powerfull darker & hypnotical techno two tracker by hell toupe vs. praxis !!!

yo. its 2007. many people make the wrong decision. dont want no hihats. just want smörsås. check this. this goes out to our main mongos speak, reh dogg and siggi. rest in peace. my respect, he was the best. yeah cmon. sometimes people make hihat. dont know what is for. bizniz! yeah thats right, cmon. we dont want no hihat, just live and love eachothers, our family our friends. we have so much smörsås. the world is too big. cmon.yeah. stop your hihats. stop your bizniz. we pray for god. check. why must you cry? bizniz. yeah c mon. if you were a wheel chair i would still care and love you? hugg & pepp 4 life 2007

jake childs returns to icon under his morning star moniker with a remake of the nitzer ebb join in the chant from 1988. join in the chant bacame a classic alongside groups like ministry and front 242 and helped define the future of dance music. with this interpretation jake keeps things deep, retaining the key vocal hooks and bassline while taking the rest of the production in a more subtle direction.

with shyza minellis last 12 still at the front of many bags, and indeed the first track on many worn out cds, tuning spork is back bringing a need for more bagspace and new cds. this time it is blackwell who is grabbing your attention and making your friends jealous of your twisted house music sounds. this time it is blackwell who is telling you that >you are entering the twilight zone<. blackwell is a new producer in the tuning spork family. he grew up in north wales and is half finnish, but rest assured that that is the only thing thats fishy about this man. (sorry). inspired by the likes of luciano, jay haze, and ricardo villalobos, blackwell likes his house music to be minimal, but always funky. we can also reveal that ricardo villalobos himself has tipped this record to be a hit, he is seriously feeling the >you are entering the twilight zone< ep

der remute mix wird sicherlich viele freunde finden und auch der rest ist von guten eltern

fantastic schranz 4-track ep on schlachthof by seeema (artillery/bitshift/toolterror). played already by kaoz, sven wittekind, robert natus

ok no rest for the wicked, time for another instilment of immigrant machine funk… this time it s todd bodine s first solo ep for immigrant records, >the spring ep<. on remix duty we pass the baton to clever music head honcho and all round nice guy mark-henning (clever, freude am tanzen, einmaleins, clever)

pushing electro house! the heavy disco mix for the bigroom houseclubs and the scandall mix for the rest !

for the 31 patterns welcomes ingoma, primate and recycled loops - artist boriqua tribez !! tribez separates himself from the rest due to his uncompromising affection for drum powered, tribal techno grooves. each and every time he keep surprising with new and improved arrangements of bongo patterns, impressive snare action and moving melody..

steve rachmad, has taken the global techno scene by storm both as a producer and as a much sought after remixer. his dj exploits is second to none. for many, he is considered a father of detroit techno in the netherlands, respected in the world of electronic music for his deep, groovy sounds that tend to rest on impressive strings, melodies, funk and soul.his first single from his forthcoming album >neo-classica< on sino exemplifies the efficient combination of sonic subtleties and frenetic nuances found in his productions. energy abound with an unwavering level of production quality, this single is yet to be another modern day dancefloor classic

while everyone else was enjoying the summer of the century ( and probably the world cup ) the botox boys hurled themselves in the studio and indulged into a cosmic electronic >kraut< session. on the hard stomping >lada rock< cosmo vitelli lays down a stoic one note bassline and grants tekels julien briffaz some time to get freaky with hard metallic, stumbling beats behind his drumkit before skanking guitar chords preludes several minutes of countless dramatic organ and synth erruptions. after this wild freak-out your body gets a rest, its now the mind that gets messed with, the slow moving >drive by shooting< with its neverending, grinding, menacing cascades of hot-lava like synth tides sounds like a dark balearic tune on bad acid

as a coproducer of jennifer cardini he could already rest on some laurels, but he still has own plans. after a lonesome 12inch on freak n chic this likeable party terrorist, not goes free of charge with paris anarchos like dj:terry: co-operates, now to the attack. sub static presents two properly psychedelic minimum racketeers as they could hardly fall out more individualistically.correctly fitted with spring beats deliver the through ball for precisely placed schizo chords and who is still responsible there, has missed the takeoff. hypnotically the sounds mill themselves by the bodies and hatch behind the diaphragm, only to press ahead at the right moment like alien out of ripley. techno, how he raves and dances. to one howls, yesyes

3rd installment in the successful historical archives edit series. a side features an unrelenting edit of the group jakkis ode to the sun, ripe for the summer. the flipside turns a chaka khan b side rarity into a disco not disco clash with jack. deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you wanna know the rest? become a member

repeat orchestra (aka stefan schwander aka antonelli electr., rhythm maker, one half of the duo swimmingpool as well as being behind >a rocket in dub<) returns with another 12inch in his purest form of his electronic soul, based around live-performances, orchestral instrumentations and deep house. in a post-modern manner, the >asafa chords ep< operates differently as opposed to the standard sampling clichès of standard house-tunes that we hear on each and every street corner these days. the two pieces follow a minimal yet above the norm musical approach, with tricky and advanced rhythms and a strong groove that lets the listener dive deeper into the world of a one-man-band, who likes to express his version of afro-futuristic housemusic by bringing deep chords, live-played strings and lots more of his personal flavour into his production. . the result is a warm and wonderfully musical expression on the dancefloor that will guaranteed stand out from the rest.

odds & ends music always come up with something slightly different to the rest and we mean that in a good way! this release by leon louder is just that, slick house music with funk and depth

archipels brand new sublabel brings you its second weirded out slab of wax with uli kunkels singing with rod. uli kunkel,however,is not one single artist. it is comprised of lee curtiss, maayan nidam (miss fitz) and shaun reeves.the record starts off with leethophobia which is an hypnotic breaks like piece of dark insanity laced drughouse very much inspired by the perlonian sounds which have been coming from germany as of late.drugpigs is fat, wobbly, and just as hypnotising as leethophobia and commands that the freaks come out to dance from the shadows of strange early morning corridoors.the flip takes a more direct approach and is fiercely lead by arrival which is an hypnotic take on dancefloor drive influenced tracks and is laced with clever edits and lysergic percussion.sing like rod is a totally weirded out and just as lysergic early morning rhythmic smoothy. kalimari is set to release quality weirdness and here it stands tall from the rest.

second release from this new label. sordid you combines huge droning bass frequencies with a combo of bouncy, undulating synth hooks and tough beats for a huge uplifting track with a moody edge to it awesome production throughout, and a very fresh and exciting sound generally. watch these guys fly for the rest of the year

yello is the colour ! 3 worldclass remixes by germany s top elite !!! well everybody have been waiting for this for a very, very long time!! the results are dancefloor smashers , that will be huge for the rest for your life. monster reactions -already getting regular spins from all the a-list djs worldwide ! awesome !!

deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is now its time for the masses to feel the real deepness of the true chicago 80s era of music only ten percent of what happened here in the 80s is known to the rest of the world dont you wanna know the rest become a member

sentidos opuedos as its names indicates go to explore the many fields of techno music. a1 >ama sonica< shoots to ears some groovy drums and a funky bass line, which take control of the soul while the hypnotic synthe-line gets in charge of the head. a2 >naked gravity< challenges to blow you mind into heaven. argenis points out his origin, delivering a song with a fat bassline and some typical south american rhythms that could easily bring you naked on a dance floor. b1 >yerbabuena< explores a more rhythmic section. this evolving tune starts from a simple bass shot to more complex patterns that deliver fury in crowded clubs as easily as to say >yerbabuuuuuuena< b2 >eimuu< is the psychedelic child of this ep. its groovy bass pushes you far somewhere in the deepness and the chords do the rest. dance, dance baby, its a sunny day! this 12inch is mixed by jay haze !!

the very active broken beat dj somewhere from west london delivers two new deep grooving tracks on the a side and the flipside comes along with two remixes of rest with u one from mapa and dj rogall from berlin

classics by patrik skoog back in stock.. harder percussive tool techno

back on stock!!mit dem hit ist weltzwei voll auf empfang..der minimale techhouse ventilator gibt den rest..

couple of the tracks are kraftwerk rip offs, couple of em are on the detroit tip, the rest are pure uncut future electro funk and havent left our system for two weeks here ...wicked

eine hälfte closer musik ist immer noch besser als der rest. bauchkribbel-techno mit seele und sexappeal

excellent electro techhouse remix by tobitob (moonbootica)...rest deutsch hip hop / raggae influenced

ross says 'house is the power..the begining...' the hymn of the disco's... and funky junctin make the rest... two remix inside: splashfunk remix and fc nond ( from rio ) remix....the begining of the future... revelation in wmc 2004..

tekel schickt uns auf die bretter und rooooobag whruuuuuume gibt uns den rest. pflichtkauf !

heavy jackin ass-wigglers as us. rhythms cooked down and reduced to their pure funk- essence, nagging sounds frying your brain like acid, crazy vocal-cut ups sounding like those voices that swirl around in your head and those bopping basslines won t allow you to rest. finally lil mark (classic, mff) throws in his bleepy remix magic, so damage done_freak out!

yoga chill vol. 2 – meine entspannungsreise verwöhnt dich mit klängen, die dich einfach mal loslassen und neue energie tanken lassen. ob sanftes yoga, meditation oder entspannung, yoga chill vol. 2 hilft dir, körper und geist in einklang zu bringen und eine auszeit vom alltag zu nehmen. der sanfte dj-mix ist der perfekte begleiter auf deiner entspannungsreise.

metal

schlager

2cd / mix cds by armin va buuren, mix 1 = on the beach, mix 2 = in the club

10th anniversary reissue on double cd, including 5 previously unreleased bonus tracks from the air studio session.

new album from jason sharp, solely created with saxophone, breath, heartbeat & modular synthesis rig.

cd in square gatefold replika

ambient / drone sounds

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album escape hatch described by vice as a modern masterpiece only hinted at the transcendent power of seahawks music. eternal beams goes further to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunderÉnuminous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraajiÉ flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

>what was old is new again<. the old adage is so tired that nobody takes its proper measure: all people hear is the word old, when the important one is new. making new things out of old things is an act of alchemy. the proof is in this fifth album no rest for the wicked of perpignan which is blown right open here and there by a few very contemporary guests.

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival Ð the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

following last yearÕs galaxies compared album, belgiumÕs dany rodriguez shows he is not a man to rest on his laurels as he prepares the follow up this summer, dÕvisions.

for sasha funkes new tracks he used several kind of gear Ð from a korg arp odyssey to a dave smith prophet 8, moog voyager, solina string keyboard or a yamaha pacifica guitar. stylistically his new orchestra lead him to a mesmerizing meltdown of trance, techno, synth-wave, post-punk and ambient parti-cles.

there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.

after the hip hop after all tour, guts confirms in an idea more than this in the back of his head to make an album where the proportions 80% samples and programming / live 20% would be reversed. ok! an album to push further his musical exploration, go to the electro-funk, afro-disco, space jazz. add choir here, the talkbox there, play a monstrous bassline, a fiery sax solo instruments or let slip only several minutes: guts did nothing forbidden, opened the doors of the studio, broke the unlocked windows and vents so that no breath or vibration is left out.