killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

repress from msd raggaetek tunes on cubi 01.02.03 and 04!

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

limited to 200 copies in white – marbled vinyl with an exclusive vinyl-only dub remix! movida records presents 2 remixes from the track >la movida< which was original released on the part 3 of the compilation (movida010-3. on the a-side you have that remix from wigbert (sono vivo / levelnonzero) which is a very deep and spacin trip to the next dimension. on the flipside you have an classic dub remix which is done exclusive for all vinyl lovers and will not be released digital.

kito jempere will be a new name to many with only a handful of productions and remixes under his belt but that’s the way we like to do it here and were proud to play a small part in helping introduce his production prowess to a wider audience. the st. petersburg native came to our attention following an invite for jimpster to play at one of his legendary outdoor summer parties in his home town. a friendship was born and when the brilliant demos arrived in the mail, it wasnt a hard decision to agree to release them

portugese producer, accatone, drops the a reason not to try ep via the ever on-point, hudd traxx, imprint this september, backed with a remix from house aficionado, matthew herbert. accatone aka jose reis, has been steadily evolving as an artist over the past four years, racking up a string of releases for roots & wings, apparel music, and dabit records. here he joins the hudd traxx roster, slotting in alongside the likes of rick wade, rolando, sascha dive, and dj sneak to name but a few.

dfa revisits several classic and in demand 12inch with a new series of hand stamped white labels called dfa white out series. only 200 copies worldwide. dont sleep. coming soon. benoit & sergio, lcd soundsystem and many more.

glenn strikes back with volume two of his classiques series featuring 4 chicago style disco edits. seriously deep and funky. and classy! dont sleep on these. gonna be big.

the newest edition to the back to you collective shows not to disappoint. greek born dj/producer dimitris kesses, better know as sek is not only the new kid on the block, but another careful selection from bty in new talent and an exploitation for the freshest sound. previously featuring on labels such as lost my dog and off recordings the latest ep broadcast seems to fit well on back to you.

up steps the prodigiously talented 20­year old justin jay, a true california golden child, born, raised and nourished within the la city limits for his culprit debut with the jaguar. the three track ep has been the result of organically built relationship with the la­based imprint, with songs inspired by la and the labels sound and credo.

christoph el truentos debut album, what we used to know, is born of change and confusion, and sounds utterly incredible for it. the deeply talented 24-year-old new zealander started writing back in 2011 at the time his son was born. tired fatherhood, personal upheaval and artistic indecision would actually help show christoph a clear path towards completing the record – a transcendant sweep of synths, samples, organic instrumentation and window ledge field recording that gently reveals new layers of sonic texture and emotion to the listener.

four classics and two original remixes present on this archiv #08 re-issue have been carefully selected by savvas ysatis and tresor, to be re-mastered and cut in a new con&#64257,,,,,,guration for your listening pleasure and playing comfort

repress 2015 !!
the dreamteam of deepest sound hallucinations enters a new horizon. after their outstanding longplayer >songs from the beehive< and releases on shanti and workshop move d and benjamin brunn are back on the dancefloor with three new tracks on the smallville imprint. warm like an early summer night this 12inch is the perfect soundtrack for the season we all prefer. magical sounddesign meets hypnotic grooves. move d and benjamin brunn again create storytelling music with a highest grade of soul.

cd in 6-panel digipak printed in three pantone colours. featuring all-new material and recorded in the bands isolated studio on the edge of the essex marshes, the album ebbs and flows in mood like the nearby blackwater estuary. working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances.

at the start of the 70s, france had no petrol, but it had ideas and artists that managed to tip them into the 21st century 30 years in advance. cosmic machine compiles 20 rare tracks put together with passion and erudition by uncle o (who previously did the shaolin soul compilations) and throws together a collection of stars, a few free-spirits, and also shooting stars.
the transparent double vinyl comes in gatefold sleeve with a cd-copy of the full album.

what we feel for max graef might just be our biggest man-crush ever. we came across his music through his own label box aus holz and were just as stoked as he is to have him as our second release.

the danse club label is fast becoming an essential deep house outlet thanks to a solid stream of originals and remixes from artists old and new alike including cherie lee, the burrell brothers and label bosses brodanse. here, said bosses team up with vocalist cari golden and resurgent beatsmiths groove armada for a huge new track that has already been road tested in ibiza and has drawn all the right reactions.

long time coming and definitely one of the triggers to start this label: listening to niagara and wanting to capture them on disc. their hands-on hardware live sets were keeping people on their toes. raw house with an improvised and fresh vibe outside the exclusive domain of the dancefloor. this connects with their more experimental past as one might add and translates perfectly into this intuitive approach to dance music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

an absolute bombshell, *o meu estilo* (my style) is lisbon-based dj nigga foxs record debut. real name rogrio brando, nigga fox came to our knowledge a few months ago, and we were immediately floored by what we were hearing. still in his early 20s, rogrio has already played in all sorts of the greater lisbon clubs, while discreetly refining his own productions. on this 12 inch he presents parts of his unbelievably vast pallet. as the title implies, there s nothing quite like this, even in lisbon s ever more productive and creative beat-based music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

after being released digitally only and really great support throughout all floors, tengue rec. decided to bring this disco-influenced bass driven house floor tool to all vinyl lovers and djs as well. so decide it yourself, pick it up and try it out!

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

big techno anthem! it is not a secret that pfirter and mindtrip are frequently mentioned in one breath and for two reason: serious analog techno without any compromises and superb quality products without any nonsense. shrink wrap.

cavaan is releasing their follow up 12inch on the new label that has given echoingly hypnotic infused techno and house music a stable platform. the duo effortlessly present three beautifully-constructed productions that demonstrate the convergence and symbiotic nature of their musical past and present.

dot records welcomes myles serge to the helm with his detroit style,with remixes my label boss aubrey, which is a more jazzed out spaced out mix of the original, and long time friend and music partner mark ambrose on remix duties, marks mix is a funky chicago style workout with style, and last on the remix is berlins savas pascalidis with a heavy after-hours work out for the warehouse

new 6 track project from l.i.e.s. and the corner artist, shawn o sullivan. comes in a stickered jacket with postcard insert. big support from the usual avian fans...

two stone-cold killers here from none other than delroy edwards & funkineven. pooling their talents as dirty analogue overlords, here the two are on one straight mission from start to finish: raw and fierce acid cuts aimed directly at those on the beer and sweat-soaked floor. these wont be around for long to be sure, so dont sleep!

on his third time out, the horseman has decided to take some time to himself and rethink all of the suffering that he has caused. after his never ending >midnight ride< he paused to take a break and fell deeply asleep. he awoke to the sounds of birds singing and the piercing sunlight in the early hours on the hilltop of >northfield lane<. he felt joyous for a split second. could this be the end of his misery?

part 3 from the former ukg production super-duo ! limited 1st pressing copies, hand numbered and stamped.

hectic dystopian stuff abound as last known trajectory proudly presents the very exciting >nuclear invasion< ep from jauzas the shining. featuring once again the seductive vocals of victoria lukas alongside the remix talent of none other than heinrich mueller. from the bustling drama of the title track, to the highly hypnotic >crockett<, impending doom of >reality< and stark, edgy shenanigans of >bohrium<, this ep has it all!

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

plays and support coming from: luke hess, arnaud le texier, paer grindvik, lucy, psyk, chris liebing, rebekah, tommy four seven, drumcell, pfirter, jonas kopp, dvs1, inigo kennedy, etapp kyle, lewis fautzi, alan fitzpatrick, roberto figus, tom dicicco, milton bradley, urbano, krenzlin, dumani, jon asher and a lot more

tcb prophesizes unborn futures and fates with a little magic by kassem mosse and mix mup.

much anticipated diagonal release from the shit & shine camp, features killer re-edit of synthetic flemm originally by theo parrish, 1st pressing with limited full colour sleeve

ldnwht. london white - new london based vinyl only project, great 2nd release comp. feat. superb cut from audio injection...
solid feedback and support so far from: ben sims, shifted, surgeon, henning baer, norman nodge, boris (ostgut ton), jeroen search

authentic pew presents with its fourth release the debut of the collaboration between angel costa & attemporal under the moniker attac. forcing rhythms and well chosen acid ingredients open a wide space for a hypnotising mindtrip. the following remix by perthil & aerts reinvents the previous elements more to the floor. as patria from paris focussing on their 9-minutes-journey the deeper shades of techno, before tomohiko sagae breaks it all down with industrial noises and terrifying beats.

to mark a decade of their live techno outfit, exercise one release a new album and series of vinyl remix eps by friends and fellow travellers from along the road. choosing 10 remixes for their 10 years of performing live and 9 tracks on the album for 9 years of releasing records.

transparent sound formed in bognor regis (west sussex) 1994 and are one of the uks longest running electro acts. transparent sound is a collaboration between orson bramley and martin brown. having grown up on hip hop, electro, 70s electronica & legends visage & cabaret voltaire, they set about creating their own unique electro sound. we proudly present their first release on society 3.0 recordings, which comes with remixes by icr and arquette aka marquez ill.

limited edition to 150 copies only, groovin and dub influenced two analog tracks

part 2 of the remix series for thomas p. heckmanns brandnew album *dark matters*, this time featuring mindblowing remixes by swedish techno legend cari lekebusch, clr-artist dj emerson and rising stars lowkey & kardinal. limited collectors edition on white & green marbled vinyl - a must-have!

the 12 track album was written and produced since the turn of 2013 and mixed with erol alkan at the phantasy sound, the labels own studio in london. a difficult trick to master but like carl craigs more songs about food and revolutionary art, plastikmans consumed or more recently the work of four tet, the album works as a cohesive whole rather than a disparate collection of tracks

transition lab recordings is proud to present its first release. the label start with 2 tracks from ol-047. it includes a huge remix by deadbeat (echocord, blkrtz, wagon repair) and roberto clementi (echocord, soma). ol-047 is the connection between genres and city. inside the project two souls mix their shapes, alessandro stefanio and andrea santoro come from a long and deep experience in the clubbing scene as djs and producers.

sims & degiorgio follow up the success of machine 01 with another showcase of blistering modern techno and uplifting electronic bliss. strike aims straight for peak-time with a driving, trademark sims rhythm that only he knows how to pull off. degiorgios remix keeps it tough but adds some subtle elements in keeping with his soulful approach to music-making. degiorgios own *guardian angel* is another in his series of uniquely harmonic techno tracks that has no equivalent in dance music. another major statement from the number one techno event around. machine.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.