche radioshow -vonyc sessions- feierte im mai 2016 ihre 500. folge und gehšrt mit einer durchschnittlichen downloadrate von 250.000 zu den 10 beliebtesten dance-formaten auf mixcloud. nun liegt pauls neue cd -from then on- mit 14 exzellenten tracks und zahlreichen kollabos vor. darauf befinden sich u.a. die 3 bisherigen single-auskopplungen -everyone needs love- (beatport trance #2), -touched by heaven- (beatport trance #3) und der jŸngste smash -stronger together- (beatport trance #1). damit wird die umfangreiche paul van dyk alben-diskografie, die mit album #7 -the politics of dancing 3- im frŸhjahr 2015 ihren bisherigen hšhepunkt erreichte, mit dem achten werk endlich fortgesetzt.

auf ulrich schnauss 5tem studio-album -no further ahead than today- regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die lŠngst zu seinem markenzeichen geworden sind. diese sollten fans von kŸnstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes fŸr pop-kŸnstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade fŸr die decca-compilation re:works bachs -prelude in c- neu in szene gesetzt. -no further ahead than today- ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stŸcke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer prŠsent. spŠtestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen ŸbertrŠgt.

dave clarke, britisches techno-urgestein der ersten stunde, trŠgt seine spannendsten remixes seiner jŸngsten, amsterdamer schaffensphase auf einem album zusammen. wie Ÿblich ist die vielfalt der original interpeten bemerkenswert und reicht von punk bis new beat und von aktuellen hip artists bis leider lŠngst aufgelšsten bands. dave clarke ist bekannt dafŸr, die original-intention der kŸnstler stets beizubehalten, obwohl er den tracks neue gewŠnder von techno bis electro, von aalglatt bis futuristisch und von dark bis heavy verpasst, was seine remixes fŸr fischerspooner oder depeche mode zu zeitlosen kult klassikern werden lie§. die soundpalette der kollektion charcoal eyes: a selection of remixes from amsterdam deckt diese gesamte stilistische bandbreite hervorragend ab.

limited nice price action !! dj hell steht nicht nur fŸr eine bestimmte art musik, sondern fŸr einen ganzen lifestyle, eine eigene €sthetik Ð und sein neuer mix, body language vol. 9 ist vielleicht die platte, die das facettenreiche gesamtkunstwerk hell am ehesten zu bannen vermag.

ob mit monsterproduktionen auf seinem eigenen label boysnoize records oder mit sensationellen dj-gigs vor tausenden tobenden fans, ob mit remixes fuer depeche mode und daft punk oder mit kooperationen mit kŸnstlern wie snoop dogg und chilly gonzalez, boys noize hat sich einen legendenstatus erarbeitet und steht heute mit an der spitze der weltweit besten djs/produzenten. sein fabric-set aus ueberdrehtem techno, turbogeladenem electro und hochenergetischem jackin house ist zugleich lehrstunde und repraesentatives markenzeichen, eine frenetische raveparty aus 70 pulsierenden, schwei§treibenden minuten

fuer clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken gelšster, weil man beim umgang mit material anderer kuenstler mehr freiheiten genie§t.

since first bursting onto the scene with the now classic album wide angle in 1999 hybrid have been known as one of the most forward thinking and technically skilled acts in electronic dance music. after four extremely well received albums, over twenty singles, countless remixes and a raft of movie & game soundtrack work it is time to reflect on some of the bands numerous highpoints. hybrid classics celebrates and relives some of the bands finest tracks from their breakthrough classic finished symphony to an exclusive cover of depeche modes enjoy the silence (as chosen by an ask-hybrid-to-cover-this fan poll in 2011).

recoil selected ist eine werkschau von recoil, dem soloprojekt von alan wilder, dem langjŠhrigen depeche mode-bandmitglied. das tracklisting fŸr >recoil selected< hat alan wilder sorgfŠltig aus dem gro§en fundus an recoil material zusammen gestellt. er erklŠrt dazu: >es ist eine auswahl meiner persšnlichen favoriten, die ich neu gemastert und editiert habe, um eine meiner meinung nach umfassenden recoil hšrerfahrung zu bieten.< recoil selected wird als einfach- und doppel-cd erscheinen wobei die zweite cd des doppel-cd formates neue unveršffentlichte remixe und alternative versionen enthŠlt, die von alan wilder und paul kendall, der die letzten 10 jahre mit alan wilder an den recoil veršffentlichungen gearbeitet hat, ausgewŠhlt und editiert wurden. auf dem album sind als gastsŠnger diamanda gal‡s, joe richardson, douglas mccarthy, samantha coerbell, toni halliday und maggie estep zu hšren. zur unterstŸtzung der albumveršffentlichung wird recoil zum ersten mal in der karriere des projekts au§erhalb des studios agieren und auf tour gehen. unter dem titel >a strange hour with alan wilder & paul kendall< finden zwischen mŠrz und mai 2010 eine reihe veranstaltungen in europa und den usa geplant wobei jede veranstaltung mit auftritten von verschiedenen gastmusikern und befreundeten djs und kŸnstlern besetzt ist. die aktuellen termine finden sich hier: www.recoil.co.uk