vinyl 1 of the 2014 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by nick bee and fre4knc.

vinyl 1 of the 2015 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by lockjaw and subtension.

vinyl 1 of the 2015 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by doctrine and abstract elements.

vinyl 1 of the 2015 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by arclight and skynet.

vinyl 2 of the 2015 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by current value and survey.

the greatest hits from jazz icon billie holiday on double vinyl.

lp 180g heavyweight vinyl, remastered, with original track-list available on vinyl for the first time

virtual zone is a true icon when you talk about belgian quality trance music. after “virtual zone” and “heaven” there were other cool tracks. this 3rd ep bundles their other hits.

introducing satelliet studio, a multidisciplinary brand established in the world of clubbing and the production of related creations for several years. satelliet represents a fusion of music and design, with a deep focus on the early underground dance cultures.

the labels first vinyl-only release, with each artist bringing a second track to the platter. as usual the tracks have been selected by laurent garnier for the label whose ethos is: music diversity is our strength!

sophisticated and harmonious music for connoisseurs. enjoy the trip.

timeless music for bending minds and bodies

there’s a good reason new age music has been soaring back to the forefront of the media’s cultural agenda and the population’s consciousness: this planet is a stressful ball of confusion at the best of times, and seeking refuge from reality’s shitstorm has become mandatory for us to regain a semblance of sanity. new age music is an effective coping mechanism in this regard. st. louis-based heavy breathing is one of america’s foremost proponents for the cause, proven here through his meditative “escalators in space” mixtape.

triple gatefold heavyweight 180g vinyl, remastered original lp, incl. 5 unreleased tracks released for the 1st time on vinyl

the seventh release in the secondary series, primary colours welcomes all around deep and dub master from scotland - stillhead. we first came to know of alex in the early 2000s and have followed his music under several monikers ever since. stillhead o&#8194,,,,ers us three orginal cuts for this six track ep with remix support from the one and only mike schommer and label heads echo inspectors plus a beatless rework of recreation beats. this release seamlessly blurs genre lines, merging dub-techno with elements of bass, downtempo, deep-house, and ambient influences. the result is a release that feels familiar yet enigmatic, while simultaneously forging a unique and attractive fusion of styles. stillhead is a master of his craft, and we are very pleased to bring this release to life with a heavy-weight 12inch press and availability on digital outlets.

season by season, we raise a toast to our artists and guests by creating a new collection of sounds. cafe soda selects volume one captures all the memories of the past year. the a-side starts with crymes <sun synchro>. the track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. a2 sets the stage for ben balances <you got this energy>, a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. it is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. on the flip, check out the two originals from fmn, the latest project by frag maddin and najeh. <for you> is a catchy groove that easily grabs every dancer with its rolling bassline. the song has no breaks, allowing ravers to stay in trance. with <rave>, b2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. an homage to the 90s powerhouse era.

techfui returns with another stand out 12” this summer as label founder salah sadeq delivers a refined remix package of the sought after “hibiki awa” a track which was initially released four years ago with studio companion rashed al dhaen on their “locus” release. a partnership that was built during covid restrictions, clicking directly when starting to jam, all whilst enjoying the “hibiki awa” japanese whisky during the extended sessions. for the tastemakers amongst us, it is great news that the techfui imprint continues to carry the torch, presenting sleek and classy house music for the dance floor. after many years of producing music together in bahrain and releasing music, four years on we get to appreciate the masterpiece track once more with this heavy hitting, and eclectic remix package.

heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.

this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

kasra v is launching his own imprint v-sion, which he will use not only for his own releases but also to further his vision of contemporary dance music. to kick things off, he presents a stunning 9-track compilation 10:10 kasra v presents 10 years on nts radio featuring unreleased tracks from some of his most revered guests who have graced his show over the years.

black vinyl. this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

black 180g version. the seventh release in the secondary series, primary colours welcomes all around deep and dub master from scotland - stillhead. we first came to know of alex in the early 2000s and have followed his music under several monikers ever since. stillhead o&#8194,,ers us three orginal cuts for this six track ep with remix support from the one and only mike schommer and label heads echo inspectors plus a beatless rework of recreation beats. this release seamlessly blurs genre lines, merging dub-techno with elements of bass, downtempo, deep-house, and ambient influences. the result is a release that feels familiar yet enigmatic, while simultaneously forging a unique and attractive fusion of styles. stillhead is a master of his craft, and we are very pleased to bring this release to life with a heavy-weight 12inch press and availability on digital outlets.

the debut album from claude vonstrokes musical alter ego, barclay crenshaw, back in print for the first time since release, and pressed on white in tan color in color vinyl with white splatter

to infinity and beyond. ufo95, alias killian vaissade is a french artist and electronic music producer. in search of unknown sounds, ufo95 travels through different worlds and different eras. he finds his inspiration in the psychedelic rock from the 60s and 70s, and in the techno scene from the 90s or even the idm scene, such as aphex twin... he also draws from the jungle and experimental scenes to propel a hypnotic, alienating and decidedly unique sound. very early on, music was his calling. mainly because he lived with his family above his parents’s nightclub. killian learned to play several instruments, he will also tryout rock bands in high school. as he turned 18, he chose to move towards music through sound engineering. first contact: he was then abducted by electronic music and, selftaught, he launched other artistic projects. he started playing under other aliases, and first live performed with rgs collective. recently, he landed in the reunion island in order to set up a family start-up, which works to reclaim environmental waste. recently back in france, he confined himself out into the countryside during the spring of 2020 and fired up ufo95, an unidentified fabulous object of music. he also released his first lp >popularity is overrated< on mama told ya label, in a cosmic collaboration with anetha. ufo95 is a good guy. be like ufo95. explore. enjoy.the b-side starts with syndrome. its earth-shattering kick and hypnotic atmospheres drag the listening into a weird, occult journey. ideal for the late-night darkrooms, metaphorically and figuratively. takaaki itoh, the japanese techno sensation and founder of the acclaimed wols label, follows up with his own rendition of the track. the remix from this remarkable legend within the scene is both eerie and engaging from the get-go. its driven by a thumping kick, playful hi-hats, and modular bells – a combination that combines the whole release and makes it such an essential for djs who are daring enough to take their set toward unknown territory. the planet x label is the brainchild of the icelandic techno artist exos where the harder side of techno is explored.

almost otherworldly in its vastness and serene beauty, many musicians have drawn from the well of inspiration that is arizona’s sonoran desert, but few are quite as accomplished or prolific as steve roach. an ambient pathfinder and electronic innovator, his back catalogue as vast as those breathtaking vistas – sonic renderings of arid landscapes littered with saguaro cacti are found in good company alongside didgeridoo-focused experiments and ethereal drifts that navigate the event horizon, between the brilliance of space and a black abyss.
reminiscent of philip glass’ minimalism and the kosmische stylings of tangerine dream, ‘skeleton keys’ seemed to fall somewhere between the two. conjuring expansive meditations amongst the impossible tangle of wires that dangle from his apparatus, roach opens portals from the grand canyon state into a cluster of newborn stars with intricate, intelligent sequencing and modular synthesis.
recorded between 2005 and 2015 from roach’s famed timeroom and timehouse studios, the album was fully realized through advancements in technology, specifically, synthesizers.com’s large format analog modular sequencer. organic, fluid and intuitively kneaded into his spooling soundscapes, it’s now to be committed to cassette for the first time, bridging the synaptic gap with a new ‘expanded’ version that elongates the original 74-minute duration.

brooklyn based producer and dj ryan crosson makes his debut on frntr this october with his ‘we can only ever be how we are’ lp. moving away from the dance floor, the album has been in the making for the last ten years and sees ryan evolving as an artist as he continues to explore and push boundaries through his experimental musical output.

the emerging label wage slave seeks to foster the growth and development of an international underground techno conspiracy. seeing dance music as a mechanism for creating social change the label is proud to announce the release of zeks in revolt. this release is the first instalment in a series of limited edition propaganda pieces designed as a tools for djs who desire to facilitate the liberation process of the earth and human kind.
zeks in revolt is the work of a long time, yet little known, agitator in the us underground scene emmett perlman. the track is designed with the late night hours in mind, when people are the most open to change.

the young nordic label is back at it with a sturdy 12” vinyl release, produced by the helsinki underground electronic music champion poly sone. the three tracker kicks off with an intro track titled “come find me” which combines stripped down rhythm patterns with a subtle choir pad. on top of the foundation, an entrancing spoken word verse works as the main ingredient throughout the track. as the needle pushes onwards to the title track “echolocate”, the listener is confronted with a robust wall of lowend, soon accompanied by rolling percussions and clever use of reverb and delay. the simple composition highlights its sterling production and makes for a highly useful dancefloor tool. the last track “helix” bundles up the record nicely as the most melodic one of the bunch. the agile synth stabs and dystopic pads operate on a surprisingly groovy soil of bass and drums which add up to a dreamy whole.

the first vinyl version of the upcoming cd album with some magical works of unit moebius. this first 12inch contains some of their hottest tracks including the legendary >world goes around<, an evil cover of a classic chicagohouse track by cool mccool. the flip side contains the more deeper side from their first releases. for those who were there in those years 91/92/93, at the famous parties in the hague and rotterdam, this is a walk down memory lane, for those to young or living in other parts of the world... imagine these tracks in a dark, very dark sweaty basement with only strobe light and smoke machines, camouflage nets, and jacking acid and techno sounds for more then 10 ours. djs such as i-f, serge, schmerzlabor, peter ptau ptau and live acts such as unit moebius played the hottest and freshest music all night long until you lost your sense of time and place and ended in a total mind trip. the pure essence of house and techno! the golden years :-)

“7 estrelas | quem arrancou o céu?” (“7 stars | who ripped the sky down?”) is the fourth album of the sao paulo-based artist luiza lian, and her third collaboration with french/brazilian music producer charles tixier.

world music

third album

expanded edition on blue coloured double vinyl.

gonzalez smith’s debut album “roll up a song” is an album of classic popular songs with music by jay gonzalez and lyrics by pete smith.

the first installment from luv on wax features four pieces of finely tuned house and break music in physical form. dreamy soundscapes, slick rhythms, and a fresh infusion of minimal flavor.

bxl003 is the third release of the artist-run brussels based label bxl. this third release by simon halsberghe features a collaboration with sagat (real name wiet lengeler), who previously released on the brussels’ label vlek and had his music included in the fabric mixes of both ben klock and joris voorn. the track is called the set-up and is a relentless sawtooth rave tune that finds it’s balance between the heydays of belgian techno and more contemporary ‘hi-fi’ attitudes towards functional yet idiosyncratic dance tracks. on the b-side space tom sounds is a deeper and more hypnotic trip with lush broad pads that provide a space for the mind as well as sonic pressure on the body. the last track, snared, takes things into breakbeat territory. with razor sharp snares and a pulsating baseline this track lives somewhere in the venn diagram overlap between rave, front 242 and an air raid siren going off.

shall not fade welcome jamie unknown to their time is now sister imprint with four weighty bass driven cuts! pressure ep brings together all the best elements of ukg, bass & breaks music forming a hybrid blend of dance music goodness.