on remix duties this time we have the mighty drumsound & bassline smith combo. the original was screaming out for a d&b rework and we were more than stoked when they agreed to treat it. they extract the essence of what makes the original so good, making it their own stepping up a gear from 128 to 160bpm and into the future.

jason little only just launched his very own label called jasons mask and already the demand is huge! to celebrate the start of a very successful enterprise he drops the bomb on us ahead of the initial planning. jason collaborates with probably the most popular techno duo of hard-techno: pet duo of kne deep fame! this is a monster - do not consume under the age of 16 and do not use when submitted to a history of heart problems! these pets are hard to handle!

monster!! the a side of this new drumcode 2 tracker produced by belgian artist ortin cam could possibly become the biggest harder techno record of the year. it is simply twisted in the way that it builds towards a massive mid break point, continues to build in intensity and then a gut wrenching rave hook comes from nowhere to blow you away. this then warps and pitches up until the drop back when crowd responses that weve witnessed have been nothing short of demented

after the hugely popular conf006 (inc bitch fuck) comfortable records returns with three choice underground cuts. 76-79 (aka label owners vigo & tomski) show they are adept at creating 3 totally fresh and edgy house cuts that will appeal to a minimal or tech house floor. however if house/minimal is not energetic enough for you, check >six ten< for a record that llies halfway between techno & house & is layered with some very nice old school sounds. this ep really breaks the mold!! in the past when these artists have released tracks they have had a massive amount of praise from the likes of laurent garnier, rob mello, mr scruff, charles webster & fabrice lig. this release is a prime example of why they deserve such high merits & is destined to becoming just at large as comf006

golem episode 3 : he has now left the earth to conquer the universe. and this 12inch deliver us the soundtrack of this space odyssey ! on a side youll find spacerock. this time, contrary to what you could think when youre listening to it, its not an edit of a forgotten italo b-side but an original track done this year by a famous french producers duo. no need to launch the worldwide nerd contest to find who did it in the late 70s.... on b-side, a.l-t. give us 2 new edits. reaching to the sky is an early electronic piece, hypnotic and completely weird with its guitar >à la morricone< ! and cosmic rocket, with its powerful drum and its siren all along the track, prove us how a 70s psychedelic library music production could be a dancefloor filler ! an epic song which sounds like chemical brothers produced by vangelis !

when we released the first atom-1 with hertz, we couldnt believe how big it would grow with support from the whole swedish mafia (lekebusch, mull, ozgur etc). this time hertz is back with 3 new tracks to die for and a remix from ozgur can (truesoul, pickadoll, harthouse, mouseville) that will do the trick! we call this funky, minimal techno at its best

its almost 4 years to the day that jeff samuels >throatwobbler mangrove ep< was released on karloff #03, and even today the four world hits of the record are getting digged out by djs, when the minimalism needs to either groove or jack again. so now with >return of the throatwobbler< theres finally an appropriate follow-up by the man from seattle.. erm.. berlin, after he’s impressively run riot in the meantime, on labels like spectral, trapez, poker flat, frankie and logistic. the a-side >terso< is shuffling and twirling and bouncing in such a winsome way that not many can master like jeff samuel. almost like an electric ray - left and right and left, and without letting any tempting gimmicks take the mind off the straight path. appropriately enough, >the spook< on the b-side comes along a bit more spookily, with a bassline twisting into the brain, ripped up by miniatures of bleeps and chords just in the right moments, and thus leading the track to an agile, exhilarated climax

andreas kremer with new track between techno and hard techno !!

incl fantastic groovin harada remix !! swiss american dj emerson has already built a considerable following within the dance community thanks to his dj sets and releases for esteemed labels like substatic, micro.fon, kiddaz.fm or klickhaus. on this 12inch he provides 9 minutes of mesmerising dance music somewhere between house and techno. in on remix duties is harada. he delievers rhythmically diverse modern techno funk that has this certain outstanding element of personality. he is working the original elements in a very creative and playfull way and things really get outta control when the chord hook drops in out of nowhere. wiggling hi tech funk with slick production skills and a great beat!

what do you get when two international top artists meet? fireworks! for the first release on the brand new sinuz label peter luts teams up with house dive barbara tucker. one is the kind of catchy house tune that spreads so much energy that you simply have to start dancing! no wonder it was chosen to be the anthem of brandnew antwerp based club noxx, where peter has a weekly residency. other remixes are delivered by dizkodude, dj ward and peter luts himself.

marco remus alter ego was born when the legendary technogladiators ep was released on kiddaz fm in 2002. the record turned out to be one of the most sought after production from the german legend. reminiscent of this classic killer cut nerven once more proves to be on top of things and slams down another rock-solid techno beast with all of marco remus trademark signatures!!

known as one of the leading booty turntablist djs outside of detroit, dj guy formerly released wax and djed as one half of londons non stop djs. his previous releases have been given #1 spot charting by dave clarke, received global radio play, and received quotes such as >the best record released in 2006 and ill say in the past 2 years< (dj koyote - diamond grills, paris). global fire is a new label for 2007, dedicated to releasing a spread of the best in club music. style-wise, the label will cover detroit ghettotech, baltimore club, chicago juke and more, with releases by a wide variety of artists both firmly established and previously unknown. the ep opens with >bucked up<, an all-new booty version of young bucks >get buck<, the remix keeps the outrageously thuggy bassline and vocals from the original, and adds some cracking booty drums. >who wanna< starts like a dj tool with shades of steve poindexters >work that mutha fucker<, and turns into a full on ghettotech track with vocals to match and a big old growly bassline that builds throughout. >the raw< is a thumpy dancefloor workout that starts dumb, and gets dumberer when the wonky synth comes in. >the runner<: heavy on the melody, beatboxy beats, sweepy organ, phasey strings, cheeky bassline, and previously heard being used to great effect on the paris goon & koyotes classic diamond grills mix cd, and more recently on detroits dj godfathers serato presents dj godfather: for the freaks, the first ever serato-commissioned dj mix. last but by no means least, >big pussy< comes with a stupid funky bassline, warped bass, electro sounds, and vocals about a big cat. with big titties

coming up with a mixture of drumfunk elements, dubstep vibes and old school sounds, martsman is the new kid on the block that will prove you wrong if you thought youve heard it all in drum & bass. >kontamin< is a journey back to the good old days when jungle didnt have the obligation for constant climax that is found in most drum & bass tunes today

kontra-musik 006 moves the label into the analog domain of electronic dance music. this kind of sound you only get with the good old analogues. the a-side, produced by the master of the modular system, pseudonym scaff, takes us deep down our favorite techno memory lane. if techno was the meeting of kraftwerk and george clinton in an elevator, ssm 440 is the outcome of jeff mills and maurizio having breakfast at tiffanys. this track is warm, dubby and monotonous but with a drive heading straight for the late night dance floor. the b-side gives us two unique sounding tracks from pseudonym aparatus. city tunnel slowly and elegantly grinds, cranks and turns while building its way towards dance floor bliss. x-presso is best described as periodic fluctuations of voltages in the analog domain. elegant details of beautiful sound take us back to the time when minimal music still was interesting. this is >techno< in the sense that the term was originally intended. enjoy cause analog is the bastard

the brandnew double album dessous best kept secrets offers a seductive and passionate glance through the keyhole of the new deep of house music from dessous recordings. the double cd, wich includes a brilliant dj mix by vincenzo, is accompanied by 2 separate 12inches feat the 7 new and exclusive tracks. this second part includes tracks by iscemi, audio soul project and steve ferrand & pete sung

deadset return to front room with their third single tick tock from their album keys open doors. deadset set the bar impressively high. based on a simple sample sound taken from a grandfather clock that stands in the hall way of the studio where most of the album was written, this track perfectly illustrates the organic house feel that defines the deadset sound.the a side is a perfect late night/early morning dance floor session on wax. made for dancing, its heavy bottom end works perfectly with the vocal elements and grandfather clock to create a truly memorable piece of audio.the b side features the tough stripped back dub efforts of none other than man of the moment and reigning title holder of worlds biggest deadset fan, jesse rose. effortlessly powerful and designed for the heads down, hip wigglers amongst you.is it any wonder that djs like jesse rose, laurent garnier, dj t and switch all put their hands up in class when asked if they re dead certain about deadset.

yelle, the explosive rappin french girl, is covering an 80s electro-pop hit. when its mastered by her friend tepr, our friends punks jump up and riot in belgium : its a hit in the two hemispheres. parlez vous français ? yelle is young and pretty. also a very explosive character entering the more rigid french pop scene. this stage freak with a unique flow is fully driving the new non-aggressive girl power scene, focusing on delivering kick-ass lyrics. she also doesnt take herself seriously and is refreshingly laidback, especially when she proudly covers the song >a cause des garcons< (>what we do for boys<) a french 80s anthem, so thrilling and amusing, that it looks like a sure hit for the charts this summer. tepr has just released a single on wall of sound and hes back with his thrilling remix.

the a-side remix comes from the man who is to blame for one of the biggest hits this year, >volta< . but his remix of >herr reporter< is even mightier! already featured on the official amnesia 2007 compilation. the tony senghore sound can be described as pugnacious, belligerent and slightly gung-ho - keeping the elegant xylophone part from the original version and turns into a piece of shuffled madness. previous remix work for artists like bodyrox, til west and audiobullys proves it to be working. apart from being a member of the berlin-based blip blop pop phenomenon slagsmålsklubben, din stalker is the moniker of hannes stenström when being solo. >herr reporter< is his best track to date, a perfect 8-bit electro workout

newcomer johnny d, comes with his first single release on 8bit records. well known from his release on oslo records a few month ago his last single >manipulation< was featured by a lot of well known artists like ricardo vilallobos, richie hawtin or luciano. >walkman< sounds a bit like an oldschool chicago house track. 100% coolness and satisfaction guaranty when you play the it. on b1 >dejau vu< is another excellent deep frisky track, based on a nice chord line which finds a finish in a playful tricky guitarsolo. b2 is a walkman remix from ray okpara. he tuned the track in a prime time killer ones. big groove reduced to the max!

killer! we are honored that cadenza co-founder philippe quenum joins the fray with this super-fresh two tracker straight out of his geneva studio and into clubs, after parties, and living rooms all over the world. agbaja is a panorama bar special. it is big, freaky, dark, and loud. it is made for places that dont stop. it is for that moment when the party is about to lose control. this is quenums darker side. a day in mumbai is one of those tracks that defies description. is it house? is it techno? to us, its modern minimal music with personality. its soulful. its percussive. its loose. its quirky. most tellingly, its highly personal look into the roots of a very talented african-born, french-raised musician. if you cant get into this, get your head checked.

4 track 12inch ep with massive malente remixes !!

baby, when the light is on, you see who is who & who is doin what.julien jabre has always been amongst those artists we love & admire, because he delivers truly good music, soulsearching, without having the need to run after the next hit single. this warm production will stir our feelings through to our roots & seems to be a magic track inspired by chicago house figures lil louis and memphis house boss, mr. fingers aka larry heard. with its incredible and amazing atmosphere the stook is going to send all the listeners into a hypnotic and euphoric voyage.on the flip, he is said to be of the best underground producer, david duriez gives you his vision of early acid house with a wild and rough track. wilderness sounds like a tribute to davids musical father, afro acid man dj pierre.

mad hip hop/downbeat record record featuring sensational (formerly torture who recorded an album, way back when, with the jungle brothers). the dub on the flip has had heads jerking here since the promos came in. truly heavy and one for fans of theo & rednose

next display of norwegian extravaganza. sex tags mania presents viennas #1 >privatier< franz pomassl…when you get closer.. i run away…

big with c-rock, ben watt, agoria, tiefschwarz, mike monday, shinedoe, miss jools, 3 channels, fabrice lig,…! estroe and zoëxenia already teamed up for connaisseurs compilation grand cru 2007 with their wonderful track >dont forget<. this time the ladies share a split ep with one original track and one remix of both. estroes >driven< was already a big success on connaisseur supérieur at the beginning of this year and found its way on some important compilations and cd-mixes like ellen alliens fabric mix. beside her production activities, estroe is a remarkable and stylistically confident dj. famous in the netherlands, but also slowly recognized outside her home country. zoëxenia is a singer and songwriter since her teenage years. her impressing presence combined with her soulful voice made her succeed at the finals of diesel u-music benelux as well as at grote prijs van nederland in 2004. but not only singing is her passion. when she was infected by house music she began to develop her own electronic style as a producer, which ended in her first release on artminimal in spring 2007. more releases on remote area will follow soon

pedro delgardo aka pete gawtry presents the second yin yang summer to celebrate the best time of the year when it comes to good parties. vitamin d is responsible for the remix job, making this the perfect tool for a sunny afternoon on a summer festival

artillery could be considered as one of the leading imprints when it comes to true, underground hard techno. run by dj amok the label dishes up nothig but the best and rock-hard stuff you can imagine. for the 15 amok teams up with one of hollands finest - mr rude awakening aka dj promo

after the phenomenal success of the strings of live 12 inch this is the second single of our most important album of the year - the upcoming christian prommers drummlesson album. listen to this stunning version of isolee all time classic beau mot plage or just dance! completely written and produced by christian prommer on his own, the track rex drum has an interesting history. christian got the complete drum set from curt cress who did play the drums for boney m, snowball, passport and donna summer, just to name a few, on this set. a piece of drum history. rex drums was created spontaneously when christian prommer played on this set for the first time ever.. this mid-tempo disco track is getting massive supports by djs like alex barck/jazzanova, michael reinboth/compost records and dj kaos to name a few

zimmermann alias jens zimmermann aka tyrell corp. aka dj gargamel is constantly changing yet always the same: a damn good producer. from his early days when he whipped up tracks by culture beats and out of the ordinary into dancey frenzy with well-known german producer torsten fenslau, to his drum n bass-fuelled moments of technical innovation, jens has never been one to stand still. constantly reinventing hilmself, he always managed to keep things ticking, making him one of the most sought-after producers in the late eighties and throughout the nineties. now, in 2007, after years of noise research and sound sculpting, he is re-emerging as zimmermann which stands for >new german minimal sound<. after three much-celebrated releases, aptly called zimmermann #1, #2 and #3 on room recordings, which were severely hyped up by germany s house fraternity, and releases and remixes on boxersport, k2,and hifreaks as well as on harthouse mannheim, the future is looking bright for jens

>de puta madre< is a minimal monster with an unbelievable mix of classic detroit drums with dirty hihat-figures but tons of with rave-appeal when it comes to the main sound. d.digglers remix takes the basics of the original version to make it more weird and screwdriven -sheer madness

the reload and global communications remixes of tracks originally released as mystic institute. some amazing productions by mark pritchard and tom middleton which sounds still as fresh and exciting as almost 15 years ago. especially the global communication >ob-selon minos < is such an amazing piece of music!! smooth melodies with incredibly beautiful sounds really seduce the listener to go thru this 15 minute journey... and even that seems like only 3 minutes when they are over.

as hard as it might be to believe, there was a time when the word trance did not mean dutch guys dressed in white wearing oakleys.. it also didn t mean israeli pre-military dragon-stick wielding reefer addicts.. actually, there was a glorious era where trance was a verb rather than a noun.. im talking about when you got in a trance, at lets say for example: the golden eagle in munich in 81, in a white-tiled sauna-motif discotec, grooving to a 17 minute reel-to reel version of knights in white satin on your 2nd bottle of poppers while some guy named >wolfie< takes his modern ballet skills to the >next level<. if that sounds appealing.. and i know it does.. then allow me to introduce you to compuphonic and kolombo.. a throwback to the days of romance-trance of the highest order. deep, sensual (yes, i used the word sensual) electronic grooves so potent that we were forced by a coalition of competitors labels to only release some of them digitally to restrict their awesome power to trip people out. these tracks make other tracks seem like mindless shallow shit. that includes some of turbos other releases.

after the amazing remix they did for igor valentes doin it (very disco # 15), produced by the man behind all erick e, this duo now presents their debut release on very disco! this project name may be a brand new one, yet the two people behind this project are full of experience and are everything but new groove n gear consists of gabriel (well known for his very disco releases dislecto and noize and the selektiv biggie monkey bizz his excellent remix for electro junkies my drug is electro) and 50% of former uk top 10 artist lock n load! and we are proud to offer this massive new very disco release by these top producers. say that you wanna is a lovely, summerish feel good production full of catchy piano lines, groovy basslines, strong vocal sample use and fantastic rhtyhm parts set to be absloutely massive on the floors when the temperatures will rise far beyond boiling point!

cool package of remixes includes mixes by t raumschmiere, betrieb, dj dsl, robert lippok and bus

all my love is a funky soulful house gem with male vocals backed with a nice piano and this amazing string riff. a side also feat a piano driven, jazzy touched karlof remix. flip for an atmospheric club edit of i lost it when you spoke feat erika.

who needs an obtrusively acting kickdrum, when the decent wobbling bassline of breezin does the job just as good. right nobody. or, at least peter grummich (shitkatapult/ spectral/kompakt) doesnt, whose proverbial deepness constantly gets the floors into rapturous body rolling. thus it was just a question of time to welcome this man to karloff, the label for everything thats different. here, all medium dated orientation to felt (rather than experienced) standards is gladly left to other persons of great hope, whilst enjoying the border crossing between dorky monkeyshine and serious spirit of adventure. consequently, quick thinking misbehaviour is also the attitude of the (for formal reasons called) b side, where the horizon gets canvassed for both weird and life affirming sounds, in grasp of the groove. summarizing dance music to breathe deeply.

it was 1883 when the krakatoa vulcano erupted and generated the loudest sound historically reported. about 120 years later, in 2002, the project krakatoa was born, generated by the underground enthusiasms living in the city of turin,aiming to contemporary electronic sound esploration with a special appeal for clubbing. krakatoa was originally established as a cult underground party based at the beach club in turin, where every thursday more than a thousand youngsters use to meet at the feet of the dj booth where the two founding fathers, dj pisti and samuel, regularly perform. they are often supported by special guests such as josh wink

supported by brett johnson, woody, dj t, chris duckenfield and laurent garnier !! >the last shooter< uses mind bending funk to tell the story of three people ending an epic day/night in a blaze of jagermeister glory. the most descriptive element of this tracky adventure would be the misguided, off kilter synth twists that give the listener the illusion of drunkenness and vertigo. backed with a spine of latin percussion and tweaked low rez hi hats this a side packs a punch that can be only compared to >the last shooter< of the night.funk flows on when you flip it to side b. fongtom rides along with a thick walking bass line that weaves grinds with some of ferreyras signature percussion. a playful melody serves as the memory game hook that wont fade away even after a post joint meltdown or a night of mtv top 40 abuse

this is volume 2 of 7th citys classic series. it features one of seventh citys best selling releases, john tejadas funky anthem >timebomb<. when originally released in 2001 it became a massive track played in all the top clubs worldwide. despite having a incredibly prolific catalog of releases, timebomb still remains one of john tejadas biggest and best known records. also included is a special edit of paris-based producer jean guillaume cabannes (better known just as cabanne) >cant stand<. as with so many seventh city artists, his release on the label established him with a wider audience and he continues to have success to this day with his own-imprint minibar and as well with his collaborations with ark and david gluck. this version of >cant stand< is an edit by daniel bell, which emphasizes the tracks loopy flow. the original version of the track was released in 2002.

deeply rooted drops one of their dopest eps yet!! and yes, this is a real crowdpleaser. the right music at the right moment.crowdpleaser and ly sander deliver a dope deep minimal and still very funky house track with jupiter, when manoo goes really deep withjoparish on a slower abstract house groove, wipe the needles work it is a pure house energetic groover! enthusiastic support from quentin harris, dj gregory, alix alvarez, kerri chandler, neil aline, dixon, dennis ferrer, frankie feliciano, markus enochson.

yes! format b are finally back with their second release on stil vor talent. after massive tracks on opposum and highgrade rec, their newest ep on stil vor talent is another huge minimal monster. kongo time is typical for the two berliners: a flickery percussive loop with some stretched out effect envelopes over a wobbly drum n bass style bassline place this track between freaky rave and minimal chic. its definitely going to make you trip out for sure! on the flip its the funky mondo time that builds up over some cuts and bleeps until it leads the listener into pure euphoria when the simple loop kicks in. a huge organic subbass and some chopped-up vocal sample add the funk to this delirious minimal hit and when it comes to minute 4:00 you really won t be able to hold your feet still. format b are at the top of their game and we are so happy to have them!

support by adam beyer, ricardo villalobos, mark broom, mistress barbara and more !! the unstoppable mihalis safras strikes again. this time on his own label material, he strikes 2 really huge melodic tracks with his partner in crime, liberto on a transparent piece of vinyl. on the a side the king aka mark broom delivers a proper remix. when you hear this release your brain will explode

tango saty is a crazy dancer from klaus schulze. sounds huge on 12 inch and causes a storm of freaky dancing on the more discerning dancefloors with a wonky yet eminently groovy rhythmic structure and synth brass riffs that echo around in your head for days. when the bass drops its smiles all round. b shock r.e.r.b. is a classic piece of doomy yet uplifting cosmic elettro from london town that was a baldelli and loda play. getting increasingly hard to find on the original 12 inch and even if you do, this one is mastered with more weight and clarity

peter has already graced numerous labels with his unique yet constantly evolving studio style. after numerous afterhour situations with the doc family, we caught wind of grummichs new productions. we believe that the therapy ep continues the development of peters uncompromising underground productions. the title track, therapy, is a nine-minute journey into dancefloor dynamics. slowly building with concentrated breaks, therapy works it out and then some. label boss, aaron hedges, has been giving it heavy dj support and has found that its been quite some time since well placed hat crashes can drive an audience crazy. minimal, sexy and sleek, but at 7 minutes the listener is surprised with a full on new-rave lead which takes the song in a different direction. get it is a nice tech-house track with building percussive patterns and highly concentrated synth breakdowns. this track is only for the most sophisticated house djs that know when to drop a track like this. drymilk is a seriously twisted hard minimal track. nasty sound effects and perplexing pitch shifts will keep you guessing. is it genius or insanity? you be the judge!

supported by karotte, agoria , trickski , chris lake , audiofly . micky slim, lawrence. minilogue & trentemøller remixes! a great premiere on pineapple. klovn is not from iceland like all other pineapple artist, but these gusgus friends come from denmark with a hypnotic deep and slow track, perfect for the summer chill sessions. klovn is more of a hobby than a fulltime project for buda and krede. theyve rented a studio, stolen a sofa of the street, bought the computer and thats basically it. when they have the time, they meet up late hours to produce. klovns friends trentemøller and minilogue were easily convinced to add their remixes with minilogue doing their great minimal clubsound and trentemøller living his love for freaky chilling

t junction & osiris team up with mc syco to drop this brand new hardcore bomb livin the hard life!a track that breathes through the hardcore blood and oozes energy when unleashed at high volume. melodies and kickdrums change pace from distorted kicks alongside in your face vocals to breakdown chills.both producers deliver an individual contribution to the release with two solo produced tracks on the b side under the titles of remember the name and guns and missiles.a superb 4 tracker trapped on 12 inches of vinyl with the potential to hit hard, t junction & osiris take the hardcore mass to new levels of madness

if zox was a sculptor, his works would be angled and polished, simple and magically effective. no sound on this record (which is called >more fluff<, which astonishes me) hangs around too long between the acrylic clear beats, the square waves are bellied and cold as vodka from an iceberg, the higher frequencies refreshingly cool as hills in the highlands, and straight lines are the dominating theme by far. this is dance music in itself. the basses live in rich bounteousness which is strictly controlled, though. why boom it when you can bang it? perfect shapes, functional beauty and a refreshing taste will rock you.

public service message: from the pale horizon of the calm world, here emerges critical tension. product of his society, henry the white collar goes through a crisis. today henry is nervous, negotiating the heave and shove between fear and his uncontrolable urges, and this is his music when he does. we, the producers, are his fantasy. does it hurt or is it good? can you make him relieve his debt? after two releases on sound of barclay, and a hit (sink) on yvan smagghes compilation (suck my deck) released on react, and the famous cover of lios amoureux solitaires featuring jennifer cardini on kill the dj, henry is back with a dodgy 10 inch no punk, no electro - this is wobble

the record was born too early, when house music was still very underground, so consequently it passed into house music history with only a very few discerning djs and collectors owning original us copies. in keeping with chicagos musical history, one of the unsung heros of house has been drafted in to keep the new versions feet firmly on the ground. craig loftis aka grand high priest who along with joe promised land smooth on keys! give the track a more understated could upstate from london back to chicago with 3 killa mixes