after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

gothenburgs goeran dahlström follows up his rather excellent remix of maelstroms enter the cosmos with his first solo production since 2007s back2back / angel babe the tin man on bear funk. encapsulating a real sense of summer, this sun soaked epic should soundtrack everywhere from california to croatia this year. remix duties fall to the prolific deep space resident brendon moeller who, under his beat pharmacy guise, turns out a more dance floor friendly re rub of the original while full pupps man of the moment blackbelt andersen delivers a fantastic slice of scandobalearic to complete the package. also features on the pizzico records compilation for an old dope, new aesthetics

tyrant is the dj duo of craig richards and lee burridge, who operate as a team in the booth, resulting in a most distinct mix previously unheard. while other mix discs might split chores between two different jocks, tyrant are very much a solid unit.

the international freakshow theatre is opening its doors for 2009s spring season. coming along with the sunny weather we bring you another minimal house weapon that is deep, dark and dangerous! the 3 producers who are responsible for chainletters ep belong to the next generation of the clubmusic business. these young guns are mirco violi, fabio gianelli & sercan. during the last year they already were able to proof that the sound they are creating is definitely more than capable of competing within the international clubmusic scene. with releases on imprints like underground limited, off or welt sounds they gained tons of positive feedback. the well balanced and textured grooves these guys deliver are all carefully crafted while the subliminal vocal samples and stunnin effects keep the perception fully occupied as well as offering various mixing opportunities in the process. on the flipside of international freakshow no.12 youll find another phat, tribalsih minimal housetune done by them called mugatu says as well as some more hypnotic house remix of get around by berlin based till von sein who also created some really successful tracks in the past on labels like dirt crew records, morris audio or trenton, that gained full support of various top names

after a recent guest performance on seuil’s eklo label, michael melchner - the young producer and dj from nuremberg - is back with another stunning ep for cargo edition. melchner is the resident-dj of the ‘kiss klub“ party series at nuremberg’s famous club ‘die rakete’, and music aficionados will have had their eye on this up-and-coming artist for a while now. this time around michael melchner dishes up three top-notch house tracks for us. “you understand“ is techhouse at its best, where he deftly holds and rides that balance between deepness and the dancefloor. a continously forward-pushing bassline is combined with a mysterious vocal sample and restrained breaks. „wooob“ grabs you with its devastatingly simple rhythm, while the bassline cuts through with a high dose of funk. topping the track off we have a vocal loop that shows off michael’s affection to the musical beginnings of house. this ties in nicely with the ep closer »just a skip« which reminisces over the sound of chicago. profound melodies, skillfully arranged vocal samples and a whole heap of soul suggest that michael melchner may just have produced a modern house classic. so again, just like on his first ep for cargo edition in may last year, michael melchner has managed to paint a musical portrait combining the present and the past into one classic moment.

dj dealer is unstoppable at the moment, presenting another slammin release in form of cool lovin which features the powerful vocals of lisa millett over a slightly tougher groove that is enriched with wicked synths. ralf gum reworks the track into a smoother, funk spiced affair spreading a feel good vibe, while his dub is a hypnotic affair on a deeper edge. dalminjo take the track to deeper grounds on their remix, adding a gritty techy touch to it.

here comes the 14th release from stalwart. if its right sees parisian dj, producer and radio presenter leo cuenca delivering a soulful slice of house music that features the gorgeous lyrics and vocals of up and coming australian diva rachel claudio in one of her best studio performance to date. live organic musical elements add the right ingredients to this warm and relevant song. remixes come from nonetheless than prolific superstar brasilian producer dj meme that gives a more hypnotic version of the tune, while stalwarts very own dj rork comes up with a more driving and clubby affair.

this release offers 3 more tracks of quality techno! this time on the original mix angelo pomposo and tad g. dish out a track inspired by the murena, a fish infamous for its lethal venom. la murena starts in a deceivingly quite fashion, when, a couple of minutes into the track, the subtle background sounds take over with a mighty sting. by now more percussions add to the relentless groove. at the end just when you think it is calming down, a dark pad appears from nowhere bringing you in to the closing beats. all in all a track for every dj in search of good quality and effective dance floor productions. flavio folco and stewart walker take in charge of remixes! flavio folco s one is a deeper excursion into the dark side of tech-house, able to satisfy demanding customers with a good blend of dance floor oriented music. stewart walker s remix completes in great style the proceedings. while leaving behind his softer side he retains his own unmistakeable imprint with an excellent job, very much in tune with freshfood style! have fun!

the follow-up to last years deep in need, the haunting me ep brings three new soulful and sleazy tracks from dirty bee. since house has been a buzzword for the last year or two, old-timer dirty bee shows the kids that its possible to give a shout-out to the old school, while still finding plenty of room for innovation. the title track, featuring bees friend luther on vocal duties, brings a paranoid vibe that crescendos with fluttering chimes and a baltimore breakdown. on the flipside, things get a bit filthy with out of body: pounding bass with conga accents keep the tempo, while a drunken, off-kilter saxophone solo tries to find its way home. finally, the snarling, electrified bounce of work for me closes out the ep. spread the house gospel!

lim clear sexy red vinyl! after ues three massive bombs played by the likes of richie hawtin, loco dice, luciano and mathias kaden. 24 has the percussion line hooks which wander off in a full melodic bliss of over 10 minutes and a serious dose of forward thinking club music and a must for spring 2009. for his second release on resopal, the busy italian has come up with what we believe is a perfect mix between his dancefloor side and his newer material with a more techno-ish touch. 24 is a hard-hitting piece of percussive techno, while somebody send me love is a deeper, slightly hypnotic minimal affair still with the serious injection of funk that underlines the a-side. the remix is done by cecille recording artist ilario allicante who delivers pure summer joy

croatias biggest techno export teams up with irelands tough techno peddler in this quick paced, cross style, tough techno release which includes the dancefloor wrecking tracks trapav and swear tin. the latter of which was tracklisted during the headline act in i love techno 06. ogi, who has been at the forefront of croatian techno since the mid 90s has dropped two cracking tracks full of dark energy, driving rhythms and pulsating backbeats while o meara, who is quickly becoming irelands premiere tough techno expert has pushed two dirty tracks full of unexpected breaks and driving rhythms.

munich man dario zenker is back again for his second vakant ep following 2008s >sam und er/womde!< (va019). still fresh faced and just as hungry, dario continues to bring the bavarian goods to our freaky masses. a side -would be nice- makes more twists and turns than a sausage factory while consistently pumping out the mystery meat thick and juicy. if you want freak, thump, space, expanse, its all here. b1 -blue champa- is perhaps more on the vegetarian tip: light, nutritious, guilt free and always leaving you a little hungry. fun and bouncy, -blue champa- easily proves that you dont need to eat meat to get phat. at b2 position you will find -while rain gets air-. we have no idea what dario means here but if you were asking yourself >wheres that track on this vakant record that wont let close my eyes at night cause i heard this track at 7am and im still a little freaked out,< this is it. listeners beware

again sasha carassi on one of the hottest italian imprints, plastic rules! this time with the young talented artist francesco grant (already released on globox), >why so serious< is a really nervous track that will make you bounce while on the other side we have the master mark broom delivering a masterpiece remix!

asd008 sees the return of alex krueger and a welcome one at that! this oneÆs 5 tracks deep (including a digital exclusive) and includes a pair of fine remixes from londoner-in-berlin, mark henning, ôblasted bitchö is tigerskin at his best. the title cut is a feast of sonic trickery, with sounds playing off each other beautifully to create a wide, dense soundscape which, paired with clipped percussion, clever dancefloor arrangement, evil laugh & crude vocal sample this one delivers tough. henning, a man known for his abilities with sound design himself, takes a darker route with his interpretation which, while still driving, is more of a heads down late night affair û riddled with oddball delays and some unnerving vox efx. ôwhat theö takes a turn to the darkside, moody, sharp, reveb laden and pulsing, the track is real heavy business watch out for that unholy belgian hardcore synth riff a la ômentasmö, thereÆs a real æmomentÆ in there. to round off the original cuts. responseö continues seeing tigerskin provide a straighter groove but one which displays some sterling keyboard work and strong break. finally, henning provides another remix of the title track as the digital only addition all too important these days. futuristic deep, tech-house is about as close as a description anyone needs for this superb final piece of an equally superb package.

germanys finest michael burkat and lars klein team up to bring you a very special collab release. bound and lk combine forces and deliver a true techno slammer. lars klein starts the ep with his changes. soundscapes introducing a deep and dark techno monster with a powerfull and uplifting vibe. changes all through the track resulting in a 12 minute workout! michael burkat on the flip with his special bound release. bound 026 was a great succes and many people are waiting for this follow-up. the first track is a bouncing track with a catchy feel, while the second takes it deeper. full support by perc, hertz and many more.

pissinboy was originally italian artist andrea pirovanos solo project, it became a duet when graham mushnik joined him a year ago. based in london, the band presents here four 3 chord harmonious scruntch pop songs they recorded in their basement. while the ep kicks off with a punchy minimal drum guitar track, always find you, it ends in a mellow mood of trumpet and choir. pirovanos songwriting is simple and strong, and mushnik is unstoppable.

incl. andy chatterly rmx !! gobal player and shootingstar nic fanciulli from great britain had many residencies in the world finest clubs like muretto (venice), space miami, terrace ibiza and brought his own night >club class< to the front by taking it to the ministry of sound london, where he invites artists like funk d void, danny tenaglia or rolando. at the beginning of 2008 he started the next event-series at the end in london called >atomic<. with his own label >saved records< he supports upcoming and young artists while being questioned as a producer and remixer at the same time. thus he worked for underworld, kylie, tiefschwarz, unkle or deep dish. with collegue james zabiela he builds the one & one project. with his mate andy chatterly he formes skylark and the buick project and was nominated for the grammys in 2007 with their remix for tiefschwarz & tracy thorns >damaged<.

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

yapaccs new masterpiece goes epic and tells you an existentialist story about rigid contemplation and mass euphoria, providing dem glamorous drumrolls a comeback long overdue and keeping his shit most generally together while setting up enough traps to become entangled in karma of battlefield? comes in an elegic, postapocalyptic disguise just to surprise with siren chants and cutting edge chimes. its a groundbreaking piece of music, just as his sibling conga de terre? which loosens its high end percussions with a well dosed infusion of bittersweet symphony and proves that beefy barbarians have feelings too. in the heat of the battle yapacc lives up to the promise, thats why we love him, and thats why we release him too.

played by luciano, lauhaus, kabale & liebe and many more. its about time! with >channel by channel< markus homm presents his first solo ep on highgrade. until now, this cosmopolitan citizen of the world, who shares his time between hong-kong, moscow, london and nuremberg – has been part of the successful collaboration: homm & popoviciu. one vinyl ep and three digital releases have already made a strong impression with the highgrade faithful. with this ep and its four groovey house tracks, markus homm signals the springtime. the title track >channel by channel< already foreshadows where this journey will end: fleet footed rhythms meet sweet chords and result in a sunny house groover that immediately kills the winter blues >torn< on the flipside is also built around an irresistible melody, while >xpander< (b2) gets things moving a little faster towards the end. proving again, how skillfully markus homm can create a deep groove from his handpicked melodic elements. it doesnt need much imagination to understand that these three classy tracks will bring their euphoric impact to every dancefloor they touch. thanks for letting the springtime roll, mr. homm!

vinyl exclusive release! no digital !!!story02 brings you more tales from the deepside that have no author attached to them and rather sound like deephouse traditionals secretly and orally passed down from one wise deephouse initiate to the next. free from superficial glitzy effects, showy noodling or even the slightest nod to the latest fad in clubland every single one of these 3 tracks is like a condensed version of what deephouse is about and revokes mystic memories of nights in dark, bassridden basements. >deepcut59< is a manifest not for minimalism but simplicity where only the slow swelling of a chord can make you burst with joy and just the addition of a hi-hat will stir you into action with new vigor. >on the way back< over on the b-side features a relentlessly pushing, driving rhythm with abstract, piercing piano chords scattered all over while the title of the closing >rhodes on drums< says it all: sweet wailing, rhodes musings on >love and happiness< for those blue hours in the morning. this story is an epic!

when the drum calls is delivered two ways. the extended mix taunts you with piano stabs and vocal chants riding over a conga led groove. on the flip ron strips it down, takes out the main bassline, and gives you room to layer while giving you a percussive workout..

diaspora remixes is a combo of electro-world djs met randomly while watcha clan was touring europe. all set of remixes from the likes of transglobal underground, undergang, or dunkelbunt.

ass shaking miami bass action by mr bankie phones.

in its original form, krakatoa is a swinging, percussive tech house groove. a super-heavy kick and spitting hats give this a raw, energetic edge while hypnotic bongo loops and chopped up vocal snippets provide a depth of texture that harks back to the heady days of west coast cuts from the likes of siesta and greyhound records making this a distinctive and refreshing record. swedish techno legend joel mull provides the b side remix!

schieber continues its way into more easily grooving realms and comes up with these new, elegantly sparkling tracks by berlin resident drei farben house who has already caused a stir with his delicately balanced releases on force tracks and brut!. for schieber drei farben house gives two different insights into his understanding of house music: sander is more tracky and relies on looped chords which bring you closer to house heaven with every repetition, while manifold percussions together with the beats provide the necessary injection of funk. in contrast, anagram expands the frame of grooves and chords for finely ramified bell sounds and softly glowing melodies. for his remix of anagram house routinier prudo (moodmusic/dirt crew) reduces the melodies and displays a firework of funky sound bits - a perfect tighrope walk between minimal and house which combines the best of both worlds.

and if that wasnt enough to be getting on with, the flip sees ctrl z on remix duties, providing their vision of the 2008 breakfastaz smash girls, money, drink and drugs featuring mc ivory. already a huge club record for those djs lucky enough to have copped the cdr from ctrl z himself, this has been begging for a release for a while and helps complete another piping hot package from the breakfast club.

in the back room at the raw fusion club in stockholm is where the tropical treats crew hold it down every month with their selection of the undiscovered black vinyl jewels from around the world. now they ve taken their world funk sound to vinyl for a classic gamm release. their re work of oneness of jujus african rhythms is an absolute blinder while waarewaah is another afrodelic monster that is sure to turn heads...

welcome to the new single from faze action taken from their eagerly anticipated album, stratus energy. theremins, clavs, rock guitar riffs and spacey disco vocals make good lovin sound like a classic disco track from the early 80s but in fact its brand new, with a heavy dose of contemporary production in the classic faze action style. the reflex mix has a more stripped down electronic feel, added keys and a boogiefied bass while the shogone deep mix is a more house based mix with tuff, snappy beats. with limited promos, good lovin has already been causing a stir in the disco scene and in the main stream, already receiving spins from pete herbert, of reverso 68 and joey negro in ibiza during the summer, showing early signs of appealing to a wider audience

ltd backstock !!! label chief and king of nyc late night mythology, francois k returns with a bit of his patented deep space madness. starting with a tempo reminiscent of a 45 played at 33 1/3, a delicate plucked bell-synth bathed in a medium hall reverb leaves ethereal impressions and late night energy. as the melody drops a minor third, another enchanting counter melody joins the mix and adds a rather divine legato styling. after the lead fades out, a percussive interlude full of syncopated noise hits develops: leaving room for a break that reintroduces the main vibe and instills a sense of resolution. the flip carries a remix from quiet village, who has been starting deep space nights with positively solid performances. taking a more club-hyped approach, this rework pounds forward with a massive rumbling kick drum and an underlying noise wash. the main lead gets some serious filter and delay treatment making for a more progressive drive and a versatile dancefloor hook. tweaking things a bit at the break, the melody morphs into a sort of latin-minded groove with portamento glides, edited accents and sharper hits. still keeping the passion and charm alive, the new demise accents francoiss tasteful tune while boasting contemporary excitement

carl sagan back on go!freitag with another nice shuffled piece of techno. while his own mix fits more the little bit moody, groovy samstag-side, alex bau again delivers a remix for mr. sagan for the more edgy technofreitag

big with speedy j, luke slater, cari lekebusch, james ruskin and many more.. audio assault returns with their first release in 2009. on this 32nd cut labelowner bas mooy delivers a banging fourtracker in the well known audio assault tradition. for quite a while this rumbling beast has been waiting to be unleashed, so be prepared for some peaktime dancefloor damage, not for the faint hearted!

big with: anthony collins, k.atou, sascha dive, mr. statik, lauhaus, julietta, gavin herlihy, federico molinari, dorian paic,... here comes the first release of the new collaboration between chris wood and meat on freebase records and meats own label - below records on the a side we find the main track of their first release, called chi-kago. it follows the old vibes of chicago with a funky bass and a wonderful groove which definitely will kick your ass on the dancefloor!!! b1 comes along with a remix of this track, done by our well known friends einzelkind. their interpretation cought up the deeper side of chi-ka-go while including some nice vocals from an unknown cuban dancer!!! b2 sidiki let the childrens bassline take control!!!

croatian dj ilija rudman is one of the nu disco scenes most prolific, yet underrated producers. with releases on bear funk, rong music and deep freeze he manages to cascade the electronic disco sound with his own unique production style. counting the likes of luminaries such as greg wilson, darshan jesrani and steve kotey as fans, the ever prolific rudman drops two fine examples of quality nu disco. in motion is metro area esque electronic workout while definition is a more incessant peaktime groove.

theomatic celebrates its 10th release with an-2’s epic ‘viajero’. spanish for ‘voyager’, ‘viajero’ is a dedication to all travellers and the spirit of travel. it’s about the fact that every traveller searching for better place on earth every time ends up with the same - meets himself. the track is a result of a long work, waves that you hear in the background is pacific ocean recorded at machalilla national park in ecuador while guitar was recorded in izhevsk, russia - an-2’s hometown, it’s performed by ramil vafin, keen guitarist, guitar maker and big friend of an-2, finally it all found it’s way together in an-2’s st.petersburg studio. the remix comes courtesy of the ever excellent duo acos coolkas

water drops through layers of fog while we try to find out, if our eyes or ears just caught this impression. a universe on a disc.

nice price deal !!! the original is courtesy of nick douglas and hes most definitely turning in an ill mix, all the while keeping it funky and dancefloor ready. with vocals saying so uh, i see your hobbies are drinking, smoking weed, and all types of ill shit you cant go wrong. we ve also got our man johnny fiasco taking us on an acidic, techy journey all the while keeping the groove going, our feet moving and the bassline going strong. fans of mastiksoul will love johnnies mix! next up weve got mr. micro wonk (mr. wonks illegitimate son) turning in a really dirty, slow, low, rolling bassline heavy track that will destroy the woofers on your speakers and whatever system your playing it on. very nice indeed. and finally we ve got our main man from down unda, sonny fodera gearing us up and taking it to the tech house.

resident weirdo miro pajic is back to kick of 09 for tora! two robotic soul tracks with plenty of sneaky workouts. chop block freaks out the floor complete with elastic bass attacks. la s audio injection continues his hot ride with a fun flipping remix. feet jerking for all. 7robotsspeak has that feel of dark corners , gum on the floor while trying to talk on your mobile. next to a speaker stack

minimalplus is an underground project that started quite a while ago and it is back with a new release. on the record minimalplus give you a legendary dutch underground dj called noes. it one of those guys who was there from the beginning. for a long time he had a solid residency at the transistor nights in the south of holland where he played with almost al big techno names like, jeff mills, joey beltram, surgeon, james ruskin, johannes heil, ben sims, robert hood, steve rachmad and the list goes on. now noes launches his first release on this underground imprint. one the aside the is hd which is like the man him self a little hyper. rolling percussion with some upwards movement. rocking but also a useful dj tool. one the bside there is the shit and it is! a rocking minimalistic rave sound, freaky sequence and easy to get a crowd going.

optimo take on one of the hottest bands around florence & the machine. supplying two remixes which will never be released on any other format. their remix is sub heavy techno workout with a bassline akin to one of ewan pearsons finest moments. watch the terror in the crowd as this is unleashed! limited copies... get this while you can

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

italian born, berlin resident dj/producer enzo elia is on fire, alongside studio partner martin patino hes fuelling record shops and download platforms with some of the freshest deep house sounds around, he proves it once again with >elen< an electronic deep journey leaded but the catchiest vocal melody we heard in a while, on the flip martin patino takes his duested hammond out and develop his mix around it, kinda unique deep house with and edit to die for. keep an eye on those guys,

refreshing as a blast of warm disco breeze to the nether regions comes this sultrily intoxicating outing which sees hanna produced in paris by purple musics alfred azzetto and italys vincent valler, accompanied by a genre straddling array of mixes. the french sung tune recalls classic french disco while the backdrops are sympathetic despite their diversity: alfreds sub sub mix stretches around the incredibly catchy song as a sexy piano vamp, dj fopp & walterino take the straightahead house route, ii moods recall knuckless 90s productions with lashings of stately piano, christian hornbostel goes for minimal dub, souldynamic & fioresehome home in on the sexy vocal over a gathering acid storm to delirious effect and blacksoul uncork a thumping deep house excursion uncannily recalling late 80s chicago with bare piano and haunting textures before switching gear to new york of that period. each one is dominated by that great vocal, the sort that sounds great on whatever you place it on apart from david camerons beat box bottom. pretty essential.

dark voices guard him, while isaiah makes his way through the deep techno forest.

sven weisemann comes with something quite removed from his usual oeuvre for the likes of styrax, mojuba or liebe*detail etc with a luxurious 7 inch, flexing his esoteric jazz and cinematic production skills for the newly minted essays imprint. theres no dancefloor ambitions here as weisemann allows himself some time to explore opulently textured downbeats and dubby ambience on two gorgeously crafted tracks for late night/early morning play. >rootless< is a delicious 5 minutes of melancholy detroit emotions with stunningly spacious sound design, while >garden of fantasy< on the flip sways with a slowhouse rhythm and brilliantly intangible synth pads that will transform the atmosphere of any space its played in. completely lush and utterly seductive, plus it plays backwards! limited copies - hurry.

naked lunch s vinyl number 10, with special guests marco bailey & tom hades, names that don t really need much introduction. they ve been around for quite a while, playing in all major events around the world and producing several dancefloor anthems troughout the years. this ep on naked lunch shows a mix of compemporary techno with some old school influences

with recent releases on emergence and token, grovskopa debuts for labrynth and hits the floor hard with treacher collins . re-processed percussion and rolling low end seem to cause sensory overload at every turn. the perfect floor tool. aa/ balamber sees grovskopa maintain the industrial focus, but heads further into darkness and despair. driving forwards relentlessly, a rolling sea of bass and mechanical abrasive tones force us to move and dance! b/ trademark michaelangelo sounds here on the 4/4, reminiscent of some of the mid 90 s synewave recs releases. sirius carves into an immense sonic landscape. chaotic and crackling high frequencies modulate and break up over our heads, while monotone subs meander and bounce with the kick. big room techno. big sound. quality. bb/ massive offbeat techno from telesthesia, a collaboration between michaelangelo & coefficient. complex rhythms continually weave throughout the track. the journey deconstructs and falls into darkness, re-emerging again into precision synths and digital modulations

venezuelan producer argenis brito graces us with his sophomore cadenza release, the imminent ep. renowned for his role as lead vocalist for senor coconut as well as his collaborative projects with artists as decorated as luciano, pier bucci, jay haze and samim, the multi-talented argenis solo work comes with some pedigree. resident in berlin since 2004, his distinctly latin interpretation of house is a step ahead of the game, with prior releases on junion and cadenza animating floors with that inimitable south american fervour. title track >imminent< is a playful affair,with bouncing bass and a shimmering synth melody dancing around the kick. intoxicating and funked up, the melodies call and respond in a fragmented conversation while pulsing echoed tones add depth to the mix. >mind body soul< stutters into a complex percussive pattern, coloured by warm keys and blocks of bass tone. funky is the word, as a distorted vocal directs bodies to the floor. deep and immersive, dark melodic synth movements plunge us into a sweaty and cathartic house hole. on the flip, >lolipop< combines electro and house elements into one cheeky dance with the devil. bubbling bass flows under cascading melodic synth, as fat percussion crunches around sharp vocal bursts. slick and futuristic, this is for that time of the night where looking backwards is not an option.closing the ep, >unreality< is as deep as they come. warm and uncompromising key stabs pulsate over a no-nonsense bass drive, accented by harmonising clav tones. living up to its moniker, the resonant melodies and hypnotic pace conspire to transcendental effect.

watch ya feet is a beast with two heads as not one to do things by halves gavin has presented not one but two mixes, which both reflect the mood and scene of each of his homes. on the berlin mix, gavin captures the innocent late night energy and rawness of a berlin dancefloor. the twisted bassline, eerie tech house groove and warped noises roll along while the chicago-esque horns shriek out over the chaos. the london mix truly conjures up memories of londons finest venues, whether it be fabric or the end through to the afterhours of kubikle and retox. the groove here is a lot crisper than the german offering with the horn hook taking the to a euphoric climax. ewan pearson is one of the most highly acclaimed producers / remixers around, with past work including goldfrapp and the chemical brothers. his remix is one of pure energy as the track is transformed, through flawless production, into a sinister powerhouse of rising electro-techno that would feel at home in the sets of the likes of smagghe, weatherall, richards and mayer to name but a few.