ltd. col. lp: (black & white marble vinyl)

multicolour splattered vinyl

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

ltd. col. lp: (silver nugget vinyl), das neue album der britischen metalcore-Überflieger!

no eye has an equal sees the siena composer delving into his extensive archive of electro acoustic compositions, and presenting four radical reconceptualisations of his own material.

new saike release by krl mx.

2023 repress incoming! the 4th studio album from radikal guru on 180 gram double vinyl with download code included.

for the first time on vinyl

four techno movers from arkan for drawner.

intense cuts from 6siss, minimum syndicat, radical g and bask on the next deviate release.

reissue of the 2002 the 69 eyes album on classic black vinyl.

for its 303rd release, tresor records is glad to present a commissioned work by donato dozzy. rome based production maestro and dj extraordinaire donato dozzy is unanimously considered as an illustrious leading light in all techno artforms. along his long career and extensive discography, dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. it was self-evident to tresor records to enroll donato dozzy’s talents for this assignment, a nod to the seminal roland tb-303 bass synthesizer. the result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. donato dozzy wishes to dedicate this work to his lifelong friend filo.

140g lp, high uv gloss gatefold jacket and 60cm double-sided fold-out poster.. its a big release! tip!

2lp col. ltd. (- limited edition vinyl - zwei 140g schwere, limitierte, orangefarbene lps in einem wide-spine-single-sleeve mit zwei bedruckten innenhüllen.)

140 g vinyl , printed innersleeves

ltd coloured deluxe edition

kryptox presents the second album from saxophonist, composer and arranger ralph heidel.

repress - immortal technique, the most radical revolutionary rap lyricist to hit wax, combines with green lantern and a gang of like-minded mcs to produce the 3rd world, a furious mixtape which is perhaps immortal techniques best work to date. the title track is a compelling summary of all the harlem rapper has proclaimed in his past verses, as he reworks jay-zs *where i m from* into a scathing diagnosis of the state of the world in the 21st century. tech also breaks down the power structures behind nyc gentrification on *harlem renaissance*, deconstructs accepted understandings of pimp on *reverse pimpology*, and examines corporate privatization on *open your eyes*. violent, angry, and unabashedly challenging, the 3rd world is everything hardcore hip-hop should be.

a limited edition clear vinyl pressing

soundtrack

long time collaborators sasa crnobrnja (from in flagranti and mytron & ofofo) and clement cachot-coulom (from the fabulous penetrators and big girls) present their debut album as auf togo.

new album from swindle on clear and blue marbled vinyl lp, housed in a gatefold sleeve.

limited pressing on teal coloured double vinyl, housed in a gatefold sleeve.

techno-dancehall beats meet radical rhymes. limited edition of 500 copies on orange coloured vinyl.

techno-dancehall beats meet radical rhymes. limited edition of 500 copies on black vinyl.

blue lab beats present a fresh fusion of highlife & afrobeat with hip-hop, soul, jazz and more.

hardtechno rave sounds with an oldschool touch.

recorded from original tapes, first time on vinyl

the re-release comes in a new modified cover design - without punch-out and without printed innersleeves. whomadewho have truly succeeded on their mission to eschew convention. fusing pop and disco memes with punk paraphernalia, they now return with the sublime full length >brighter<. the new album operates as the missing link between the radical playfulness of the bands previous full-length >the plot< and the introspective focus of >knee deep<, bridging their early work with a newly founded sense of sincerity and musicianship..

deep dimension aka jeffrey hek and jimmy van de geijn

the 4th album from awolnation on transparent red vinyl.

ltd white vinyl, fanatico = jorge socarrás (catholic / patrick cowley, indoor life) + mathias schaffhäuser

kashawar presents his -resonate lp-, an explosive ensemble of rave-infused techno which travels beyond boundaries to defy the typical groove of 4x4 dance music.&#8203,, this&#8203,, album&#8203,, is purposely designed to transport you somewhere far away, catapulting you beyond the techno stratosphere!

luca bacchetti s debut album >secret world< is a work almost 15 years in the making. it s also one that required the endlessly touring dj to traverse the world numerous times before an inner call came to return home to italy to record it. having earned a reputation for crafting club cuts, a fact underlined by releases on the world s most recognisable labels, from wagon repair, ovum, mule musiq, all day i dream and crosstown rebels to defected and his own endless imprint, it s a radical sonic departure. but it s one that reflects both his homecoming and the journey to get there. >with this, i entered a new world i’ve never shown before,< he says.

lewski returns on the label with a four track ep, covering a broad spectrum of electro with spaced-out sounds.

12 inch gatefold sleeve printed with uv spot gloss

new ascetic limited release from david att. the vinyl includes a poster.

the 3rd album from rudimental as double vinyl in gatefold sleeve.

limited edition of 500 copies on white vinyl.

aar is a project by milan-based producer, dj and designer giorgio di salvo. the first grade lp is his first record under this name, self-released in collaboration with haunter records, the first chapter in a new series dedicated to tonal and rhythmic experimentation. advanced audio research is the ironic definition of this new music course of his, a nod to the large amount of esoteric studio gear accumulated and (ab)used during the years. the project itself is the result of years of study and experimentation with generative music matrices, based on the application of a three dimensional array of variables and unknowns to algorithmic pattern creation. the result is punishing, close to the most radical exploits in ear-wrenching breakcore, footwork and jungle, albeit with a sonic and structural finesse that reveals the producer’s manic dedication. track a-4 is produced in collaboration with somec and b-01 in collaboration with heith, channeling abstract and melancholic vibes into the project. vinyl comes in ultra ltd. edition of 100 copies, each one wrapped in a different hand-printed folder.

marshstepper are the most radical incarnation of ascetic house, the collective and publishing house based in the desert city of tempe, arizona. marshstepper’s dark electronic ritualism is performative, violent, unusual, shocking, unpredictable and raw. during their berlin atonal show in 2016, they were joined by drew mcdowall, jonas römnberg and juan mendez.

with sincere excitement co&#769,,,meme is now delivering katerinas very first ep to planet earth: just when you thought it was over. katerina from helsinki - finland via sofia - bulgaria is a passionate music lover, a skillful dj, an imaginative music maker and an emotional and hyper sensitive artist. she produces music that is essential and timeless, tracks that feel necessary in your life once they have entered it. katerina has already contributed to the ever growing, always radical and forward thinking catalogue of the co&#769,,,meme music collective, with tracks on the compilations solidarity forever vol. 1 and 3. she also hosts a show on radio co&#769,,,meme called radio emotsiya, in which she generously shares her broad musical knowledge and her very particular musical obsessions, for instance her steady – and in our opinion very understandable - veneration of dj quik. and yes, her music breathes the emotionality of hip hop, the sensitivity of well placed, swinging beats, and that steady survival mode, that essential melancholy in dance music: where melodies tell about love and longing, and rhythms help you to keep going on.just when you thought it was over, here we go again, its another day on planet emotsiya, from where katerina sends us reports about her adventures, always sided by her already legendary white cat nopo

arcane patterns is a vinyl & digital label that encompasses kinetic body music by translating sacred codes, mathematical polyrhythms and dooming moods, catering to both the club and the home listener. shaped by the emancipatory energies of the hardcore/punk scene in their youth, berlin & mainz-based duo aphtc (aka kl.ne & cr&#926,,sc) now immerse themselves in the realms of bass-heavy club music, sonic fiction and syncopated hyperstition. limited to 300 copies with unique artwork which quotes the late great mark fisher, this 12- meticulously executes the modern-day uk techno/bass sound design with clean tensity and dread. don t sleep. the 12inch &#8243,,when grounds shift&#8246,, by the duo aphtc is a visceral trip into a sonic fiction, in which everything is out of balance. rhythms take over your sensory system in order to resonate in a new way and your muscles are tricked by spontaneous desires. while the intricate breakbeat on &#8243,,when grounds are shifting (the otolith is obsolete)&#8246,, create a dialogue with the genderless vocals samples, counterpointed by sudden strikes of visceral subbass, the jungle inspired b side &#8243,,gravity s pitfalls&#8246,, starts with clusters of atonal clouds peaking in a trembling bass drop followed by polymetric drum patterns that sketch spaces of radical autonomy. inspired by the intriguing aesthetics of the hardcore continuum and the sonic language of noise and bassmusic, this idiosyncratic record takes a great step forward to shape a colourful future.

the 4th edition in the acclaimed sterns edits series sees curator ben gomori open up the sterns music catalogue to other keen re-editors with brownswood / worldwide genius smbd (aka simbad) the first to step up to the plate. nigeria s segun adewale is sometimes referred to as the crown prince of jùjú music, but in the 1980s he developed a sound all of his own, which he called yo-pop. a mixture of jùjú, funk, reggae, afrobeat and jazz, its vibrant melange can be heard on his 1986 record ojo je , where both these originals are taken from. smbd delivers too superb flips of the title track a gritty funk-fuelled disco version with live bass, and a deliciously deep dub-house version. gomori, meanwhile, takes the haunting atewo-lara ka tepa mo se for an extended hypnotic, tribal trip. the stunning artwork comes from kofi ankobra, the son of radical white south africans who grew up in ghana and studied art at oshogbo, nigeria the place adewale himself was born. sterns edits is an official collaboration between african music stalwarts sterns music and londons ben gomori.

“running through with the sadness” represents hungry march band’s first full-length studio album in over a decade, and their first pressed to vinyl. the record is an explosion of irreverent energy and a veritable lesson in spastic instrumental dance music. it was meticulously produced over the course of years, indicating a forward step in the evolution of the radical street brass sound.

since the release of their critically acclaimed debut album in 2013 on names you can trust, la mecánica popular has quietly been contemplating the evolution of the group s sound, philosophy, and overall approach to making music. band leader efraín rozas experimental nature has continually pushed the boundaries of his own definition of not only latin american music, but its broader relationship with music s global culture and history. the sound of -psychedelic salsa- that lmp helped capture in their debut was destined for further outside-the-box interpretations, and with the formation of a new quintet lineup over the last few years, lmp began to incorporate a more free, improvised and instrumental-focused performance of rozas increasingly radical compositions. the band subsequently took this liberated approach directly into the studio, recording roza cruz live, in its entirety. it was a cathartic experience, a necessary methodology for the new album s concept that embraced the intimate performance of its players and did away with standard techniques of isolation and overdubs. the evolution of the band s sound on roza cruz brings forth a blend of styles rarely heard together, a touch reminiscent of electric-era miles davis or eddie palmieri at his most experimental, as the driving force of timbales and congas provide a bed for a wave of lush, analog amplification that mirrors the dueling leads of fuzz guitar and electric piano. but as far out as those instruments take the listener, the raw rhythm the clave always keeps it tethered to the earth and the dance, a cerebral yet visceral gift for the mind and feet.

mouse on mars’ andi toma and jan st. werner return with their most inventive album to date, dimensional people. the new album finds the berlin-based duo reunited with thrill jockey, a powerful aesthetic partnership marked by such seminal albums as radical connector (2004), idiology (2001), and niun niggung (2000). after a series of notorious dance floor releases, dimensional people reveals them working deep within their own vernacular, digging into fertile terrain of their inexhaustible vault of digital and acoustic experimentation, and charismatically making elemental components new again. this album makes clear how their craft is of discovery, of finding new contexts for places, sounds, memories, sensations, ambiences, technologies, relationships, and of course, people. limited colored vinyl, download code included.