supported by: dubfire, sis, adam beyer, karotte, agaric, slam, tim green, popof, davide squillace, luca bacchetti, thomas shumacher, butch, carlo lio, hugo, phil kieran, joseph capriati, okain and more ...

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

das zweite release des jenaer labels sexy zoop records steht in den startlöchern. dabei steht stefan trummers -verano- nur für eins - sommer und darf in keinem case bei den open-airs fehlen! mit marc harveys grooviger interpretation steht der festivalsaison also nichts mehr im weg.

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

skinnerboxes first bpitch 12 inch >anapol< is the culmination of about seven years of performing experience. iftah gabbai and olaf hilgenfeld casually juggle colourful house, jazz and funk elements like its their second nature. and the metamorphosis from anarchistic improv chaos to form and structure in no way impinges on the level of energy in their music - in fact, just the opposite is the case, as the newly discovered sense of auditory space in the tracks allows them to significantly concentrate each tracks power.

we introduce 3 talented international newcomers as the start of a new series on wolfskuil ltd. the amount of fantastic demos we get in at the office is overwhelming sometimes. so it made sense to us to make a best of series out of all these wonderfull tracks. three can sometimes be to much for an intimate conversation, but definitely not in this case.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

diynamic and mobilee have always been close, and last year celebrated together in style on the rooftop of the hotel diagonal in barcelona during sonar 2010 with all the leading artists on board, including diynamics h.o.s.h whos next up on the ever diversifying leena music catalogue! starting to release back in 2006, holger behn - the man behind the four well renowned letters - already has an impressive catalogue with eps on labels including get physical, kindisch, supernature, freerange, strictly rhythm, dessous, tsuba and of course his home label, as well as his debut lp >connecting the dots< on diynamic which came out last year. his new ep, >tour de fonque<, fits perfectly in a peak time dance floor set, with strong basslines and in the case of the a-side track >dead and alive< a twisted and eery vocal thats demanding >to know what it is<. meanwhile b-side >tour de fonque< is built on a deep and driving groove thats impossible to ignore or stay still too. keep it spinning and enjoy!

every so often a new artist on the dumb unit roster steps up and bats one out of the park. case in point, our man from essen : tim querengaesser: aka pherox. the panthers walk ep is an expressive and bombastic ode to a night that goes boom! sultry lyrics voiced by tim himself and guest lee curtiss sit firmly over top of tims excellant and chugging under groove. the panthers walk is an exciting slab of music for any dj and one that will certainly bring pherox and his brand of funk into a more deserving light.

limited triple pack !!!

deep house imprint ornate reaches its landmark 10th release with yse (pronounced *easy* in case you were wondering), a man who in his own words >enjoys nicely syncopated rhythms, heavy melodies, outgoing quirkiness and a quality glass full of cheap brandy and coke - hold the ice<, all of which - bar the cheap brandy and coke - are in full effect on this frankly awesome drawn at dawn ep.

crazy vinyl case, full metal

crazy vinyl trolley case, full metal

manchesters tomson & benedict with a fresh deep house vinyl... inspired from 90s old school house sound , 90s us garage house and classic chicago house records too

coming with a massive track by voltage musique homeboy and one part of the glitz, andreas henneberg. after his very successful single release called >earth goat< we are happy about the next strike now. rotigo! carlo lio comes along with a mindblowing remix in well known style & quality. dj emerson & m.in delivering a massive dubtechno bomb with pressure and soul. should be in your case in 2011!

it might seem counterintuitive for a producer to detach themselves from one of the planets most thriving music scenes, but in the case of matthew walker, aka julio bashmore, thats exactly what he did growing up in bass music hotbed, bristol. you see, julios first love is house music. and operating just on the peripheries of the citys scene has allowed him to quietly cultivate a take on the genre unlike any other.
following white hot releases for dirtybird, ten thousand yen and soul motive this is bashmores first new material of 2011

even in 2011 superstar recordings starts with a new brillant single tequila sunrise. afrojack and tocadisco created a great monster tune, which should not be missing in your record case

das arbeitspack! incl tracks von carsten rausch und modul, sowie remixen von ataneus und modul selbst.

nice price deal !!! for a friend reflects the electric character of zoo brazil, but the remixes give warmth and groove to the release, case of the own remix from john anderson more housy and tasty, the magnificent remix by belgian top producer kolombo

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement – he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove

hear ye, hear ye, hear ye. citizens of electronica we have come down from the holy mountain to bring you the new formatik! once again with an a-side smasher psalm by the chief preachers format b. catalogue number formatik 005 shall purvey the word of the all mighty upon the dance floors. a holy place where the opening times often coincide with the sunday mass, unfortunately time is sacred so that when hearing the >gospel< there shall be little time to close your hands and pray as the nuns will already be body groovin in the aisles. with the once cold and dank air of the church at boiling point and its radiant smell having already attracted new guests, in this case super flu with their antichrist remix adding some soul to the hooklines. we say hallelujah, hallelujah!

it would be a complete mistake for any house imprint not to include a us talent in his catalog, this wont be the case for apersonal music. on its third effort the label takes his first journey to the grounds of american house. from arizona, michael j collins with remix rework from bostons house-sons soul clap, plus the first collaboration for apersonal from maurice aymard. a side single nothing wrong with holding on show us the most eclectic side of the label so far. looped vocals, broken house with a saxo on top. michaels talent goes beyond genres mixing elements from different styles to create this great piece of music. soul clap delivers, as usual, top stuff! in their remix they speed up the bpm and add a hip-breaker bassline taking the original track to the dancefloor war zone. second remix from maurice aymard, himself at the controls plus venezuelan producer garnica hitting the drums, they take the track to a trippy slowmo version, what maurices catalogs as his best remix so far.

2000 watt take any number of watts, in our case 2000, add a few tasteful sounds, refines the whole with a driving bass, and at the end rounded with a grandiose arrangement. brian sanhaji realized it perfectly in his track >2000 watt< and asked to table. fucking shot the b-side, as is known, the quieter part. >fucking shot< is not. rather, we have another highlight of the techno genre. attemporal proves with his track, that a certain hardness in music, fullfil the feeling on the dancefloor.

a1 – >10% is gone<: full bodied track, heavy melodic bass line really drives the whole thing! intro has a slight purple haze feel to it, the squealing atmospherics and percussion create a chilled ambience while at the same time the bass/kick combination keeps your head nodding! b1 – >free luv<: a very 80s sounding track, kraftwerk-esque rolling bass line. synth and strings add to this very pumping kick heavy piece! b2 – >in upper case< : highly percussive song, super deep bass and echoed and poppin synth sounds. this track really bounces: the brass section is a welcome addition along with a number of cool vocal samples. a real strong track

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

first ep to deymare on trazable recordings, with this fantastic work. there are two original tracks and two remixes of losoul and rio padice. the original tracks are between deep house and disco funk. quality, pace, strength and a lot rythm, the public will enjoy! the remix of losoul, has an electronic base, with a repetitive groove, sounds and rhythms go and back with a unique atmosphere and with excellent sound. the remixe of rio padice, pure house, very sharp bases, and a lot bassline rhythm to the dance floor. indispensable in any case and for all public.

limited 12 release taken from the fabrice lig s genesis of a deep sound album with a beautiful sven weisemann remix. beautiful deep dusty techno tracks. only for the real vinyl connaisseurs!

sehou provides a prime piece of forward-looking nostalgia for metrolines latest release - the cirkus ep. up and coming talented producer from the south of italy, sehou was the man behind the massive track -she makes me wanna dance- released on all inn limited thats been hammered by ricardo villalobos in pretty much all of his sets for the past year. the brutal bass groove of cirkus calls to mind classic era r&s, its choppy vocals and skittering percussion give the track a raw funk, while its smooth pads add a reassuring, warm flow. untitled to her is a relentless robert armani-style workout, with a hint of chi town bubble and funk. driving chords and simple drum patterns give the tune serious momentum, while plenty of breaks in the rhythm and machine gun buildups make sure you dont lose the groove. romanian producer cristi cons aka case sensitive. after dark interpretation is a gloriously meandering, fluid rework. its subterranean bass bumps and heavily filtered synths give the track a brilliantly disorientating feel, while its tense and tight arrangement bring a tense energy.

dolly goes all raw as we might expect from a label thats done by a panoramabar resident dj. stripped down, barenaked tracks that show their fragile essence. and in case you wonder why these tracks have such a great chicago-ish vibe, well thats because they are from chicago. no further info about this new project from a known producer... but all we can say is that we like it.

support by: reboot, mendo, gel abril,ray okpara, dj w!ld, brothers vibe, michai popoviciu, anthony collins, ekkohaus & many more

what a strident effort at night in cologne-hattan. chris baumanns profession is that of a sound-fiddling flame thrower. his tracks in this case as a limited, grey-marbled vinyl are pleasant deep house/house blueprints made for memorable late night club sessions with escapist floor excesses in the open rhythm scope of house, tech house and dub techno.

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

amigos has been gathering the finest techno producers on amazing records that are strongly supported by the best djs. cristian varela, dj murphy and many many others. again nono ep brings together some of the best producers of the moment. produced by portuguese dj link and spanish monster pepo, includes massive hardgroove tracks >gool roll< and >killer instinct< perfect pumping dancefloor material. and also two fantastic remixes from spanish producers of the moment aitor ronda and fer br who strongly contributed with great techno music on this ep! place your pre-order now! this is another amigos you must have in your case. watch out for amigos010. to come out this summer with some of the best bombs of the year.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

just who are the >agents of time< in the title of mathew jonsons debut solo album? is it a reference to futurism, or to the here and now? is it us, are we them?
whatever the case, its a suitably open-ended name for a record that presents a side of mathew jonson you have never heard before.

tracks with the license to drive you mad! nothing less what you can expect from this ep from germanys upcoming sven kegel aka drehkontrolle. sharp production with sound(e)scapes that are weird but straight at the same time. real hidden secret weapon for your case, thx god you have it on vinyl to listen to this nice bass!

my music is my space - the last chapter. a really successful series will be closed, many artists we supported here - and they supported us! thanx to daniel stefanik, mike huckaby, chet, arne weinberg, naohito uchiyama and all the other friends with their brilliant sounds! but enjoy the 4th chapter - with tracks by shohei takata, maskine , havantepe and sublime porte. with their deep and dubby sound - unique as usual - they create a worthy conclusion. thumbs up - a indispensably record in your case!

my music is my space - the last chapter. a really successful series will be closed, many artists we supported here - and they supported us! thanx to daniel stefanik, mike huckaby, chet, arne weinberg, naohito uchiyama and all the other friends with their brilliant sounds! but enjoy the 4th chapter - with tracks by shohei takata, maskine , havantepe and sublime porte. with their deep and dubby sound - unique as usual - they create a worthy conclusion. thumbs up - a indispensably record in your case!

fresh from birmingham comes young talent src delivering the >goin out ep< for the rwina imprint. stuffing old school 8-bit sensibilities and new school grime attitude into a blender and hitting puree, src slings sizzling synths and punchy basslines with devastating effect. from the casual g-funk of >goin out< and >sort of a start< to the skank-u-like shuffle of >facepalm< and the danjah-esque >wheres the remote?<, this ep contains grime riddims that will fill every dancefloor with hypercolors, power-ups and neon-lights, like pacman duelling with mario in the dark. with all this in mind, src makes the case that he is one to watch for the future, and with a workrate to match the hype, you can expect a lot more where this came from!
dj support comes from the distinguished likes of starkey, swindle, elijah & skilliam, taz buckfaster, baobinga, terror danjah and many more...

the amazing situation return with two sides of love – gangster love and sutra love. the gangster side is an amazing clash of a skit from american gangster (heavily inspired by the eddy grant produced >funky like a train< by the equals) with donna summer. the resulting blend is as inspiring and surprising as it is unlikely. but with their usual disregard for boundaries and rules, situation seamlessly melt the two original cuts together into a perfect slice of discoid boogie that absolutely sets fire to the dancefloor. on the flip side, love of a deeper and groovier type oozes from sutra love. its a case of yet more top class, bass led disco action thats firmly focussed on maximum dancefloor reaction. this is without a doubt one of the best situations ever! and with heavy releases on disco deviance and their own imprint already under the belt that really is saying something.

supported by: magda, seth troxler, troy pierce, karotte, thomas schumacher, kiki, gus gus, hot chip, brothers vibe and more… hell yeah! really dirty and sexy music from sascha braemer comes here on dekadent. three tracks of pure braemer style with a taste of deepness. this is surely the first spring monster this year. and now, beat the shit out of your record case and put the new braemer ep on dekadent-schallplatten into it! touch your girl and play-back this great a-side! don t miss it

in case you havent figured it out yet, kompakt loves tradition and as you know, we have had a longstanding affair with our beloved japanese producer extraordinaire hiroshi watanabe aka kaito. his 2009 full length trust (komcd74) showcased a deeper, more matured side to kaitos now classic sound.
so with every kaito album comes the custom - the beatless versions. that said, we proudly offer your ears and that was the way - watanabe effortlessly has brought together three of the lead tunes from trust through into the calm waters of his ambient bliss.
so you have and that was the way…kaito once again demonstrates his magic that goes on behind the beat.

litte cd case for 12 cds

yes, its them: federleicht. no better way to start a label: the newcomers of the year have created here a playful and danceable track at the same piece: >rosa lee<. florian schirmacher and marc bammann made an apt remark in naming the ep >modern dada< to point out their ability to make a tribute to the free form. music with german lyrics for the dance floor, combining fragments, while this masterly sense of easiness, for which even the >supergooses< ep was rewarded as a masterpiece in the de:bug. formresonance devides their releases in solid, fluid and aeroform to restrain the musical spectrum which is indeed to be at the ready. solid in any case with both feet down-to-club. how nice … there should be the klub edit of rosa lee as well. in >lilly & douai (fluid)<, the duo spans such an emotional tension by overlaying approximately 80 radio tracks on which federleicht travels the two french industrial cities lille and douai, with the idea that these cities are nature reserves. such sensitive places they are…

nice i love vinyl sticker .. for your case,laptop ...

back in 1998 this was probably just about the wrongest record you had ever heard … and it has to be said that not much has changed. forshaw has a knack of turning out ridiculously hard and mangled electro and techno tracks – but still managing to make them sound >poppy<. sometimes, as in the case of rockford for example, it is because he uses well recognisable (but unexpected) samples. but more often it is just because he manages to make tunes (no matter how hard) that make you stop gurning and start smiling.

circus company is proud to celebrate its first collaboration with one of the most emblematic and talented actors of the jena scene. for sure you know robag wruhme for is past work on his own imprint musik krause and on freude-am-tanzen alongside monkey mafia as the wighnomy brothers dj duet. this artist always stand out musically. from his past releases till today and across his remixes you cant miss his unique personality in music. this four tracker provides a colorful musical palette of mr wruhme. from the dark and minimal side of blech beulé to the «herbertish» robadella and the magnificent melodical slow mood of 48° 52&#8242,,,,,,,,,,,, n, 2° 21&#8242,,,,,,,,,,,, (in between, thats the location for paris on the map in case you loose yourself…) while he was delivering the tracks robag also requested a remix from ark, another strong character of the paris. ark did a a brilliant work on this blech beulé remix which gives a nice „avant goût“ of his upcoming album on perlon which will be out in april.

rb is back again with a new episode. this time featuring south africas rezkar with a sublime piece of vintage deep house, known from the altered moods recordings outfit and brought to our ears by dj jus-ed and his underground quality radio show. thanks for that, ed! please find rezkars above the clouds remixed by john daly. our favorite irishman was hardworking enough to even add some bonus beat action - in case you prefer your meat raw. additionally, you will find an edit taking advantage of those and melting them with the rezkar hook line - done by the mysterious mystery boy. above the clouds freedom is said to be unlimited. unlike this record! rb021 comes in 499 special hand stamped cloudy sleeves, folded by the janson family and stamping done by lastminuteartworkpanic.