lighthearted and aqua-marine house grooves from canadian producer jayda g with a fun 12 inch comprised of two originals and two reworkings of the track + girl music + from montreal duo cafe lanai. created during the spring/summertime of 2016, sixth spirit is infused with a sense of warmth and carefreeness based on current experiences, looped back into nostalgias of her first field season as a young scientist in ontario. the canadian forests breathe through these songs. the movement and groove emulate the sense of curiosity and learning that she experienced during that earlier time. “that field season was an adventure i’ll never forget.”

video for the title track “mango bay” was played for hours over stream by one of the top dota players rtz, achieving legendary meme status over night. “rush” and “rocky bay” are wrapping up the a side carrying faster tech grooves, while still maintaining the organic component (warmth) with bass, chopped vocals and woodwind leads.
b side starts off with “calypso”, one of the earliest x-coast productions - a steady house groove made from layers of keys, trumpet stabs, rich with hats and ghost snares - perfect to get the party started. being the last track, “don’t stop” is a hidden gem of this ep - what seems to be a hawaiian steel guitar classic, quickly transforms into a floor stomper, it’s a house beat reinforced by a classic rolling break, hammond stabs and samples of sterling void & paris brightledge’s “it’s all right”.

release #15 in mr bongos africa 45 series.

the two tracks that form mw001 venture through warm, moody and dense atmospheres. irvins slow- burning productions blur the boundaries between dub techno, house and ambient constructions, utilizing their often minimal and rigid characteristics in a way that keeps the pieces focused yet malleable and unassuming.

release #10 in mr bongos africa 45 series.

san fransisco meets nyc for the third release on fifth interval. rose bay from federsen sets the tone for the record: drenched in tape hiss, the warm pads and delays create a richly textured environment for deeper club sets or for 2am sessions on headphones. dub techno luminary brendon moller offers up two versions of the title track to complete the ep - one in his own name and the second under his ecologist guise. fans of the label will no doubt be well aware of moller s formidable discography, which includes 10 albums under a variety of aliases, exploring the outer reaches of dub music. coaxing two captivating versions from his studio in upstate new york, moller focusses on the chord stabs from the original for the echologist dub, pushing the stabs and percussion through the desk, twisting the tails through tape delay and creating new vistas through crafty use of panning and bona fide dub production techniques. closing with the outstanding tidal dub, moller dons his beat pharmacy cap and pushes the mammoth bassline to near speaker-crushing levels to create a deeply hypnotic groove that is accentuated by waves of ferric pads and fractured percussion.

the no stress express rolls back into town with their second offering for rogue cat sounds, where they pick you up and transport you to the sunnier climes and headier days of 1980s caribbean. steel drums, loose-limbed percussion, lazy synth stabs and carefree basslines, all infused with a whiff of woodbines, jerk chicken and dark rum. as the sun sets, the party picks up momentum. barefoot beach dancing.

the vinyl release of hauschkas new longplayer *abandoned city* comes with code for free download of the full album plus bonus ep *i close my eyes*.

mark du mosch is a rotterdam based producer and dj who has earned the highest amount of respect in the dutch alternative music scene in the past couple of years. the reason is simple: he dares to go beyond the obvious, his raw yet emotional signature sound being distinctive, versatile and stunningly creative. expect perfectly executed analogue bliss from a craftsman who is slowly yet steadily making his way into the records bags of global house and techno connoisseurs.

kindisch would like to welcome hamid to the family

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

nice price deal !!! full cover art & and download code included!4 track instrumental 12 inch from l.a based via portland producer devonwho. sun drenched synths and g funk vibes are the order of the day here. tip!! strangebrew and sleet zip along with their low-slung bass and melodic purple keys while on the flip cactus takes the pace down a bit. slow jamz with a fast feel, these three rolling 4-4 workouts are rounded off with a fresh rework of the title track from fellow west coast funakateer - bay area’s b bravo.

2011 was a banner year for borrowed language – both the split 12 inch from jeff pietro & israel vines (blx-2 distance no object) and jeff pietros definitive >still< 10 inch (blx-3) garnered plaudits from all corners of the globe and were charted and played by the likes of surgeon, miles whittaker (of demdike stare fame), peter van hoesen, xhin, and many others. we kick off 2012 with this astonishing 4-track ep from detroits justin ivey, and if this is anything to go by, its going to be a hell of a year… justin ivey has been making uncompromising and challenging electronic music as dj adjust (and lowsh as well as theek) since the nineties, and he is also the founder of the beloved and highly influential cult imprint low res. while low res has always released records that reside somewhere on the extreme end of the electronic music spectrum (i.e. davros and ablecain) ivey isnt a purist - in fact, he is a true enthusiast of all types of electronic music, and it certainly shows on this 4-track ep.
limited edition of 200 copies on white vinyl.

the opening hits of the percussion stay smooth and relaxed, and the instruments come in one-by-one – first the synth, then the strings, then the brass – to create an experience thats both engaging and relaxing. this is the sort of music i would listen to if i cruised the streets of san francisco in the evenings. as >back to the bay< wraps up and pulls us into his remix of >screw up<, we get a dose of subscapes intensity, but its quickly pulled back into matty gs signature low-bass, hip-hop/dubstep fusion beats. >jam like a tek< adds in some vocal hooks to get the crowd chanting – and you are missing out if you dont add this into your mix. deep kick drums, a snappy snare, big distortion on the scratchy bass wobbles, and the vocals all come together perfectly to create a track thatll get people grinding like mad on the dancefloor.

>the bay< is the electro quartets third single from the latest release >the english riviera<, following the release of both >she wants< and >the look<. the third studio release from the electronic stars >the english riviera< was released last april, and has since received a mass of critical acclaim from all corners of the industry. popular websites such as nme gave the latest release a rating of 9/10, with drowned in sound offering the same rating. now, fresh back from their recently sold out uk tour, the band are preparing to release the third single from the critically acclaimed album in >the bay<. defined as being one of the highlights taken from a fantastic album, >the bay< would be well placed as a future summer dancefloor classic.

come with cool basti grub rmx! vielleicht waren die jungs in auckland an der mary s bay oder möglicherweise träumten sie sich auch nur dahin?! niemand weiß es so genau.

>sindbad, sindbad, look how much luck this children has...< who doesnt know this unforgetable earwick of the eponymous cartoon, which was showed the first time in 1978 in germany. for tom toddnick the composer christian bruhn turns out the old audio tape from his cellar. tom did new mixes and pimped it with stylish house beats. the >1001-nacht-mix< (7:45) only exclusive distributed on vinyl.

now that davide squillace s 10 release project minisketch has been completed, davide squillace keeps moving in interesting directions. the next project is called hideout, here s the first release on the label. besides davide squillace himself, artist that will be participating in the label project include audiofly, dubfire, dop, paul ritch, matthias kaden, luca bacchetti, and some even bigger names to come. like the above, davide is no stranger to the international dance music circuit. the studied audio engineer is one of the most successful neapolitan techno djs worldwide. also known by his other imprints sketch and titbit, and releases on renowned labels like josh wink s ovum, the german label resopal and alex under s cmyk, ..

the 2nd release of this fine new label ann aimee marks the return of londoner simon walley aka cim! cim built up a big profile with releases for respected labels as delsin and de:focus, including his impressive >reference< album. this noki bay ep is his first full release after more than 2.5 years!! this ep brings nine tracks in his trademark style, warm subtle electronics with a little touch of detroit.

the anthem is back - as 2009 update! minimally and absolutely removed sounds determine the new version of electro city. including mixes from jay preston, nikolas bay and haus klaus!

warehouse find !! phat 2nd album release! minimal / tech smasher ...

remix-package to one of the biggest wir hits. newcoming talent kab shows some severe skills with a tight remix that keeps minilogues hooklines in shape but introduces them to its unique world of magical flow while pulling off the impossible, he creates a masterbuilder being tense and tender at the same time. jichael mackson on the other hand constructs a relaxed groove rich in texture, pushing the sounds further and further until the final climax while tracing the original material rather emotionally then rationally. minilogue themselves round off the package with a beautifully dashed ambient version

next club bomb by andrea t mendoza vs tibet this time teaming up with montuno bay on vocals includes 2 electro flavoured mixes on the b side not to be missed

cloudy bay his debut ep for poker flat. once more the new 3-tracker proves his enormous skills. cloudy bay is a catchy and simply beautiful track with exciting strings and a wicked break which bring up the right dose of ecstasy on the floor. massive tune! the b-side holds two more high-spirited tracks with >whats your name< being a bit more relaxed and deep, while >lazy bastard< edges upwards again to a good pace with a great arrangement and a 100% positive vibe. fantastic release by a great producer who is well known for his top collaborations with loco dice, timo maas ....

himmlisch schöner verträumter minimal mit border community - gefühl . kling super !! played by laurent garnier, lars sandberg (funk d void)

murcof schafft sich seine eigene welt mit einer arg komprimierten atmosphärischen dichte. listening mit kopf

there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.

bay area true school hip-hop soldiers crown city rockers have linked with brooklyn based gold dust to release theirupcoming album, the day after forever.

reissue of the third softies album, holiday in rhode island, originally released in 2000.

incl smash single we are the people !

new concept album from power-trio the aristocrats on double vinyl.

repress of hey colossus’ twelfth studio album from 2019 on a limited coloured edition to mark the bands 20th anniversary. this edition is on transparent lime w/ marbles smoke effect and limited to 200 copies.

brilliant danceable techhouse tracks.

radioactive miami bass experiments - slime-coated dubby techno - nervous electro - and beautifully melodic, selectively not-ambient electronica. the second record on nascent san francisco label left hand path comes from bay area artist c.l.a.w.s. who offers up four cuts that chart a pathway through techno s outer reaches, a perfect platter for the intrepid at-home listener and essential fodder for the adventurous dj.
comes complete with full colour artwork sleeve and handmade paper insert designed by the artist.