2x12 inch of industrial / noise

after his kinfolk released collab with otologic s nick murrary, kris baha makes a welcome return to his power station creation. a versatile five track ep that will get you through the night, one pictures yello s virgin ketamine experiments on mind your head before jeff comes to the party with his mad professor dub, giving you whiplash with its belting beats and crashing guitar stabs. originally designed as an hour long opening score for the namesake melbourne club night, around you go is an edited warm up tool, the crossroad between dusseldorf and elettronica meccanica. if issued in 1983, 2 nights in armenia would have lived on as a cosmic classic while arpb is the listeners exit music, a fork hanging from the power socket.

industrial electro tracks

kris baha remix

and so especial comes to its 30th release. as with the ees010 and ees020 the 12inch is given over as a sampler ep of alternate versions, dubs and unreleased cuts that deserve their time in the spotlight. again featuring a labels whos who, with fairplay, paton and baha appearing, but also new crews in vogue with roy of the ravers back, joined by the esteemed freeform five plus a debut from bal5000.

kris baha is fast becoming one of the most essential operators in the deviant disco underbelly of berlin s scene, despite having landed in the city relatively recently. baha s credentials with labels like power station and parties in melbourne are all that you need to know, and now this release on the ever mighty cocktail d amore seals the deal. baha has never sounded more confident, pinging deviant synths around nasty drum bite and channeling the gods of industrial darkness to make some rugged body music for the darker kind of dancefloor. the experimental, non-party tracks are just as wild, dealing in all manner of uncompromising noise to further bahas journey to the upper realms of sonic mud slingers

kris baha turns to pinkman with a standout 5 tracker blending influences ranging from ebm, darkwave and experimental electronics. what makes them work together is a shared industrial edge, spine-chilling atmospheres and minimalistic vocals. by finding excellence in diversity this record is equally suited for boiling dance floors and home listening purposes.

power cuts is a sub label of power station, outputting edits from residents and friends of the weekly melbourne party

uk artist kris davis’ “bleak” ep is out on christian löffler’s dance label, young alaska. löffler aims to make music that “combines melancholy with euphoria”, and it seems evident this vision is reflected in his own imprint with davis’ forthcoming release.

out of the buoyant melbourne house, disco and edits scene, power cuts kicks off as a sublabel of power station with label boss kris baha joined by some likeminded heads for four varied and generally far out party joints. these are after all eclectic times we live in, and power cuts reflects this by veering from jonny 5 s dense and tense -voices- to the limber afro inflections of dreems -ahead temper-. baha himself delivers the industrialized thrust of -heart of foil- and then otologic finish the record on a jolly note with the charming, synthy delights of -ballada kwasu-.

fresh release. release fresh. fresh release. release fresh. you can adapt to styles - or you make styles adapt to you. this question creative is answered within the process of making. we are allowed to offer a new bt seleccion on this record. audio per te. un dolce. audio per te. un dolce. shout outs to the french touch: music wouldnt be the same without you! if you have a voice why not use it? big ben: there can only be one bell towers!

played by : felix dickinson, soft rocks, noise in my head, eddie c, neil diablo, ali renault, kris baha, ess o ess, crucial & fresh
continuing the soft rocks anglo-australian exchange program we are very excited to announce kinfolk number 9. this comes from our melbourne homies nick murray of animals dancing / otologic and power station s kris baha. a1 cut besom comes out with all guns blazing with a guitar fit for leaping around your bedroom with an old broom, whilst bonzai sunset finds the boys in a more reflective, dare we say, tropical mood. flip over to the b and we ve got another banger in the shape of third wish and we ve even chucked in a gnarly remix from portugal s finest tiago. boom!

kris- & konflikthantering iii/iii (kln009) is the final ending with 2, 14-minute plus tracks. one dedicated to the ancient rave grounds of hellasgarden where it all began in terms of dancing in dirty fields lit by sonar sweeps from the broadcast masts and strobes visible all the way to the city. the last song is the very live version of sabor latino, birds from the garden, hypnotic basses from the mc-202 and shimmering arps from the sun, a sunrise anthem in its own. let the summer begin

kris- & konflikthantering ii/iii (kln008) features 4 tracks including songs from haralds live repertoire as well as a remix of his studio barnhus debut sabor latino now interpreted by the queen of pampa, areal and kompakt, ada. kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts.

kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. this album was put together while harald was taking this course. this album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies. the soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient japanese roland techniques. all recorded on the studer b67 master tape recorder, the heart of the kranglan broadcast studio.

bahnsteig 23 return 2016 takeover mit kris boy baha! baha boy nehmen ozzie ozzie ozzie (oi oi oi) neu welle vi 909 wig perucke. beat move tanz. powerstation melbourne partei and label und powerform edit rock welt!

opening their doors every saturday for mind-altering shock treatment, power station has been giving their raging punters a potent dose of megawatt reality. their curatorial expertise has established an institution that will now extend the mythical energy generated with a record label in the form of annual limited 12inch compilations, grouping tracks that have already become the club s signature tunes. resident, booker and co-founder kris baha finds himself on both sides of the inaugural disc, with the ball of confusion solo production something something, and again as heavy concern in collaboration with otologic s nick murray, a name synonymous with the melbourne club circuit being one quarter of the animals dancing massive. young gun disrute captures the optimum warm up set with the shape shifting slow burner ka-bu while scene veteran and haul music boss mike callander discovers a new lab mutation of sci-fi soundtrack, damaged funk and cerebral house

its time for phonogramme to explore different styles and releasing one of its most successful project ! from france, kris tidjan composes music layers in the high sphere of soul jazz. playing most instruments by himself and singing, he also presents music live with musicians. on his first ep floating therapy he comes with feel the love & mystic bantu trip, african music accents & a strong rare groove touch, mastercut oriented under the supervision of professor inc. a1 featuring fela kuti s accent with an additional sax played by christian rodenberg while a2 reaches a 11:11 timing with peacefulness and aerial feeling.on the other side we go deeper into the artist s influences, ethnic vocals melted with tidjans * son of the sun* beautiful refrain & meimouna coffi at vocal chorus, some soul jazz broken beat like we rarely hear today, very strong and contributing to the genre greatly, * shining from the deep space*. for the b2 professor inc brings you a remix of feel the love in two part with a soulful vibe and deep house touch in the spirit of what he has already done for the label before.

new london-based imprint, transit - dedicated to the spaces between. first release comes courtesy of marc force, backed up with remixes by trevino and trusme & kris baha.

kris wadsworth is an increasingly rare breed of artist that flat refuses to play industry games and pander to current trends, focusing on the darker, more uncompromising (and more honest) realms of electronic music. releases have steadily clocked up for such esteemed imprints as boe recordings, nrk music, alphahouse, get physical and morris/audio, landing on hypercolour for 2009’s impressive ‘deport this” (and subsequent single “mainline”), and it is for the eclectic and forward thinking uk label that wadsworth aims his second full length player at.

kris wadsworth released his debut album life & death on get physical music last fall to much acclaim. the released marked a milestone in the artists career, pushing him under the spotlight, and into the welcoming arms of new fans.

have three badder dudes ever appeared on one techno record? original uk techno soldier mark broom joins up with our favorite detroit bad boy kris wadsworth for a stunningly simple lesson in jacking techno, while butane lends his hot hand on remix duties and turns in a monster to complete the package.

welcome to life, the first single from kris wadsworths debut album, >life and death<

after the 2011 remixes of his >mainline< ep, kris wadsworth now drops this double a-side for hypercolours sister-label.

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

detroits man of the hour with three raw analog feeling deep detroit house cuts... for those who knows

the see it through ep is the debut release from kris le vay. the eponymous a side is the most dance floor orientated track, with kicking drums and a driving, melodic bass line guaranteed to get the crowd moving. its also an awesome headphone experience, with involved, complex percussive elements that keep the ear interested and euphoric breakdowns that truly pull at the heartstrings. the b1, entitled melt, is a cheeky little number that bounces around with plenty of polyrhythm. the counterpoint between the deep bass and twinkling top melody leads to the unconventional, yet mesmerising breakdown. the release is rounded off by one hot ride, which is one hot track! starting with ominous dark synths that spin themselves into a stomping hip-hop tempo beat, this anthemic rich blend of sound winds itself up from a menacing introduction on an exhilarating journey through a complex and intricate soundscape. limited to 300 colour vinyl.

sven weisemann & jimmy edgar remixes

kris wadsworth is an integral part of detroits new wave, and with its time he wears his citys heart on his sleeve, delving into the electronic music legacy of his home town and showcasing the range of his own talent. the epic 10-minute title track >its time< is secret journey through the citys pulsing underground. it begins with a primal techno kick that rings out from afar, distorted by distance and brimming with a sense of anticipation. a gravelly male voice demands to know what time it is, declaring that >its time for that dirty shit, that dope shit, that detroit shit<, and the beat then kicks in, gritty and purposeful. the track then does a surprising about-face, abandoning the fist-pumping techno for just high hats and vocals, and transforming into a new phase that nods to detroits other great legacy: electro. grimy electro breaks and wiry melodies are spun before evolving again into deep house, with a see-saw duet of pads, and double-time hand claps. kris own >move dat ass remix< of his track >det sound< takes the dubby 2010 original, and reworks it as a ferocious bass and drums workout with dizzy vocal arrangements and blasting sirens.

certain detroit dweller with the initials kw returns to boe with a magnificently original and varied ep, featuring his own signature sound yet still managing to touch upon multiple genres. thunderous kick drums and a chi-town swing fill the whole ep and balance off kws haunting melodies and raw techno arrangements

supported by: glimpse, seth troxler, moodymanc, pezzner, sasse, iron curtis, brothers vibe, ekkohaus, trickski, diesel/xpress 2, varoslav, till von sein, ed davenport, chris gruber,.. releasing a lovely little 10 inch for celebrating the 10th anniversary of morris audio – thats what we call understatment! hell yeah, morris audio turns 10! no big fuss about this, but a cool 10inch with two hot artists: tom demac and kris wadsworth. raw and punchy yet deep, thats what this release is about. so get it while you can, there are only 300 copies available. thank you

next up from nrk is an ep from kris wadsworth, including a remix from nick harris & chicagos tevo howard.

direct is stripped back, raw house tracks. bleepy yet with plenty of deepness, its refreshing to see a producer out there not following suit, but producing an individual sound. the direct remix comes in classic alvarado style, heavy tribal beats, dubby reverberations, trippy deepness, and dense and engaging production. his remix is already picking up support from the likes of dixon, rocky (x-press 2), paul woolford and jay tripwire.

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

supported by: timo maas, locodice, ripperton, nic fanciulli, solomun, audiofly, brothers vibe, laurent garnier, quentin harris, livio & roby, stimming, masomenos, justin long, jim masters, thomas schumacher, trickski, bushwacka!, catz n dogz, hernan cattaneo, will saul, danny tenaglia, simon baker, rocky, yousef, len faki, meat, spencer parker, alex flitsch, anthony collins, gorge,.. detroits kris wadsworth is a name that has spread very quickly amongst the housemusic community via his releases on morris audio, adult only and hypercolour, yetits >mainline< for the latter imprint which will cement his reputation as a brilliant producer. slow building, simplistic and devastatingly effective, >mainline< is one of the mostdistinctive house tracks ever made. featuring just a handful of percussion sounds, anamazing, spine tingling vocal that words do no justice to, this is a really special track. even at 10 minutes 40 seconds, the track is so captivating it feels like a minute, urgingrepeated listens

german djproducer kris benton, kicks back into gear with this new releases for baroque...as a regular at german underground legand tresor club, kris has been finely tuning his sound, and the two track ep in front of you is the result of his hard work. wicked thumpin beats, with uber cool understated rising melodies. massive!!

big with steve bug, 2000 and one, brothers vibe, agnes, anthony collins, vera, peace division, till von sein, luke solomon, manuel tur, laurent garnier, trickski, ripperton, peter kruder

pure uplifting housepower by kris reen and majuri, remixed by pain & rossini and woody bianchi!

an ep the compliments the finer house elements, each cut displaying separate elements that serves it up for house essential mix grooves. a1, state and griswold is funky with a jazzy vibe that expresses a smooth vibe that’s complimented with soul. the elements pair up for a jamming instrumental accented with detroit style keys, kris wadsworth shows his home-style techniques with class for >state and griswold<. b1, keep pushin track, turns out with a squared bass line, coupled with the chords, and some fx that walks this cut to a swingy deep house groove. b2, keep pushin remix by chris carrier hits with a quick released thick beat, that pumps the original jam into a smooth tone of deep chords that slowly warp out with a kind dissonance towards the break down. programmed tracky, the original is pushy enough to keep the floor consistently on the move

amazing deep house record! supported by: rozzo, raresh, sebo k, akufen, laurent garnier, clive henry, federico molinari, brothers vibe, jimpster, motorcitysoul, d julz, manuel tur, solomun, nick curly, rob mello, chris carrier, chateau flight, livio & roby, afrilounge, shur-i-kan, jori hulkkonen, patrice baumel, sasse, david k, locodice, dan ghenacia, ripperton, clive henry, mathias kaden, 3 channels, johnny d ... here is the next installment in the hypercolour catalogue, it comes from detroit cat >kris wadsworth<, following on from his morris audio release. we are proud to present >deport this< - the title was a reference to an unfortunate event where kris was deported from the uk prior to performing at our party at the end!! here we have 3 tracks of raw detroit nu-house, put derrick carter, sneak and theo parrish in a washing machine and this is the sort of noise your machine would make!

supported by: deetron, laurent garnier, burnski, 3 channels, agnes, akufen, peace division,

finest disco flavoured deep techhouse 4 tracker !! motor mouth are fresh ! new electro house disco masters from stuttgart germany. martin welzer ( dj friction, freundeskreis ) and philipp könig (blendbrank, kris menace ) are well known for their fat disco productions on their own and various hot remixes they did the last years for labels like !k7 and global underground. the two originals are rockin old shool disco with housy deepness and straight forward beats like we know from acts like spirit catcher or star you star me. no wonder we loved it straight away and had to sign this new and exciting project for our players paradise imprint. if this was not enough we topped the whole thing off with 2 extra full on remixes by our mixmaster james flavour and a reinterpretation of motor mouth member dj friction himself who delivers a fine piece of nu skool disco for the leftfield dancefloors.the james flavour checker mix is as always deep ! with his typical house groove we know from tracks like test 5 and da ride.

astral music proudly presents kris bentons first release on his new label next essence. its an absolute house bomb with a progressive twist.

last album recorded by colombian rock pioneers los speakers in 1968 after leaving behind its affinity with yéyé and go-go music. one of the most brilliantly whacked-out psych lps to emerge from south america. originally self-released on their own producciones kris label, this is an almost impossible to find cult record. officially reissued for the first time.

get physical prŠsentiert kris wadsworths albumdebuet life and death. kris wadsworth verbrachte den grš§ten teil seines lebens mit dem studieren und produzieren von elektronischer musik.