the 2nd part of the >the life we choose< album series starts with >who you gonna call?< the track is built on a melodic 303 acid line, which, followed by two more 303s, results in a complete acid trip. >the life we choose< is compelling, with its 117 bpm electro-groove, strong bassline combined with a hypnotic acid line, right up to the triumphant string finale. >itz ok (club mix)<: sombre, expressive vocals mixed with acid beats make one thoughtful, despite enjoying the whole package in a >hardfloor will survive< club mix! attention! full album cover comes with part 3!

new release on dae by this prolific group with successful releases on paper recordings, diy discs, winding road and many classic remixes. summertime hits here starting with the swingin hot flash, coming hard with a nice walking bassline, searing chords and a killer sax riff that rocks with deepness. next up is exchanges, a midtempo house number that just keeps coming. built around a repeating vocal, this one will absolutely get things going when that analog bassline drops and a massive build up will really take it to the next level. flip for the swirl, that picks it back up and knocks it home. lush keys, great percussion and a lovely vocal sample all the elements you need for a classic deep house jam. last up is the swirl manuel turs bubble basics mix. manuel is on a roll at the moment and this mix certainly shows us why. with a unique touch he creates a deep jazzy thick sound with an additonal key riff that builds beautifully. quality for sure

mit dem ersten deutsch-afrikanischen teamwork ist ein aussergewöhnlicher afro house track entstanden. klingt ein bisschen wie dj gregory & marin solveig... souliger rhythmischer afrohouse der perfect zu den kommenden festivals passt!

his debut album urban plastic has been hotly anticipated but its not long now because its due for release in october. what you have in your hands is the first single plastic fantastic, which features the vocal talents of ashley slater. this tune is built solely to rock the party from back to front and getting the dancefloor freakin out! anyone who has not checked out madox g toolz ep series then let the g dub be a lesson to you. proper off the hook thundering breaks hitting hard were it hurts. riva starr is a new project from madox, which has forthcoming releases on claude von strokes dirtybird and jesse roses frontroom labels. as you would expect its a bumping ride into electronic weirdness and you cant help but love it. jamie fanatic also ramps up the party vibe on his boompty remix. all in all you got yourself an excellent package of jackin mixes here.

joey youngman in a heavily funky mode with this slick house funker built around classic teena marie samples. remixes by discouraged ones, neyzen and roland van den toorn

soulfuric trax is back in action, this time round with pacha ibiza resident matt caseli and production duo shik stylko in tow. with me sorprendiste (spanish for you surprised me), the guys deliver a sizzling slice of house that will have the dancefloors on fire in no time. the piano percussion spiced original mix is built around a hugely catchy spoken/sung male vocal whilst the staffan thorsell & georg neufeld dub is a slick, more laidback affair.the shik stylko dub brings on the heat for the more upfront floors with electroey stabs and punchy beats. franco de mulero and ferry b add a very cool instrumental led version, making me sorprendiste a seriously hot package for the summer

metisse is a dubdivision for remixes on curle. starts with remixes by jesse somfay and 2000 and one !! dj support: karotte, ricardo villalobos, luciano, monika kruse

second black label ep from zurichs minus 8. night digger is a pushing tech house banger (coming in three mixes) built around around a distinctive pizzicato similar to fairmonts gazebo on border community. also included is rapture, a heavy acid house tune.

built for a dj lifetime. hi quality leather bag sewed together with industrial strength nylon thread guarantees this bag for a long time. it holds up to 70 records or less if you also want to carry other stuff such as a laptop and/or clothes for a heavy dj or holiday weekend. specially hand manufactured in the netherlands by roy fritz leatherworks. available with or without white viewlexx logo on front.

driving atmospheric progger includes a remix by corvaia and the smooth deep grooving go round on the b side

recognise is a ruthless peaktime roller, wrapped up in a jackin house vibe and armed with a bassline that just wont let you stand still for a second. baobinga & i.d.s latest production has already been shaking the floor during their monthly residency at fuse, manchester with early support also coming from the likes of krafty kuts, skool of thought & 30hz. vandal is arguably the production worlds finest exponent of electro tinged breakbeat, producing hits like mad as hell on meat katies lot49 imprint which received 25 plays on bbc radio 1 or delivering the goods which went on to become one of plastic rayguns most successful releases. since his first release he has built up a reputation for constantly pushing the breaks sound, his remix of recognise provides a text book example, delivering a throbbing breakbeat madness that already has the backing of hyper

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

referenz dj vinyl case.. high quality built for a lifetime

d1 recordings mark their 35th release with eamonn doyle s >red shift< ep. following on from his recent >ghost of the machine< release on sweden s hertz recordings, here he lays down two more slices of extremely deep bass driven techno aimed at the more discerning dance-floor. the 12-minute title track >red shift< is built around a deep rolling sub bassline with layered orchestral strings used subtly throughout. the flip sides >winter sun< arrives with more shimmering strings, this time underpinned with a crisp 909 backbone and lifted with some rich and soulful lead string lines. this release is part of the d1 limited editions series. vinyl runs are strictly limited to 300 copies, after which the ep will only be available digitally. the red shift ep has already caught the ear of many of the world s leading producers with dj support coming from detroit legends dj bone, claude young, octave one and also mark broom, laurent garnier, rennie foster and kan shinomura

as adult records is presenting one fine funked up techno release after another, it was only a matter of time before they signed carl falk to the label. carl has built up quite a name for himself in a short period of time, with releases on labels such as hz trax, patterns, pirate audio, zync, mhx, relatives and more. on entry ep he brings his finest work yet, three fresh tribal techno cuts which will rock many dancefloors in the months to come

the hertzian space turns its focus towards the darker side of warsaw for a release by peter sliwinski aka echoplex - founder of soleil records and with more than 50 releases and compilation appearances on labels like synewave, kanzleramt, tresor, torema, black nation and nova mute. peter delivers four machine driven tracks built on a solid foundation of funk, darkness and knowledge straight from of the future. supported by heavy hitting djs laurent garnier, steve rachmad, damon wild, ben sims, funk d’void, the advent and pacou

the >theken ep< was established at the >bar 23<, a legendary meeting point for berlin musicians. the >laan unlimited< projekt was built up exclusively for this new eintakt ep. andreas krüger from >der dritte raum< and lars fenin (we know from shitkatapult) shows us a mix of spacy atmosphäres and funky to jazzy basslines. >just the two of us<, a dark version of berlins minimalistic sound architecture, a mix from the funny projekt of this three berlin musicians, philip bader, pilocka krach & sam nn. neal white & meto s >bobsie< is an absolutely meantime clubtrack, minimal and massive. >kleine steine< is the more chilling and housy part of this eintakt compilation, perfect for the morning hours, flowing , melodic, old shool. created by argon and plastique

a/w subtle track built up w/ rain samples b/w 21 min. field recording - refreshing... for basic channel / chain reaction fans

das glows debut ep with support by para one. >cathedrale< is unashamedly epic, it comes from the heart and speaks to the brain and feet simultaneously. flip for weiss gaz, which is mostly electro, with shades of ghettotech, acid house accents, laser-guided snaps, and a huge bassline revving like a v8, and bits of musique concrète.then on b2, >vulcanice< is fresh, recorded in one take and built around hammond organ samples

montreal-based duo luci strikes with a great new single on titbit music, dwarfzilla starts the ep with a luscious kick loop followed by quirky and trippy synthscapes, next is fantex that continues their sophisticated sound architecture built on 4-4 rhythms with scuttling percussive bleeps and subliminal vocal samples. on the flipside load >*<, 8.1 slashes ipnotic bass lines mixed with sinister synth line and spacey feelings, followed up by a brilliant remix from our supervillain quiroga... support from mike shannon, karotte ...

la s roger dickes drops a 4 track ep of deep, laidback house grooves built around a simple, creamy rhythms designed to get bodies close together. sexy instrumental cuts heavily influenced by disco, detroit techno and late nite house grooves. a trip back in time..

nice price deal !!! juju & jordash combine live instrumentation with programmed rhythms to create two pieces of the deepest, darkest, haunted house music. >blue plates< is a driving angry-sounding track featuring loose handclaps, treated vocals, detroit synth pads and thunderclap percussion. n.p.i. is a warm, jazz-influenced track with a loose, dubby arrangement built around rhodes piano chords and ilya ziblat shai s double bass. juju & jordash met nearly a decade ago through a weekly jazz session in haifa, israel and are currently based in amsterdam

day one is the first release by derby producers, the cut hustlers (pete dj razorcuts darrington and neil cooper).joining forces, darrington and cooper aim to produce accessible slices of pop electronica. apart from their original version of and a trademark razorcuts mix, the day one 12 includes electro/ disco rubs by teenage dj (an alias of the legendary uk dj greg wilson, whose teenage dj disco best 12 was a big underground success on both sides of the atlantic) and templeton peck (aka toby tobias, who has built a solid reputation via recordings and mixes for labels like bear funk, urban myth, rekids and hy phen)

no need to introduce mazi & david duriez one more time, even those new in the house music business should have heard of them, the real chicago – paris connection. they have developed their own labels at the same time, gourmet & brique rouge, they built their carreers at the same time but this is only the second time, and surely not the last, that they go together in the studio. 2 great new mixes by systematics marc romboy and phonogenic

after a while away, george demure unleashes a torrent of built up musical majesty. the result is the george demure project, which seamlessly combines george s production talents with live instrumentation and his distinctive crooner-esque voice

the man from louisiana, water jones, with a blend of raw disco beats and catchy old-school electro licks. the first track >deuteronomy brown< is an italo style dancefloor bomb, bound to drag people off their seats. >the odyssey sound< has entirely been built by using just one synthesizer, the legendary arp odyssey !! the tracks version featured on this release has been cut-up, dubbed and streamlined for optimum performance by paul mogg and supersouls xaver naudascher

cesare vs. disorder returns to the studio with argentinean partner perro magnetico with this deep and hypnotic four tracker that will help further cement the mean london sound. a deep and brooding first track introduces twisted, down tuned vocals and liquefied layers built inside tight arrangements before a throbbing bass takes the driving seat. a2 holds a playful and quirky electronic excursion >clarete< warming us up with romantic, light melodies. on the b side, ale ross aka perro magnetico drives you deeply into the sunset with two minimal gems that build but never explode. a demonstration of where minimal techno could go from these two young artists.. a must have for all minimal fans / sleeparchive fans!!!

no need to introduce mazi & david duriez one more time, even those new in the house music business should have heard of them, the real chicago – paris connection. they have developed their own labels at the same time, gourmet & brique rouge, they built their carreers at the same time but this is only the second time, and surely not the last, that they go together in the studio. first time they produced the seminal everything is allright, one of the highlights from the audio soul projects album community this time they produced one of their futur classic, while david duriez was in chicago on the way to his detroit electronic music festival gig. produced in just one afternoon, the track is already acclaimed and hammered by all the big onesjosh wink plays it everywhere. mr.c has also been reported jumping in the booth to ask david what this track was.

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

strong first release on this new minimal techno label. supported by mathias kaden, michel de hey, troy pierce, shinedoe, ripperton, funk d void, extrawelt, monika kruse, konrad black & jesse somfay !!

a-side rising pharaoh. b-side rising pharaoh dub, rising pharaoh (bon johnson mix) a-side tech funky mover with killer bass, built around a bluesy vocal and guitar plus a faint but effective flute. b-side features a pumped up stripped down tech house leaning dub, simple and to the point with quite an infectious drive and cowbell thing that ought to get them on their feet. last mix is a full on funked up version courtesy of bon johnson

berlin team of dave shokh and holgi star are back with a cool house long player for the masses. remix courtest of the ultra hot agaric (we are, aka patrik skoog) begin with gathered clicking percussion built with high pitched stabs and reversed flicks. lirum builds ontop of itself as the snare punctuates the groove as the bell rises. a galloping invasion of sounds going from your brain wide into your feet. you will dance and feel good. yes. agaric does not hold back. the funk is dripping. a rolling tight groove filled to the top with hits and drum flips. just wait as he teases before the bassline appears and off we go. madness for the dancefloor?!? for certain!

border community like elektro/tech-house track built on a shuffling and rolling basement with a touch of deepness, perfect for those summer open air madness

nice price deal !!! pps work tends toward richly textured, dub-influenced sounds, these are built for the dancefloor on base of live instruments w/disco & post-rock. b f/adam marshall (killer, deep night, antenna) retooling the source w/the dj in mind. 4 very long tracks. ltd 500 w/screened covers

alphahouse 04 comes from holland courtesy of ion ludwig. the first traditional artist ep on alphahouse records, and the artists first ever vinyl release. only previosly released as johnatan traffic by the clever music netlabel, you can bet you ll be hearing more of ion ludwig with a confirmed release on underline records in the works. working under his new moniker, this stuff is geared towards late-night dancefloor mayhem. heady stuff, built to move the party

as always with block, minimal, electro-ness is what s provided but this time with a subtle class that will simply blow you away. >killaz< slowly builds around an amazing melody, which changes with every turn. but wait till you hear >smoke<. jeeeezus! this is built round the mother of all bass lines and i dare anyone to try and stand still when this is playing

in a deadly explotion of sub bass tempa let off two loefah bombs loefahs remix of i slams into a deadly sub in a nu school loefah style all condensed darkness and inferred space his remix of monsoon was built two years ago when he was first incubating his halfstep ideas and it takes a full two anticipation building minutes to drop

2000 classic outstanding 2 tracker here on versatile a side is a deep summery effort built around a smoking string loop and over on the flip you kind of get an uptempo 4/4 number with a hip hop flavour and some well wicked sub bass going on

two mixes of this track from lucas hart pure phunks first offering in 2006 sounds like this beastie has been built from the bassline up and its as phat as you like topped off with a streetwise rap and catchy hi end hookline nice touch with the halftime breakdown

after their immensely strong last single i know what its like (to be a dog) and cheeky debut no hands no teeth australian rising stars >stick figures< turn up the pressure with an electro house dancefloor bomb! useless is a dark and twisted club rocker with rolling basslines, dark analogue leads and chunky drums custom built for large sound systems. swing sixty retains the darkness in deeper tech house mood with hints of tastefully restrained acid. flip for a wickedly building 45rpm remix of useless by parisian producer random factor that compliments the original perfectly - tough, deep and uncompromising

she just turned 18, shes from miami, and shes very talented.. together with dj feadz she built the project uffie to make a form like electro hip hop and thats the beginning !! side b was produced by mr. oizo..incl remix by sebastian !!

finest minimal techhouse with a little neo trance flavour built this to a nice two tracker from lexy without k-paul ..

as twilight falls, the mysterious count (and half of peace division) drake returns with the 6th episode in his promo only ny series, the a-side kicks off with a quirked out moroder-esque electro / italo disco work out with stomping beats and female spoken word vocal snippets, the flip is a funked up electro bomb built around a sample from evelyn 'champagne' king's 'love come down', complete with synth stabs and vocodered vox

this release has the classic cluster sound that is built for the warehouse techno crowd!!slammin fast tech!

young argentinian producer with a deep and melodic techno built up with phat and carnal basslines , he will for sure make the happiness of all kind of electro lovers!! perfect dj weapon

funky house but with a different flavour!!! using an indian vocal built around a funky house track the lone monkee's bring us something different and the blend really works

excellent minimal darker techno monster !! played by sven väth!!!

thomas blanchot, 40 years old percussionist and drummer, started his production structure mato production in 2001, with which he collaborated and directed for many projects. composer, music publisher and producer of music for tv, advertising, films and records, he also began a career as reggae producer since 2006, under the name -mato-. since then he’s released music through various projects concepts, coming out through labels such as makasound, edr records or big singles. in the meantime he developed a real trademark: taking over classics french, hip-hop, or pop song, into roots reggae-dub new versions. besides since 2010, mato’s built a solid reputation thanks to his many remixes of hip-hop classics on stix records. it is therefore natural to find him back with a new attractive concept on the favorite recordings’ sub-label: seasoning the notorious -homework- by daft punk, with his special reggae-dub sauce. once again mato achieves a brilliant rendition with this homework dub, making almost dreadlocks grow on the french robots’ heads! using kick-effects, delays and roaring bass, he reinvents one of the most famous albums of electronic music, as if it was straight-out from scientist, king tubby or mad professor’ studios in jamaica.