180 g gatefold, vinyl 2xlp

urban/soul/blues/r&b/gospel

the third offering on public possessions sub label under the influence provides the listener with four remixes of bell towers last territory ep.

das hipster label permanent vacation setzt seinen momentanen erfolgskurs fort. hinter spectacle verbergen sich die beiden muenchner muallem und benjamin roeder. prims steht für absolut frische clubmusik, die sich nicht in die gewohnten schubladen house, techno oder disco einordnen mag. als bonus enthaelt die maxi ein schickes permanent vacation poster!

nice re edits of two 80s tracks: cans a spectacle is a post krautrock minimal wave breakbeat mover. the flip is an edit of the song elements of vogue by david ian which has stripped out the lyrics but kept that late 80s dance mix feel.

for this wph excursion - reggie dokes brings 3 brand new tracks and one older gem that has been edited and reworked by fcl (san soda and red d). an ep by reggie dokes on we play house recordings was simply inevitable. not only does this mans music move us to the extreme, reggie and label boss red d also go a long way back and have been friends ever since red d visited the movement festival in 2003.

powerful electro-tech-funk breaks from envisions sister laber - incl lawgiverz remix

electronics

fixed rhythms ist stolz darauf, einen seiner engsten verbündeten in sachen klangbefreiung, den new yorker mali mase, wieder in seinem roster begrüßen zu dürfen.

album of bertrand burgalat incl. download link,record story day release

reissue of the 2008 album from sound tribe sector 9 on double vinyl, housed in a gatefold sleeve.

the 1978 can album on 180 gram vinyl with download code included.

ltd to 50 copies.

the 3rd longplayer from kali malone on black double vinyl, housed in a gatefold sleeve.

2x12 inch lp

ass spanking funky futuristic wobbly disharmonic robot wanking at its best! a must have for all fans of the karlskrona sound! this is the shit that makes you wanna move to the small town and have pizza at sorrento every day. dj joakim cosmo, sweden.

flames & figures is the second full-length album from the seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of r&b, synth-pop and electronic music. the long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in the seshen’s unique sound.

vier großartige remixe von zwei tracks der im frühjahr 2011 erschienenen mini-lp des kopenhagener duos parallel dance orchestra, das aus robin hannibal (owusu & hannibal, boom clap bachelors) und der rapperin coco solid besteht. die club-mixes kommen von salax peep show alias axel boman und petter), maxmillion dunbar, maxxi soundsystem und spectacle (permanent vacation).

full cd-version of this album included.

excellent minimal phunkin tech tracks... supported by dj deep, laurent garnier, tobi neumann, 2000 and one

reissue

flames & figures ist das zweite album von the seshen. ihr progressiver sound kombiniert synthesizer, drum maschinen, live percussion und hinrei§ende harmonien, die eine unverkennbare mischung aus r&b, synth-pop und elektronischer musik ergeben. die in san francisco ansŠssige siebenkšpfige band wird von sŠnger lalin st. juste und bassist / produzent akiyoshi ehara angefŸhrt. das duo wird von fŸnf bemerkenswerten musikern begleitet: sŠngerin kasha rockland, drummer chris thalmann, keyboarder mahesh rao, percussionist mirza kopelman und sampler kumar butler. sie supporteten live-bands wie hiatus kaiyote, thundercat, petite noir oder tune-yards. soundtechnisch irgendwo zwischen den koordinaten j dilla, little dragon, beach house und erykah badu anzusiedeln.

while the tempos may vary from one track to the next, from chillout to dubstep to chilled drum & bass, the uniting thread is the deeply melancholy sounds from the icey synths to the hazy voices of longing. includes their stunning single hide your tears because we are in heaven.

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

cool lp on glodies label metallheadz