executive slacks began in the hot, humid summer of 1980 philadelphia by matt marello, john young and albert ganss, three bored, broke, anxious art students. starting out with performance art in subways, they soon took their angst-ridden act to galleries and night clubs. the band found their moniker in a run-down bookstore after seeing an ad for men

nice price deal !!! the development of the docile sound has evolved at its own pace over time. the assembly of sound is an intuitive process, and the acceptance of errors is a vital part of the docile working method. docile is a labor of love that takes a stand against mass produced music that an artist is well removed from. docile has a hands-on dedication to every part of the vinyl process to ensure what you get is a legitimate effort. team docile are craftsmen that use their collective skills to produce vinyl with a unique quality and sense of style. the over all sound of docile #20 can be described as soulfully dark, immature, and lovesick amid a funky party atmosphere. the personalities of each track nudge you to its direction with simple grooves that tell stories that are felt without words. these are tracks of moving detroit minimal that stutter, break and turn with a basic efficiency. tracks that share a dark irony in root, but somehow glitch towards a positive. docile looks inward for inspiration and describes its self in this revolving time and place.

nice price deal !!! 4 hardcore tunes ep produced by s. kranendonk!!

downfall theory embarks on a new chapter as it hosts a full release from a producer other than its owner, sanys. myztical isn’t exactly a newcomer though, and the ukrainian producer has already two releases to his credit on nicz records. given the title of his debut on downfall theory, it is no surprise to learn that myztical is using it as a means to question reality. inspired by the science fiction writer philip k dick and decades of electronic music, he certainly succeeds on venturing into uncharted territories on the title track. muffled, repetitive vocal samples, an atonal rhythm and relentless, slightly distorted kicks show that quite often, simplicity is the most potent ingredient. on “faith of our fathers”, myztical disappears farther down the wormhole. splintered rhythms, deranged howls and a deranged filter push his vision for broken beat techno into the abyss. “substance d” sees the ukrainian hotshot return to a more linear approach, pounding kicks underpin ghostly shrieks before a breakdown sees the track descend into grimy, woody mcbride-style acid. the accompanying vocal sample, the embodiment of a bad trip, only serves to accentuate the track’s darkly hallucinogenic qualities. finally, there’s “shifted realities” - it revisits the jagged filters of “faith of our fathers”, but does so against the backdrop of a pounding industrial kick and a grungy, low-slung rhythm.

nice price deal !!! incl. les petit pilous rmx its not easy to forgive the vichy collaborator swine for helping nazis rule europe for 6 years, and as you might know...we at turbo are very much against nazis, in fact we recently refused to release a pretty good demo by a 92 year old >paraguayan< named klaus, cuz i just didnt like his vibe (or his track titles: >i got gold (hidden)< and that killer a-side >caught! (can i get a passport)<. but enough about nazis... i was talking about french people. ok, so they are annoying as hell, and they hate you, and they talk french... but they also make amazing luggage and bread. while working on the plans for my new boat,thomas von party kept annoying me with >work< thins like >we got more demos< and there is a fire at the office and i think oliver is seriously burned, he needs help<....so i was like, >ok, any good demos?<

culled over the naïve bedroom sessions of early university, “chillax” is akin to blaring an extra hot mixtape from a junky deck in your car on your way to cape canaveral to see the last space shuttle leave earth, all while trying to speed run kirby’s dream land on your sister’s gameboy color.
heavy sampling tends to drive this jeep and give it some character, many popular/unknown gems lifted from various dusty tapes and wax procured from thrift stores and vinyl throughout northern florida, cheap drum machines are clumsily slammed against it all and keep everything in a familiarly dance-y zone, while amateur chords and melodies are provided via guitar center synths and youtube ripped commodore 64 blips and stabs (note the cheeky nintendo voices as outliers). a fusion of analog discoveries and pixelated memories (melded together by the relentless florida heat), its an apt soundtrack for long and wistful road trips.

pathos essential dreams is just the beginning of a unique and beautiful musical trip in the heart of the aegean sea. during the summer of 2016 the decks of pathos lounge bar will host some of the world’s leading djs alongside its resident for this year, straight from buddha bar dubai, glass coffee. surrender to the pleasures of nature, embrace the sea, the sun, the wind and relax with a soothing drink against the backdrop of the aegean. in other words welcome to pathos!

following on from 2014’s “hantasive” lp on opal tapes, kaumwald have returned with a new suite of totally bugged out improv techno and electroacoustic burn entitled “rapa nui clan”. they’re a hard act to define, unifying the tabletop thrift attack of amm or early wolf eyes against bold modular driven beats rich with crust. the albums title and tracks speak toward a sense of new discovery, voyaging and exploring.

the music here is very much in the spirit of the label s kosmische/space berlin-school agenda, both reflecting his earlier work and exploring new territory simultaneously. lush orchestrations and beautiful synth pads contrast against hypnotic rhythms and delicate melodies, and while the label s mission might be -electronic listening music- tracks like red bird and mistral are surely dj material too.

plangent records is back with the first various artists compilation (plancomp001) on the label and gathers long time friends, likeminded musicians and new talent on this 10 track release. this platform for deep, low-key, melancholic electronic music shall continue.

dam swindle return to freerange with an exclusive track following the incredibly well received figure of speech and unfinished business releases. their label heist continues to hog the top spots on the leading download sites and their releases on freerange have been amongst the labels biggest sellers. recent dam swindle remixes of romanthony, hercules & love affair and seven davis jr have helped confirm the dutch duo as one of the most exciting and hyped deep house acts to emerge from amsterdam in recent years. tijuana based artist soul of hex aka sébastien vorhaus already boasts material on the likes of mcde, quintessentials and his own vicario ltd. the new project has already seen huge support from larry heard (including 2 remixes from the man himself on his release lip reading), and is fast becoming an in-demand multi-instrumentalist live and visual show.

afterlife and tale of us are proud to announce “realm of consciousness”, a 10-piece compilation expanding the afterlife totality into a label. the label and events will complement each other with one aim, to bring the crowd into another dimension of music perception with enthralling production to that ignite the senses.

our fight is not against flesh and blood, but against the rulers, against the authorities, against the powers of this world s darkness, and against the spiritual forces of evil in the heavenly realms.

emotional response and golf channel come together to release a special collaboration between montezumas rache s christian pannenburg (record loft) and jan shulte (muller/ bufiman) and legendary krautrock guitarist dominik von senger (the phantom band / dunkelziffer). a meeting out of the love of vinyl, where panneburg hails von senger to source phantom band rarities and an idea of working together was born. following the success of the percussive heavy debut wu du wu on second circle, the return to the studio for christian and jan shulte and this resultant ep is a true coming together of cross-generational minds. unfolding across 3 songs of subtly and beauty, mood, structure and atmospherics form in a post-balearic meets psychedelic haze. lilting piano start before dub bass and dominik s refrain melts its way in rheinfahren. voids open, minds expand, felds walked, oceans crossed, seas parted, wind pushes against the face, rolling hills, cloudy skies, sun, sand, love, lost, found, deeper and deeper it goes in to your soul. the uber flow continues at a slower pace with tangerine (krauter mix) taking things down but carrying the interplay between artist s continues as if made for each other. guitar hooks in multiple layers, finger clicks, pots n pans vibes gently taking you from formentara to tisno, malibu, tulum or wherever your heart lies restful. finally, guten morgen bromio is the (bro)mance to end any affair. hip hop roots, jan s mouth-harp underlaying, dominik s licks and christian s dub fx laiden spector commandments shuffle together until group vocals bring them finally to completion. a wonderful ep bringing together 3 artists and 2 labels for the love of music

christian b & lavvy levan return with the second instalment of their sounds from the den series on friday fox recordings. this latest vinyl 4-tracker picks up where vol.1 left off and continues to explore the outer reaches of the house genre, kicking off with the massive weak from fatty mombassa which combines fatty s now trademark spoken word against a ferociously infectious disco influenced groove. south africa s rudi botha & miggza return with a looped-funk affair in the form of people come together . rob slac delves deep into the dark recesses of a tech-style groove with the deliciously sultry lonesome butterfly . the package is completed by the upfront sound of kieron ayres what must i do .

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

following massive props recently via industry tastemakers from fact to four tet, pedram s music continues to define him as an ever growing and exciting producer to check out and with his latest track cloned this holds truer than ever. pedram doesn t fit into one particular electronic genre easily swimming up stream against the steady flow of tempo, style and sound.

ltd 5 lp box set
june 2016 sees freerange records celebrate 20 years at the top. the label, run by jamie ‘jimpster’ odell and tom roberts, is marking the occasion with the summer release of a carefully curated and lovingly assembled 20 track, five vinyl box set featuring exclusive new music from associates old and new, as well as with a worldwide events series. over the last two decades, generations of djs and dancers have gotten down to the freerange sound

songs without words, suggestive and emotional transparency and connection, contemplation and departure, meditation and attack: this music fascinates from the very beginning. it has no need to boast or become talkative, but stays true to itself as it casually develops its poignant pulse and lets it grow, and grow. the web of sounds soon begins to radiate from within, it inspires images in ones head, and invites to musing and introspection. against the background of a wide horizon the details of their music join, develop a life of their own, and lift off to collective flights of ideas. this music is an invitation to listen without prejudice, offering a way to get lost in dreams while, at the same time, remaining solidly grounded and completely awake.

tippa lee’s new album cultural ambassador will be released on stones throw, may 20, 2016. tippa lee was born and raised in kingston, jamaica. he started performing on his fathers sound system as a child, standing up on a beer bottle box to reach the mic. he made his first recordings at king tubby‘s studio at the age of 12. eventually he teamed up with rappa robert and as a duo had a number of hits including “no trouble we”, an anthemic statement against police harassment, which was a number one jamaican hit in 1988 and is still played often on jamaican radio. in more recent years he has been based in the us, performing live and releasing his own underground cds. produced by tom chasteen, dj and promoted at la’s long running dub club.
the vinyl lp includes a download code.

tippa lee’s new album cultural ambassador will be released on stones throw, may 20, 2016. available now is the dub version of the album, dub them with reality, mixed by producer tom chasteen (dub club, natural numbers), who has reconfigured the tracks live on the mixing board with echo, reverb and various arcane electronics. the lp covers, in two variations, were screen printed in gold and black by hit & run, with artwork by ellen g. tippa lee was born and raised in kingston, jamaica. he started performing on his fathers sound system as a child, standing up on a beer bottle box to reach the mic. he made his first recordings at king tubby’s studio at the age of 12. eventually he teamed up with rappa robert and as a duo had a number of hits including “no trouble we”, an anthemic statement against police harassment, which was a number one jamaican hit in 1988 and is still played often on jamaican radio. in more recent years he has been based in the us, performing live and releasing his own underground cds.
the vinyl lp includes a download code.

viva erotica has been a gabba-beat chamber orchestra, a facebook sculpture, a youporn recycling machine and is now becoming a piece of wax (a record). four tracks are furious comments on the downfall of club music - the bassdrum as a weapon against the bassdrum - the other four want to forgive and forget. 2015 was the year of about-face. each of the 330 records has a cutout from a coffee-table book plastered on the front.

killer 1975 gospel version of marlena shaws 1969 sister soul standard, a deep, socially conscious 45 asking some heavy questions about ghetto life set against a beautifully arranged, string heavy backdrop of low slung funk. a truly sought after rare groove, produced by the uks john abbey, the man who set up the legendary blues & soul magazine as well as the contempo, mojo and ichiban labels who worked with countless soul and funk artists throughout his lengthly career. quite tough to track down on 45, woman of the ghetto is now available again, dug out from the mighty sam records catalogue, the first release in their impressive discography now made available again on dinked 45 as it was presented in 1975, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

nice price deal !!! it’s been nearly two years since the last sanys record. in the meantime, techno has flirted with noise and industrial, often resulting in gloomy self-indulgence. thankfully, there is no such creative verbiage on this seventh instalment of downfall theory. “seizure” starts the release with a robust, stepping rhythm and relentless stabs playing out against atmospheric, eerie textures. it’s like shed’s wax project jamming with deepchord. next up is ‘natural high’. this is one of sanys’ darkest moments so far, inspired by the depth and length of the st petersburg winter, it sees the russian producer lay down a visceral, muddy rhythm, against which ghostly shrieks and waves of frosty chords, blown in from the baltic sea, meet.

* subtext presents new work by the istanbul based artist and musician cevdet erek in extracts from his soundtrack to the turkish crime thriller frenzy, winner of the special jury prize at the 2015 venice film festival. * these two compositions shed light on erek s diverse sonic background, both as a member of the seminal band nekropsi and as a celebrated conceptual artist presenting sound and installation works internationally such as his room of rhythms, which has been shown at documenta, as well as the istanbul and sydney biennials. * the first track presents a tense and driving percussive wall of sound that mirrors frenzy s dramatic storyline set against a backdrop of political violence in istanbul. accompanying this is a textural recording exploring aspects of warped time and shifting geometry that references the films disturbing subtext of social paranoia.

death waltz recording company is proud to exhume another classic from the hammer horror stable in the shape of “dracula a.d. 1972”. bringing the legend of bram stoker s immortal creation into then-present day, the film pits the charismatic count up against the disco decade after being resurrected by a group of hippies performing black magic, with cristopher lee and peter cushing reprising their signature roles. composing this madness was mike vickers, former member of 60’s pop quiet manfred mann, who provided a suitably contemporary score that followed in the footsteps of jazz scores from that era.

tominori hosoya is the project of japanese track-maker tomi chair and for the past years he s been on a steadfast journey in the land of soulful house. his most recent offering on mixxrecords entitled life goes on ep includes four tracks, three originals and one brothers vibe remix. starting off with over the sadness, the first piece is a laid back groove with a solid bass backbone animated by classic house hi-hats. strategy meeting gets peppered with wobbly synths, giving the cut a seemly acid vibe against a steady percussive background. with 32-33 (one decision), tominori delves into his tribal side, keeping the focus on exotic drum patterns. the dreamy synth melody provides a contrasting yet fitting backline. for his remix of strategy meeting, brothers vibe goes full force and turns the track into a peak time floor killer, with a hypnotic percussive line, a solid project for certain!

(180 gr, incl. dl card with previously unreleased material) de beren gieren is a trio of explorers and improvisers that debuted in 2011 and quickly made a name for themselves in the belgian jazz scene. one mirrors many is their fifth album already.

raw waxes sixth release -one man army- features irish techno artist lee holman offering a four tracker obsessive pack without compromises. the record is the second installment of a new series of vinyl releases displaying german illustrator benedikt rugar as artwork designer. the record comes in a transparent sleeve with an additional non-credited insert by rugar representing the imagery of a -techno ants- marching army going to war against man.

lack of depth returns to resopal with his 12“ follow up that continues to push gently outward against the boundaries of house music. although with a somehow decent melancholic note, the five deep and reduced tracks are drifting like clouds on a summer day. spindly arpeggios and quiet chords bounce against restrained drums. lack of depth sets hand drums and wood blocks against a limber house pattern while birdcalls and choirs punctuate the music with jubilant outbursts. coloured vinyl

counterstrike stand as one of the hardest production entities to pin down in the heavy-hitting end of drum and bass, delivering exceptionally well-executed cuts across the multiple sub-genres of the scene to carve out their unique sound. following up a string of releases across leading labels in the scene, which sparked as early as 2001 and sees them today as one of the leading forces with their heavy sound - they unveil their 2nd lp through their own algorythm recordings - fear division destruction.

oxia returns with a striking 5 track ep including 2 remixes by visionquest’s shaun reeves and 8bits own steffen deux! the bedrock of french quality techno has already created countless classics that proved themselves against the test of time and with unity ep, he’s bound to to it again. the up and down mixes of „unity“ take over with tight drums and rich bass carried by an airy vocal. oxia’s keen ear for detail adds the rest, making them perfect dance weapons for almost any setting. steffen contributes a deeper take on „unity“ working with subtle effects and evolving spheres to create that early morning vibe. „soulsa“ original and remix by shaun are completing the package with laid-back grooves and a fine tool for darker hours. this quality set couldn’t be more versatile, 2016 couldn’t continue any better!

kicking cheerfully against the compression and conformity of the modern digital age, antique futurist analogue wizards metamono return with their finest, fittest album to date. comprising jono podmore, aka kumo and sometime collaborator with can members irmin schmidt and jaki liebezeit, paul conboy and fine artist mark hill, the crystal palace based trio enchanted audiences during 2014 with their live soundtracks to secrets of nature, early 20th century short films using new photography techniques to reveal the processes of the natural world including the lives of cuckoos and barn owls. many of the pieces they wrote feature on the new album. it was an ideal fit for the metamono sound - organic, playful, basking in the joys of new mechanical possibilities. recalling the early electronic adventures of raymond scott, brian eno, cabaret voltaire, cluster and acid house but always bearing their unmistakable bespoke signature, metamono are as unmissable live as they are on vinyl. do not miss this!

uysr029 is the closing chapter of remixes for satori s longplayer. crussen from norway kicks of with a pretty down beat mix of days without you which is pure fun for the morning hours. amsterdam based olaf stuut instead did a driving mix of the wishing spell crossing borders between techno and electronica. hraach from spain put big emotions into his bad looking trouble remix deep house with sensual strings. last mix is from underyourskin resident thomas atzmann who gave a very new danceable attitude to the greatest against the world.

with the band’s 2012 album having debuted at #1 on billboard’s reggae and independent charts, and at #13 on the top 200 albums chart, rebelution follow up with count me in, their fourth full-length release. the 180 gram vinyl lp is housed in a gatefold sleeve and comes with a download code.

the first 12” form new imprint un.t.o records. they present raw ambassador aka antonio barbetta’s debut which includes five unrefined, hardware only, hammering jams designed to punish dance floors.

pocket money returns for their third release and they are back with what could easily be their strongest output yet. just hitting the ripe old age of one, and a couple of releases in, this label has found its stride nicely and starting to turn heads in the scene. taking the spotlight for the deep basics ep is the producer keepin soul, who may only have a handful of releases to his name but puts himself in the spotlight with this deep and meaningful pocket money release. this is a beautifully dusty sounding record, it opens up doing exactly what it says on the tin deep basics and doing them well. this a1 is all about hypnotic grooves undulating against the drive of crisp, warm and exciting percussive grooves.

le loup prowls a lot by night with his bougs, in château d eau area or in some other parisian african districts. the 2 original tracks seek to express the moods of those meanderings in the sweaty clubs and dark bars, where the players and pimps order champagne magnum bottles and dance collé serré against the walls with some hot chicks. forget the eiffel tower and the champs elysées: this is the real underground side of paris. dewalta was just back from an us tour when he started to work on the champagne magnum remix. but one remix was definitely not enough compared to all the inspiration he had absorbed during his travel. he finally offered us 2 champagne magnum remixes: one filled in with the soul of lake michigan, and the other chilled by the cold wind of illinois. 4 tracks for dance, sweat and feed your soul.

part 2/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

part 1/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

taking a purely scorched-earth approach to production, longhorn finds daze on typically reverent but ever-more pounding form. pushing the limits of acceptable lo-fi techno and crushing everything underfoot into one bass-addled debris-strewn mush. title track longhorn bends and contorts metal, steadily melting surfaces at 2000°c heat, cooking and roasting against a background of charred industrial drones. tool is the roller, stuck somewhere between the warehouses of detroit and berlin and harnessing probably the most rubber kick drum known to man. dusting off the cerebral pounding is oil rig . a muffled, dissonant chime reflecting on our pillaging of the earth, our unrelenting ambition for natural destruction, forming a breakneck dystopian chant for the new world.

we are very proud to present this new single on help! the a-side, gratitude, is a track recorded in 2014 by dj central in rubber studios, aarhus. if it wasnt for the support and encouragement of fellow regelbau-homies kasper skov and dj sports, this piece of energetic dancemusic wouldn t have seen the light of day. the long, vivid, ambient penta-tune on the 2nd face was recorded during same summer in amsterdam by ask your hands (tobias sachse, kaap, bobby van putten, dj sports and central). releases like this dont thread everybodys needle but we are gonna throw it against the wall and see if it sticks.

the second release on benji303s 303 alliance label, this release is dedicated in loving memory of josh jones aka josh inc., a true acid techno warrior whos memory will live on forever through his brilliant music r.i.p mate.

wake up! records is proud to announce rise and fall, the debut ep by ian oakley, a new talent from toronto. skewing acid-tinged house with languid, lopsided grooves, rise and fall weaves a mix of dubbed-out elements into a unique, intuitive whole. “thumbs” evokes a liminal space perfectly suited for late night cruises and hypnotized foors. “rise and fall” stays true to its name, a slippery bassline ebbing and fowing against a elegantly mellow beat. on the b-side, “bug jam” indulges oakley’s electro side, while label co-owner benjamin brunn remixes “rise and fall,” reimagining the original as a spacious, kosmiche slow burner. rise and fall is a confdent debut, as potent in headphones as on the decks and a welcome edition to the growing wake up! catalogue.

one copy per customer!
i walk around in the solar field. from here, the surrounding beams look like cylinder­thick, motionless rain or comet tails painted onto the sky. the tower is all white because the sunrays are pointing directly at it, white in an erased way, like if you leave an empty patch on a drawing, and surrounded by a halo. i go over to one of the sun mirrors. it’s huge and darkish and cold when i touch it. i don’t know if it’s cold and immune to the sun or transfixed in a much more extreme way than the desert. a solar plant can take much more sunlight. it has direct access, like a clip through into the thing outside. the widest zone, like the highest point when it’s lightning. the sunlight is magnetic. intense heat from the mantle pushing against the crust to get closer to the sun.

its arguably the labels biggest remix package since duke dumont and ewan pearson remixed love sublime. the pete tong approved andre hommen - also the creative producer and label manager of dennis ferrers objektivity imprint - has remixed the walk on the a-side. a deep, minimalistic beat drives his remix and a smart breakdown introduces the melody from tensnakes original, pushing all the original elements to higher heights. running back label boss gerd jansons keep on talking raw mix is set against powerful drums and acid-tinged synths, with a piano-led breakdown echoing the original melody. the panorama bar resident and celebrated producer delivers a unique cut formed of several retro influences to provide a cool new twist on tensnakes upbeat original. the vinyl release also includes gerds beats-only version in the gerd janson raw beats mix

mister woo is a composite techno-hybrid supergroup that has been forged against a harsh maritime backdrop of portsmouth, uk. following aristotles philosophy * the sum is greater than its parts * the core members of reset robot, jon gurd and tom powell cast aside their professional careers to concentrate on the emotive outlet and gnarled production machine that is mister woo. as a complex blend of established producers, sound engineers and multi-instrumentalists, the trio, bound by location, deliver a series of audio-visual works based on ground breaking production, perfectionism and exceptional electronic music.
limited edition 180 gram vinyl release.