played by karotte, l.garnier, steve bug, sebo k, mike shannon, layo, d julz !!! we are pretty sure that maetrik sent us his latest ep from a grow room orbiting the earth. his space chronic ep combines the innovation of techno with a sense of fun missing from your average four on the floor banger. its a little shocking, but the results have been exactly what wed expect from the dallas native - mass freaking on the dancefloor. the albums lead single, sex with bass, explores the type of low frequencies that usually occur when suspension bridges tear apart. all the while a subsonic voice repeats its desire to have sex… with bass! stab jockey throws a techno curveball at the start, utilizing rhythmic synths over a simple beat. dont trust it! midway through, the line clears out for full-frequency busting bass drops. on the flip, crawl machine immediately builds a head-nodding groove that wastes no time firing off its boosters – half the track is a sneaky buildup. by the time the kick slams back in, youre already back in orbit. cuban born maetriks techno pedigree is bulletproof.

waves of human suffering is exactly what the title implies, a non stop assault to the senses decrying the horrors humanity ritualistically bestows upon itself. but amidst the controlled chaos created by benumb leader pete ponitkoff and vulgar pigeons alumni jeff lenormand and john gotelli, if you listen beyond the walls of intense riffing, double time percussion and hardcore ethos, you can clearly hear that agenda of swine optimistically retains hope for future change. the best grinding metal has always been punk as fuck!

mri first came to prominence in 2000 with the release of the ground breaking rhythmogenesis on forcetracks and his acclaimed mille plateaux productions. due to the massive reaction drawn from the contribution on the latest 12, take kare not acid, mri returns back to the resopal imprint with two new tracks to redesign the past and further the future. title track bateau is a banging builder that is reminiscent of the current house flavored tracks but resonates the touch of classiness and depth of mid 90s reduced techno arrangements. decayed bassdrum, pad, chords and a break - distinctly marked with modern hyper percussive tendencies, based in between house and techno soundscapes this a-side is a pure bomb. the flipside ivre by all means reaching the dancefloors of today. cascading rhythms build subtly behind the fuelled drive of bass, and druggy vocals fully defined by mris signature formula. all in all, bateau ivre tunes up in fresh formula towards techy driven reduced microhouse, bring through a soothing and completely refreshing 12that will be sure to please old and new fans alike. ltd. stock

knock knock, bang bang! minimal neo tech drama is just kicking your doors off! 5.4,3.2,1 action! our hommie jurek przezdziecki from warsaw, (poland) - is making his debut on boshke beats records and you better watch it, feel it and be into it! (we will not give you here a death threat ,but we were close to-please admit it) 10 years of producing under the different projects like big wigs, epi centrum and mass turbo! and lately you could taste of his sound on recently released maxis on whirlpoolsex, bretzel, jacek sienkiewiczs recognition and living records and here is his first boshke debut. we highly suggest to watch this interesting producer closer! he manages to seamlessly lead us through his special and unique fusion between minimal techno and neo trance, dressed with his unique sonic synthesises and topped with a top class sound production. on the b-side is a contemporary re-work of the sink master by maestro robert babicz (aka rob acid), speiced with the dancefloor power and a big roberts character this remix destined for all the modern contemproary djs on the planet earth!.

re creation is the latest offering from jay denes aka blue six of 11 brand new songs celebrating naked musics 10th anniversary. this is a stylistic journey through the moods and sounds for which the legendary imprint is known for!!

trouble in paradise is a pure testament to the roots of r&b flavored vocal house. in the danism vox the sweet simplicity of the standard boom & clap intro is well paced and leads into the funky bassline, while the enchanting chords set the stage for the outstanding vocal performance of sean williams. his r&b flavored, distinctive phrasing is mildly reminiscent of john legend, however, seans earthy quality shines through. the passionate & insistent lyrical melody never fails, climaxing into panoramic bridges while the memorable bah de dahsintermittently dot the production. its texture is a reminder of sophisticated nyc funk a la early 80s prelude/west end/sam records with a modern house feel. djs, if you want the ladies on the floor, trouble in paradise (danism vox) is the one to drop!

karolin müller is the first female artist in the hi freaks family and blinky is her long awaited first release. blinky starts with a subversive retro groove, the loop is driven by a flanged hihat and ends up in a funny, funky break, where the theme hits the track and pushes it too the next level. our swedish pac man agaric eats >blinky< alive and gives him a very rough and hypnotic treatment with his remix on the b-side. snake, rattle n roll: the title is just perfect to caracterise this track, imagine a snake winding through a synthesiser modulating itsself over and over again, sounds weired... thats what it is ... a great uncommon halucinating track…

excellent glitchy experimentalism trax

at salad is the new alias of dj/producers leo elstob (a mountain of one, faith etc.) and rupert lyddon (grand national - sunday best)..... theyve spent the last few months trawling their 50.000 strong record collection and carefully re-editing, re-mastering and re-working everything that fits the rat salad musical junket.... the platform for these amazing reworks is leos new glorys label (see further info below) theyre using traditional methods, old school tape edits and tracks fed half-speed through prehistoric valve amps & compressors to give them an extra rich sound and a unique rat salad double dollop of wallop

once again taken from paris well respected pro-zak imprint, this seductive, spliffed out odyssey takes the listener home after a blunted journey through future roots riddims for the millenium

played by: italoboyz, audiofly, audio werner, chris titjen, anthony collins, kreon & lemos, chris carrier, alexander flitsch, mathias kaden... here is the second release of the masomenos live mix project, snaky ep this time, three tracks by masomenos, that all evokes space & time travel… asided >aftermamas< is a housy & paddy track. as in a space odyssey, the tracks starts with a rhythmical countdown, as if the rocket was about to leave, and then gets you into a trip through the glittering stars…enjoy the trip! on b-side >space flamenco< is a percusiv track that will swing every track it is played with. a great combination with >aftermamas<. for example. >travel master< is a deep & smooth invitation to >take a ride<. perfect to warm up a crowd with a pumping & happy groove

long and sleepless nights were the inspiration for slaapgebrek wich means sleep deprivation in dutch. the results of these sessions are two moody & hallucinogenic tracks, wich represent a state of mind only to be experienced after many restless nights. the original mix with its freaked out shuffled drumpatterns, rave stabs and maximal modulated bassline is peaktime dancefloor fudder for any crazed techno night. frustrated bleeps and fx give it a nervous twilight zone like feel, climaxing and clashing throughout the track. the flipside takes things on a lighter, more emotion ridden tip. the rhythm is stripped down of all nastiness and the bassline friendlier and melodic. halfway through the break the violins kick in, resembling the break of dawn after another night of turning and twisting without getting any much deserved rest. perfect afterhour material.

played by mathias kaden, someone else, tim green, franco cinelli, katzo and many more. minimood redefines minimal once again, this time bringing you yet another unbelievable talent from the bubbling underground tokyo scene: shu okuyama. the weiter ep demonstrates how they do geometry in a beautiful and fresh non euclidean fashion deep down in shibuya! note how the extravagant a1 punkt represents an irresistible example of the hypnotic hip twitching water crunk sound which is fast becoming one of minimoods trademarks. moreover, b1 strich is simply genius as shu completely axes conventionalism, swinging his sword with samurai abandon through jazzy keys, percussive hits, vocal snippets, analog blurps,..., and then re assembles them all to devastating contemporary effect! one ticket to tokyo, please!

a classic rock album!! including the well known big hits

big with: Âme, dixon, cassy, radio slave, gregor tresher, shinedoe, karotte. after the massiv feedback to their well received second release the white boys are back with another pair of marvelous tracks. white 003 delivers you all the ingredients for a long night in and out of the club. oskar offermann‘s >cherry bombs< is a sure floorfiller with a certain pop appeal. pumping straight forward minimal house with some tricky-trancy elements and a few breaks here and there to pleasure even the most sophisticated crowd. back from his journey through southern fields, edward presents us a beautiful piece of intelligent techno. >inverno< is a trip across one of those sticky summer nights, when you feel like the sweat is dripping on the inside. nervous drums and basslines will turn your mind and make your heart beat faster.

after having a creative break for more then three years, edx has returned in 2007 with his remix for dubfires hit roadkill and took straight off again with an armada of internationally acclaimed artists requesting remixes from him. in 2008 its definitely time to introduce his own single, which is released through pinkstar records. coming with an additional helvetic nerds mix, premium line will undoubtly continue what edx is known and loved for... to deliver premium and innovative sound quality made for this century and its incredible generation.plays by: chus, pvdyk, sebastian ingrosso, robbie rivera, nv gogh, fred numf, av buuren...

americas hardest working, most profoundly suffering funnyman returns with his eighth drag city release. neil hamburger sings country and western. as with the classic celebrity vocal album by the likes of william shatner and telly savalas, neils personality shines through even when his vocal chords dont.

einmusiks producer and mastermind samuel kindermann is giving his house debut on knee deep rec with his new alias ophir project. two tracks, equally playable, bursting with their unmistakable einmusik touch, and set to cut it amongst any dancefloor worth its salt. from the hooky saphir, through the haunting deep & stabby tallika, this one is a sureplayer in 2008, mr. kindermann at its best.

more dark and moody madness from matt b. bushwacka’s stunning production mastery really shines through here as two versions, each with a slightly different twist take effect. the a side, >every dog has its day< shuns the current trends and stands alone like a lonely child at playtime. heavy hammer blow bass and resonating glitches that will stand the test of time. the drum mix takes you on a different tour of the dancefloor and drops you right in front of the dj booth.

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

its ireland hottest techno label again and the goodies they ve got prime to spurt out of the old sac are pretty tumultuous. take this outing from heretics of disko, which is label boss desy palmers floating project which here sees him working with robbie dunne aka spectrum is green on a track which first appeared as part of the hold it down magazine compilation a couple of years ago. the two new mixes come courtesy of finlands lackluster bouncing around like richochet rabbit in a disused robot dump and japans yukio taking more of an electro route with percolating percussion to arrive at some engaging oddball alien funk. a diff kind of brotha is concrete soul collectives kenny black remixed by japans katsuhiko putting the female voice through a blender studded with clicks and efx plus leeds nasty bobby, who stretches the vocals savagely over chattering groove reminiscent of psychotic robo chipmunks confronted with david camerons knackers. maximum quality again.

dj-support by adam beyer, alexi delano, paco osuna!! on his 2nd ep on aesthetik brian james shows his true colours. dark, deep and stripped down techno with a solid old school, almost chicago-esque feel to it. rubber doll instantly grabs you through its simplicity and efficiency. pulsating beats, a mental bassline with a slight bleepy feel to it. a true techno dj s delight. madrid s techno maestro xpansul turns rubber doll into a harder edged techno stomper. edgy technoid sounds and xpansul s trademark dark rhythmic craziness makes this track essential to any self-respecting techno jock! panic in detroit is again a typical brian james throbbing techno piece for when dancefloors go into >mental mode<. bubbling custard takes a more experimental direction, reminiscent of early dark model 500 tracks, but jacked up in brian s very own wickedness.

here comes a real trip through the horny nightlife of the big city of art in barcelona/spain. 4 totally different and 100 percent funny tracks, starting from vocal techno - over to drum n bass - and finish with a trippy taste of industrial hardtek! not to be miss... it s our last release in 2007, and a very strong winter release for all the techno maniacs out there.

with his second release on baobab music, producer mr raoul k heads into new territories. like he did on his first release >le cercle peul<, he combines traditional african instruments and the african approach to rhythm with european production techniques and soundscapes. this time he examines the depths of sound of dubtechno. this effort results in an epic musical journey, an almost soundtrackesque piece of music that accompanies the travelling mind as easily as the dancing body. mr raoul k manages to stay focused troughout this long trip through the land of haunting grooves and irie sounds with ease. driving, yet calm at the very same moment. and full of surprises, too. the flipside delivers – besides a condensed edit of >himalaya< - a grooving piece of afrofunk-goes-house, perfectly fitting in the sunnier time of the year. fellow ivorian doungous delivers the infectious vocals to round up this track

another fine release on winding road records! this is a debut ep from bleep district. true to their name, the 4 tracks here contain plenty of mesmerising bleeps sitting inside the slick deep house grooves youd expect from the label. the lead track, bleep of faith, is peaktime voodoo house with cool vocals, and a wicked bassline which comes as a special surprise half way through. robot claart is superdeep, hypnotic tech-house with a cheeky jamaican dub twist. when i saw you, possibly the strongest tune of the package, is a real killer. with polished production, reverse vocal licks and an ubercool bleepy bassline, this track is a contender to be a summer anthem of 2008. essential! the last track on the package, some may say, is an eccentric but irresistable hip-hop meets folk-house number. yet another winning package from winding road

spanish heroes sonde & shaver are the guys for the first release on incase with music that focuses on club-compatibility in the first row. last call shakes through the record and the demanding clubhours while trouble is my business is something for the more moody times

he soul mechanik brothers operating under their creative use name have taken a pair of stone cold underground club classics and extended and amended them for modern use. cat stevens >was dog a doughnut< has appeared several times over the years in many shapes and sizes, this definitive extended version has to be up there with the best of them though, allowing the dislocated funk of the original to simmer away before reaching boiling point. similarly riuchi sakamoto’s timeless classic >riot in lagos< should be mandatory listening for anyone with an interest in electronic music, an absolute masterpiece in it’s original form, this version takes the meat of the track straight to the dancefloor where it’s turned into a juicy electrofunk sandwich of tastily huge proportions

new mossa solo ep on complot with swayzak remix!!! finally we get to savour new tracks from mossa on his own imprint, complot! after some great recent releases on frankie rec. & milnor modern, mossa comes back with a very strong and percussive ep. body selector combines infectious funky techno and elements of industrial to create a dark and pumping track. your collective bodies will love it! brain pecker takes you through a more hypnotic and loopy journey, using his trademark, sharp beats and a seriously twisted and tight floor filler.

following on from their last superb release, which is now totally sold out ! we have two more classic idjut edits from the vaults..... dan tyler & conrad mcdonnell aka the idjut boys have been very busy playing legendary dj sets, releasing mix cds and wonderful 12inch singles and lps for well over a decade. their reputation behind the decks and the studio mixer is second to none, and along with dj harvey, foolish felix and co, are the undisputed grand wizards of the uk disco scene. always versatile and shot through with warm psychedelia and that trademark dubbed out vibe, idjut boys productions always have a unique feel, not to mention serious collectibility !following on from their last superb release, which is now totally sold out ! we have two more classic idjut edits from the vaults..... dan tyler & conrad mcdonnell aka the idjut boys have been very busy playing legendary dj sets, releasing mix cds and wonderful 12inch singles and lps for well over a decade. their reputation behind the decks and the studio mixer is second to none, and along with dj harvey, foolish felix and co, are the undisputed grand wizards of the uk disco scene. always versatile and shot through with warm psychedelia and that trademark dubbed out vibe, idjut boys productions always have a unique feel, not to mention serious collectibility this is a one-off pressing, it wont be repressed and is limited to an initial run when its gone, its gone for good !! tttttttip

supported by loco dice, simon baker, fabrice lig, florian meindl, angel molina, josh wink and many more.. here at immigrant we are thrilled to present an outstanding ep from our youngest prodigy. hailing from the uk’s murky midlands, 20 year old subb-an is rapidly proving himself a producer to watch in 2008 through his residency and explosive live sets at birmingham’s renowned below party, and a successful release on leftroom earlier this year..

after the huge success of h track1, containing one of the edits of the year - punkin machines i need you tonight, h track return with number 2! vol. 2 sees pure energys love game put through the mixer, tidying up the original and giving that classic bassline more oomph. on the flipside theres an extended re edit of geraldine hunts seminal worldwide hit cant fake the feeling and finally a nod back across the atlantic with a superb take on fun boy threes our lips are sealed

acos coolkas return on theomatic just in time for summer. >stellar way< is a sublime journey through warm atmospheric strata followed by refreshing funk-powered waves of >meridian< which receives an extra rub of aural refinement from amberflame aka an-2. everything gets topped off with a celestial downbeat splendor of >lazy moon< - a perfect soundtrack for star gazing sometime in mid-august

poussez is the electronic bastard child of london based producer, dj duo jafar and maxime cescau. established artists and record label directors in their own right?.. jafar of course popping up on a few of our previous releases. poussez brings the pair blasting through to house musics cutting edge in the 21st century. the pair are continuing to change the deep house formula in the zeroes marrying a more melodic sensibility with the abrasiveness of electro, darkness of minimal and dancefloor punch of techno. natural conditions is deeper than the proverbial abyss, >natural conditions< rocks a skankin square-bass around the sort of synths freeranges >square one< has become renowned for. 4am crowd grabbing deepness!on the flip, from its opening synths, deliciously washing over you like an incoming electronic tidal wave, >tell me how you do< grabs the listeners attention. it has that timeless mid 90s deep house feel without being outmoded and, for those paying attention, will be noted as poussezs trademark opening track on their live sets

somewhere between peaches and metro area this is a really cool record that is super lo fi. nice disco claps and trippy guitar with cowbells. the vocal is very rock, screeching mid way through. flipping over its very electro and minimal with the vocal going spoken word about hits of the 80s. fans of all the current electro clash biz, will totally be feeling this.

hot on the heels of acclaimed releases for four:twenty, dessous, sonar kollektiv, buzzin fly and his own diynamic usic, house producer du jour mladen solomun returns with his second stunning single for dessous after the sublime >sambada ep<. >woodstep< is a percussive trip to the heart of house, a tech-tinged groove peppered with strange tribal rhythms, evoking a midnight trek into the sultry tropical rainforest. on the flip, >no comment<, an analogue bubblebath of a bassline propels a techier cut, where detroit washes do battle with stepping keys, a crisp beat and belches of hissing smoke. halfway through, a spoken word sample ushers in lush echoic piano chords, taking the track to the next level. combining the heavily rhythmic bustle of classic house with the darker touch of techno in his own idiosyncratic & dancefloor - capti-vating way, solomun once agains shows why hes rapidly becoming one of the most in-demand producers in the game

imagine ed banger partying with throbbing gristle while donna summer watches from a distance and you are somewhere near to how this sounds, 8 bit backing tracks give it a retro feel while alices vocals are mashed, filtered and processed through various effects pedals sometimes to the point of being incomprehensible.

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

get ready for this summer palate ! laposer have come out of nowhere with the biggest club rocker for us since dubfires and guido schneiders plastikman remixes hits the decks last year.taste this african twist, floor rasing house anthemas it sweeps through momentous build ups and spiced with a touch of outstanding percussion and a whole lotta house and groove for good measure. the b-side is irresistible as well, yet even more modern. no digital sales, no minimal ! pure vinyl! both songs drip of the sweat of the dancefloor -- each swinging with a tight, static afro-beat/house/funk-fused propulsion

dj dynarec has continually created tracks that jar the mind and stir the body to move or imagine a futuristic world. dynarec kicks the ep off with pneumatic transport the strings are reminiscent of early cybotron and model 500 with strings cutting through your speakers while still being classical with a detroit darkness.

truffle music returns with andrew allsgood at the helm again. the up and coming producer and longtime toronto dj shows his promise once again with this slow grooving funk masterpiece that stretches over 7 minutes. the song travels through many sections and passes, carried the entire time by a driving dub bassline and vocal. for the lovers of deep, dubby and funky house and disco. nycs drrtyhaze (tirk, gomma) are commissioned on the remix and deliver the goods with an up tempo hypnotic stormer that sizzles with its surreal energy and simplicity. drrtyhaze use few elements from the original other than the vocal, taking it into deeper territory with a faster tempo and groove and much more electronic feel to the originals organic vibe.

first 12 ep with tracks taken from the album >passin<

the 7th coup of the aspiring 9volt label comes from the german sound adjusters called 42 grad guyz! kaufmann and ferdinand,known as the carriers of their label kaufe musik (for instance established through remixes from patrick lindsey and someone else

ferrer and sydenham having been knocking out some superb stuff on the ibadan label recently, and sandcastles doesnt break the streak, with its sublime piano line coming into its own late in the mix after a lengthy lead in of subtle percussion, throbbing kickdrum and stellar synth play. a warm and lush track, the cut builds through the beats, to the piano line and finally to vocal refrain and a wall of synth strings that round this track off perfectly.

virgil enzinger, breaking through with his amazing record for chris liebing s clr back in 2006, starts up the zerocol-series with a one-sided hammer named black, and there is truly no other word which could describe it better. a slowly developping arrangement on 126 bpm creates a dark atmosphere while the grooves combine straight drumming with 6/8 shaking elements. for those of you who prefer it dark, but high end, this is the record.

the term >ballad< is written similarly in many languages of the western hemisphere. it is a antique word. you can find its etymological origin in the latin verb >ballare< - which means >to dance< - and the greek verb >ballein< - wich means >to move<. a ballad is always a story told through music. in recent times the term >ballad< is often associated with greasy / absurd pop music. what a shame! ballad inc. releases tracks that earn the label >ballad<. on our first release >exile< you can listen to the epic story >high hopes of salvation< by quietpoint and to two short stories by xdb. >anilem< and >jupit< got everything a ballad needs. of course you can dance to it. of course you can move your body. but this should not be the main issue! there is so much more in modern instrumental music. who needs words to tell a story?

uks ben wijay starts canute music, a sub-label of phreakin recordings displaying his more adventurous techno and tougher house music concoctions. bringing a slightly harder feel than the phreakin output, but remaining left of centre with quirky melodies groovy percussion. >poisoned potato< starts in dark techno waters with a deep acid bass line, then blossoms into almost border community territory with anthemic distorted chords and quirky breakdowns.>feke< delves deeper with an arrangement that goes from hauntingly minimal into an aggressive staccato riff, then morphing back into itself with deeper melodies. definitely aimed at the 3am dance-floor and will appeal to lovers of the detroit techno sound through to the more obscure villalobos territory. gathering big support from the likes of charles webster, john aquaviva, aldrin and mixmags >house single of the month< (feb 08)

reykjavik based bjoern kristiansson picked up some melodies that least for eternity on his winding road from a progrock youth through an electronic warmth.

amazing limited reissue of an obscure disco synth bomb from the early 80s! the connection between daryl cameron of eye beta rock and 4lux head honcho gerd goes back to the early 90s. at this time gerd was recording for detroits malego records. chicago legend armando toured europe to do dj, set up by ep connection in collaboration with the dutch seesaw crew in 1992. through armando, gerd got acquainted with daryl camerons boogie stuff. daryl was in the mix with loads of chicago producers such as farley jackmaster funk and armando himself. just a 400 copies limited edition run!! no repress on this big 80s synth boogie track!

belgian artist ludwig buez who has worked a long time under the soul preachers nickname is really happy to introduce komplement recordings, his fresh new electro minimal label. for the first release & asked french duo ginos & snake to remix his original track. on the a side, you ll find the original hypnotik electro track called cirkus. dark psychotic synth & great killer break gives to this track all the power & the emotion needed for massive crowd reaction. the remix from ginos & snake is a perfect exemple of how good these 2 guys can work with their gears! they did a more progressive construction, added raw synths & worked the main melody through special effects!