for the 15th railyard release, label founder sean palm returns, as new zealand s own simon flower slices a remix juicier than a fresh aotearoaian kiwi. following the licensing of his first solo release to loco dice s timewarp, and with his current work with joel mull under the descent moniker, sean palm continues to display his depth of soul within a >less-is-more< structure. from the title song corian, lush sounds are weaved with hypnotic sustaining melodies into a properly delicate structure. on the flipside, simon flower s forward-thinking talent shines consistent with his 2007 appearances on poker flat, moon harbour and dessous & compost. upbeat funky house meets swinging techno stabs in a mysterious atmosphere of swirling pads. full in energy yet delicate in touch, this versatile compliment will inspire sets either day or night, start or finish

lowkey and kardinal have become a rising figure of french techno music thanks to a handful of impressive maxi. their rave inspired style, offering a wide range mixture of electro, techno and breakbeat sounds, has been working club goers up into a frenzy! and now they are back with their new single, future dancefloor killer called safari

with his second release on baobab music, producer mr raoul k heads into new territories. like he did on his first release >le cercle peul<, he combines traditional african instruments and the african approach to rhythm with european production techniques and soundscapes. this time he examines the depths of sound of dubtechno. this effort results in an epic musical journey, an almost soundtrackesque piece of music that accompanies the travelling mind as easily as the dancing body. mr raoul k manages to stay focused troughout this long trip through the land of haunting grooves and irie sounds with ease. driving, yet calm at the very same moment. and full of surprises, too. the flipside delivers – besides a condensed edit of >himalaya< - a grooving piece of afrofunk-goes-house, perfectly fitting in the sunnier time of the year. fellow ivorian doungous delivers the infectious vocals to round up this track

supported by karotte (cocoon, great stuff), mike shannon (cynosure)... jeff samuel is back on frankie rec with a surprising 3 tracker ep titled gurd em ep on the a side the eponym track a1gurd em create an original weird atmosphere mixing hypnotic sounds and bass voice with the groovy bassline and incisive drums… on the b side b1 dementia is a brilliant minimal tech house piece full of subtle bleeps and mental sweet melodies with jeff typical sense of groove and on b2 spic and span more funky is full of quircky sounds & groovy bassline… ingredients of a freaky tune!

the long awaited follow-up single from the parquet rec. labelhead solee! after big club hits like impressed or different normen flaskamp aka solee delivers the ultimate summer & open-air hymn timba. as usual, the original combines minimal techno with voluminous sounds and amazing melodies and will be one of the next crossover-hits this year for sure! next to the original mix, solee also shows us his deeper tech-house side with the solees basement dub. last but not least, neurotron (ostwind / nightdrive music) complete this big package with their ultra cool deep-house remix! already massive international dj support by: laurent garnier, john digweed, roger sanchez, josh wink, dj yellow, deetron, sharam (deep dish), satoshie tommie, yousef, joris voorn, ewan pearson, sander kleinenberg, hernan cattaneo, dj tiesto, sasha, umek, tiger stripes, dave seaman, argy and many more

after the amazing 2084/ultra ep on music man last year, we are very proud to present a new redshape record to you guys! both robot and neon are two amazing gems in his own original style. not to miss!!! feedback: adam beyer: love robot, sounds exellent! really current in an old fashioned way!

old schoolish banging techno tracks on this young german label focussing on no-nonsense timeless techno tracks. tis ep has some strong robert hood influenced tracks produced by this tresor resident dj from berlin... so no surprise to hear some influences of the good basic channel people mixed with sounds from the motorcity

two years ago, honest jons travelled to lagoswith the great drummer tony allen, to make his first recordings there since his time with fela kuti an album entitled lagos no shaking, a classic of contemporary afrobeat. since then, the label has widely commissioned numerous responses to those new sides. from legends of dance music culture like basic channel in berlin, for example, and founding father of detroit techno, carl craig, and young tigers like dizzee rascals newham generals, mia producer diplo in baltimore, and carioca sensations bonde do role from rio de janeiro. and newrecordings from cairo, saturn, bogota and kingston, jamaica fresh interpretations or complete reworkings by the space jazz pioneersalah ragab, a street brass band descended from sun ras arkestra, highlife inspired afro colombian drummers from the maroon village of san palenque de basilio, and a veteranof count ossies mystic revelation of rastafari.

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

the superb disco deviance crew look forward to the summer sizzle with two wonderful edits by nu-disco don pete herbert (reverso 68/lsb). having forged a rock solid musical reputation with his and phil misons reverso 68 project, pete has also built a reputation as a force to be reckoned with in the dj booth. known for his love of the balearic disco sound, ph is part of the new breed of djs who are continuing the dj edit tradition by creating their own versions of classic and lost tracks for their dj sets. first up on this release is the amazing >dont let go< by tony orlando of dawn and tie a yellow ribbon round the ol oak tree fame. this track was tonys take on the disco sound and with its lush strings and mellow instrumentation it is a highly infectious, yet lesser known piece of disco history. a staple of ph dj sets this track is a definite killer summer groove. on the flip, the synth led italo disco sounds of ivans >fotonovela< are given the ph make over and turned into yet another balearic disco bomb. enjoy, play it loud and keep good music alive ! dj play: laurent garnier, greg wilson, ashley beedle, popular peoples front, jd twitch (optimo), faze action, the unabombers, jg wilkes (optimo), bill brewster, tim sweeney (bis), jim stanton (horse meat disco), harri (subculture),stu patterson

last summer, the berlin-based producer and well-known remixer chris zippel (who already worked with the pet shop boys, robbie williams or ich & ich) already celebrated his very personal interpretation of modern and complex ambient between zwischen triphop beats and melancholic pop references by his genuine horizon album. with this ep, chillout producer zippel has chosen a way quite unusual for him by taking four tracks of the album, making them compatible for the dancefloor with a number of co-producers and proving that dub is still up-to-date in 2008. the ep starts with an interpretaton of electronic spain recordings producer mangelt: again, a straightforward energy flash between reminiscence and modern club sound, takes on the powerful post acid minimalhouse sound a la steve bug. the dane mike salta turns mirror dawn into deep techhouse dub, and also the schwerin-based downtempo producer andre muelle alias vakuum sounds shows that he is influenced by a timelessly valid unterstanding of dub and fragmented s mples by his version of glacier. finally, the tribal progressive house dub of blade remixed by kling klong impresario namito (berlin), undoubtedly the most famous remixer on this ep, goes right into your hips

the man behind chymera is brendan gregoriy. releasing music since 2005, the producer from dublin already has an impressive discography with releases on labels such as delsin or ovum. >ellipsis< and >eulogy< are sonic epics that never cease zu fascinate the listeners. they manage to be bold and sophisticated, powerful and elegant at the same time. they transform the dancefloor in an maelstrom with no way out, and yet they never give their electronic cool away, they always remain subtle and somewhat distant. the sounds form an imaginary landscape, they are a projection surface for one s desires

playlist by alexi delano, karotte, claude van stroke, perc, jeff samuel,.... 2nd release from faste by frankie. a side dontact is a perfect floorfiller techno piece with unpredictable elements raw melodies and quircky weird sounds...intense & crazy. b side brize track is a more mentally track with deep hypnotic crispy synths and distorded sounds... groovy aswell and perfect for hypnotizing the floor

tj kong & nuno dos mit einer warmen & sonnigen interpretation des detroiter house sounds

with already huge releases on labels like recycled loops, primate and last years spilo 011 we bring you the bomb of 2008 from boriqua, hustler ep! after the great feedback on the 2006 release, celina ep, we were in high demand for a follow-up in that style, and boriquas main man, rainer gonaus, delivers like always with the peak time track felicia on the a-side. on the b-side is the track natasha, another slammer with its heavy hypnotic beatsand sounds will ignite all dancefloors.

the quality that the inland knights have become known for over the past ten years shows no sign of letting up and they continue to experiment with new sounds and styles, which the >bad man< ep shows perfectly!

nice price deal !!! uptempo club track sounds like a uk usher!! includes wideboys electrohouse/garage mixes!!

funky edits and space out sounds.. quartz is a multitalented producer from italy who made his name in various styles of music. known for this extremly high quality productions he got releases to his name on ascend / default / advanced / zync and many more. for this syndikaat release he digs deep into his soul and creates a lucious peace of vinyl ready to explore the dancefloor with its irresistable drive, funky edits and space out sounds.

the 3rd release by scott grooves on his natural midi label, this is scotts first ever ep and color vinyl release. all 4 tracks possess a different mood and distinct raw edge, which plays well on this well balanced ep.track 1 dark blu speaks for itself, simply stated and deeply enriched. the relentless melody never lets go of the groove and the groove never lets go the melody. everything in this track harmonizes together perfectly.track 2 dna definitely disturbs the peace with vintage analog synth sounds. the old school sounding vocal sample echoes thruout the track that >detroit needs analog records< take a listen and decide if that echoes true!track 3 >it doesnt all have to be techy< as the title suggest there is know >techyness< here, its all about a deeply stormin groove that is enriched with warm melodic keys and a lovely guitar, yes i said guitar that altogether creates a feelin thats organic but not boring. track 4 decimalquivers in and out with a fm gritty synth stab, complete with minimal drums or as scott calls them >drims< which is the term scott uses for minimal drums. also present is a deep pad sound that brews slowly like an eruption. co-produced by panther, a name you will hear more about in the future

marek bois aka dapayk erschafft auf seinem ersten bois album organische stücke die quietschfidel & mit ungewöhnlichen sounds angereichert sind

a masterpiece, where vocals & energized sounds create a massive rhythmic dancetrack!!

a dark hypnotic tribal burner with some uplifting 80s synth sounds on top of it that could best be described as radio slave meets lindstrom! feedback: martin eyerer the original is very good! for a track that makes such an impact, the label could only entrust remix duties to a true production don, and jerome sydenham is that man. he delivers a heavy duty blacktro dub that is set to make an impact with so many of you!

kill factory is running things with there latest big releases by various artists both new and upcoming. the new one is here in the same succesfull concept, so you know what to expect! big beats killing sounds and just pure mayhem. lexis (cardiac arrest) presents his solid kicks, edits and driving style, dj hammond from hungary bring you even further with his hardcore banging track and ocram (contempt) rocks you all the way with his rolling beats and crazy samplework!

after the success of subtrakt 001 outta here ep we have stepped it up with a 4tracker from the sounds of the north and south of island dubstep. monsta known to most for his epic cartoons and cover work for rufige crew and goldie takes a stand with his 1st outing on subtrakt with dinner

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

clubkiller with a lot of crazy sounds and dark atmospheric breakdowns

an incredible ep with namlook exploring the edges of minimal techno and deep ambient, while the remixes are pepe bradocks most dancefloor oriented works in ages! macro delivers a stunning release by a man who has not only produced 3 collaborational albums with richie hawtin, but also runs the ultra influential fax label with an artist roster ranging from speedy j to bill laswell to klaus schulze: namlook is a true electronic pioneer in a league of his own. the track >subharmonic atoms< was produced back in 1995 and is re-released by macro as a long out of print electronic prototype on the edge of minimal techno and ambient. but dont think this is a retro affair: subharmonic atoms sounds incredibly fresh and proves it is as groundbreaking, innovative and timeless as jeff mills early axis works or hawtins concept1 series. entirely remastered from the original source and cut in unparalleled sound quality, it is available on a single 12inch side for the first time ever. the release is completed with nothing short but french remix master pepe bradocks triumphant return to the dancefloor. his versions of >atoms< are rocking upfront house burners, which his fans have been waiting for since 2003s intrusion ep. definitely one of this years hottest packages

alex krueger is ready for his next strike on dirt crew rec. the follow up to his excellent <push the patton< single is an absolute minimal killer, 3 quality tracks here and a different side of tigerskin for each taste. all tracks were produced with analogue equipment only which has become pretty rare these days ! the title track is a warm and reduced builder with an absolutely devestating guitar breakdown, people will remember this one for sure when they first hear it out on a big system. the second >wanted< is a typical tigerskin rave anthem, similar to his master hit >neontrance< this one is pure power on the dancefloor. the last track is more funky and has a great electro groove to it, this one has become a favourite in our sets over the last weeks and also features a beautiful break with great analogue sounds

imagine ed banger partying with throbbing gristle while donna summer watches from a distance and you are somewhere near to how this sounds, 8 bit backing tracks give it a retro feel while alices vocals are mashed, filtered and processed through various effects pedals sometimes to the point of being incomprehensible.

pure hypnotic dope ! the 12inch opens with a blast of superlative dancefloor funk, >u can get sonar<. its immediately obvious that this track is the creation of someone who knows - as a fan, dj, record-seller and musician - what works on the dancefloor, what sounds good, and has endeavoured to make his record satisfy us on all counts. carried along by an unbelievably buoyant bassline, purring, deep house-style chords and crystalline percussion, the track climaxes in waves of synthesized strings. >upad aah< is a vivacious, skippy dancefloor track, its constituent bass and drum elements rounded and smoothed for maximum bounce, sharp, pressurized snares provide a glorious counterpoint, as quasi-tribal percussion, and airy african female vocals are layered over the top. the result is fresh, powerful and eminently danceable. >persuasion< is a deep, swinging club track. once again that warm bass is at the forefront, with clipped yet languid chords building melody around it as

ricardo villalobos, magda, karotte, loco dice, monika kruse, martinez, 2000andone, tiefschwarz, matthias tanzmann, ben klock, lauhaus, raresh...we proudly present our first release on cécille numbers the new sublabel from cécille records. the first release comes from the greek producer lemos and is splitted in two parts. on two tracks he worked together with his friend ilan manouach and conjured two amazing vibe and atmosphere live recorded saxophone tracks that will catch your ear for sure. the other tracks use the perfect balance between rhythmic and vocal sounds. all four tracks are sure shots for every music lover. hope you enjoy…

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

big ep from mihalis safras!! no1 in sven väth dj chart !! sehr originelle platte von mihalis safras der mit seiner massiven hookline voller afrikanischer sounds klar aus dem üblichen minimal schema fällt. fröhlicher, vitaler und nachhaltiger ethno-techno

how many people of the same generation the producer frederik belongs to, did not spend part of their life playing the videogame which inspired the production of this new single? it sounds like a very original track containing an highly explosive idea in it!!

excellent disco electro !! great follow up on the finger food ep. on the a side a smooth grooving disco affair they are known for. working the floor with some great melodic disco that sounds impressive on a big system. on the flip side two amazing tracks... >mirror men< is a totally unexpected electronic disco funk track with some wave influences. very classy and masculine track! >autumn abyss< is a sweet and soulful track we would expect on a kool and the gang album, think summer madness style, with its incredibly warm sounding instruments

after a short introduction as a remixer on the >prismatic ep< kevin over demonstrates his production skills. kevin alone at the home-studio surprises in a musical way. level one: >dollycluster< with its click-beats and latin-inspired sounds gives a impression of the summer-parties at dc10. level two: sennhs deep and happy rework dives gentle into sunset. level three: >forrest dump< is a luminous tech-house masterpiece of the 21st century

detroit underground returns for their much anticipated ninth edition of their now legendary compilation series. featuring some of the label s biggest artists, namely funkstorung, richard devine and jimmy edgar, the ninth edition sees the label return to its more experimental roots after a successful, albeit brief foray into a more hip-hop and club-oriented music in the series seventh and eighth editions. while number nine, still puts you on the dance-floor, the release s forays into idm, acid and experimental sounds recall earlier du records and further detroit underground s reputation as a label that is not afraid to take chances

dark but somehow funky techno killer. after having massive support from all the major players during 2007 (hawtin, garnier, 2000 & one, mr. c, wink, troy pierce), esperanza strikes back in 2008 with the comeback of franco cinelli to the label. franco introduces us two oldschool infused bombs with intricate sounds that won t go out of your mind for a long time.

nice price deal !!! dance floor bomb!! great techhouse with progressive sounds, includes bconverso & pinza remix!!

monotonix are a punk trio from tel aviv. they formed in november 2005, set up on the floor of the club with the audience, and the party began. but the party usually got too wild, the power got cut, the cops were called and monotonix were banned from playing again almost everywhere. before long, they were looking for good places to play outside of israel - and they were delighted to find that there are more rock and roll party places outside of israel than inside! today, monotonix are the hardest working rock band in the world. sure, lots of other bands work up a sweat, but monontonix are definitely the only band who puts in the kind of miles they do, and they rock rings around pretty much the rest of us too. these guys do two different shows in two different towns on the same day whenever they can manage it. but thats only the tip of the hard working iceberg. body language sounds almost like a monotonix show. the only thing you cant hear is the sound of your heart beating in your ears after having been chased around the room by a vocalist with his pants literally on fire, then getting dousedwith beer and dancing your ass off to the guitar riffage, then ending it all by carrying the drummer around on your shoulders while a few other guys hold his kit up so he can keep drumming. you dont end up quite as out of breath when listening body language, but you do get a ton of excitement anyway, courtesy of a killer guitar sound, precision power drumming and lusty lead vocals. they recorded body language with tim green (of the fucking champs) at louder studios in san francisco. it twists and grooves with all the fun and fervor of great rock and roll.

born and raised in nantes, france, the parisian r-play began his career in 2000 with the d-clik crew. parties and events organizer, dj and producer, follower of a minimal techno, r-play uses to share frenzied groovy drums and hypnotic or freaky sounds. his sets wander between many different dance floor styles. in 2003 he founded a first label hologram and then launched triumbeats in 2004 for his own releases with noaria, and produces many tracks in such different style like minimal techno, hard techno, ambient or world music. his productions are play listed and mixed by most of the greatest international artists.

founded in 2006, yakuza recordings has quickly established a solid place in underground house circles and attracted fans in the form of mark farina, miguel migs and dj heather. the two djs and producers behind the label, soydan tuc and murad l, have helped the label make its mark with the fresh, funky and deep sounds yakuza has speedily become renowned for.

ricardo villalobos, magda, karotte, loco dice, monika kruse, martinez, 2000andone, tiefschwarz, matthias tanzmann, ben klock, lauhaus, raresh...we proudly present our first release on cécille numbers the new sublabel from cécille records. the first release comes from the greek producer lemos and is splitted in two parts. on two tracks he worked together with his friend ilan manouach and conjured two amazing vibe and atmosphere live recorded saxophone tracks that will catch your ear for sure. the other tracks use the perfect balance between rhythmic and vocal sounds. all four tracks are sure shots for every music lover. hope you enjoy…

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

seit 30 jahren ist conrad schnitzler im musik-zirkus der elektronischen musik unterwegs und noch immer presst er frische sounds aus seinen maschinen. hier gibt es die allerneuesten ergebnisse mit mixen von perlons dandy jack & bruno pronsato.

the futurebuzz ep, the name is apt as i am sure heads are gonna be buzzin to this record well into the future. this release features a full cut from label owner troydon and also a new artist named datakid who i think is gonna do the do in 08 by the sounds of things.

after several releases for atificial beats/protect/hostage, here is the debut smaher of dj arcane on the skull tunes sub-label synopsis! hard and devastating sounds for all the hardfloors

life is long is an opening gate to the world of lithuanian jazzy house. the funky basslines and turntablist stylings, topped with the organic sounds of light, swinging, latin percussion, wailing saxophones, and fluttering flutes forms the distinct sound of jazzus juice. the release includes amazingly frivolous and funky remix crafted by talented mr. rithma (om records).

first single to be lifted from the forthcoming lp is a flawless representation of some of the freakishly danceable tracks contained therein. a wholly original mashup of electronics, my heart rate rapid is sheer falsetto laden, drum battering brilliance. although metronomys elliptical, insidious, multi coloured art pop sounds nothing like colognes legendary purveyors of prog disco, can do offer clues to the lineage the band belong to. add early brian eno, sparks, devo, talking heads, soft cell, and then scratch your head for more recent examples of abstract music, full of experiment, risk, and individuality that somehow resolves itself into pop that makes you sing and dance and feel like a big kid and you realise that you cant think of any, because metronomy are, in the current pop milieu, an utterly unique proposition.